Bhinneka Tunggal Ika is the official national motto of Indonesia, inscribed in the National emblem of Indonesia, the Garuda Pancasila, written on the scroll gripped by the Garuda's claws. The phrase comes from the Old Javanese, translated to as "Unity in Diversity." The phrase is also mentioned in the Constitution of Indonesia, specifically in article 36A. The motto refers to the unity and integrity of Indonesia, a nation consisting of various cultures, regional languages, races, ethnicities, religions, and beliefs.
The phrase is a quotation from an Old Javanese poem Kakawin Sutasoma, written by Mpu Tantular, a famous poet of Javanese Literature during the reign of the Majapahit empire sometime in the 14th century, under the reign of King Rājasanagara, also known as Hayam Wuruk.
Translated word for word, bhinnêka is a sandhi form of bhinna meaning "different"; the word tunggal means "one" and the word ika means "it". Literally, Bhinneka Tunggal Ika is translated as "It is different, [yet] it is one". Conventionally, the phrase is translated as "Unity in Diversity", [1] which means that despite being diverse, the Indonesian people are still one unit. This motto is used to describe the unity and integrity of Indonesia which consists of various cultures, regional languages, races, ethnicities, religions, and beliefs. As head of the Faculty of Philosophy of Gadjah Mada University, Rizal Mustansyir, writes, "the motto of Bhinneka Tunggal Ika explains clearly that there is diversity in various aspects of life that makes the Indonesian nation a unified nation." [2]
The phrase originated from the Old Javanese poem Kakawin Sutasoma, written by Mpu Tantular a famous poet of Javanese Literature during the reign of the Majapahit empire sometime in the 14th century, under the reign of King Rājasanagara, also known as Hayam Wuruk. [3] The Kakawin contains epic poems written in metres. The poem is notable as it promotes tolerance between Hindus (especially Shivaites) and Buddhists. [4]
The phrase Bhinneka Tunggal Ika was published in an article entitled Verspreide Geschriften which was written by a Dutch linguist orientalist Johan Hendrik Casper Kern. Kern's writings were later read by Mohammad Yamin, who then brought the phrase to the first Investigating Committee for Preparatory Work for Independence (BPUPK) session, between 29 May to 1 June 1945. [5]
The motto Bhinneka Tunggal Ika was later incorporated into the state emblem, the Garuda Pancasila. Reporting from the Directorate General of Culture of the Republic of Indonesia, the state symbol was designed by Sultan Hamid II and announced to the public on 15 February 1950. [6]
The phrase, along with Pancasila as national emblem and 20 other articles, is officially included into the Constitution of Indonesia after the second amendment of the constitution was ratified on People's Consultative Assembly (MPR) parliamentary session in 7–18 August 2000. [7] [8]
This quotation comes from canto 139, stanza 5. The full stanza reads as follows:
Rwāneka dhātu winuwus Buddha Wiswa,
Bhinnêki rakwa ring apan kena parwanosen,
Mangka ng Jinatwa kalawan Śiwatatwa tunggal,
Bhinnêka tunggal ika tan hana dharma mangrwa.
It is said that the well-known Buddha and Shiva are two different substances.
They are indeed different, yet how is it possible to recognise their difference in a glance,
since the truth of Jina (Buddha) and the truth of Shiva is one.
They are indeed different, but they are of the same kind, as there is no duality in Truth.
This translation is based, with minor adaptations, on the critical text edition by Soewito Santoso. [1]
This idea is a constant theme throughout Mpu Tantular's writings and can also be found in his other writing, the Kakawin Arjunawijaya, canto 27 stanza 2: [9] [10]
ndan kantênanya, haji, tan hana bheda saṅ hyaṅ
hyaṅ Buddha rakwa kalawan Śiwarājadewa
kālih samêka sira saṅ pinakeṣṭi dharma
riṅ dharma sīma tuwi yan lêpas adwitīya
Clearly then, Your Majesty, there is no distinction between the Deities:
the hyaṅ Buddha and Siwa, the lord of gods,
both are the same, they are the goals of the religions;
in the dharma sīma as well as in the dharma lêpas they are second to none.
Majapahit, also known as Wilwatikta, was a Javanese Hindu-Buddhist thalassocratic empire in Southeast Asia that was based on the island of Java. It existed from 1292 to c. 1527 and reached its peak during the era of the queen Tribhuvana and her son Hayam Wuruk, whose reigns in the mid-14th century were marked by conquests that extended throughout Southeast Asia. This achievement is also credited to the famous prime minister Gajah Mada. According to the Deśavarṇana written in 1365, Majapahit was an empire of 98 tributaries, stretching from Sumatra to New Guinea; including territories in present-day Indonesia, Singapore, Malaysia, Brunei, southern Thailand, Timor Leste, southwestern Philippines although the scope of Majapahit sphere of influence is still the subject of debate among historians. The nature of Majapahit's relations and influence upon its overseas vassals and also its status as an empire still provokes discussion.
Old Javanese or Kawi is the oldest attested phase of the Javanese language. It was spoken in the eastern part of what is now Central Java and the whole of East Java, Indonesia. As a literary language, Kawi was used across Java and on the islands of Madura, Bali, and Lombok. It had a sizable vocabulary of Sanskrit loanwords but had not yet developed the formal krama language register, to be used with one's social superiors that is characteristic of modern Javanese.
Gajah Mada, also known as Jirnnodhara, was a powerful military leader and mahapatih of the Javanese empire of Majapahit during the 14th century. He is credited in Old Javanese manuscripts, poems, and inscriptions with bringing the empire to its peak of glory.
Hayam Vuruk (1334–1389), also called Rajasanagara, Pa-ta-na-pa-na-wu, or Bhatara Prabhu after 1350, was a Javanese Hindu emperor from the Rajasa dynasty and the 4th emperor of the Majapahit Empire. Together with his prime minister Gajah Mada, he reigned the empire at the time of its greatest power. During his reign, the Hindu epics, the Ramayana and the Mahabharata, became ingrained in the culture and worldview of the Javanese through the wayang kulit. He was preceded by Tribhuwana Wijayatunggadewi, and succeeded by his son-in-law Wikramawardhana.
A Buddhist temple or Buddhist monastery is the place of worship for Buddhists, the followers of Buddhism. They include the structures called vihara, chaitya, stupa, wat and pagoda in different regions and languages. Temples in Buddhism represent the pure land or pure environment of a Buddha. Traditional Buddhist temples are designed to inspire inner and outer peace.
Unity in diversity is used as an expression of harmony and unity between dissimilar individuals or groups. It is a concept of "unity without uniformity and diversity without fragmentation" that shifts focus from unity based on a mere tolerance of physical, cultural, linguistic, social, religious, political, ideological and/or psychological differences towards a more complex unity based on an understanding that difference enriches human interactions. The idea and related phrase is very old and dates back to ancient times in both Western and Eastern Old World cultures. It has applications in many fields, including ecology, cosmology, philosophy, religion and politics.
The national emblem of Indonesia is called Garuda Pancasila. The main part is the Garuda with a heraldic shield on its chest and a scroll gripped by its legs. The shield's five emblems represent Pancasila, the five principles of Indonesia's national ideology. The Garuda claws gripping a white ribbon scroll inscribed with the national motto Bhinneka Tunggal Ika written in black text, which can be loosely translated as "Unity in Diversity". Garuda Pancasila was designed by Sultan Hamid II from Pontianak, supervised by Sukarno, and was adopted as the national emblem on 11 February 1950.
Buddhism has a long history in Indonesia, and it is one of the six recognized religions in the country, along with Islam, Christianity, Hinduism and Confucianism. According to 2023 estimates roughly 0.71% of the total citizens of Indonesia were Buddhists, numbering around 2 million. Most Buddhists are concentrated in Jakarta, Riau, Riau Islands, Bangka Belitung, North Sumatra, and West Kalimantan. These totals, however, are probably inflated, as practitioners of Taoism and Chinese folk religion, which are not considered official religions of Indonesia, likely declared themselves as Buddhists on the most recent census. Today, the majority of Buddhists in Indonesia are Chinese and other East Asians, but small communities of native Buddhists also exist.
The Nagarakretagama or Nagarakṛtāgama, also known as Desawarnana or Deśavarṇana, is an Old Javanese eulogy to Hayam Wuruk, a Javanese king of the Majapahit Empire. It was written on lontar as a kakawin by Mpu Prapanca in 1365. The Nagarakretagama contains detailed descriptions of the Majapahit Empire during its greatest extent. The poem affirms the importance of Hindu–Buddhism in the Majapahit empire by describing temples and palaces and several ceremonial observances.
Kakawin are long narrative poems composed in Old Javanese, also called "Kawi", written in verse form with rhythms and meters derived from Sanskrit literature. Poets used a formalized literary language, rather than the vernacular. Poets composed and performed the poems at the courts of central and east Java kings between the 9th and 16th centuries, and in Bali.
Javanese culture is the culture of the Javanese people. Javanese culture is centered in the provinces of Central Java, Yogyakarta and East Java in Indonesia. Due to various migrations, it can also be found in other parts of the world, such as Suriname, the broader Indonesian archipelago region, Cape Malay, Malaysia, Singapore, Netherlands and other countries. The migrants bring with them various aspects of Javanese cultures such as Gamelan music, traditional dances and art of Wayang kulit shadow play.
Kakawin Sutasoma is an Old Javanese poem in poetic meters. It is the source of the motto of Indonesia, Bhinneka Tunggal Ika, which is usually translated as Unity in Diversity, although it means '(Although) in pieces, yet One'. It is not without reason that the motto was taken from this kakawin as the kakawin teaches religious tolerance, specifically between the Hindu and Buddhist religions.
National symbols of Indonesia are symbols that represent Republic of Indonesia. It can represent Indonesia as a nation, Indonesian people, culture, arts, and its biodiversity. The official symbols of Indonesia are officially recognise symbols that represent Indonesia and enforced through Indonesian laws. These symbols of the state that represent Indonesian nationhood are Garuda Pancasila, Merah-Putih flag, Indonesia Raya national anthem, and Indonesian language.
Arjunawiwāha was the first kakawin to appear in the East Javan period of the Javanese classical Hindu-Buddhist era in the 11th-century. It was composed by Mpu Kanwa during the reign of King Airlangga, king of the Kahuripan Kingdom, circa 1019 to 1042 CE. Arjunawiwaha is estimated to have been finished in 1030.
Indonesian nationalism is an ideology that arose during the Dutch colonial era in the Dutch East Indies which called for the colony's independence and unification as an independent and sovereign nation. This period of nationalist development under colonial rule is often called the Indonesian National Awakening. After Indonesia declared independence in 1945 and was recognized as independent of the Netherlands following the 1949 Indonesian National Revolution, Indonesian nationalism persisted as a set of ideologies supporting the continued independence and development of the newly formed country. Because of the multiethnic nature of Indonesia, Indonesian nationalism does not consist of advocacy for a single ethnic group, and at times has manifested as civic nationalism, religious nationalism, and left-wing nationalism. Some of those forms are exemplified in Indonesia's national motto Bhinneka Tunggal Ika which means "Unity in Diversity" in Old Javanese, in the country's foundational ideology of Pancasila, or in contemporary laws which guarantee ethnic and religious diversity.
Mpu Tantular was a famous Javanese poet of Javanese literature who lived in the 14th century, during the reign of king Hayam Wuruk. Tantular was a Buddhist, and was respectful to other religions. This can be seen in two items of kakawin or poetry, the Kakawin Arjunawijaya and Kakawin Sutasoma. One of the verses from the Kakawin Sutasoma was later taken as the motto or motto of the Republic of Indonesia: "Bhinneka Tunggal Ika" or different but one.
The Majapahit flagand emblem refers to the royal colors and symbols used to represent the Majapahit empire. However, the nature of how the colors and the symbols were used and represented is still a subject of study and disagreement among historians.
Pancasila is the official, foundational philosophical theory of Indonesia. The name is made from two words originally derived from Sanskrit: "pañca" ("five") and "śīla".
Kakawin Arjunawijaya is an Old Javanese poem in poetic meters, written by Mpu Tantular between 1374 and 1379 CE.
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