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This is a list of bands that have played screamo at some point in their careers.
Screamo is a music genre which predominantly evolved from emo, among other genres, in the early 1990s. The term "screamo" was initially applied to a more aggressive offshoot of emo that developed in San Diego in the early 1990s, which used usually short songs that grafted "spastic intensity to willfully experimental dissonance and dynamics." [1] Screamo is a particularly dissonant style of emo influenced by hardcore punk [2] and uses typical rock instrumentation, but is noted for its brief compositions, chaotic execution, and screaming vocals. The genre is "generally based in the aggressive side of the overarching punk-revival scene, [3] although the term can be vague. [2] The genre was pioneered by bands like Heroin and Antioch Arrow. [4]
Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.
Screamo is an aggressive subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics". San Diego-based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Pg. 99, Orchid, Saetia, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming.
Story of the Year is an American rock band formed in St. Louis, Missouri, in 1995 under the name 67 North. The band eventually changed their name to Big Blue Monkey in 1998, and then subsequently changed it again to Story of the Year in 2002, after the release of their self-titled EP on the indie label Criterion Records. At the time, they claimed they discovered that a blues group named Big Blue Monkey had already existed. Later, on their podcast "Page Avenue Crew", they clarified that they just didn't care for the name and made up the excuse of another band having the same name.
Alexisonfire is a Canadian post-hardcore band formed in St. Catharines, Ontario in 2001. The band's members are George Pettit (vocals), Dallas Green, Wade MacNeil, Chris Steele (bass) and Jordan Hastings. The band has won numerous awards, and in Canada their albums have all been certified either gold or platinum.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
Watch Out! is the second studio album from Canadian post-hardcore band Alexisonfire, released on June 8, 2004. The album debuted at number 6 on the Canadian Albums Chart, selling 6,580 copies in its first week of release, and was certified Platinum by the Canadian Recording Industry Association (CRIA) in 2007.
The Illusion of Safety is the second studio album by American rock band Thrice. It was released on February 5, 2002 through Sub City Records, who the band had previously reissued their debut studio album Identity Crisis (2000) through. They wrote new songs at a rate of two per month, prior to recording in July 2001. Sessions were held at Salad Days Studios with producer Brian McTernan. The Illusion of Safety is a melodic hardcore and post-hardcore album, with a reoccurring topic of death and religious references.
Hawthorne Heights is an American rock band from Dayton, Ohio, formed in 2001. Originally called A Day in the Life, their lineup currently consists of JT Woodruff, Matt Ridenour, Mark McMillon, and Chris Popadak.
The Silence in Black and White is the debut studio album by the American rock band Hawthorne Heights, and their first release after changing their name from A Day in the Life.
Emo pop is a fusion genre combining emo with pop-punk, pop music, or both. Emo pop features a musical style with more concise composition and hook-filled choruses. Emo pop has its origins in the 1990s with bands like Jimmy Eat World, the Get Up Kids, Weezer and the Promise Ring. The genre entered the mainstream in the early 2000s with Jimmy Eat World's breakthrough album Bleed American, which included its song "The Middle". Other emo pop bands that achieved mainstream success throughout the decade included Fall Out Boy, the All-American Rejects, My Chemical Romance, Panic! at the Disco and Paramore. The popularity of emo pop declined in the 2010s, with some prominent artists in the genre either disbanding or abandoning the emo pop style.
The scene subculture is a youth subculture that emerged during the early 2000s in the United States from the pre-existing emo subculture. The subculture became popular with adolescents from the mid 2000s to the early 2010s. Members of the scene subculture are referred to as scene kids, trendies, or scenesters. Scene fashion consists of skinny jeans, bright-colored clothing, a signature hairstyle consisting of straight, flat hair with long fringes covering the forehead, and bright-colored hair dye. Music genres associated with the scene subculture include metalcore, crunkcore, deathcore, electronic music, and pop punk.
La Dispute is an American post-hardcore band from Grand Rapids, Michigan, formed in 2004. The current lineup is vocalist Jordan Dreyer, drummer Brad Vander Lugt, guitarist Chad Morgan-Sterenberg, guitarist Corey Stroffolino and bass guitarist Adam Vass.
Touché Amoré is an American post-hardcore band from Los Angeles, formed in 2007. The band consists of vocalist Jeremy Bolm, guitarists Clayton Stevens and Nick Steinhardt, bassist Tyler Kirby, and drummer Elliot Babin. Among other releases, they have released five studio albums: ...To the Beat of a Dead Horse in 2009, Parting the Sea Between Brightness and Me in 2011, Is Survived By in 2013, Stage Four in 2016, and Lament in 2020.
Somewhere at the Bottom of the River Between Vega and Altair is the debut studio album by American post-hardcore band La Dispute. Supported by three release shows, it was released on November 11, 2008, alongside Here, Hear II. through No Sleep Records on both CD and vinyl. The album's title is derived from an Asian folktale, which the album's lyrics loosely follow. The album received positive reviews by notable critics, and it remains as a legacy in the post-hardcore scene.
Loma Prieta is an American hardcore punk band that formed in 2005. The group is based in San Francisco, California and derived their name from the 1989 Loma Prieta earthquake. Most of the group's early material was released on their own record label named Discos Huelga. Loma Prieta has toured the US, Mexico, Canada, Europe and Japan. They share members with Punch. Their often dark and emotionally charged music blends a range of styles, most prominently screamo and powerviolence.
The emo revival, or fourth wave emo, was an underground emo movement which began in the late 2000s and flourished until the mid-to-late 2010s. The movement began towards the end of the 2000s third-wave emo, with Pennsylvania-based groups such as Tigers Jaw, Algernon Cadwallader and Snowing eschewing that era's mainstream sensibilities in favor of influence from 1990s Midwest emo. Acts like Touché Amoré, La Dispute and Defeater drew from 1990s emo and especially its heavier counterparts, such as screamo and post-hardcore.
Jeromes Dream is a screamo band formed in Connecticut and currently based in San Francisco, California, originally active from 1997 to 2001, and again from 2018 onwards.
Suis La Lune were a Swedish screamo band from Stockholm and Gothenburg, Sweden.
State Faults are an American post-hardcore band formed in Santa Rosa, California in 2010. Noisey included their album "Resonate/Desperate" as one of the records that best captures the last decade of hardcore punk. In 2019, they were listed at number 16 on Kerrang's 50 Best American Hardcore Bands Right Now list.
A typical emo/screamo fan will find this to be standard fare, but those looking for a more palatable foray into technicality should check out The Fall of Troy or Thrice.
The intensity and emotion put into these songs gives it an edge over most bands in the screamo category and it really helps define Circle Takes the Square as a band.
...the band's screamo-core roots...
Hawthorne Heights, a popular emo-screamo band, canceled its tour Monday after the death of Casey Calvert, the band's guitarist.
...the band's take on screamo...
[Loma Prieta's] brand of hardcore has drawn upon myriad other influences, among them the raw emotion of screamo and the brutality of powerviolence; but since their formation in 2005, the band has pursued darker interests, creating music that became more extreme and intense with each album.
…To The Beat of a Dead Horse … is solid contribution to the West Coast punk and hardcore scene as Touche Amore transcend several sub genres [ sic ], ranging from screamo to post-hardcore.
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