Total population | |
---|---|
c. 137,000 (2011 census) [1] | |
Regions with significant populations | |
Jaunsar-Bawar, Uttarakhand | |
Languages | |
Jaunsari, Hindi | |
Religion | |
Predominantly: | |
Related ethnic groups | |
Indo-Aryan peoples |
The Jaunsari are a small community found in Uttarakhand, northern India, more specifically in the Jaunsar-Bawar region of the western portion of the state in Garhwal Division. They speak the Jaunsari language which is an Indo-Aryan language. [2]
Jaunsari is a generic term for many communities.
Jaunsari community reveres ‘Mahasu Devta’ which is principal deity of Jaunsari community. Dance and music are integral part of Jaunsari culture. During festivals both men and women dance under the intoxication of the folk music. Local people perform folk dances such as Harul, Ghundiya Raso, Jhenta Raso, Jangbazi, Thoude, and many more. [3] [4] Fair like Moroj and Bissu are held which mark the harvesting period. [5]
As a society which resides in the harsh climate of the Himalayas, their clothing is primarily woollen oriented which would keep them warm. Their attire stands out from the rest of Uttarakhand.
Men's Clothing: Jaunsari men wear a woolen pyjama/churidar known as Jhangel (झंगेल) and on top of that they wear a woollen coat known as Chora (चोड़ा), both made up of sheep wool. The Chora's texture is that of a karate uniform, it can be kept loose, or it can be tucked in both of the sides and can be bound with a woollen belt known as Manjan (मँजण). It can also be draped over the shoulders without tucking in the arms. As for headwear, traditionally men have been wearing Diguwa (डिगुवा) or popularly known as Gandhi Cap for a very long time, but in modern fashion men can be seen sporting a Himachali cap. Judo (जुडो) is an archaic white dress which covers the entire body like a gown, it reaches just above the ankles and has folds. The sleeves, shoulders, chest and back portion of the dress are embroidered whereas the rest of the region remains white. It is accompanied by a cotton/silk Manjan (मँजण), i.e., a belt. It was to be worn by everyone attending the darbar of the Sirmaur King in its capital Nahan in old times. Nowadays, it is worn during festivals for performing folk dances. During winters when it snows a lot people wear woollen shoes known as Khurshe (खुर्शे) which keeps the wearer's feet warm.
Women's Clothing: Jaunsari women wear 'Ghagra' which is usually a 6 to 7 meters long piece of cloth, stitched together to form a long skirt, it's unique due to its sharp folds/pleats known as Luria (लुड़िया), such a texture is achieved by heat-pleating the folds. The portion which divides the Ghagra from the fall of the Ghagra is embroidered with floral patterns which forms a strip which is known as Phita (फिता). The Ghagra is paired with a Jhagga (झग्गा) which is a Choli – a short-sleeved bodice. It can be paired with a Waistcoat or it can be paired with a Kurti (कुर्ति) - which is an overcoat especially made for women. Women's version of Chora is known as Cholori (चोलोड़ी). Women cover their head with a scarf known as Dhantu (ढाँटु) which can be tied in various styles. For jewellery women wear Tungal (तुंगल), Bulak (बुलाक), Nath (नाथ), Utraiyan (उतरैइयाँ), etc. A smaller Ghagra for younger girls is known as Ghaguti (घागुटि).
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A bodice is an article of clothing traditionally for women and girls, covering the torso from the neck to the waist. The term typically refers to a specific type of upper garment common in Europe during the 16th to the 18th century, or to the upper portion of a modern dress to distinguish it from the skirt and sleeves. The name bodice is etymologically an odd plural spelling of "body" and comes from an older garment called a pair of bodies.
The barong tagalog, more commonly known simply as barong, is an embroidered long-sleeved formal shirt for men and a national dress of the Philippines. Barong tagalog combines elements from both the precolonial native Filipino and colonial Spanish clothing styles. It is traditionally made with sheer textiles (nipis) woven from piña or abacá; although in modern times, cheaper materials like organza silk, ramie or polyester are also used.
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another. French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette.
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
Serbian traditional clothing, also called as Serbian national costume or Serbian dress, refers to the traditional clothing worn by Serbs living in Serbia, Croatia, Bosnia and Herzegovina, Montenegro, and the extended Serbian diaspora communities in Austria, Australia, Bulgaria, Canada, France, Germany, Greece, Hungary, North Macedonia, Romania, Russia, Slovenia, United States, etc. Like any traditional dress of a nation or culture, it has been lost to the advent of urbanization, industrialization, and the growing market of international clothing trends. The wide range of regional folk costumes show influence from historical Austrian, Hungarian, German, Italian, and Ottoman Turkish presence. Nonetheless, the costumes are still a pinnacle part of Serbian folk culture. From the 19th century and onwards, Serbs have adopted western-styled clothing. This change has started in larger settlements such as cities and towns, although it was not uncommon to see rural women in traditional working costumes all the way until the end of 1970s. Today, these national costumes are only worn by some elderly in rural areas but are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious and national holidays, weddings, tourist attractions, and by dancing groups who dance the traditional Serbian kolo, or circle dance.
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A pleat is a type of fold formed by doubling fabric back upon itself and securing it in place. It is commonly used in clothing and upholstery to gather a wide piece of fabric to a narrower circumference.
Jaunsar-Bawar is a hilly region in Garhwal division of Uttarakhand, northern India. It is located in the north-west of Dehradun district, along the border with the state of Himachal Pradesh.
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Romanian dress refers to the traditional clothing worn by Romanians, who live primarily in Romania and Moldova, with smaller communities in Ukraine and Serbia. Today, the vast majority of Romanians wear modern-style dress on most occasions, and the garments described here largely fell out of use during the 20th century. However, they can still be seen in more remote areas, on special occasions, and at ethnographic and folk events. Each historical region has its own specific variety of costumes.
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Croatian national costume, also called as Croatian traditional clothing or Croatian dress, refers to the traditional clothing worn by Croats living in Croatia, Bosnia and Herzegovina, Serbia, with smaller communities in Hungary, Austria, Montenegro, and Romania. Since today Croats wear Western-style clothing on a daily basis, the national costumes are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious holidays, weddings, and by dancing groups who dance the traditional Croatian kolo, or circle dance.
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