Blackface is the practice of performers using burnt cork or theatrical makeup to portray a caricature of black people on stage or in entertainment. Scholarship on the origins or definition of blackface vary with some taking a global perspective that includes European culture and Western colonialism. Scholars with this wider view may date the practice of blackface to as early as Medieval Europe's mystery plays when bitumen and coal were used to darken the skin of white performers portraying demons, devils, and damned souls. Still others date the practice to English Renaissance theatre, in works such as William Shakespeare's Othello.
In modern Hebrew and Yiddish, goy is a term for a gentile, a non-Jew. Through Yiddish, the word has been adopted into English also to mean "gentile", sometimes in a pejorative sense. As a word principally used by Jews to describe non-Jews, it is a term for the ethnic out-group.
Yiddish theatre consists of plays written and performed primarily by Jews in Yiddish, the language of the Central European Ashkenazi Jewish community. The range of Yiddish theatre is broad: operetta, musical comedy, and satiric or nostalgic revues; melodrama; naturalist drama; expressionist and modernist plays. At its height, its geographical scope was comparably broad: from the late 19th century until just before World War II, professional Yiddish theatre could be found throughout the heavily Jewish areas of Eastern and East Central Europe, but also in Berlin, London, Paris, Buenos Aires and New York City.
Shiksa is an often disparaging, although not always, term for a gentile woman or girl. The word, which is of Yiddish origin, has moved into English usage and some Hebrew usage, mostly in North American Jewish culture.
Golda is a term of which the various forms stem from Proto-Germanic gulþą "gold", and may refer to:
Portrayals of East Asians in American film and theatre has been a subject of controversy. These portrayals have frequently reflected an ethnocentric perception of East Asians rather than realistic and authentic depictions of East Asian cultures, colors, customs, and behaviors.
A Woman Called Golda is a 1982 American made-for-television film biopic of Israeli Prime Minister Golda Meir directed by Alan Gibson and starring Ingrid Bergman in what would become the final production she would star in before her death. It also features Ned Beatty, Franklin Cover, Judy Davis, Anne Jackson, Robert Loggia, Leonard Nimoy, and Jack Thompson.
Bourekas films were a genre of Israeli-made comic melodrama films popular in Israel in the 1960s and 1970s.
Betty Walker was a Jewish-American actress and comedian who performed primarily during the 1950s and 1960s.
Stereotypes of Jews are generalized representations of Jews, often caricatured and of a prejudiced and antisemitic nature.
Racism in early American film is the negative depiction of racial groups, racial stereotypes, and racist ideals in classical Hollywood cinema from the 1910s to the 1960s.
The presence of African Americans in major motion picture roles has stirred controversy and been limited dating back decades due to lingering racism following slavery and segregation. "Through most of the 20th century, images of African-Americans in advertising were mainly limited to servants like the pancake-mammy Aunt Jemima and Rastus, the chef on the Cream of Wheat box." While African American representation in the film industry has improved over the years, it has not been a linear process; "Race in American cinema has rarely been a matter of simple step-by-step progress. It has more often proceeded in fits and starts, with backlashes coming on the heels of breakthroughs, and periods of intense argument followed by uncomfortable silence."
The Jewish nose, also known as the Jew's nose and the Middle Eastern nose, is an antisemitic ethnic stereotype referring to a hooked nose with a convex nasal bridge and a downward turn of the tip of the nose. It was singled out as a hostile caricature of Jews in mid-13th century Europe and has since become a defining and persisting element of the overall Jewish stereotype globally. In modern times, it has also been adopted by Jews as a part of their identity to spite historic antisemitism.
Racial stereotyping in advertising refers to using assumptions about people based on characteristics thought to be typical of their identifying racial group in marketing.
Whitewashing is a casting practice in the film industry in which white actors are cast in non-white roles. As defined by Merriam-Webster, to whitewash is "to alter...in a way that favors, features, or caters to white people: such as...casting a white performer in a role based on a nonwhite person or fictional character." According to the BBC, films in which white actors have played other races include all genres. African-American roles and roles of Asian descent have been whitewashed, as well as characters from the ancient world in the genre of classical and mythological films.
Dialect comedies are a genre of radio sitcoms that were popular between the 1920s and the 1950s. They relied on the exaggerated and highly stylized portrayal of stereotypes, usually based on ethnic humor. The term "dialect comedy" was coined by David Marc in his essay, Origins of the genre.
God of Vengeance is a 1906 play by Sholem Asch. It is about a Jewish brothel owner who attempts to become respectable by commissioning a Torah Scroll and marrying off his daughter to a yeshiva student.
Brownface is a social phenomenon in which a white or light-skinned person attempts to portray themselves as a "brown" person of color, but less overtly and with a lighter complexion than traditional blackface. It is typically defined as a racist phenomenon, similar to blackface.
Golda is a 2023 biographical drama film directed by Guy Nattiv and written by Nicholas Martin. The film depicts the actions of Golda Meir, the 4th Prime Minister of Israel, during the Yom Kippur War. It stars Helen Mirren, Camille Cottin and Liev Schreiber.
Jews Don't Count: How Identity Politics Failed One Particular Identity is a book by British comedian David Baddiel. First published on 4 February 2021 by TLS Books, the book discusses the status of antisemitism a form of racism, particularly in left-wing politics. Baddiel argues that antisemitism is treated differently from other forms of racism, creating double standards and discrimination against Jews. The book covers a range of topics related to modern antisemitism and Jewish identity, including under-representation in popular media, relationships with Israel and Zionism, and the status of Jews as a minority group.
