Music Box | ||||
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Studio album by | ||||
Released | August 31, 1993 [1] | |||
Recorded | October 1992 – May 1993 | |||
Studio |
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Genre | ||||
Length | 42:01 | |||
Label | Columbia | |||
Producer | ||||
Mariah Carey chronology | ||||
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Singles from Music Box | ||||
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Music Box is the third studio album by American singer-songwriter Mariah Carey. It was released by Columbia Records on August 31, 1993. The album comprises ballads primarily written by Carey and Walter Afanasieff, with whom she had previously worked on Emotions (1991), and a few urban dance tracks. During the course of the album's development, Carey wanted to broaden her audience, choosing a more pop/R&B oriented sound. During this time frame, she experimented with different musical instruments, leading the album's sound away from her more contemporary previous two efforts.
In order to successfully take the album in a new direction, Carey and Afanasieff sought out new and innovative producers, as well as some from Carey's previous releases. Kenneth "Babyface" Edmonds first began working with Carey on Music Box, where he helped produce "Never Forget You", as well as being part of the songwriting process. Additional writers and producers were Robert Clivillés and David Cole (a pair also known as C+C Music Factory) and Daryl Simmons. While the album featured a range of music producers, the bulk of the songwriting was done by Carey and her writing partner, Afanasieff. In future projects, they would continue writing material for Carey's albums, until her 1999 release Rainbow , where he is absent from the writing credits.
Five singles were released from the album. The first three, "Dreamlover", "Hero" and a cover recording of Badfinger's "Without You", became worldwide chart-topping singles, the latter becoming Carey's highest charting international single of her career. "Without You" became Carey's first number-one single in most European markets and reached the top three in the United States. To promote Music Box, Carey embarked on the short but successful Music Box Tour which traveled to select cities in North America. Carey was nominated for Best Female Pop Vocal Performance for "Dreamlover" at the 1994 Grammy Awards and received the same nomination for "Hero" at the 1995 Grammy Awards.
After its release, Music Box received generally mixed reviews from music critics. The album faced criticism regarding Carey's more mellow and laid-back tone in comparison to her previous work. Commercially, the album reached number one in 15 countries, including Australia, France, Germany, the United Kingdom and the United States. The Recording Industry Association of America (RIAA) certified it Diamond, for shipments of ten million copies across the United States. Music Box remains Carey's highest seller with 30 million copies sold worldwide and is one of the best-selling albums of all time.
"Mariah and Dave did this loop thing, and it was new to us pop producers at the time. Their version of 'Dreamlover' was missing a lot of stuff. The spirit of the song was up but it wasn't hitting hard enough. [My work on the track] put a whole different shade of colors into it."
—Afanasieff on "Dreamlover" before and after he worked on it. [3]
In 1988, Carey was discovered by Tommy Mottola, CEO of Columbia Records, and was promptly signed to the label. Carey's self-titled debut studio album, released in 1990, focused on re-recording and mastering several songs she had already written in high school alongside classmate, Ben Margulies. [4] Aside from the seven songs taken from Carey's demo tape, four other tracks were written and produced by the former and an array of famed record producers. The album was complimented by critics, who called it a mature debut, full of various genre influences ranging from pop, R&B and soul. [5] The album became a commercial success, selling fifteen million units globally. [6] While making a strong impact on pop music, Carey became interested in altering her sound, and deviating from pop music for her second studio effort, Emotions (1991). [5] Following the success of her debut, Columbia allowed her to take more control over her musical departure, enabling her to change her genre infusions, melodies and production.
With Carey as executive producer, having more control than she had on any other album, she took the album in a new direction, alongside Afanasieff. [3] For Carey's third studio effort, she enrolled the help of a range of songwriters, as well as record producers. [3] Aside from Afanasieff, Kenneth "Babyface" Edmonds, a man who would collaborate with Carey often in the near future, also took part in the project. [3] Babyface also co-wrote a track with Carey titled "Never Forget You", a song that was released as a B-side to "Without You" exclusively in the United States. [3] The album, which consisted mostly of slower ballads (with the exception of "Dreamlover", "Now That I Know", and "I've Been Thinking about You"), contained collaborations with some carry-on producers and writers from Emotions . [3] Of these were Clivillés & Cole (of C+C Music Factory), who co-wrote the track "Now That I Know", a danceable pop-R&B ballad, which used similar formulas and synthesizers from tracks on Emotions. Another writer–producer that worked on the album was David Hall, who with Carey wrote the US single "Dreamlover". [3]
During the album's recording, Carey worked with several different musicians and producers, aside from Walter Afanasieff, the only hold over from her debut. [7] On the album's first track "Dreamlover", Carey worked with Dave Hall throughout the song's entire production. [3] [8] In order to help with some of the song's arrangements, Mottola enrolled the help of Walter Afanasieff, who took on the completed track and transformed it into a more commercial hit. [3]
Emotions contained influences from mostly 1950s, 1960s and 1970s balladry and gospel, as well as her continued work of R&B and soul. The album, while praised by some as more mature and raw, failed to reach the critical or commercial heights of her debut effort. Notably, it sold significantly less well and failed to introduce Carey into a different market. [9] Following these developments, Columbia sought to market Carey in a similar fashion to her debut, aiming for a more commercial and radio-friendly album. Their plans were to tone down Carey's vocals, and soften the album's production, leaving a more contemporary pop/R&B record. [10] Agreeing to this approach, Carey and Afanasieff began writing and recording material for her third studio effort, Music Box.
One of the noticeable differences between Music Box and Carey's previous albums is the sound. The album was described by Afanasieff as a softer and more pop-oriented record, "filling the songs with air" and allowing far more space in the overall sound. [3] Another noticeable change is in the album's production. [3] When Mariah Carey was released, critics took notice of its "overly produced" and "studio perfect" quality, whereas Emotions, in comparison, maintains a "raw, live sound." [3] Music Box, however, falls in between the two, a decision made by Carey during the album's production. [3] She would layer each track with live backing vocals, so not to sound too overly produced, but still kept the inclusion of musical synthesizers. [3]
According to Marc Shapiro, Music Box reflects signs of Carey's vocal maturity, as well as representing an album she was truly proud of. [11] The album's first single "Dreamlover" was described as a "slight piece of pop fluff," representing a more commercial side to Carey than the "more ambitious" "Vision of Love". Critics believed the song's chart performance was due to its summer release, as people were still looking for a "not-too-heavy" and more diverse sound. [11] The song's composition was described as "mid tempo and mildly dance-able," with Carey's voice being called "perpetually happy," like a "little-girl voice." [3]
"It's not that I'm experimenting with lower notes. I actually think my natural voice is low. My speaking voice is low, you know what I mean? And I'm really comfortable singing in my lower register..., I sing from the heart. Whatever the music makes me feel at the time, I go into the studio to sing a song, that's what it's going to do. Some people like it, some people don't. But it's just a part of my voice and that's it."
—Carey, on her vocals on Music Box, as well as her voice in general [2]
"Hero", the album's second single, was one of Carey's most inspirational ballads at the time. [3] The song is described as "a lush ballad", [12] with Carey making use of her impressive, "lower alto register." [12] As one of the more emotional tracks on the album, "Hero" builds emotion, verse through verse, where the lyrics and melody finally "broke through." [12] "Anytime You Need a Friend" is another pop ballad in which Carey would, "let her voice roam free", [12] a feature critics felt lacked on the album. [12] The song featured "rough and low vocals", [12] as well as some glimpses of Carey's upper registers. As with most of the songs on Music Box, the lyrics boast a positive message, and it is the only song on the album to feature traces of gospel-inspired vocals throughout the chorus. [12]
The album's title track, "Music Box", is another ballad Carey wrote with Afanasieff. [12] The song is described as one of Carey's more difficult compositions, due to its "softness". [12] The song requires a great deal of legato to keep "the tune's softness and sweetness, without resorting to volume." [12] Carey's vocals on the track are defined as "soft and controlled," [12] managing to maintain the delicate balance in a manner that seems effortless, floating easily over the keyboard and the shimmer of the guitar. [12] Lyrically, due to the song's message of "commitment and promise," and the "tinkling music-box line played on the synthesizer," the track gives the sensation of a wedding vow recital. [12] "Never Forget You" is a slow song, further connecting it to the song's message of "lamenting the loss of love, in a very tender way." [12] The song contains keyboard notes that hover over the verses and allow Carey to indulge in her backing vocals. [12] It was described by Nickson as a "stand out track," one that could have easily become a hit single, "with an appeal that would have easily transcended generational barriers." [12]
Three additional tracks from the album sessions were released, with "Do You Think of Me" serving as the B-side to "Dreamlover," "Everything Fades Away" being featured on international editions of Music Box and, 27 years later, "All I Live For" being released on The Rarities compilation album (along with "Do You Think Of Me" and "Everything Fades Away") in 2020.
Music Box was released in both the United States and the United Kingdom on August 31, 1993, [13] [14] followed by Hong Kong on September 8 [15] and Japan on September 11. [16] To promote the album, Carey embarked on her first headlining concert tour, the Music Box Tour. Due to stage fright, Carey had not toured to promote her previous albums and did not originally plan a tour to support Music Box. [17] However, after the continued success of the album and persuasion from Tommy Mottola, Carey agreed. [17] Because Carey did not feel physically or emotionally ready for an extensive tour, six concerts were scheduled, each with many days in between, in order to give her voice time to rest. [17] Before the tour, she gave a performance at Proctor's Theatre on July 18, 1993, which was filmed and later released under the one-hour special Here Is Mariah Carey slated for release during the Christmas season. [17] When tickets went on sale, the concerts did not sell out instantly but sold at a healthy pace. [17] On the opening night, she sang at the Miami Arena. Approximately two-thirds of the venue's capacity was filled, which worried Carey's management. However, Carey did not seem to mind and began the show with high spirits. [17] As the first show in Miami received scathing reviews;[ citation needed ] subsequent shows sold out of tickets and attracted rave reviews. [17]
Aside from touring for the first time in her career, Carey visited various American and European television programs, performing different singles from the album. In late 1993, Carey appeared on The Arsenio Hall Show , performing both "Dreamlover" and "Hero". Other 1993 performances included "Hero" on The Jay Leno Show and "Dreamlover" on her fourth visit to Top of the Pops . Carey continued promoting the album in 1994, performing both "Without You" and "Anytime You Need a Friend" on their fifth and sixth visits to Top of the Pops, as well as visiting France, Germany, Japan, the Netherlands, Spain and Sweden. In the midst of the Music Box Tour, Carey had already begun working with Walter Afanasieff on her holiday album Merry Christmas , which was to be released during the Christmas season of 1994. [17] Additionally, Carey and Affanasieff reportedly began experimenting with ideas and music for Carey's 1995 album Daydream . [17]
"Dreamlover" was released as the album's first single on July 27, 1993. [18] [ page needed ] The single debuted at number thirteen on the Billboard Hot 100, and due to its massive airplay, the song reached the top of the Hot 100, staying there for eight weeks. [18] [ page needed ] [19] Dreamlover topped the charts in Canada, and reached the top-ten in many other countries. [20] The song was certified Platinum by the Recording Industry Association of America (RIAA), denoting shipments of one million copies, as well as receiving a Gold certification in Australia and New Zealand. [21] [22] [23] The music video for "Dreamlover" featured "summer scenery", with scenes of Carey swimming in a pool by a waterfall, lying in a bed of sunflowers, as well as singing in front of hip-hop dancers. [3] The video tried to capture, a "home video" feel, adding to the song's subtle and airy nature, something that only helped the song dominate the charts [3] "Hero" served as the album's second single, and was released on October 18, 1993. [24] Music critics praised the song, calling it her most directly inspirational song since "Make It Happen". [12] The song topped the charts in the United States and the top-five in many other major music markets. [19] [25] The music video for "Hero," featured footage from Carey's concert at Proctor's Theatre, as was done for Carey's following music video for "Without You".
"Without You", the album's third single, became the biggest international hit of Carey's career. "Without You" reached number three in the United States, but experienced its real success throughout Europe. [19] The song became Carey's first number-one single in Austria, Germany, Ireland, Sweden, Switzerland and the United Kingdom, propelling the sales of Music Box throughout the world. [26] Carey brought the song renewed popularity, through her highly successful adaptation. It became one of the "fifty most-played songs of the year" and even outsold Harry Nilsson's version, receiving many awards and recognition. [27] "Anytime You Need a Friend", the album's final single, was released on May 24, 1994. [28] It also experienced success on the charts, reaching number one in Finland; and the top ten in Canada, New Zealand, Iceland and the United Kingdom; as well as peaking at number twelve in the United States. [19] It became the second single in Music Box to perform better throughout Europe than in the US. [29]
On August 31, 2023, Carey announced that she planned to release a three-disced deluxe edition of Music Box to promote its thirtieth anniversary. [30] The album would feature unreleased tracks, mixes, live and remastered audios. [30] It was released a week later on September 8, 2023. [31]
The first disc of the anniversary edition included all the tracks from the original Music Box album and its bonus track, "Everything Fades Away". [32] The second disc of the album featured an extended version of "All I Live For" and the original version of "Do You Think of Me"; both of which were previously released in 2020 for The Rarities . [32] Carey's duet with Luther Vandross, "Endless Love" was included and is followed with two previously unreleased songs: "Workin' Hard" and "My Prayer"; the latter being a cover of an original song written by Georges Boulanger. [32] Amongst various remixes, the second disc also included the 2009 version of "Hero" which was re-recorded for Carey's The Ballads album, an acapella version of "Music Box", the extended version of "Anytime You Need a Friend" and two live performances from the Top of the Pops. [32] The third and final disc of the album featured Carey's full set from her 1993 concert at Proctor's Theatre in New York which was previously featured on Here Is Mariah Carey . [32]
Contemporaneous | |
---|---|
Review scores | |
Source | Rating |
The Detroit News | [33] |
Entertainment Weekly | C+ [34] |
Los Angeles Times | [35] |
The Philadelphia Inquirer | [36] |
Regina Leader-Post | [37] |
Retrospective | |
---|---|
Review scores | |
Source | Rating |
AllMusic | [38] |
Billboard | 80/100 [39] |
Christgau's Consumer Guide | [40] |
The Encyclopedia of Popular Music | [41] |
The Rolling Stone Album Guide | [42] |
Music Box received mixed reviews from critics, [43] [44] [45] many of whom found the performances uninvolved and devoid of substantial songwriting. [46] In Rolling Stone , Stephen Holden said the lyrics were "made up entirely of pop and soul clichés" on an album "so precisely calculated to be a blockbuster that its impact is ultimately a little unnerving". [47] Christopher John Farley from Time called it "perfunctory and almost passionless" in spite of highlights in "Anytime You Need a Friend" and the title track. [46] In Entertainment Weekly , David Browne found Carey's performance low on energy and her voice no longer soaring above the backup chorus. Instead, he wrote in Entertainment Weekly , she "drips over them like syrup instead of overpowering them; she lets the melodies speak for themselves." [34] Dennis Hunt was particularly critical in the Los Angeles Times , writing that Carey's pop-soul songs still lacked emotion even though she had "toned down her vocal showboating". He accused Music Box of being geared toward an adult contemporary audience that "likes its soul whitewashed and in small doses". [35] Village Voice critic Robert Christgau labeled it a "dud", indicating "a bad record whose details rarely merit further thought". [40]
In a retrospective review for AllMusic, Ron Wynn deemed Music Box "partly successful" and believed it was smart of Carey to explore her vocal approach differently, but she ended up sounding "detached on several selections". With the exception "Hero" and "Dreamlover", the other songs lacked her usual "personality and intensity", according to Wynn. [38] Q was more impressed by the record, writing that "this 1993 celebration of the all-conquering power of love was her defining moment". [48]
Publication | Accolade | Rank | Ref. |
---|---|---|---|
Complex | The Best R&B Albums of '90s | 29 |
Music Box entered the US Billboard 200 at number two, with 174,000 copies sold, becoming Carey's fourth consecutive top-ten album in the country. [50] In its fifteenth week after release, the album topped the chart and enjoyed its highest sales week in December, selling 295,000 copies in its first week atop, 395,000 the following week and peaking with 505,000 copies sold in year's final week. It stayed at the top for eight non-consecutive weeks. [51] It remained in the top ten for thirty-one weeks and on the Billboard 200 for 128 weeks (more than two years, longer than any other of her albums), re-entering the chart three times. [52] The album also reached number one on Top R&B/Hip-Hop Albums. Music Box was the second-best selling album in the United States in 1994, only behind Ace of Base's The Sign . [53] In the United States, Music Box became Carey's best-selling album at the time, being certified Diamond by the RIAA, denoting shipments of ten million copies. The album also became a success in Canada, peaking at number two on the charts and being certified seven-times Platinum by the Canadian Recording Industry Association (CRIA).
Music Box became Carey's best-seller in Europe, topping the charts in Austria, Belgium, Denmark, Finland, France, Germany, Iceland, Ireland, the Netherlands, Portugal, Scotland, Switzerland and the United Kingdom. In Germany, it became her highest-charting album, spending eighty weeks on the German Albums Chart, eleven of which were spent at number one. The album was certified double platinum by the BVMI for shipments in excess of million copies in Germany while sales have reached 1.4 million copies sold. [54] [55] In the United Kingdom, Music Box remains Carey's highest seller, topping the UK Albums chart for six non-consecutive weeks and being certified quintuple platinum by the British Phonographic Industry. It became a million-selling album in France, receiving a Diamond certification and topping the French Album Charts. [56] Music Box was certified six-times platinum in the Netherlands, where it spent 12 non-consecutive weeks at number one. [57] Music Box ended as the best-selling album of 1994 on the European Top 100 Albums, selling six million copies in Europe, [58] moving another million copies in the region by 1995. [59]
In Australia, the album spent 18 non-consecutive weeks at number one, and was certified 12-times platinum by the Australian Recording Industry Association (ARIA), denoting shipments of 840,000 copies. [60] The album finished at number one on the (ARIA) 1994 End of Year Chart. [61]
In Asia, Music Box became one of the best-selling albums of 1994, selling 2.6 million copies in Japan alone. [62] [63] Sony Music's marketing director Andy Yavasis claimed sales of 600,000 in South Korea, 320,000 copies in Taiwan, 110,000 in Singapore and 80,000 copies in Hong Kong by July 1994. [64]
In Latin America, Music Box also enjoyed success, mostly due to the Spanish version of "Hero", titled "Héroe", which allowed the album to sell 500,000 copies in the region. [65]
As of 2019, Music Box has sold 30 million copies worldwide, and is one of the best-selling albums of all time. [66] [67] [63]
Credits adapted from the album's liner notes [68]
No. | Title | Lyrics | Music | Producers | Length |
---|---|---|---|---|---|
1. | "Dreamlover" | Mariah Carey |
|
| 3:54 |
2. | "Hero" | Carey |
|
| 4:19 |
3. | "Anytime You Need a Friend" | Carey |
|
| 4:26 |
4. | "Music Box" | Carey |
|
| 4:57 |
5. | "Now That I Know" | Carey |
|
| 4:19 |
6. | "Never Forget You" |
|
|
| 3:46 |
7. | "Without You" |
|
| 3:36 | |
8. | "Just to Hold You Once Again" | Carey |
|
| 3:59 |
9. | "I've Been Thinking About You" |
|
|
| 4:48 |
10. | "All I've Ever Wanted" | Carey |
|
| 3:51 |
Total length: | 42:01 |
No. | Title | Lyrics | Producers | Length |
---|---|---|---|---|
11. | "Everything Fades Away" | Carey |
| 5:25 |
Total length: | 47:26 |
No. | Title | Lyrics | Producers | Length |
---|---|---|---|---|
11. | "Héroe" |
|
| 4:19 |
Total length: | 46:20 |
No. | Title | Lyrics | Producers | Length |
---|---|---|---|---|
1. | "All I Live For" (Extended Version) |
|
| 4:28 |
2. | "Endless Love" (with Luther Vandross) | Lionel Richie | Afanasieff | 4:20 |
3. | "Do You Think of Me" |
|
| 4:46 |
4. | "Workin' Hard" |
|
| 3:29 |
5. | "My Prayer" |
| 2:50 | |
6. | "Hero" (2009 Version) |
|
| 4:18 |
7. | "Anytime You Need a Friend" (Extended Mix) |
|
| 5:21 |
8. | "Music Box" (Acapella) |
|
| 4:42 |
9. | "Dreamlover" (Live from Top of the Pops) |
| 3:04 | |
10. | "Without You" (Live from Top of the Pops) |
| 2:52 | |
11. | "Dreamlover" (Def Club Mix) |
|
| 10:44 |
12. | "Anytime You Need a Friend" (C&C Club Version) |
|
| 10:53 |
13. | "Anytime You Need a Friend" (Soul Convention Remix) |
| 4:51 | |
14. | "I've Been Thinking About You" (Terry Hunter Remix) |
|
| 6:30 |
15. | "Workin' Hard" (Terry Hunter Remix) |
|
| 6:35 |
Total length: | 79:43 |
No. | Title | Lyrics | Length |
---|---|---|---|
1. | "Emotions" |
| 4:18 |
2. | "Hero" |
| 4:17 |
3. | "Someday" |
| 3:58 |
4. | "Without You" |
| 4:21 |
5. | "Make It Happen" |
| 4:31 |
6. | "Dreamlover" |
| 4:03 |
7. | "Love Takes Time" |
| 3:55 |
8. | "Anytime You Need a Friend" |
| 3:51 |
9. | "Vision of Love" |
| 4:00 |
10. | "I'll Be There" |
| 4:26 |
Total length: | 41:40 |
No. | Title | Lyrics | Length |
---|---|---|---|
1. | "This is Mariah Carey" | 58:47 | |
2. | "Special Interview (1993)" | 8:52 | |
3. | "Hero (Music Video)" |
| 4:24 |
4. | "Dreamlover (Music Video)" |
| 4:05 |
5. | "Without You (Music Video)" |
| 4:23 |
6. | "Anytime You Need a Friend (Music Video)" |
| 4:23 |
7. | "Hero (Live At Tokyo Dome)" |
| 4:25 |
Total length: | 89:19 |
Notes
Sample credits
Credits adapted from Music Box album liner notes. [73]
Musicians
| Production
|
Weekly charts
| Year-end charts
Decade-end charts
All-time charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [60] | 12× Platinum | 860,000 [150] |
Austria (IFPI Austria) [151] | 2× Platinum | 100,000* |
Belgium (BEA) [152] | 2× Platinum | 100,000* |
Brazil (Pro-Música Brasil) [153] | Platinum | 250,000‡ |
Canada (Music Canada) [154] | 7× Platinum | 700,000^ |
Finland (Musiikkituottajat) [155] | Gold | 47,382 [155] |
France (SNEP) [56] | Diamond | 1,000,000* |
Germany (BVMI) [54] | 2× Platinum | 1,400,000 [55] |
Hong Kong | — | 80,000 [64] |
Japan (RIAJ) [156] | Million | 2,600,000 [62] [63] |
Netherlands (NVPI) [157] | 6× Platinum | 600,000^ |
New Zealand (RMNZ) [158] | Platinum | 15,000^ |
Norway (IFPI Norway) [159] | 8× Platinum | 160,000* |
Singapore (RIAS) [160] | Platinum | 110,000 [64] |
South Korea | — | 1,000,682 [161] |
Spain (PROMUSICAE) [162] | 4× Platinum | 400,000^ |
Sweden (GLF) [163] | Platinum | 100,000^ |
Switzerland (IFPI Switzerland) [164] | 4× Platinum | 200,000^ |
Taiwan | — | 320,000 [64] |
United Kingdom (BPI) [165] | 5× Platinum | 1,500,000^ |
United States (RIAA) [166] | Diamond | 8,035,000 [167] [168] |
Summaries | ||
Europe ( Music & Media ) [169] 1993-1995 sales | 7× Platinum | 7,000,000 [169] |
Latin America | — | 500,000 [65] |
Worldwide | — | 30,000,000 [66] [63] |
* Sales figures based on certification alone. |
Mariah Carey is the debut studio album by American R&B singer Mariah Carey, released on June 12, 1990, by Columbia Records. Its music incorporates a range of contemporary genres with a mix of slow ballads and up-tempo tracks. Originally, Carey wrote four songs with Ben Margulies, which solely constituted her demo tape. After Carey was signed to Columbia, all four songs, after being altered and partially re-recorded, made the final cut for the album. Aside from Margulies, Carey worked with a range of professional writers and producers, all of whom were hired by Columbia CEO, Tommy Mottola. Mariah Carey featured production and writing from Rhett Lawrence, Ric Wake and Narada Michael Walden, all of whom were top record producers at the time. Together with Carey, they conceived the album and reconstructed her original demo tape.
Butterfly is the sixth studio album by American singer-songwriter Mariah Carey, released on September 10, 1997, by Columbia Records. The album contains both hip-hop and urban adult contemporary sounds, as well as some softer and more contemporary melodies. Throughout the project, Carey worked with Walter Afanasieff, with whom she had written and produced most of the material from her previous albums. She also worked with many famed hip-hop producers and rappers, such as Sean "Puffy" Combs, Q-Tip, Missy Elliott and the Trackmasters. With the latter acts producing most of the album, Butterfly deviated from the adult contemporary sound of Carey's previous albums.
Daydream is the fifth studio album by American singer-songwriter Mariah Carey, released on September 26, 1995, by Columbia Records. The follow-up to her internationally successful studio album Music Box (1993), and the holiday album Merry Christmas (1994), Daydream differed from her previous releases by leaning increasingly towards urban music. Throughout the project, Carey collaborated with Walter Afanasieff, with whom she wrote and produced most of her previous albums. With Daydream, Carey took more control over the musical direction as well as the album's composition. Carey considered the album to be the beginning of her musical and vocal transition, a change that would become more evident in her sixth studio album Butterfly (1997). During the album's production, Carey endured many creative differences with her label and then-husband Tommy Mottola. On Daydream, Carey collaborated with Jermaine Dupri, Kenneth "Babyface" Edmonds, and R&B group Boyz II Men. With Afanasieff's assistance and the addition of a few contemporary producers, she was able to make a subtle transition into the contemporary R&B market, after previously only pursuing pop, adult contemporary and traditional R&B music.
"Forever" is a rock and roll and pop song recorded by American singer Mariah Carey for her fifth studio album, Daydream (1995). Columbia Records released it to American radio stations for airplay on June 18, 1996, as the album's fifth single. The lyrics, written by Carey, are about one's continued affection despite the end of a romantic relationship. She composed the music and produced the song with Walter Afanasieff. Described by critics as referencing American music of the 1950s and 1960s, "Forever" is a doo-wop-influenced sentimental ballad in the form of a waltz. Its composition includes keyboards, guitars, and programming.
"Anytime You Need a Friend" is a song by American singer-songwriter Mariah Carey. The song was written and produced by Carey and Walter Afanasieff, for her third studio album, Music Box (1993). It was released on May 24, 1994, through Columbia Records, as the fifth and final single from the album. The song is influenced by pop, R&B and gospel genres. While the album focused heavily on pop oriented and radio friendly material, "Anytime You Need a Friend" deviated from the formula, finishing as the only gospel-infused song on Music Box. Lyrically, the song's protagonist tells her love interest that anytime he may need a friend, she will be there unconditionally for him. Throughout the song's bridge and climax, critics noted the lyrics altering from those of a friend, to those of a lover.
"Can't Let Go" is a song recorded by American singer-songwriter Mariah Carey for her second studio album, Emotions (1991). Columbia Records released it as the album's second single in November 1991. Featuring synthesizers and drum programming, "Can't Let Go" is a breakup song in the form of an R&B and pop slow jam. The lyrics, written by Carey, are about post-breakup sadness. She composed the music and produced the song with Walter Afanasieff, who had previously worked on her 1990 single "Love Takes Time". Carey's vocal range spans more than three octaves; her delivery is predominately breathy and in a low register, with whistle notes in the song's introduction and ending.
"Make It Happen" is a song by American singer-songwriter Mariah Carey. Written and produced by Carey and C+C Music Factory's David Cole and Robert Clivillés. It was released on April 4, 1992, by Columbia Records as the third and final single from her second studio album, Emotions (1991). The pop-, R&B-, and dance-influenced track incorporates traces of gospel in its bridge and crescendo. Described by author Chris Nickson as Carey's most personal and inspirational song, it tells of her personal struggles prior to her rise to fame, and how her faith in God helped sustain her.
#1's is the first greatest hits album by American singer-songwriter Mariah Carey, released by Columbia Records on November 16, 1998. The album contained Carey's then thirteen number-one singles on the Billboard Hot 100, as well as four new songs. In Japan, the album also included her popular single, "All I Want for Christmas Is You", which was Carey's biggest selling single there.
"Dreamlover" is a song recorded by American singer-songwriter and record producer Mariah Carey, released on July 27, 1993 by Columbia Records, as the lead single from the singer's third studio album, Music Box (1993). Its lyrics were written by Carey, with music composed by Carey and Dave Hall, and was produced by Carey, Walter Afanasieff and Hall. The song incorporates a sample of the hook from "Blind Alley" by the Emotions—previously used in "Ain't No Half-Steppin'" (1988) by Big Daddy Kane—into its melody and instrumentation. "Dreamlover" marked a more pronounced attempt on Carey's part to incorporate hip hop into her music, as was seen in her decision to work with Hall, who had previously produced What's the 411? (1992) by Mary J. Blige. This was partly in light of the mixed reception to her previous studio effort Emotions (1991), which featured gospel and 1960s soul influences. Lyrically, the song pictures a protagonist calling for a perfect lover, her "dreamlover," to whisk her away into the night and not "disillusion" her like others in the past.
"My All" is a song by American singer-songwriter Mariah Carey from her sixth studio album, Butterfly (1997). It was released as the album's fifth single overall and second commercial single on April 21, 1998, by Columbia Records. The song was written and produced by Carey and Walter Afanasieff. "My All" is built around Latin guitar chord melodies, and makes subtle use of Latin percussion throughout the first chorus, before taking on a more conventional R&B-style beat. Carey was inspired to write the song and use Latin inspired melodies after a trip to Puerto Rico, where she was influenced by the culture. The song's lyrics tell of a lonely woman declaring she would give "her all" to have just one more night with her estranged lover. It is the first song Carey wrote for the Butterfly album.
"Hero" is a song by American singer-songwriter and record producer Mariah Carey released on October 18, 1993, via Columbia Records as the second single from her third studio album, Music Box (1993). The song was written and produced by Carey and Walter Afanasieff. While writing the song, Carey did not connect to its style or sound, therefore forfeiting it to Gloria Estefan, who was intended to sing it for the soundtrack of the film of the same name (1992). However, after being convinced by Sony executive Tommy Mottola to keep it for herself, she changed some of the lyrics to more precisely fit her personality. Lyrically, the song is regarded as one of Carey's most inspirational and personal ballads, with its protagonist declaring that even though people may feel discouraged or down at times, in reality, they are "heroes" if they look inside themselves and see their own inner strength; in time, it will help them "find the way".
"One Sweet Day" is a song by American singer-songwriter Mariah Carey and American vocal group Boyz II Men. The song was released on November 14, 1995, as the second single from the former's fifth studio album, Daydream (1995) by Columbia Records. The artists co-wrote the song with Walter Afanasieff, who co-produced it with Carey. Lyrically, the song speaks about the death of a loved one, how the protagonist took their presence for granted and misses them, and finally about seeing the person in heaven. The artists wrote the song about specific people in their lives, being inspired by sufferers of the AIDS epidemic, which was globally prevalent at the time.
Emotions is the second studio album by American singer-songwriter Mariah Carey. It was released on September 17, 1991, by Columbia Records. The album deviated from the formula of Carey's 1990 self-titled debut album, as she had more creative control over the material she produced and recorded. Additionally, Emotions features influences from a range of different genres, as well as 1950s, 1960s and 1970s balladry infusion. On the record, Carey worked with a variety of producers and writers, including Walter Afanasieff, the only holdover from her previous effort. Additionally, Carey wrote and produced the album's material with Robert Clivillés and David Cole from C+C Music Factory and Carole King, with whom she wrote one song.
Here Is Mariah Carey, also known as Mariah Carey or This Is Mariah Carey, is the third video album by American singer Mariah Carey. It presents Carey performing live at Proctor's Theatre in Schenectady, New York, in July 1993, and also includes non-concert footage. Carey performs ten songs during the video; four are from her third studio album Music Box (1993), which Columbia Records commissioned Here Is Mariah Carey to promote. She is sporadically accompanied by a band, choir, dancers, and string musicians. In creating the stage for the performance, production designers sought inspiration from works by Boris Aronson and Josep Maria Jujol. Lawrence Jordan, who collaborated with Carey on previous occasions, directed the hour-long video.
Rainbow is the seventh studio album by American R&B singer Mariah Carey, released on November 2, 1999 in the United States, by Columbia Records. The album followed the same pattern as Carey's previous two albums, Daydream (1995) and Butterfly (1997), in which she began her transition into the urban adult contemporary market. Rainbow contains a mix of hip hop-influenced R&B tracks, as well as a variety of ballads. Carey produced the album with David Foster and Diane Warren, who, as well as Jimmy Jam & Terry Lewis, replaced Walter Afanasieff, the main balladeer Carey worked with throughout the 1990s. As a result of her divorce from Sony Music CEO Tommy Mottola, Carey had more control over the musical style of this album, so she collaborated with several hip-hop artists such as Jay-Z, Snoop Dogg, Master P and Mystikal as well as female rappers Da Brat and Missy Elliott. Other collaborations include the pop and R&B acts Joe, Usher and boyband 98 Degrees.
Merry Christmas is the fourth studio album by American singer-songwriter Mariah Carey, and her first Christmas album. Released by Columbia Records on October 28, 1994, at the peak of the initial stretch of Carey's career, between Music Box (1993) and Daydream (1995), the album features cover versions of popular Christmas songs in addition to original material. Carey worked with Walter Afanasieff, with whom she wrote all of the original tracks, as well as producing Carey's interpretations of the covered material. Three singles were released from the album, of which "All I Want for Christmas Is You" went on to become one of the best-selling singles of all time and the best-selling Christmas ringtone in the United States.
MTV Unplugged is a live EP by American singer-songwriter Mariah Carey, released in the United States on June 2, 1992, by Columbia Records. Following the success of Carey's previous two albums and the growing critical commentary on her lack of concert tours and unsubstantial televised performances, Sony organized a live performance show at the Kaufman Astoria Studios, New York on March 16, 1992. The show, titled MTV Unplugged, originally aired on MTV to help promote Carey's second album Emotions, as well as help shun critics who deemed Carey a possible studio artist. However, after its success, the show was released to the public as an EP, with an accompanying VHS titled MTV Unplugged +3.
"Underneath the Stars" is a song by American singer-songwriter Mariah Carey. The song was written and produced by Carey and Walter Afanasieff, for her fifth studio album, Daydream (1995). It was released as a promotional single on November 19, 1996, through Columbia Records, and as a B-side to "Forever" in Australia. The R&B-influenced song, which has been considered by Carey as one of her personal favorites, features a soft and retro-style melody and had music critics drawing comparisons to earlier works from Minnie Riperton, one of Carey's vocal inspirations.
The Rarities is the eighth compilation album by American singer-songwriter Mariah Carey, released on October 2, 2020, by Columbia Records and Legacy Recordings. The album coincided with Carey's 2020 memoir The Meaning of Mariah Carey, which discussed various songs on the albums, their meanings and stories. The album was released as a part of "#MC30", a promotional marking campaign which marked the 30th anniversary of Carey's self-titled debut album.
"Without You" is a song recorded by American singer-songwriter Mariah Carey. It is a cover of the Badfinger song based on the version by Harry Nilsson. It was released as the third single off Music Box in the first quarter of 1994, its US release date of 21 January 1994 by Columbia Records, falling a week after Nilsson had died following a heart attack on 15 January 1994. In the US "Without You" was promoted as a double A-side with "Never Forget You". While she had heard Nilsson's version as a very young girl, Carey's decision to remake his hit was based on a chance hearing during the time she was recording Music Box: "I heard that song in a restaurant and just knew it would be a huge international hit" recalls Carey. Carey's version has been considered very popular on talent shows. "Without You" was later included on some non-US pressings of her compilation albums #1's (1998) and #1 to Infinity (2015), and her 2001 compilation, Greatest Hits. "Without You" was also included on her 2008 compilation The Ballads.
The singer's third studio album, it was met with mixed reviews.
the album got mixed reviews from critics
The song was used to launch "Music Box," the follow up to "Emotions," which received mixed reviews.
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