Walter Brown "Brownie" McGhee was an American folk and Piedmont blues singer and guitarist, best known for his collaboration with the harmonica player Sonny Terry.
Guy Hughes Carawan Jr. was an American folk musician and musicologist. He served as music director and song leader for the Highlander Research and Education Center in New Market, Tennessee.
Moran Lee "Dock" Boggs was an American old-time singer, songwriter and banjo player. His style of banjo playing, as well as his singing, is considered a unique combination of Appalachian folk music and African-American blues. Contemporary folk musicians and performers consider him a seminal figure, at least in part because of the appearance of two of his recordings from the 1920s, "Sugar Baby" and "Country Blues", on Harry Smith's 1952 collection Anthology of American Folk Music. Boggs was first recorded in 1927 and again in 1929, although he worked primarily as a coal miner for most of his life.
Howard Vincent Alden is an American jazz guitarist born in Newport Beach, California. Alden has recorded many albums for Concord Records, including four with seven-string guitar innovator George Van Eps.
Gilbert Vandine "Cisco" Houston was an American folk singer and songwriter, who is closely associated with Woody Guthrie due to their extensive history of recording together.
Mike Seeger was an American folk musician and folklorist. He was a distinctive singer and an accomplished musician who played autoharp, banjo, fiddle, dulcimer, guitar, mouth harp, mandolin, dobro, jaw harp, and pan pipes. Seeger, a half-brother of Pete Seeger, produced more than 30 documentary recordings, and performed in more than 40 other recordings. He desired to make known the caretakers of culture that inspired and taught him. He was posthumously inducted into the International Bluegrass Music Hall of Fame in 2018.
The Old Town School of Folk Music is a Chicago teaching and performing institution that launched the careers of many notable folk music artists. Founded by Folk musicians Frank Hamilton and Win Stracke, and Dawn Greening, the School opened in the Old Town neighborhood of Chicago in 1957. It began by offering guitar and banjo lessons in a communal teaching style and hosting performances by well-known folk musicians. Currently the school has an enrollment of about 6,000 students per week, 2,700 of them children.
Elizabeth "Libba" Cotten was an influential American folk and blues musician. She was a self-taught left-handed guitarist who played a guitar strung for a right-handed player, but played it upside down. This position meant that she would play the bass lines with her fingers and the melody with her thumb. Her signature alternating bass style has become known as "Cotten picking". NPR stated "her influence has reverberated through the generations, permeating every genre of music."
A string band is an old-time music or jazz ensemble made up mainly or solely of string instruments. String bands were popular in the 1920s and 1930s, and are among the forerunners of modern country music and bluegrass. While being active countrywide, in Philadelphia and its surrounding suburbs they are a huge part of its musical culture and traditions, appearing, among others, in the yearly Mummers Parade.
Chet Parker was a hammered dulcimer player from Michigan.
Americana is an amalgam of American music formed by the confluence of the shared and varied traditions that make up the musical ethos of the United States of America, with particular emphasis on music historically developed in the American South.
Hedwig Grace "Hedy" West was an American folksinger and songwriter. She belonged to the same generation of folk revivalists as Joan Baez and Judy Collins. Her most famous song "500 Miles" is one of America's most popular folk songs. English folk musician A. L. Lloyd declared West to be "far and away the best of [the] American girl singers in the [folk] revival."
Donald David Guard was an American folk singer, songwriter, arranger and recording artist. Along with Nick Reynolds and Bob Shane, he was one of the founding members of The Kingston Trio.
Fleming Brown, born in Marshall, Missouri, United States, was an American banjo player and one of the early teachers at Chicago's Old Town School of Folk Music. As an artist, Brown specialized in traditional songs of the Southern Appalachians. He was influenced by old-time banjo players such as Uncle Dave Macon and Dock Boggs. Brown supported himself as a graphic artist and as such never performed widely outside of Chicago.
William Bradford "Bill" Keith was a five-string banjoist who made a significant contribution to the stylistic development of the instrument. In the 1960s he introduced a variation on the popular "Scruggs style" of banjo playing which would soon become known as melodic style, or "Keith style". He was inducted into the International Bluegrass Music Hall of Fame in 2015.
Frank Noah Proffitt was an Appalachian old time banjoist who preserved the song "Tom Dooley" in the form we know it today and was a key figure in inspiring musicians of the 1960s and 1970s to play the traditional five-string banjo.
"Cumberland Gap" is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book, American Ballads and Folk Songs, by folk song collector John Lomax. Woody Guthrie recorded a version of the song at his Folkways sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of bluegrass and the American folk music revival in the 1950s. In 1957, the British musician Lonnie Donegan had a No. 1 UK hit with a skiffle version of "Cumberland Gap".
Roger Sprung was an American banjo player and teacher best known for introducing authentic bluegrass banjo picking styles to the folk music community in the north and for the eclectic manner in which he adapted bluegrass banjo techniques to music of other genres. His 1963 album Progressive Bluegrass may have been the first use of that title, later applied to a subgenre of bluegrass music by him and others.
Jerry Silverman is an American folksinger, guitar teacher and author of music books. He has had over 200 books published, which have sold in the millions, including folk song collections, anthologies and method books for the guitar, banjo and fiddle. He has taught guitar to hundreds of students. He has presented concerts and lectures at schools, universities and concert halls in the U.S. and abroad.
Jake Blount is an American musician and writer based in Providence, Rhode Island. He specializes in the traditional music of African Americans, and his work has been described as "Afrofuturist folklore." Blount, while initially recognized for his skill as an old-time banjo player and fiddler, is a versatile multi-instrumentalist and vocalist who has described his music as "genrequeer." He often performs most of the parts on his recordings, and fluently employs modern instruments and production techniques in his performances of centuries-old repertoire. His work critiques popular notions of genre and linear time, and usually centers themes of social and environmental justice.
