Augustus Welby Northmore Pugin was an English architect, designer, artist and critic with French and Swiss origins. He is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, and its renowned clock tower, the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England, and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby Pugin, Cuthbert Welby Pugin, and Peter Paul Pugin, who continued his architectural and interior design firm as Pugin & Pugin.
The Metropolitan Cathedral Church of St George, usually known as St George's Cathedral, Southwark, is the cathedral of the Roman Catholic Archdiocese of Southwark, south London, and is the seat of the Archbishop of Southwark.
The Metropolitan Cathedral Church and Basilica of Saint Chad is a Catholic cathedral in Birmingham, England. It is the mother church of the Archdiocese of Birmingham and is dedicated to Saint Chad of Mercia.
Charles Eamer Kempe was a British Victorian era designer and manufacturer of stained glass. His studios produced over 4,000 windows and also designs for altars and altar frontals, furniture and furnishings, lychgates and memorials that helped to define a later nineteenth-century Anglican style. The list of English cathedrals containing examples of his work includes: Chester, Gloucester, Hereford, Lichfield, Wells, Winchester and York. Kempe's networks of patrons and influence stretched from the Royal Family and the Church of England hierarchy to the literary and artistic beau monde.
The Cathedral Church of Our Lady Help of Christians and Saint Peter of Alcantara, commonly known as Shrewsbury Cathedral, is a Roman Catholic cathedral in Shrewsbury, England. It is the seat of the Roman Catholic Bishop of Shrewsbury and mother church of the Diocese of Shrewsbury, which covers the historic counties of Shropshire and Cheshire.
A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. The revival led to stained-glass windows becoming such a common and popular form of coloured pictorial representation that many thousands of people, most of whom would never commission or purchase a painting, contributed to the commission and purchase of stained-glass windows for their parish church.
Thomas Willement was an English stained glass artist and writer, called "the father of Victorian stained glass", active from 1811 to 1865.
William Warrington, (1796–1869), was an English maker of stained glass windows. His firm, operating from 1832 to 1875, was one of the earliest of the English Medieval revival and served clients such as Norwich and Peterborough Cathedrals. Warrington was a historian of medieval glass and published an illustrated book The History of Stained Glass.
Ward and Hughes was the name of an English company producing stained-glass windows.
William Wailes (1808–1881) was the proprietor of one of England's largest and most prolific stained glass workshops.
The firm of James Powell and Sons, also known as Whitefriars Glass, were London-based English glassmakers, leadlighters and stained-glass window manufacturers. As Whitefriars Glass, the company existed from the 17th century, but became well known as a result of the 19th-century Gothic Revival and the demand for stained glass windows.
Clayton and Bell was one of the most prolific and proficient British workshops of stained-glass windows during the latter half of the 19th century and early 20th century. The partners were John Richard Clayton (1827–1913) and Alfred Bell (1832–1895). The company was founded in 1855 and continued until 1993. Their windows are found throughout the United Kingdom, in the United States, Canada, Australia and New Zealand.
Heaton, Butler and Bayne was a British firm that produced stained-glass windows from 1862 to 1953.
St. Laurence's Church, Northfield is a parish church in the Church of England in Northfield, Birmingham. The church is in a conservation area near nail maker's cottages, the Great Stone Inn, the old school and the Village Pound.
St Mary Immaculate is an active Roman Catholic parish church in the town of Warwick, England. It lies to the south west of the town on West Street outside the West Gate. The church was opened on 12 May 1860. The architect was Edward Welby Pugin, eldest son of Augustus Pugin. The church is built in red brick and Bath stone in the Decorated Gothic style and is a Grade II listed building. The builder was William Gascoyne (1827–1902) of Leamington. St Mary Immaculate was one of the first churches in England to be dedicated to the Immaculate Conception after the definition of the dogma in 1854. It was the first permanent Roman Catholic church in Warwick. The church was consecrated on 15 June 1939. The presbytery was built at the same time as the church but has been altered.
Edward Liddall Armitage or E. Liddall Armitage (1887–1967) was an English stained-glass designer. He studied and worked with Karl Parsons and Henry Holiday before going into partnership with Victor Drury. In the 1940s to the early 1960s, Armitage was the chief stained glass designer for James Powell and Sons. During his career he designed and made stained glass works for churches and cathedrals. He also published a book on making stained glass.
Earley and Company (1861–1975) were ecclesiastical furnishings and stained glass manufacturers and retailers, based in Camden Street, Dublin, Ireland. In the 19th century they also had an outlet at 51 Lower Clanbrassil Street. The firm was one of the largest and most prestigious ecclesiastical decorators both in Ireland and Great Britain. They provided a high standard of ecclesiastical art during the Gothic revival of the 1800s and the building of Catholic Churches which flourished in the first half of the 20th century.
Frederick Preedy was an architect and glass painter in England.
The Pippet family are a family of designers and artists based in Warwickshire and Birmingham, who specialised in Catholic decorative schemes for churches, ecclesiastical metalwork and stained glass windows as well as some textile items. They were part of the British Gothic Revival, notably working for John Hardman & Co in the style of Pugin.
Percy Bacon and Brothers was a firm which produced stained glass, church furnishings, and decorations. The firm was set up in 1892 by stained glass artist and sculptor, Percy Charles Haydon Bacon, and operated for many years from 11 Newman Street, London. He was joined there by his brothers, Herbert W. Bacon, and Archibald Arthur Bacon. The vast majority of the firm's output of stained glass was installed in Great Britain, with a few examples in Northern Ireland and the Republic of Ireland, but their work can also be found in the United States of America, Australia, New Zealand, and Canada.
