Dame Elisabeth Jean Frink was an English sculptor and printmaker. Her Times obituary noted the three essential themes in her work as "the nature of Man; the 'horseness' of horses; and the divine in human form".
The Kiss is an 1882 marble sculpture by the French sculptor Auguste Rodin.
Deborah Kay Butterfield is an American sculptor. Along with her artist-husband John Buck, she divides her time between a farm in Bozeman, Montana, and studio space in Hawaii. She is known for her sculptures of horses made from found objects, like metal, and especially pieces of wood.
The Cass Sculpture Foundation was a charitable commissioning body based in Goodwood, Sussex, England. The Foundation's 26-acre grounds were home to an ever-changing display of 80 monumental sculptures, all of which were available for sale with the proceeds going directly to artists. The Foundation was a self-sufficient body reliant on sales of commissioned sculpture and visitor entrance fees.
Two Forms (Divided Circle) (BH 477) is a bronze sculpture by Barbara Hepworth, designed in 1969. Six numbered copies were cast, plus one (0/6) retained by the sculptor. The sculpture's dimensions are 237 centimetres (93 in) by 234 centimetres (92 in) by 54 centimetres (21 in).
Draped Reclining Woman 1957–58 is a bronze sculpture by British artist Henry Moore, with a series of six castings made by Hermann Noack in Berlin.
King and Queen is a bronze sculpture by Henry Moore, designed in 1952. It depicts two figures, one male and one female, seated beside each other on a bench, both facing slightly to the left. It is Moore's only sculpture depicting a single pair of adult figures. Moore's records suggest it was originally known as Two Seated Figures.
Robert Ernest Clatworthy RA was a British sculptor and teacher of art. He was head of the fine art department at the Central School of Art and Design in London from 1971 to 1975, and was elected a fellow of the Royal Academy of Arts in 1973.
Bellerophon Taming Pegasus is an outdoor sculpture by Jacques Lipchitz, depicting Bellerophon and Pegasus. It was the final sculpture worked on by Lipchitz, and was completed after his death in 1973.
Physical Energy is a bronze equestrian statue by English artist George Frederic Watts. Watts was principally a painter, but also worked on sculptures from the 1870s. Physical Energy was first cast in 1902, two years before his death, and was intended to be Watts's memorial to "unknown worth". Watts said it was a symbol of "that restless physical impulse to seek the still unachieved in the domain of material things". The original plaster maquette is at the Watts Gallery, and there are four full-size bronze casts: one in London, one in Cape Town, one in Harare and one soon to be sited at Watts Gallery - Artists' Village in Compton, Surrey. Other smaller bronze casts were also made after Watts's death.
Paternoster, also known as Shepherd and Sheep or Shepherd with his Flock, is an outdoor bronze sculpture of 1975 by Elisabeth Frink, installed in Paternoster Square near St Paul's Cathedral in London, United Kingdom.
Revolving Torsion is a 1972–73 kinetic sculpture and fountain by the Russian-born Constructivist artist Naum Gabo. It was commissioned for the Tate Gallery and has been on long-term loan to the Guy's and St Thomas' Charity for display at St Thomas' Hospital in Lambeth, London, since 1975. It was designated a Grade II*-listed building in January 2016.
Recumbent Figure 1938 (LH191) is an early sculpture by Henry Moore. It was commissioned by the architect Serge Chermayeff for his modernist villa at Bentley Wood, near Halland, Sussex. At the time it was made, it was Moore's largest stone sculpture. It was donated to the Tate Gallery in 1939, making it the first example of Moore's work in a public collection.
Maurice Prosper Lambert RA was a British sculptor. He was the son of the artist George Washington Lambert and the older brother of the composer and author Constant Lambert.
The Rearing Horse and Mounted Warrior or Budapest horse is a bronze sculpture attributed to Leonardo da Vinci. Depicting Francis I of France on a destrier horse, it is estimated to have been cast from a clay or wax model in the first half of the 16th century. The sculpture is in the permanent exhibit of the Budapest Museum of Fine Arts.
Newton, sometimes known as Newton after Blake, is a 1995 work by the sculptor Eduardo Paolozzi. The large bronze sculpture is displayed on a high plinth in the piazza outside the British Library in London.
Family Group is a sculpture by Henry Moore. It was his first large-scale bronze sculpture, and his first large bronze with multiple castings. Made for Barclay School in Stevenage, it evolved from drawings in the 1930s, through a series of models to bronze castings in 1950–51. It also one of the last important sculptures that Moore developed from preliminary drawings: in future, he worked mainly from found objects, maquettes and models.
An Athlete Wrestling with a Python was the first of three bronze sculptures produced by the British artist Frederic Leighton. Completed in 1877, the sculpture was a departure for Leighton, and heralded the advent of a new movement, New Sculpture, taking realistic approach to classical models. It has been described as a "sculptural masterpiece" and as "possibly Leighton's greatest contribution to British art". Despite its indebtedness to the Classical tradition, it can be understood as one of the first stirrings of modern sculpture in Britain as well as in Europe. The Athlete was arguably the most influential piece of English sculpture of the 19th century.
Locking Piece is a sculpture by Henry Moore. It comprises two interlocking forms holding a third element between them, on a bronze base. It is usually mounted on a separate plinth. The sculpture was created in 1962–1964, and bronze casts were made in 1964–1967.
The Rattlesnake is an equestrian sculpture by American artist Frederic Remington. The bronze sculpture was one of Remington's most popular, after The Broncho Buster, and it has been described as Remington's own favorite sculpture.
