"Love Is Here and Now You're Gone" | ||||
---|---|---|---|---|
Single by the Supremes | ||||
from the album The Supremes Sing Holland–Dozier–Holland | ||||
B-side | "There's No Stopping Us Now" | |||
Released | January 11, 1967 (U.S.) | |||
Recorded | Los Angeles, August 12, 1966; Hitsville U.S.A. (Studio A), September 22 and November 13, 1966 | |||
Genre | ||||
Length | 2:45 | |||
Label | Motown – M 1103 | |||
Songwriter(s) | Holland–Dozier–Holland | |||
Producer(s) | ||||
The Supremes singles chronology | ||||
| ||||
Licensed audio | ||||
"Love Is Here and Now You're Gone" on YouTube |
"Love Is Here and Now You're Gone" is a 1967 song recorded by the Supremes for the Motown label.
Written and composed by Motown's main production team Holland–Dozier–Holland, it became the second consecutive number-one pop single from the Supremes' album The Supremes Sing Holland–Dozier–Holland and the group's ninth overall chart-topper in the United States on Billboard Hot 100, peaking March 1967. [1]
The song, which depicts a relationship in the beginning stages of breakup ("You persuaded me to love you/And I did/But instead of tenderness/I found heartache instead"), features several spoken sections from lead singer Diana Ross, who delivers her dialogue in a dramatic, emotive voice. Matching the song's drama influences is an instrumental track, featuring a prominent harpsichord and strings, which recalls both a Hollywood film score and The Left Banke's recently popularized "Baroque rock." [2]
Primarily recorded in Los Angeles, California, thousands of miles away from Motown's regular Hitsville U.S.A. recording studio, "Love Is Here and Now You're Gone" was the #1 song on the U.S. Billboard Hot 100 for one week, from March 5 to March 11, 1967, becoming the group's ninth number-one single. The single was also the group's sixth number one on the R&B charts. [3] The girl group performed the hit record on NBC's The Andy Williams Show on Sunday, January 22, 1967, [4] going to number one seven weeks later. Lyricist Eddie Holland names "Love is Here" as his favorite Supremes song.
Cash Box said the single is a "bright, rhythmic, pulsating Motown-sound excursion" in which the Supremes are "at the top of their form." [5]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
United States | — | 1,000,000 [25] |
Michael Jackson later covered "Love Is Here and Now You're Gone" for his solo debut album, Got to Be There . [26] On the 45 versions, it was the B-side of his number two smash, "Rockin' Robin". [27] It also featured on the "Jackson and the Beanstalk" episode of the Jackson 5ive cartoon series in 1972. [28]
Tami Lynn covered this song on her debut album, Love Is Here and Now You're Gone in 1972. [29]
Phil Collins included this song on his 2010 album of soul covers, Going Back . [30]
"Stop! In the Name of Love" is a 1965 song recorded by the Supremes for the Motown label.
"Reflections" is a 1967 song recorded by American soul music group The Supremes for the Motown label. The single release was the first Supremes record credited to "Diana Ross and the Supremes", and the song was one of the last Motown hits to be written and produced by Holland–Dozier–Holland before they left the label.
"Baby Love" is a song by American music group the Supremes from their second studio album, Where Did Our Love Go. It was written and produced by Motown's main production team Holland–Dozier–Holland and was released on September 17, 1964.
"Come See About Me" is a 1964 song recorded by the Supremes for the Motown label. The track opens with a fade-in, marking one of the first times the technique had been used on a studio recording.
"Back in My Arms Again" is a 1965 song recorded by The Supremes for the Motown label.
"I Hear a Symphony" is a 1965 song recorded by the Supremes for the Motown label.
"You Can't Hurry Love" is a 1966 song originally recorded by the Supremes on the Motown label. It was released on July 25, 1966 as the second single from their studio album The Supremes A' Go-Go (1966).
Reflections is the twelfth studio album recorded for Motown by Diana Ross & the Supremes. Released in 1968, it was the first regular studio LP to display the new billing of the group formerly known as "The Supremes." It contains the singles "Reflections", "In and Out of Love" and "Forever Came Today". Also included are covers of songs made famous by Martha and the Vandellas and The 5th Dimension. Also present are songs written by other famous names, including "Bah-Bah-Bah" co-written by Motown singer Brenda Holloway with her younger sister, Patrice, an original Smokey Robinson composition titled "Then", and "What the World Needs Now Is Love" by Burt Bacharach and Hal David, which Motown planned to release as a single in the spring of 1968, but cancelled. It also contains a cover of Bobbie Gentry's "Ode to Billie Joe," whose original recording kept the single #2 "Reflections" from peaking at the top spot on the Billboard Hot 100 in September 1967, and it hit #2 on Cashbox.
The Supremes Sing Holland–Dozier–Holland is the tenth studio album released by The Supremes for Motown in 1967. It includes the number-one hit singles "You Keep Me Hangin' On" and "Love Is Here and Now You're Gone". As the title states: all songs on the album were written and produced by Motown's main songwriting team of Holland–Dozier–Holland. Most of the album was recorded during the spring and summer of 1966; however several songs date back to the summer of 1964.
Diana Ross & the Supremes: Greatest Hits is a two-LP collection of singles and b-sides recorded by The Supremes, released by Motown in August 1967. The collection was the first LP to credit the group under the new billing Diana Ross & the Supremes. Although founding member Florence Ballard is pictured on all album artwork and sings on all the tracks, by the time the set was released, she had been fired from the group and replaced by Cindy Birdsong.
"My World Is Empty Without You" is a 1965 song recorded and released as a single by the Supremes for the Motown label.
"Love Is Like an Itching in My Heart" is a 1966 song recorded by the Supremes for the Motown label.
"The Happening" is a 1967 song recorded by Motown artists The Supremes. It served as the theme song of the 1967 Columbia Pictures film The Happening, and was released as a single by Motown at the time of the film's release that spring. While the movie flopped, the song peaked at number 1 on the Billboard Hot 100 pop singles chart in May, becoming The Supremes' tenth number 1 single in the United States, peaking in the top 10 on the UK Singles Chart at number 6, and in the top 5 in the Australian Pop Chart and in the Dutch Pop Chart.
"Forever Came Today" is a 1968 song written and produced by the Motown collective of Holland–Dozier–Holland, and was first made into a hit as a single for Diana Ross & the Supremes in early 1968. A disco version of the song was released as a single seven years later by Motown group the Jackson 5.
"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by Motown singing group The Supremes. It is notable as the Supremes' first Billboard Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells.
"Run, Run, Run" is a 1964 song written by Holland–Dozier–Holland and released as a single by Motown singing group The Supremes. After a couple of years of unsuccessful singles, the Supremes had finally broken through with a Top 40 single (23) in December 1963 with "When the Lovelight Starts Shining Through His Eyes". On the heels of its release, Motown rush-released a second HDH single titled "Run, Run, Run". Inspired by the sounds of Phil Spector and his Wall of Sound, it was an attempt to give the Supremes a poppier sound compared to their earlier heavy R&B recordings. Billboard described the song as a "strong follow up" to "When the Lovelight Starts Shining Through His Eyes," stating that it "has tough beat in a middle up groove that's great for dancing." Cash Box described it as "a pulsating, big sounding rocker with some torrid triplet keyboard work backing up."
"Nothing but Heartaches" is a 1965 song recorded by The Supremes for the Motown label.
"In and Out of Love" is a 1967 song recorded by The Supremes for the Motown label. It was the second single issued with the group's new billing of Diana Ross & the Supremes, the penultimate Supremes single written and produced by Motown production team Holland–Dozier–Holland, and the last single to feature the vocals of original member Florence Ballard.
"I'm Gonna Let My Heart Do the Walking" is a disco-styled soul single composed by the Holland brothers Eddie and Brian, members of the former Holland–Dozier–Holland team and was released as a single by Motown vocal group The Supremes in 1976 on the Motown label. It was the first single since "Your Heart Belongs to Me" in 1962 to feature four Supremes. It is also notable for being the last top forty single the group would score before they disbanded in 1977.
"Some Things You Never Get Used To" is a song released in 1968 by Diana Ross & the Supremes on the Motown label. The single stalled for three weeks at number 30 on the U.S. Billboard pop chart in July 1968. It became the lowest-charting Supremes single since 1963 and became the catalyst for Berry Gordy to revamp songwriting for The Supremes since the loss of Motown's premier production team Holland–Dozier–Holland, which Gordy had assigned as the group's sole producers after the success of "When the Lovelight Starts Shining Through His Eyes."