Spirit possession is an unusual or an altered state of consciousness and associated behaviors which are purportedly caused by the control of a human body and its functions by spirits, ghosts, demons, angels, or gods. The concept of spirit possession exists in many cultures and religions, including Buddhism, Christianity, Haitian Vodou, Dominican Vudú, Hinduism, Islam, Judaism, Wicca, and Southeast Asian, African, and Native American traditions. Depending on the cultural context in which it is found, possession may be thought of as voluntary or involuntary and may be considered to have beneficial or detrimental effects on the host. The experience of spirit possession sometimes serves as evidence in support of belief in the existence of spirits, deities or demons. In a 1969 study funded by the National Institute of Mental Health, spirit-possession beliefs were found to exist in 74% of a sample of 488 societies in all parts of the world, with the highest numbers of believing societies in Pacific cultures and the lowest incidence among Native Americans of both North and South America. As Pentecostal and Charismatic Christian churches move into both African and Oceanic areas, a merger of belief can take place, with demons becoming representative of the "old" indigenous religions, which Christian ministers attempt to exorcise.
Gamelan is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones and a set of hand-drums called kendang, which keep the beat. The kemanak, a banana-shaped idiophone, and the gangsa, another metallophone, are also commonly used gamelan instruments on Bali. Other notable instruments include xylophones, bamboo flutes, a bowed string instrument called a rebab, and a zither-like instrument called a siter, used in Javanese gamelan. Additionally, vocalists may be featured, being referred to as sindhen for females or gerong for males.
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Indonesian, Arabic, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others.
Riau is a province of Indonesia. It is located on the central eastern coast of the island of Sumatra, and extends from the eastern slopes of the Barisan Mountains to the Malacca Strait, including several large islands situated within the Strait. The province shares land borders with North Sumatra to the northwest, West Sumatra to the west, and Jambi to the south, and a maritime border with the Riau Islands and the country of Malaysia to the east. It is the second-largest province in the island of Sumatra after South Sumatra, and is slightly larger than the nation of Jordan. According to the 2020 census, Riau had a population of 6,394,087 across a land area of 89,935.90 km²; the official estimate of population as of mid-2023 was 6,642,874. The province comprises ten regencies and two cities, with Pekanbaru serving as the capital and largest city.
Kecak, alternate spellings: kechak and ketjak), known in Indonesian as tari kecak, is a form of Balinese Hindu dance and music drama that was developed in the 1930s. Since its creation, it has been performed primarily by men, with the first women's kecak group having started in 2006. The dance is based on the story of the Ramayana and is traditionally performed in temples and villages across Bali, Indonesia.
West Sumatra is a province of Indonesia. It is on the west coast of the island of Sumatra and includes the Mentawai Islands off that coast. West Sumatra borders the Indian Ocean to the west, as well as the provinces of North Sumatra to the north, Riau to the northeast, Jambi to the southeast, and Bengkulu to the south. The province has an area of 42,119.54 km2 (16,262.45 sq mi), or about the same size as Switzerland, with a population of 5,534,472 at the 2020 census. The official estimate at mid 2023 was 5,757,210. The province is subdivided into twelve regencies and seven cities. It has relatively more cities than other provinces outside Java, although several of them are relatively low in population compared with cities elsewhere in Indonesia. Padang is the province's capital and largest city.
West Kalimantan is a province of Indonesia. It is one of five Indonesian provinces comprising Kalimantan, the Indonesian part of the island of Borneo. Its capital and largest city is Pontianak. It is bordered by East Kalimantan and Central Kalimantan to the east, the Malaysian state of Sarawak to the north, and the Bangka Belitung Islands to the west and the Java Sea to the south. The province has an area of 147,037 km2, and had a population of 4,395,983 at the 2010 Census and 5,414,390 at the 2020 Census; the official estimate as at mid 2023 was 5,623,328, and was projected to rise to 5,695,500 at mid 2024. Ethnic groups include the Dayak, Malay, Chinese, Javanese, Bugis, and Madurese. The borders of West Kalimantan roughly trace the mountain ranges surrounding the vast watershed of the Kapuas River, which drains most of the province. The province shares land borders with Central Kalimantan to the southeast, East Kalimantan to the east, and the Malaysian territory of Sarawak to the north.
The Riau Islands is a province of Indonesia—not to be confused with neighbouring Riau Province from which the Riau Islands Province were separated in 2002. The capital of the province is Tanjung Pinang, while the largest city is Batam. It shares a maritime border with Riau and Jambi to the west, Bangka Belitung Islands to the south, Singapore to the northeast, Malaysia and West Kalimantan to the east, and Vietnam and Cambodia to the north. It comprises a total of 2,028 islands scattered between Sumatra, Malay Peninsula, and Borneo including the Riau Archipelago. Situated on one of the world's busiest shipping lanes along the Malacca Strait and the Natuna Sea, the province shares water borders with neighboring countries such as Singapore, Malaysia, and Brunei. The Riau Islands also have relatively large potential mineral resources and energy, as well as marine resources.
The culture of Indonesia has been shaped by the interplay of indigenous customs and diverse foreign influences. With over 1,300 distinct ethnic groups, including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages, and customs, Indonesia is a melting pot of diversity. Positioned along ancient trade routes between the Far East, South Asia, and the Middle East, the country has absorbed cultural practices influenced by Hinduism, Buddhism, Confucianism, Islam, and Christianity. These influences have created a complex cultural tapestry that often differs from the original indigenous cultures.
Topeng is a dramatic form of Indonesian dance in which one or more mask-wearing ornately costumed performers interpret traditional narratives concerning fabled kings, heroes, and myths, accompanied by gamelan or other traditional music instruments. Topeng dance is a typical Indonesian dance that can be found in various regions of Indonesia. Topeng dance has the main characteristic that the dancers use masks to cover their faces. The dance will usually be performed by one dancer or a group of dancers.
Balinese dance is an ancient dance tradition that is part of the religious and artistic expression among the Balinese people of Bali island, Indonesia. Balinese dance is dynamic, angular, and intensely expressive. Balinese dancers express the stories of dance-drama through bodily gestures including gestures of fingers, hands, head, and eyes.
Dance in Indonesia reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the numerous dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies.
Reog or Réyog is a traditional Indonesian dance in an open arena that serves as folk entertainment and contains some magical elements. The main dancer is a lion-headed person with a peacock feather decoration, accompanied by several masked dancers and Kuda Lumping. Reog is one of the performing arts from the northwestern region of East Java and Ponorogo is the region where Reog originated. The city gate of Ponorogo is decorated with warok and gemblak, two characters who were present at the time when Reog is performed. Reog is one of Indonesia culture that is still very strong with mystical elements and mysticism.
Sanghyang is a traditional sacred Balinese dance originated from the Indonesian island of Bali. It is based on the premise that an unseen force enters the body of an entranced performer. The force, identified as hyang, is an important type of spiritual entity in ancient Indonesian mythology.
Indonesia and Malaysia established diplomatic relations in 1957. It is one of the most important bilateral relationships in Southeast Asia.
Saman is one of the most popular dances in Indonesia. Its origin is from the Gayo ethnic group from Gayo Lues, Aceh province, Indonesia, and is normally performed to celebrate important occasions. The dance is characterized by its fast-paced rhythm and common harmony between dancers. These two elements are key figures of Saman and are among the reasons Saman is widely known and practiced in Indonesia, besides being relatively easy to learn.
Zapin Api is a firedance technique of the classical Malay Zapin founded in Pulau Rupat Utara, Bengkalis, Riau, Indonesia. The identifying characteristic of Zapin Api is the incorporation of fire and strong focus on the mystical elements. The dance form was historically dormant and extinct for nearly 40 years before its revival in 2013.
Minangkabau culture is the culture of the Minangkabau ethnic group in Indonesia, part of the Indonesian culture. This culture is one of the two major cultures in the Indonesian archipelago which is very prominent and influential.
The Bugis-Malay, also known as Malay-Bugis, Melayu-Bugis or Peranakan Bugis, refers to a cultural and ethnic group with heritage rooted in both Malay and Bugis communities, typically comprising individuals of mixed Malay and South Sulawesi ancestry. This group descends from multiple waves of migration from South Sulawesi, particularly to Johor and Riau Archipelago, as well as Selangor, Singapore and other areas, between the 17th and early 20th centuries.
