Spy-fi (subgenre)

Last updated

Spy-fi is a subgenre of spy fiction that includes elements of science fiction, and is often associated with the Cold War. [1] [2] [3] [4] [5] Features of spy-fi include the effects of technology on the espionage trade and the technological gadgets used by the characters, even though the technologies and gadgets portrayed are well beyond contemporary scientific reality. [6]

Contents

Definition and characteristics

Spy-fi can be defined as media that centers around the adventures of a protagonist (or protagonists) working as a secret agent or a spy. Usually, these adventures will revolve around defeating a rival superpower or singular enemy from achieving a nefarious aim. Content may include themes such as world domination, world destruction, futuristic weapons, and gadgets. Settings vary from outright fantasy, such as outer space or under the sea, to real but exotic locations.[ citation needed ] Spy-fi does not necessarily present espionage as it is practiced in reality but rather glamorizes spy-craft through its focus on high-tech equipment, agencies, and organizations with nearly limitless resources and incredibly high-stakes adventures.[ citation needed ]

The spy protagonist may discover in his or her investigation that a mad scientist or evil genius and his secret organization are using futuristic technology to further their schemes. [7] [8] [9] Examples of these include the James Bond film series, the use of advanced scientific technologies for global influence or domination in The Baroness spy novels, using space travel technology to destroy the world as in Kiss the Girls and Make Them Die , weather control in Our Man Flint , using a sonic weapon in Dick Barton Strikes Back , a death ray in Dick Barton at Bay , or replacing world leaders with evil twins in In Like Flint .[ citation needed ]

Examples

Films and television

Games

See also

Related Research Articles

<i>James Bond</i> Media franchise about a British spy

The James Bond franchise focuses on the titular character, a fictional British Secret Service agent created in 1953 by writer Ian Fleming, who featured him in twelve novels and two short-story collections. Since Fleming's death in 1964, eight other authors have written authorised Bond novels or novelisations: Kingsley Amis, Christopher Wood, John Gardner, Raymond Benson, Sebastian Faulks, Jeffery Deaver, William Boyd, and Anthony Horowitz. The latest novel is With a Mind to Kill by Anthony Horowitz, published in May 2022. Additionally Charlie Higson wrote a series on a young James Bond, and Kate Westbrook wrote three novels based on the diaries of a recurring series character, Moneypenny.

<span class="mw-page-title-main">Spy fiction</span> Fiction genre involving espionage

Spy fiction is a genre of literature involving espionage as an important context or plot device. It emerged in the early twentieth century, inspired by rivalries and intrigues between the major powers, and the establishment of modern intelligence agencies. It was given new impetus by the development of fascism and communism in the lead-up to World War II, continued to develop during the Cold War, and received a fresh impetus from the emergence of rogue states, international criminal organizations, global terrorist networks, maritime piracy and technological sabotage and espionage as potent threats to Western societies. As a genre, spy fiction is thematically related to the novel of adventure, the thriller and the politico-military thriller.

<i>The Man from U.N.C.L.E.</i> 1960s American television spy drama series

The Man from U.N.C.L.E. is an American spy fiction television series produced by Metro-Goldwyn-Mayer Television and first broadcast on NBC. The series follows secret agents Napoleon Solo, played by Robert Vaughn, and Illya Kuryakin, played by David McCallum, who work for a secret international counterespionage and law-enforcement agency called U.N.C.L.E.. The series premiered on September 22, 1964, and completed its run on January 15, 1968. The program was part of the spy-fiction craze on television, and by 1966 there were nearly a dozen imitators. Several episodes were successfully released to theaters as B movies or double features. There was also a spin-off series, The Girl from U.N.C.L.E., a series of novels and comic books, and merchandising.

<span class="mw-page-title-main">Spy film</span> Film genre

The spy film, also known as the spy thriller, is a genre of film that deals with the subject of fictional espionage, either in a realistic way or as a basis for fantasy. Many novels in the spy fiction genre have been adapted as films, including works by John Buchan, le Carré, Ian Fleming (Bond) and Len Deighton. It is a significant aspect of British cinema, with leading British directors such as Alfred Hitchcock and Carol Reed making notable contributions and many films set in the British Secret Service.

Q (<i>James Bond</i>) Fictional character from the James Bond franchise

Q is a character in the James Bond films and novelisations. Q is the head of Q Branch, the fictional research and development division of the British Secret Service charged with oversight of top secret field technologies.

<i>Spy Kids</i> Media franchise

Spy Kids is an American media franchise centered on a series of spy action comedy films created by Robert Rodriguez. The plot follows various children, who discover that their respective parents are spies and become involved in an espionage organization when their parents go missing. The films include Hispanic themes, as Rodriguez is of Mexican descent.

<span class="mw-page-title-main">Thriller (genre)</span> Genre of literature, film, and television

Thriller is a genre of fiction with numerous, often overlapping, subgenres, including crime, horror, and detective fiction. Thrillers are characterized and defined by the moods they elicit, giving their audiences heightened feelings of suspense, excitement, surprise, anticipation and anxiety. This genre is well suited to film and television.

<i>Joe 90</i> British science fiction TV series (1968–1969)

Joe 90 is a British science fiction television series created by Gerry and Sylvia Anderson and filmed by their production company, Century 21, for ITC Entertainment. It follows the exploits of nine-year-old schoolboy Joe McClaine, who becomes a spy after his adoptive father invents a device capable of recording expert knowledge and experience and transferring it to another human brain. Armed with the skills of the world's top academic and military minds, Joe is recruited by the World Intelligence Network (WIN) as its "Most Special Agent".

A licence to kill, or license to kill in American English, is a licence granted by a government or government agency to a particular operative or employee to initiate the use of lethal force in the delivery of their objectives. The initiation of lethal force is in contrast to the use of lethal force in self-defence or the protection of life. It is well known as a literary device used in espionage fiction.

<span class="mw-page-title-main">Science fiction Western</span> Fiction genre

A science fiction Western is a subgenre or cross-genre that uses traditional Western plots and settings, while incorporating science fiction elements such as futuristic technology or aliens. The post-apocalyptic Western and steampunk Western fall within this subgenre.

<i>You Only Live Twice</i> (film) 1967 James Bond film by Lewis Gilbert

You Only Live Twice is a 1967 spy film and the fifth in the James Bond series produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. It is the first Bond film to be directed by Lewis Gilbert, who later directed the 1977 film The Spy Who Loved Me and the 1979 film Moonraker, both starring Roger Moore. The screenplay of You Only Live Twice was written by Roald Dahl, and loosely based on Ian Fleming's 1964 novel of the same name. It is the first James Bond film to discard most of Fleming's plot, using only a few characters and locations from the book as the background for an entirely new story.

<span class="mw-page-title-main">Shoe phone</span>

A shoe phone is a shoe that has a telephone within it. Though there is no specific evidence that spies or those involved in espionage actually used shoe phones, they were popularised by fictional spies in television shows, most notably the television series Get Smart. Modern mobile phone technology has allowed for the development and production of working shoe phones.

<span class="mw-page-title-main">Eurospy film</span> Genre of spy films

Eurospy film, or Spaghetti spy film, is a genre of spy films produced in Europe, especially in Italy, France, and Spain, that either sincerely imitated or else parodied the British James Bond spy series feature films. The first wave of Eurospy films was released in 1964, two years after the first James Bond film, Dr. No, and in the same year as the premiere of what many consider to be the apotheosis of the Bond series, Goldfinger. For the most part, the Eurospy craze lasted until around 1967 or 1968. In Italy, where most of these films were produced, this trend replaced the declining sword-and-sandal genre.

<i>Codename: Kyril</i> 1988 UK Cold War espionage TV drama

Codename: Kyril is a 4-part British miniseries, first broadcast in 1988 over two consecutive nights. It is a Cold War espionage drama, starring Ian Charleson, Edward Woodward, Denholm Elliott, Joss Ackland, and Richard E. Grant. The spy thriller was directed by Ian Sharp, and the screenplay was written by John Hopkins, from a 1981 novel by John Trenhaile. The fairly complex plot concerns a known Russian spy ("Kyril") sent to the UK under falsely reported pretenses in order to hopefully indirectly spark an unknown mole in the KGB to reveal himself; the endeavor eventually has repercussions which none of the initial players could have predicted.

<i>Alex Rider</i> (TV series) 2020 British spy thriller television series

Alex Rider is a British spy thriller television series based on the novel series of the same name by Anthony Horowitz. Adapted by Guy Burt, it stars Otto Farrant as the eponymous character, who is recruited by a subdivision of MI6 as a teenage spy to undertake espionage missions. The series is Amazon's first scripted British Amazon Original series. The show is jointly produced by Eleventh Hour Films and Sony Pictures Television, and is the second screen adaptation of the novels, following the 2006 feature film version of the first novel, Stormbreaker.

References

  1. "Spy Fi Shelf". Goodreads.com. Retrieved 2016-05-03.
  2. Danesi, Marcel (2012). Popular Culture: Introductory Perspectives (2nd ed.). Lanham, Md.: Rowman & Littlefield Publishers, Incorporated. p.  76. ISBN   9781442217836.
  3. "Relive decades of spy-fi with an epic retrospective on James Bonds' sci-fi gadgets". Blastr. 2015-11-06. Retrieved 2016-03-13.
  4. "Spy-fi is just around the corner". Tor.com. 2009-11-06. Retrieved 2016-03-13.
  5. Sexton, Max. "Celluloid Television: The Action Adventure Genre of the 1960s". Dandelion. Retrieved 4 May 2016.
  6. "Spyfi". BestScienceFictionBooks.com. Retrieved 2016-03-24.
  7. MI6-HQ Copyright 2016. "Spies + Spoofs :: MI6 :: The Home Of James Bond 007". Mi6-hq.com. Retrieved 2016-03-13.{{cite web}}: CS1 maint: numeric names: authors list (link)
  8. Weiner, Robert G.; Whitfield, B. Lynn; Becker, Jack (2010). James Bond in World and Popular Culture: The Films are Not Enough (1. publ. ed.). Newcastle upon Tyne: Cambridge Scholars. p. 100. ISBN   978-1443822893.
  9. Packer, Jeremy (2009). Secret Agents: Popular Icons Beyond James Bond. New York: Peter Lang. p. xi. ISBN   978-0820486697 . Retrieved 2 May 2016.
  10. {{cite https://web.archive.org/web/20150322164531/http://comicsalliance.com/marvel-mark-waid-shield-original-sin-annual-cyclops-layman-death-of-wolverine-next-big-thing/_(comic_book) Agents of S.H.I.E.L.D. (comic book)}}
  11. Stuller, Jennifer K. (2010). Ink-stained Amazons and Cinematic Warriors: Superwomen in Modern Mythology. London: I.B. Tauris & Co. ISBN   978-1845119652.
  12. Avam, Elizabeth; Hoskin, Dave (2004). "TV Eye". Metro Magazine (141): 158.
  13. Britton, Wesley (2004). Spy Television. Westport, Conn.: Greenwood Publishing Group. ISBN   0275981630.
  14. Biederman, Danny (2004). The Incredible World of Spy-fi: Wild and Crazy Spy Gadgets, Props, and Artifacts from TV and the Movies. San Francisco: Chronicle Books. ISBN   081184224X.
  15. 1 2 3 4 5 6 Falksen, GD (November 6, 2009). "Spy-fi is just around the corner". Tor.com . Retrieved May 29, 2021.
  16. Anders, Charlie Jane (7 August 2012). "10 Best Spy-Fi Movies of All Time". io9. Retrieved 2016-05-18.
  17. Sherlock, Ben (March 11, 2023). "Tenet's Ending, Explained". Game Rant . Retrieved November 23, 2023.
  18. Ison, Blake (August 27, 2020). "'Tenet' Ushers in a New Era of "Spy-Fi"". MovieBabble. Retrieved November 23, 2023.
  19. Rossignol, Jim (2009-04-14). ""Spy-Fi": Global Agenda Footage". Rock Paper Shotgun . Retrieved 2017-05-17.