जौनसारी | |
|---|---|
 Jaunsari Men in traditional clothing | |
| Total population | |
| c. 137,000 (2011 census) [1] | |
| Regions with significant populations | |
| Jaunsar-Bawar, Uttarakhand | |
| Languages | |
| Jaunsari, Hindi | |
| Religion | |
| Predominantly: | |
| Related ethnic groups | |
| Indo-Aryan peoples |
The Jaunsari are a small community found in Uttarakhand, northern India, more specifically in the Jaunsar-Bawar region of the western portion of the state in Garhwal Division. They speak the Jaunsari language which is an Indo-Aryan language. [2]
Jaunsari community reveres ‘Mahasu Devta’ which is principal deity of Jaunsari community. Dance and music are integral part of Jaunsari culture. During festivals both men and women dance under the intoxication of the folk music. Local people perform folk dances such as Harul, Ghundiya Raso, Jhenta Raso, Jangbazi, Thoude, and many more. [3] [4] Fair like Moroj and Bissu are held which mark the harvesting period. [5]
As a society which resides in the harsh climate of the Himalayas, their clothing is primarily woollen oriented which would keep them warm. Their attire stands out from the rest of Uttarakhand.
Men's Clothing: Jaunsari men wear a woolen pyjama known as Jhangel (झंगेल) and on top of that they wear a woollen robe known as Chora (चोड़ा), both made up of sheep wool. The Chora's texture is that of a karate uniform, it can be kept loose, or it can be tucked in both of the sides and can be bound at the waist with a woollen belt known as Manjan (मँजण). It can also be draped over the shoulders without tucking in the arms. As for headwear, traditionally men have been wearing Diguwa (डिगुवा) or popularly known as Gandhi Cap for a very long time, but in modern fashion men can be seen sporting a Himachali cap. During winters when it snows a lot people wear woollen shoes known as Khurshe (खुर्शे) which keeps the wearer's feet warm.
Judo (जुडो) is a local variation of the Jama (coat) which was popular during early modern times. It covers the entire body like a gown, it reaches just above the ankles and has folds. The sleeves, shoulders, chest and back portion of the dress are embroidered whereas the rest of the region remains white. It is accompanied by a cotton/silk Manjan (मँजण), i.e., a belt. It was to be worn by everyone attending the darbar of the Sirmaur King in its capital Nahan in old times. Nowadays, it is worn during festivals for performing folk dances.
Women's Clothing: Jaunsari women wear 'Ghagra' which is usually a 6 to 7 meters long piece of cloth, stitched together to form a long skirt, it's unique due to its sharp folds/pleats known as Luria (लुड़िया), such a texture is achieved by heat-pleating the folds. The portion which divides the Ghagra from the fall of the Ghagra is embroidered with floral patterns which forms a strip which is known as Phita (फिता). The Ghagra is paired with a Jhagga (झग्गा) which is Jaunsari for Kameez . It can be paired with a Waistcoat or it can be paired with a Kurti (कुर्ति) - which is an overcoat especially made for women. Women's version of Chora is known as Cholori (चोलोड़ी). Women cover their head with a scarf known as Dhantu (ढाँटु) which can be tied in various styles. For jewellery women wear Tungal (तुंगल), Bulak (बुलाक), Nath (नाथ), Utraiyan (उतरैइयाँ), etc. A smaller Ghagra for younger girls is known as Ghaguti (घागुटि).
A kilt is a garment resembling a wrap-around knee-length skirt, made of twill-woven worsted wool with heavy pleats at the sides and back and traditionally a tartan pattern. Originating in the Scottish Highland dress for men, it is first recorded in the 16th century as the great kilt, a full-length garment whose upper half could be worn as a cloak. The small kilt or modern kilt emerged in the 18th century, and is essentially the bottom half of the great kilt. Since the 19th century, it has become associated with the wider culture of Scotland, and more broadly with Gaelic or Celtic heritage.
Hakama are a type of traditional Japanese clothing. Originally stemming from Ku pinyin: Kù, the trousers worn by members of the Chinese imperial court in the Sui and Tang dynasties, this style was adopted by the Japanese in the form of hakama in the 6th century. Hakama are tied at the waist and fall approximately to the ankles. They are worn over a kimono specially adapted for wearing hakama, known as a hakamashita.
Clothing in India varies with the different ethnicities, geography, climate, and cultural traditions of the people of each region of India. Historically, clothing has evolved from simple garments like kaupina, langota, achkan, lungi, sari, to perform rituals and dances. In urban areas, western clothing is common and uniformly worn by people of all social levels. India also has a great diversity in terms of weaves, fibers, colors, and the material of clothing. Sometimes, color codes are followed in clothing based on the religion and ritual concerned. The clothing in India also encompasses a wide variety of Indian embroidery, prints, handwork, embellishments, and styles of wearing clothes. A wide mix of Indian traditional clothing and western styles can be seen in India.
Serbian traditional clothing, also called as Serbian national costume or Serbian dress, refers to the traditional clothing worn by Serbs living in Serbia, Croatia, Bosnia and Herzegovina, Montenegro, and the extended Serbian diaspora communities in Austria, Australia, Bulgaria, Canada, France, Germany, Greece, Hungary, North Macedonia, Romania, Russia, Slovenia, United States, etc. Like any traditional dress of a nation or culture, it has been lost to the advent of urbanization, industrialization, and the growing market of international clothing trends. The wide range of regional folk costumes show influence from historical Austrian, Hungarian, German, Italian, and Ottoman Turkish presence. Nonetheless, the costumes are still a pinnacle part of Serbian folk culture. From the 19th century and onwards, Serbs have adopted western-styled clothing. This change has started in larger settlements such as cities and towns, although it was not uncommon to see rural women in traditional working costumes all the way until the end of 1970s. Today, these national costumes are only worn by some elderly in rural areas but are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious and national holidays, weddings, tourist attractions, and by dancing groups who dance the traditional Serbian kolo, or circle dance.
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles. Wigs remained essential for men and women of substance, and were often white; natural hair was powdered to achieve the fashionable look. The costume of the eighteenth century, if lacking in the refinement and grace of earlier times, was distinctly quaint and picturesque.
Jaunsar-Bawar is a hilly region in Garhwal division of Uttarakhand, northern India. It is located in the north-west of Dehradun district, along the border with the state of Himachal Pradesh.
The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures, clothing indicated the social status of various members of society.
Khmer traditional clothing refers to the traditional styles of dress worn by the Khmer people throughout history. Tracing their origins back to the early Common Era, the customary styles of dress worn by Khmer people predate the indianization of Southeast Asia. The evolution of these clothing customs can be traced through archaeological artifacts from the 6th century to the post-Angkorian period, evolving from the simple pre-Angkorian Sampot to vibrant and intricately embroidered silk garments.
Romanian traditional clothing refers to the national costume worn by Romanians, who live primarily in Romania and Moldova, with smaller communities in Ukraine and Serbia. Today, the vast majority of Romanians wear modern-style dress on most occasions, and the garments described here largely fell out of use during the 20th century. However, they can still be seen in more remote areas, on special occasions, and at ethnographic and folk events. Each historical region has its own specific variety of costumes.
Ghagra choli is a type of ethnic clothing for women from India, notably in the Indian states of Rajasthan, Gujarat, Madhya Pradesh, Uttar Pradesh, Bihar, Haryana, Punjab, Himachal Pradesh, Uttarakhand, Jammu and Kashmir. In Punjab, the lehenga is traditionally worn with a kurti. It is a combination of the ghagra or lehenga and the choli (blouse). In contemporary and modern usage lehenga choli is the widely used term by fashion designers, trend setters, and boutiques in India, since ghagra is synonymous with the half-slip (petticoat) worn as an undergarment below the sari.
Pakistani clothing refers to the ethnic clothing that is typically worn by people in the country of Pakistan and by Pakistanis. Pakistani clothes express the culture of Pakistan, the demographics of Pakistan, and cultures from Punjab, Sindh, Balochistan, Khyber Pakhtunkhwa, Gilgit-Baltistan, and Kashmir regions of the country. The clothing in each region and culture of Pakistan reflect weather conditions, way of living, the textiles and embroidery used and its distinctive style which gives it a unique identity among all cultures.
The Welsh traditional costume was worn by rural women in Wales. It was identified as being different from that worn by the rural women of England by many of the English visitors who toured Wales during the late 18th and early 19th centuries. It is very likely that what they wore was a survival of a pan-European costume worn by working rural women. This included a version of the gown, originally worn by the gentry in the 17th and 18th centuries, an item of clothing that survived in Wales for longer than elsewhere in Britain. The unique Welsh hat, which first made its appearance in the 1830s, was used as an icon of Wales from the 1840s.
Croatian national costume, also called as Croatian traditional clothing or Croatian dress, refers to the traditional clothing worn by Croats living in Croatia, Bosnia and Herzegovina, Serbia, with smaller communities in Hungary, Austria, Montenegro, and Romania. Since today Croats wear Western-style clothing on a daily basis, the national costumes are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious holidays, weddings, and by dancing groups who dance the traditional Croatian kolo, or circle dance.
Shalwar kameez is a traditional combination dress worn by men and women in South Asia, and Central Asia.
Salwar or shalwar is cloth worn from the waist to the ankles, covering both legs separately. It is the lower-garment of the shalwar kameez suit which is widely-worn in South Asia. It is known for its lively hues, rich fabrics, and embroidery. The outfit has been a part of Punjabi tradition of India and Pakistan for centuries. It is also the national dress of Pakistan, and since the later 1960s, the salwar is being used in government offices in Pakistan. Salwar can be distinguished from the Punjabi suthan which is shorter than the salwar.
In the Punjab region, people wore cotton clothing. Both men and women wore knee-length tops. A scarf was worn over the tops which would be draped over the left shoulder and under the right. A large sheet would be further draped over one shoulder which would hang loose towards the knees. Both male and female wore a dhoti around the waist. Modern Punjabi dress has retained the dhoti, but over its long history has added other forms of dress.
Sindhi clothing are a part of the Sindhi culture. Sindhi women and men wear the Shalwar Qameez or the Kurta with Pyjama. Women also wear Sari or ghagra. However, before the adoption of the Shalwar kameez, kurta, the Sari as well as other articles of clothing, Sindhis had their own traditional costumes.
History of clothing in the Indian subcontinent can be traced to the Indus Valley civilization or earlier. Indians have mainly worn clothing made up of locally grown cotton. India was one of the first places where cotton was cultivated and used even as early as 2500 BCE during the Harappan era. The remnants of the ancient Indian clothing can be found in the figurines discovered from the sites near the Indus Valley civilisation, the rock-cut sculptures, the cave paintings, and human art forms found in temples and monuments. These scriptures view the figures of human wearing clothes which can be wrapped around the body. Taking the instances of the sari to that of turban and the dhoti, the traditional Indian wears were mostly tied around the body in various ways.
The traditional clothing and accessories worn in Khyber Pakhtunkhwa varies according to the area of the region. The following outfits are generally worn in the area, starting to north to south:
The jellabiya, also jalabiya, galabeya or jalamia is a loose-fitting, traditional garment from the Nile Valley. Today, it is associated with farmers living in Egypt and comes in rich color varieties. The garment is also worn in Sudan, but has other textures and is usually white, as well as some communities from Eritrea and Ethiopia. The colorful Egyptian style is used by both men and women.
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