The Tang dynasty, or the Tang Empire, was an imperial dynasty of China that ruled from 618 to 907, with an interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty.
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture, heritage, and history. Early "Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years. The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art.
Terracotta, also known as terra cotta or terra-cotta, is a clay-based non-vitreous ceramic fired at relatively low temperatures. It is therefore a term used for earthenware objects of certain types, as set out below.
Tang dynasty art refers to Chinese art created during the Tang dynasty (618–907). The period saw significant advancements in arts such as painting, sculpture, calligraphy, music, dance, and literature. During the Tang dynasty, the capital city Chang'an, was the most populous city in the known world, and the era is generally regarded by historians as a high point in Chinese civilization and a golden age of Chinese literature and art.
Shaanxi History Museum, which is located to the northwest of the Giant Wild Goose Pagoda in the ancient city Xi'an, in the Shaanxi province of China, is one of the first huge state museums with modern facilities in China and one of the largest. The museum houses over 370,000 items, including murals, paintings, pottery, coins, as well as bronze, gold, and silver objects. The modern museum was built between 1983 and 2001 and its appearance recalls the architectural style of the Tang dynasty.
Qi, known as the Northern Qi, Later Qi (後齊) or Gao Qi (高齊) in historiography, was a Chinese imperial dynasty and one of the Northern dynasties during the Northern and Southern dynasties era. It ruled the eastern part of northern China from 550 to 577. The dynasty was founded by Gao Yang, and was eventually conquered by the Xianbei-led Northern Zhou dynasty in 577.
Chinese ceramics are one of the most significant forms of Chinese art and ceramics globally. They range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court and for export.
Sancai is a versatile type of decoration on Chinese pottery using glazes or slip, predominantly in the three colours of brown, green, and a creamy off-white. It is particularly associated with the Tang dynasty (618–907) and its tomb figures, appearing around 700. Therefore, it is commonly referred to as Chinese: 唐三彩 Tang Sancai in Chinese. Tang sancai wares were sometimes referred in China and the West as egg-and-spinach by dealers, for their use of green, yellow, and white, especially when combined with a streaked effect.
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs, tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living.
Cizhou ware or Tz'u-chou ware is a wide range of Chinese ceramics from between the late Tang dynasty and the early Ming dynasty, but especially associated with the Northern Song to Yuan period in the 11–14th century. It has been increasingly realized that a very large number of sites in northern China produced these wares, and their decoration is very variable, but most characteristically uses black and white, in a variety of techniques. For this reason Cizhou-type is often preferred as a general term. All are stoneware in Western terms, and "high-fired" or porcelain in Chinese terms. They were less high-status than other types such as celadons and Jun ware, and are regarded as "popular", though many are finely and carefully decorated.
The Tang dynasty tomb figures of Liu Tingxun (劉庭訓) are thirteen earthenware tomb figures found in a tomb believed to be that of Liu Tingxun, a Chinese general who died in 728 AD. These figures were found in Luoyang and are now on display in the British Museum in London. Similar Tang dynasty tomb figures of people and animals from other tombs of the same era can be found in other museums around the world.
Mingqi, sometimes referred to as "spirit objects" or "vessels for ghosts", are Chinese burial goods. They included daily utensils, musical instruments, weapons, armor, and intimate objects such as the deceased's cap, can and bamboo mat. Mingqi also could include figurines, spiritual representations rather than real people, of soldiers, servants, musicians, polo riders, houses, unicorns and horses. Extensive use of mingqi during certain periods may either have been an attempt to preserve the image of ritual propriety by cutting costs, or it may have a new idea separating the realm of the dead from that of the living.
The Beiting Protectorate-General, initially the Beiting Protectorate, was a Chinese protectorate established by the Tang dynasty in 702 to control the Beiting region north of Gaochang in contemporary Xinjiang. Wu Zetian set up the Beiting Protectorate in Ting Prefecture and granted it governorship over Yi Prefecture (Hami) and Xi Prefecture (Gaochang). The Beiting Protectorate ended in 790 when Tingzhou was conquered by the Tibetan Empire. The ruins, along with other sites along the Silk Road, were inscribed in 2014 on the UNESCO World Heritage List as the Silk Roads: the Routes Network of Chang'an-Tianshan Corridor World Heritage Site.
Much traditional Chinese art was made for the imperial court, often to be then redistributed as gifts. As well as Chinese painting, sculpture and Chinese calligraphy, there are a great range of what may be called decorative or applied arts. Chinese fine art is distinguished from Chinese folk art, which differs in its style and purpose. This article gives an overview of the many different applied arts of China.
The conquest of the Western Turks, known as the Western Tujue in Chinese sources, was a military campaign in 655–657 led by the Tang dynasty generals Su Dingfang and Cheng Zhijie against the Western Turkic Khaganate ruled by Ashina Helu. The Tang campaigns against the Western Turks began in 640 with the annexation of the Tarim Basin oasis state Gaochang, an ally of the Western Turks. Several of the oasis states had once been vassals of the Tang dynasty, but switched their allegiance to the Western Turks when they grew suspicious of the military ambitions of the Tang. Tang expansion into Central Asia continued with the conquest of Karasahr in 644 and Kucha in 648. Cheng Zhijie commanded the first foray against the West Tujue, and in 657 Su Dingfang commanded the main army dispatched against the Western Turks, while the Turkic generals Ashina Mishe and Ashina Buzhen led the side divisions. The Tang troops were reinforced by cavalry supplied by the Uyghurs, a tribe that had been allied with the Tang since their support for the Uyghur revolt against the Xueyantuo. Su Dingfang's army defeated Helu at the battle of Irtysh River.
The Tang campaigns against the Western Turks, known as the Western Tujue in Chinese sources, were a series of military campaigns conducted by the Tang dynasty against the Western Turkic Khaganate in the 7th century AD. Early military conflicts were a result of the Tang interventions in the rivalry between the Western and Eastern Turks in order to weaken both. Under Emperor Taizong, campaigns were dispatched in the Western Regions against Gaochang in 640, Karasahr in 644 and 648, and Kucha in 648.
The military of the Tang dynasty was staffed with a large population of Turkic soldiers, referred to as Tujue (突厥) in Chinese sources. Tang elites in northern China were familiar with Turkic culture, a factor that contributed to the empire's acceptance of Turkic recruits. The Emperor Taizong of Tang adopted the title of "Heavenly Khagan" and promoted a cosmopolitan empire. Turkic soldiers that served under the Tang dynasty originated from the Eastern Turkic Khaganate. It began with Taizong who sent his general Li Jing, eventually ended in defeating the Eastern Turks and capturing their leader Jiali Khan.
The Yixian glazed pottery luohans are a set of life-size glazed pottery sculptures of arhats now usually regarded as originating from the Liao dynasty period (907–1125). They were apparently discovered in the early 20th century in caves at Yi County, Hebei, south of Beijing. They have been described as "one of the most important groups of ceramic sculpture in the world." They reached the international art market, and were bought for Western collections. At least eight statues were originally found, including one large fragment which was thought to have been destroyed in Berlin during World War II, but was rediscovered in the State Hermitage Museum, St Petersburg, in 2001.
Chinese sculpture originated from the Shang, and has a history of more than 3,000 years. Chinese sculpture eventually influenced the sculpture of other nations such as Japan.
Tang dynasty tomb figures are pottery figures of people and animals made in the Tang dynasty of China (618–906) as grave goods to be placed in tombs. There was a belief that the figures represented would become available for the service of the deceased in the afterlife. The figures are made of moulded earthenware with colour generally being added, though often not over the whole figure, or in naturalistic places. Where the colouring was in paint it has often not survived, but in many cases it was in sancai ("three-colour") ceramic glaze, which has generally lasted well.
