Binocular rivalry is a phenomenon of visual perception in which perception alternates between different images presented to each eye. [1]
When one image is presented to one eye and a very different image is presented to the other (also known as dichoptic presentation), instead of the two images being seen superimposed, one image is seen for a few moments, [2] then the other, then the first, and so on, randomly for as long as one cares to look. For example, if a set of vertical lines is presented to one eye, and a set of horizontal lines to the same region of the retina of the other, sometimes the vertical lines are seen with no trace of the horizontal lines, and sometimes the horizontal lines are seen with no trace of the vertical lines.
At transitions, brief, unstable composites of the two images may be seen. For example, the vertical lines may appear one at a time to obscure the horizontal lines from the left or from the right, like a traveling wave, switching slowly one image for the other. [3] Binocular rivalry occurs between any stimuli that differ sufficiently, [4] including simple stimuli like lines of different orientation and complex stimuli like different alphabetic letters or different pictures such as of a face and of a house.
Very small differences between images, however, might yield singleness of vision and stereopsis. Binocular rivalry has been extensively studied in the last century. [5] [ page needed ] In recent years[ when? ] neuroscientists have used neuroimaging techniques and single-cell recording techniques to identify neural events responsible for the perceptual dominance of a given image and for the perceptual alternations.
When the images presented to the eyes differ only in their contours, rivalry is referred to as binocular contour rivalry. When the images presented to the eyes differ only in their colours, rivalry is referred to as binocular colour rivalry. When the images presented to the eyes differ only in their lightnesses, a form of rivalry called binocular lustre may be seen. When an image is presented to one eye and a blank field to the other, the image is usually seen continuously. This is referred to as contour dominance. Occasionally however, the blank field, or even the dark field of a closed eye, can become visible, making the image invisible for about as long as it would be invisible were it in rivalry with another image of equal stimulus strength. When an image is presented to one eye and a blank field to the other, introducing a different image onto the blank field usually results in that image being seen immediately. This is referred to as flash suppression .
Binocular rivalry was discovered by Porta. [6] Porta put one book in front of one eye, and another in front of the other. He reported that he could read from one book at a time and that changing from one to the other required withdrawing the "visual virtue" from one eye and moving it to the other. According to Wade (1998), binocular colour rivalry was first reported by Le Clerc (1712). Desaguiliers (1716) also recorded it when looking at different colours from spectra in the bevel of a mirror. The clearest early description of both colour and contour rivalry was made by Dutour ( 1760 , 1763 ). To experience colour rivalry Dutour either crossed his eyes or overdiverged his eyes (a form of free fusion commonly used also at the end of the 20th century to view Magic Eye stereograms) to look at differently coloured pieces of cloth ( Dutour 1760 ) or differently coloured pieces of glass ( Dutour 1763 ). To experience contour rivalry Dutour again used free fusion of different objects or used a prism or a mirror in front of one eye to project different images into it. The first clear description of rivalry in English was by CharlesWheatstone ( 1838 ). Wheatstone invented the stereoscope, an optical device (in Wheatstone's case using mirrors) to present different images to the two eyes.
Various theories were proposed to account for binocular rivalry. Porta and Dutour took it as evidence for an ancient theory of visual perception that has come to be known as suppression theory. Its essential idea is that, despite having two eyes, we see only one of everything (known as singleness of vision) because we see with one eye at a time. According to this theory, we do not normally notice the alternations between the two eyes because their images are too similar. By making the images very different, Porta and Dutour argued, this natural alternation can be seen. Wheatstone, on the other hand, supported the alternative theory of singleness of vision, fusion theory, proposed by Aristotle. Its essential idea is that we see only one of everything because the information from the two eyes is combined or fused. Wheatstone also discovered binocular stereopsis, the perception of depth arising from the lateral placement of the eyes. Wheatstone was able to prove that stereopsis depended on the different horizontal positions (the horizontal disparity) of points in the images viewed by each eye by creating the illusion of depth from flat depictions of such images displayed in his stereoscope. Such stereopsis is impossible unless information is being combined from each eye. Although Wheatstone's discovery of stereopsis supported fusion theory, he still had to account for binocular rivalry. He regarded binocular rivalry as a special case in which fusion is impossible, saying "the mind is inattentive to impressions made on one retina when it cannot combine the impressions on the two retinae together so as to occasion a perception resembling that of some external object" (p. 264).[ full citation needed ]
Other theories of binocular rivalry dealt more with how it occurs than why it occurs. Dutour speculated that the alternations could be controlled by attention, a theory promoted in the nineteenth century by Hermann von Helmholtz.[ full citation needed ] But Dutour also speculated that the alternations could be controlled by structural properties of the images (such as by temporary fluctuations in the blur of one image, or temporary fluctuations in the luminance of one image). This theory was promoted in the nineteenth century by Helmholtz's traditional rival, Ewald Hering.[ full citation needed ]
The most comprehensive early study of binocular rivalry was conducted by B. B.Breese ( 1899 , 1909 ). Breese quantified the amount of rivalry by requiring his observers to press keys while observing rivalry for 100-second trials. An observer pressed one key whenever and for as long as he or she saw one rival stimulus with no trace of the other, and another key whenever and for as long as he or she saw the other rival stimulus with no trace of the first. This has come to be known as recording periods of exclusive visibility. From the key-press records (Breese's were made on a kymograph drum), Breese was able to quantify rivalry in three ways: the number of periods of exclusive visibility of each stimulus (the rate of rivalry), the total duration of exclusive visibility of each stimulus, and the average duration of each period of rivalry.
Breese first found that although observers could increase the time one rival stimulus was seen by attending to it, they could not increase the rate of that stimulus. Moreover, when he asked his observers to refrain from moving their eyes over the attended stimulus, control was abolished. When he asked observers specifically to move their eyes over one stimulus, that stimulus predominated in rivalry. He could also increase predominance of a stimulus by increasing the number of its contours, by moving it, by reducing its size, by making it brighter, and by contracting the muscles on the same side of the body as the eye viewing that stimulus. Breese also showed that rivalry occurs between afterimages. Breese also discovered the phenomenon of monocular rivalry: if the two rival stimuli are optically superimposed to the same eye and one fixates on the stimuli, then alternations in the clarity of the two stimuli are seen. Occasionally, one image disappears altogether, as in binocular rivalry, although this is much rarer than in binocular rivalry.
Auditory and olfactory forms of perceptual rivalry can occur when there are conflicting and so rivaling inputs into the two ears [7] or two nostrils. [8]
In biology, binocular vision is a type of vision in which an animal has two eyes capable of facing the same direction to perceive a single three-dimensional image of its surroundings. Binocular vision does not typically refer to vision where an animal has eyes on opposite sides of its head and shares no field of view between them, like in some animals.
Depth perception is the ability to perceive distance to objects in the world using the visual system and visual perception. It is a major factor in perceiving the world in three dimensions. Depth perception happens primarily due to stereopsis and accommodation of the eye.
An autostereogram is a two-dimensional (2D) image that can create the optical illusion of a three-dimensional (3D) scene. Autostereograms use only one image to accomplish the effect while normal stereograms require two. The 3D scene in an autostereogram is often unrecognizable until it is viewed properly, unlike typical stereograms. Viewing any kind of stereogram properly may cause the viewer to experience vergence-accommodation conflict.
Monocular rivalry is a phenomenon of human visual perception that occurs when two different images are optically superimposed. During prolonged viewing, one image becomes clearer than the other for a few moments, then the other image becomes clearer than the first for a few moments. These alternations in clarity continue at random for as long as one looks. Occasionally one image will become exclusively visible and the other image invisible.
The McCollough effect is a phenomenon of human visual perception in which colorless gratings appear colored contingent on the orientation of the gratings. It is an aftereffect requiring a period of induction to produce it. For example, if someone alternately looks at a red horizontal grating and a green vertical grating for a few minutes, a black-and-white horizontal grating will then look greenish and a black-and-white vertical grating will then look pinkish. The effect is remarkable because, although it diminishes rapidly with repeated testing, it has been reported to last up to 2.8 months when exposure to testing is limited.
A random-dot stereogram (RDS) is stereo pair of images of random dots that, when viewed with the aid of a stereoscope, or with the eyes focused on a point in front of or behind the images, produces a sensation of depth due to stereopsis, with objects appearing to be in front of or behind the display level.
Cyclopean image is a single mental image of a scene created by the brain through the process of combining two images received from both eyes. The mental process behind the Cyclopean image is crucial to stereo vision. Autostereograms take advantage of this process in order to trick the brain to form an apparent Cyclopean image from seemingly random patterns. These random patterns often appear in daily life, such as in art, children's books, and architecture.
Stereopsis is the component of depth perception retrieved by means of binocular disparity through binocular vision. It is not the only contributor to depth perception, but it is a major one. Binocular vision occurs because each eye receives a different image due to their slightly different positions in one's head. These positional differences are referred to as "horizontal disparities" or, more generally, "binocular disparities". Disparities are processed in the visual cortex of the brain to yield depth perception. While binocular disparities are naturally present when viewing a real three-dimensional scene with two eyes, they can also be simulated by artificially presenting two different images separately to each eye using a method called stereoscopy. The perception of depth in such cases is also referred to as "stereoscopic depth".
The horopter was originally defined in geometric terms as the locus of points in space that make the same angle at each eye with the fixation point, although more recently in studies of binocular vision it is taken to be the locus of points in space that have the same disparity as fixation. This can be defined theoretically as the points in space that project on corresponding points in the two retinas, that is, on anatomically identical points. The horopter can be measured empirically in which it is defined using some criterion.
Infant vision concerns the development of visual ability in human infants from birth through the first years of life. The aspects of human vision which develop following birth include visual acuity, tracking, color perception, depth perception, and object recognition.
Flash suppression is a phenomenon of visual perception in which an image presented to one eye is suppressed by a flash of another image presented to the other eye.
Motion Induced Blindness (MIB), also known as Bonneh's illusion is a visual illusion in which a large, continuously moving pattern erases from perception some small, continuously presented, stationary dots when one looks steadily at the center of the display. It was discovered by Bonneh, Cooperman, and Sagi (2001), who used a swarm of blue dots moving on a virtual sphere as the larger pattern and three small yellow dots as the smaller pattern. They found that after about 10 seconds, one or more of the dots disappeared for brief, random times.
Stereoblindness is the inability to see in 3D using stereopsis, or stereo vision, resulting in an inability to perceive stereoscopic depth by combining and comparing images from the two eyes.
Chromostereopsis is a visual illusion whereby the impression of depth is conveyed in two-dimensional color images, usually of red–blue or red–green colors, but can also be perceived with red–grey or blue–grey images. Such illusions have been reported for over a century and have generally been attributed to some form of chromatic aberration.
Binocular summation refers to the improved visual performance of binocular vision compared to that of monocular vision. The most vital benefit of binocular vision is stereopsis or depth perception; however, binocular summation does afford some subtle advantages as well. By combining the information received in each eye, binocular summation can improve visual acuity, contrast sensitivity, flicker perception, and brightness perception. Though binocular summation generally enhances binocular vision, it can worsen binocular vision relative to monocular vision under certain conditions. Binocular summation decreases with age and when large interocular differences are present.
Continuous flash suppression (CFS) is an adapted version of the original flash suppression method, first reported in 2004. In CFS, the first eye is presented with a static stimulus, such as a schematic face, while the second eye is presented with a series of rapidly changing stimuli. The result is the static stimulus becomes consciously repressed by the stimuli presented in the second eye. A variant of CFS to suppress a dynamic stimulus is also reported.
Binocular neurons are neurons in the visual system that assist in the creation of stereopsis from binocular disparity. They have been found in the primary visual cortex where the initial stage of binocular convergence begins. Binocular neurons receive inputs from both the right and left eyes and integrate the signals together to create a perception of depth.
Stereoscopic motion, as introduced by Béla Julesz in his book Foundations of Cyclopean Perception of 1971, is a translational motion of figure boundaries defined by changes in binocular disparity over time in a real-life 3D scene, a 3D film or other stereoscopic scene. This translational motion gives rise to a mental representation of three dimensional motion created in the brain on the basis of the binocular motion stimuli. Whereas the motion stimuli as presented to the eyes have a different direction for each eye, the stereoscopic motion is perceived as yet another direction on the basis of the views of both eyes taken together. Stereoscopic motion, as it is perceived by the brain, is also referred to as cyclopean motion, and the processing of visual input that takes place in the visual system relating to stereoscopic motion is called stereoscopic motion processing.
Binocular switch suppression (BSS) is a technique to suppress usually salient images from an individual's awareness, a type of experimental manipulation used in visual perception and cognitive neuroscience. In BSS, two images of differing signal strengths are repetitively switched between the left and right eye at a constant rate of 1 Hertz. During this process of switching, the image of lower contrast and signal strength is perceptually suppressed for a period of time.
Interocular transfer (IOT) is a phenomenon of visual perception in which information available to one eye will produce an effect in the other eye. For example, the state of adaptation of one eye can have a small effect on the state of light adaptation of the other. Aftereffects induced through one eye can be measured through the other.