Oral repositories are people who have been trusted with mentally recording information constituting oral tradition within a society. They serve an important role in oral cultures and illiterate societies as repositories of their culture's traditional knowledge, values, and morals. [1] [2] [3] [4]
People termed as "oral repositories" have been likened to "walking libraries", leading to the saying "whenever an old man dies, it is as though a library were burning down". [5] [6] [7] Roles vary, and can be titular, formal or informal, some professional specialists such as the Caucasian ashik , or more commonly amateurs and knowledgeable generalists such as the bulaam of the Kuba people. [8] : 36–39
Types of information held by oral repositories includes lineages, oral law, mythology, oral literature and oral poetry (of which oral history is often entwined), folk songs and aural tradition, and traditional knowledge. In many indigenous societies, such as Native American and San, these roles are fulfilled in a general sense by elders. [9] [10] In some societies anyone could become a generalist or traditionalist regardless of their social class, and acquisition depends solely on individual aptitude, while in others the roles are hereditary and dependent on class or caste. [11] : 192–193
These people usually hold authority within their respective societies, although musicians sometimes constitute a low caste/class. They can be religious figures playing roles in rituals and ceremonies. [12] With regard to narrative traditions, they usually perform from their repertoire and apply their distinct style while innovating on a well-known tale or work, seeking to create an experience by leading, involving, and responding to the audience. [8] : 34 Some participate in improvised poetry competitions such as the Central Asian aytysh , the North African Kabyle people's amusnaw , the Spanish repentismo , or the African Ewe people's halo. [13] [14] In parts of the world they remain as custodians of culture despite rising literacy rates. [15]
Term | Type/s of information | Society/ies | Period | Sources |
---|---|---|---|---|
Calypsonian | Songs | Trinidadian | [138] | |
Iyalawo | Religious knowledge | Afro-Cuban | To present | [139] |
Medicine man | Religious knowledge | Native American | To present | [140] |
North American Indigenous elder | General | North American Indigenous | To present | [141] |
Oungan and Manbo | Religious lore | Afro-Haitian | To present | [142] [143] |
Paleros | Religious lore | Afro-Cuban | [144] |
Term | Type/s of information | Society/ies | Period | Sources |
---|---|---|---|---|
Amauta | General | Incan | Until ? | [145] |
Yatiri | Religious knowledge | Aymara | To present | [146] |
Term | Type/s of information | Society/ies | Period | Sources |
---|---|---|---|---|
Australian Aboriginal elder | General | Australian Aboriginal | To present | [147] [148] |
Fāgogo | Literature | Samoan | To present | [149] |
Ha'atufunga | Royal rituals | Tongan | To present | [150] [151] |
Haku mo'olelo | Literature | Hawaiian | [152] | |
Kahuna | Religious lore | Polynesian, eg. Hawaiian | [153] | |
Mea hula | Literature | Hawaiian | To present | [154] |
Tulafale | General | Samoan | To present | [155] |
Wānanga | General | Māori | To present | [156] |
Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another. The transmission is through speech or song and may include folktales, ballads, chants, prose or poetry. The information is mentally recorded by oral repositories, sometimes termed "walking libraries", who are usually also performers. Oral tradition is a medium of communication for a society to transmit oral history, oral literature, oral law and other knowledge across generations without a writing system, or in parallel to a writing system. It is the most widespread medium of human communication. They often remain in use in the modern era throughout for cultural preservation.
In prosody, alliterative verse is a form of verse that uses alliteration as the principal device to indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic Beowulf, as well as most other Old English poetry, the Old High German Muspilli, the Old Saxon Heliand, the Old Norse Poetic Edda, and many Middle English poems such as Piers Plowman, Sir Gawain and the Green Knight, Layamon's Brut and the Alliterative Morte Arthur all use alliterative verse.
A riddle is a statement, question or phrase having a double or veiled meaning, put forth as a puzzle to be solved. Riddles are of two types: enigmas, which are problems generally expressed in metaphorical or allegorical language that require ingenuity and careful thinking for their solution, and conundra, which are questions relying for their effects on punning in either the question or the answer.
A griot is a West African historian, storyteller, praise singer, poet, and/or musician.
Sundiata Keita was a prince and founder of the Mali Empire. He was also the great-uncle of the Malian ruler Mansa Musa, who is usually regarded as the wealthiest person of all time, although there are no reliable ways to accurately calculate his wealth.
Oral literature, orature, or folk literature is a genre of literature that is spoken or sung in contrast to that which is written, though much oral literature has been transcribed. There is no standard definition, as anthropologists have used varying descriptions for oral literature or folk literature. A broad conceptualization refers to it as literature characterized by oral transmission and the absence of any fixed form. It includes the stories, legends, and history passed through generations in a spoken form.
The Mandé peoples are a linguistic grouping of those African nations who speak Mande languages. They are not a coherent ethnic or cultural group. The various Mandé-speaking nations are concentrated in the western regions of West Africa.
The music of West Africa has a significant history, and its varied sounds reflect the wide range of influences from the area's regions and historical periods.
Sunjata is an epic poem of the Malinke people that tells the story of the hero Sundiata Keita, the founder of the Mali Empire. The epic is an instance of oral tradition, going back to the 13th century and narrated by generations of jelis (griots). There is no single or authoritative version. Material pertaining to the epic first began to be collected during the early 20th century in French Sudan, notably by the French elite school École William Ponty, resulting in the "modern" version of the tale as considered standard today, based on the oral account by Djeli Mamoudou Kouyate, a jeli or traditional oral historian, translated into French by Djibril Tamsir Niane in 1960.
The Sosso Empire, also written as Soso or Susu, or alternatively Kaniaga, was kingdom of West Africa that originated as a vassal of the Ghana Empire before breaking away and conquering their former overlords. Inhabited by the Soninke ancestors of the modern-day Sosso people, it was centered in the region south of Wagadou and north of Beledougou. The empire peaked under the reign of Soumaoro Kante, who was defeated by the rising Mali Empire of Sundiata Keita.
Caribbean folklore includes a mix of traditions, tales, and beliefs of the Caribbean region. Caribbean folklore was shaped by a history filled with violence, colonialism, slavery, and multicultural influences. Specifically, influences from African, Creole, Asian, Indigenous American, European, and Indian cultures converged in the Caribbean to create a blend of lore unique to the region. Caribbean folklore has a variety of different characters that portray different traits. Folklore has evolved by blending folk speech, Creole dialogue, and various other elements that create the literary form of folklore, which portrays the "spirit" and "soul" of the Caribbean. Many themes are covered in Caribbean folklore, including colonial legacies, diversity in cultures, and the search for identity. Writers such as Nalo Hopkinson use these folklore elements in their writings by weaving myths and traditions into their modern-day storytelling.
Poetry as an oral art form likely predates written text. The earliest poetry is believed to have been recited or sung, employed as a way of remembering oral history, genealogy, and law. Poetry is often closely related to musical traditions, and the earliest poetry exists in the form of hymns, and other types of song such as chants. As such, poetry is often a verbal art. Many of the poems surviving from the ancient world are recorded prayers, or stories about religious subject matter, but they also include historical accounts, instructions for everyday activities, love songs, and fiction.
Gassire's Lute is an epic by the Soninke people of West Africa. It was collected by Leo Frobenius and published in 1921. An English prose translation was made by Douglas Fox, published in African Genesis.
Sir John Rankine Goody was an English social anthropologist. He was a prominent lecturer at Cambridge University, and was William Wyse Professor of Social Anthropology from 1973 to 1984.
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, plays, and poems. It includes both print and digital writing. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment. It can also have a social, psychological, spiritual, or political role.
Senegalese literature is written or literary work which has been produced by writers born in the West African state. Senegalese literary works are mostly written in French, the language of the colonial administration. However, there are many instances of works being written in Arabic and the native languages of Wolof, Pulaar, Mandinka, Diola, Soninke and Serer. Oral traditions, in the form of Griot storytellers, constitute a historical element of the Senegalese canon and have persisted as cultural custodians throughout the nation's history. A form of proto-Senegalese literature arose during the mid 19th century with the works of David Abbé Boilat, who produced written ethnographic literature which supported French Colonial rule. This genre of Senegalese literature continued to expand during the 1920s with the works of Bakary Diallo and Ahmadou Mapaté Diagne. Earlier literary examples exist in the form of Qur’anic texts which led to the growth of a form African linguistic expressionism using the Arabic alphabet, known as Ajami. Poets of this genre include Ahmad Ayan Sih and Dhu al-nun.
John D. Niles is an American scholar of medieval English literature best known for his work on Beowulf and the theory of oral literature.
Carol Braun Pasternack was a professor of medieval English literature and language at the University of California, Santa Barbara (UCSB) from 1988 to 2013. She chaired the Medieval Studies department, and was also Dean of Summer Sessions at UCSB in 2011–2013.
Igbo literature encompasses both oral and written works of fiction and nonfiction created by the Igbo people in the Igbo language. This literary tradition reflects the cultural heritage, history, and linguistic diversity of the Igbo community. The roots of Igbo literature trace back to ancient oral traditions that included chants, folk songs, narrative poetry, and storytelling. These oral narratives were frequently recited during rituals, childbirth ceremonies, and gatherings. Proverbs and riddles were also used to convey wisdom and entertain children.
Joan Newlon Radner is an American folklorist, storyteller and oral historian. She is Professor Emerita at American University in Washington, DC.
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: CS1 maint: DOI inactive as of December 2024 (link)Manghaniyars, like Langas, are sedentary Muslims whose home extends over the border into Pakistan, but their patrons are mostly Hindu Rajputs (a high caste) and Hindu Charans (a caste of poets, bards, and historians).
The Manganiyars and Langhas are Muslim musicians and are quite different from the Bhopas of Pabuji, as they do not claim to be bards but musicians in a real sense. Using instruments like rabab, kamayacha, pyaledar sarangi, chautaro, sirimandal etc., they not only sing songs of birth, marriages and death, but are also entitled to sing in the kacheris of the patrons. It is in these assemblies that they sing ballads like Dhola-Maru, Umar-Marvi, Moomal-Rano and Sassi-Punnu. Manganiyars sing classical compositions like mota git (bada khayal) and chota git (chota khayal). Some of their ragas have originated in the Thar and are not found in north Indian classical tradition.
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: CS1 maint: DOI inactive as of November 2024 (link)