"Words" | ||||
---|---|---|---|---|
Single by the Bee Gees | ||||
B-side | "Sinking Ships" | |||
Released | January 1968 | |||
Recorded | 3 October 1967 | |||
Genre | Pop | |||
Length | 3:13 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) |
| |||
The Bee Gees UKsingles chronology | ||||
| ||||
The Bee Gees USsingles chronology | ||||
| ||||
Audio sample | ||||
"Words" |
"Words" is a song by the Bee Gees,written by Barry,Robin,and Maurice Gibb. The song reached No. 1 in Germany,Canada,Switzerland and the Netherlands.
"Words" was the Bee Gees third UK top 10 hit,reaching number 8,and in a UK television special on ITV in December 2011 it was voted fourth in "The Nation's Favourite Bee Gees Song". [1] The song has been recorded by many other artists,including hit versions by Rita Coolidge in 1978 and Boyzone in 1996. It was Boyzone's fifth single and their first number-one hit in the UK.
Barry Gibb explains:
'Words' was written by me at Adams Row when I was staying at Robert [Stigwood]'s place, A lot of people began to cover that song, so over the years it's become a bit like 'To Love Somebody'. I didn't know it wasn't on an album — that's strange how it used to work in those days. We used to bang singles out one after another.
— Barry Gibb [2]
'Words' reflects a mood, It was written after an argument. Barry had been arguing with someone, I had been arguing with someone, and happened to be in the same mood. [The arguments were] about absolutely nothing. They were just words. That is what the song is all about; words can make you happy or words can make you sad.
— Robin Gibb [3]
Barry said in 1996 on the VH1 Storytellers television show that it was written for their manager, Robert Stigwood.
Words was recorded on 3 October 1967 along with "World" and the unreleased track "Maccleby's Secret" at the IBC Studios in London. [4] The song featured vocals from only Barry and became his solo spot in concert for the remainder of the Bee Gees' career.
The recording sessions for "Words" were especially memorable for two members of the group, Barry explained: [3]
"I remember the [first] session so clearly. Robin and I were in the studios at 9 o'clock in the morning, and Robin kept on falling asleep over the piano. I wanted him to write the piano part of the song and play it because I'm not much of a pianist, but he just couldn't keep his eyes open, so I ended up doing it myself". [3]
"Words" was also the showcase for a new piano sound, as Maurice explained:
"We accidentally discovered the sound on 'Words'. When we were recording [it], after everyone had gone to lunch, I was sitting at the piano mucking about and I wrote a riff. I went upstairs and switched on the mike for the piano, and then I started playing about with the knobs in front of me. When I played the tape back, I had all these incredible compressed piano noises. Mike Claydon at IBC Studios, who engineered all our records, then said 'What the hell was that?' when he heard the piano sound. 'Come up here and listen to that sound'. It was just compression, but he didn't know what to call it then. I think he called it 'limited'. It made the piano sound like it was about 40 pianos playing at the same time and very, very thick. In 'Words' it was very beautiful but that sound on it made it sound like the LA Symphony on it. If you listen to all our records, the piano sound is on it. [3]
According to sound engineer Damon Lyon-Shaw:
"I was the one that actually devised it, Mike Claydon was the one who took the credit for it, but i was actually piddling around at the time as his junior. On the mixer at the time, we had compressors, Maurice was playing at piano at the time, just piddling around [and] I started feeding the piano into a series of these compressors and then screwed them up until he got his lovely metallic sort of sucking sound, and that was the birth of that sound, Maurice, assumed it was Michael, so he took the credits. [3]
Another sound engineer John Pantry offered to put things in a proper perspective: [3]
"Well, Damon didn't make the compressor/limiter, and my memory is that we all used to use that sound once we discovered what it did to piano notes. As to who got there first is open to debate. The sound was unique because it was a home-made device that was made by a guy called Denis King". [3]
The B-side for "Words" was "Sinking Ships", one of very few songs by the Bee Gees to feature all three brothers on lead vocals: Barry and Robin Gibb in the verses and Maurice Gibb on the song's chorus. The group performed this song on The Ed Sullivan Show in 1968, with Barry Gibb on vocals, Maurice Gibb on bass, Robin Gibb on piano, Vince on guitar and Colin on drums. On that performance Vince is playing Gibson ES-335, and Maurice is playing Rickenbacker 4001. Some backing vocals near the end are heard only on the mono mix used on the single, some compilations, and the Studio Albums 1967–1968 box set.
Mixes for "Words" suffered many different problems. Since it was originally used only as a single, no stereo mix was made until Atlantic wanted one for the Best of Bee Gees album in 1969, where it made its first appearance on LP. A stereo mix with the piano, bass and drums mixed down and the vocals pushed forward was made, which fans were dissatisfied with. Polydor in the UK instead chose to use the mono mix on their version of the album. In 1990, Bill Inglot prepared an improved stereo mix. While doing so, he noticed that two short sections of backing vocal near the end of the song were on the mono mix but not on the four-track master, as if Barry added them while the mono mix was made. The Studio Albums 1967–1968 used the original mono mix. As stated on the original single release, the song was featured in the film The Mini Mob (1968), where it was sung by Georgie Fame in an arrangement by Bill Shepherd.
"Words" debuted at No. 67 in Cashbox in the United States in the week of 20 January 1968. [5] It was the Bee Gees' second UK Top 10 single after "Massachusetts".
Cash Box called it a "beautiful ballad line with a semi-soft, somewhat-rock sound obtained by the use of near classic piano, soaring strings and a pop percussion" and a "brilliant vocal lead". [6]
Weekly charts
| Year-end charts
|
"Words" | ||||
---|---|---|---|---|
Single by Boyzone | ||||
from the album A Different Beat | ||||
Released | 7 October 1996 | |||
Length | 4:02 | |||
Label | Polydor | |||
Songwriter(s) | Barry, Robin & Maurice Gibb | |||
Producer(s) | Phil Harding, Ian Curnow | |||
Boyzone singles chronology | ||||
|
Irish boyband Boyzone covered "Words" and released is as the lead single from their second studio album, A Different Beat (1996). The single was their seventh single overall, becoming their first number-one hit in the UK and earning a platinum certification from the British Phonographic Industry. [25]
British magazine Music Week rated Boyzone's version of "Words" three out of five. The reviewer wrote, "Just when everyone has readied themselves for Boyzone's ascent to mega-stardom, they go and release their worst single to date. It will still be a massive hit, but this cover of The Bee Gees' 1968 hit is terribly uninspired." [26]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Austria (IFPI Austria) [59] | Gold | 25,000* |
Germany (BVMI) [60] | Gold | 250,000^ |
United Kingdom (BPI) [25] | Platinum | 600,000‡ |
* Sales figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United Kingdom | 7 October 1996 |
| Polydor | [61] |
Japan | 2 December 1996 | CD | [62] |
The song was recorded by Glen Campbell on the "Wichita Lineman" album released in 1968, also recorded and performed live by Elvis Presley in 1969. It was included in the concert documentary and album Elvis: That's the Way It Is .
Lynn Anderson recorded the song on her album Stay There 'Til I Get There , released in 1970.
In 1979, country music singer Susie Allanson covered "Words" for her 1979 album Heart to Heart. Allanson's version was a number eight entry on Hot Country Songs that year. [63]
In 1989, the group Tropical Panamá released a Spanish-language version (titled "Palabras") on their album Ana María. [64]
In 2021, Barry Gibb and Dolly Parton recorded "Words" for Barry's 2021 album Greenfields . [65]
"Night Fever" is a song written and performed by the Bee Gees. It first appeared on the soundtrack to Saturday Night Fever on RSO Records. Producer Robert Stigwood wanted to call the film Saturday Night, but singer Robin Gibb expressed hesitation at the title. Stigwood liked the title Night Fever but was wary of marketing a movie with that name. The song bounded up the Billboard charts while the Bee Gees’ two previous hits from Saturday Night Fever soundtrack were still in the top ten. The record debuted on the Billboard Hot 100 Chart at #76, then leaped up 44 positions to #32. It then moved: 32–17–8–5–2–1. It remained at #1 for eight weeks, and ultimately spent 13 weeks in the top 10. For the first five weeks that "Night Fever" was at #1, "Stayin' Alive" was at #2. Also, for one week in March, Bee Gees related songs held five of the top positions on the Hot 100 chart, and four of the top five positions, with "Night Fever" at the top of the list. The B-side of "Night Fever" was a live version of "Down the Road" taken from the Bee Gees 1977 album, Here at Last... Bee Gees... Live.
"Too Much Heaven" is a song by the Bee Gees, which was the band's contribution to the "Music for UNICEF" fund. They performed it at the Music for UNICEF Concert on 9 January 1979. The song later found its way to the group's thirteenth original album, Spirits Having Flown. It hit No. 1 in both the US and Canada. In the United States, the song was the first single out of three from the album to interrupt a song's stay at #1. "Too Much Heaven" knocked "Le Freak" off the top spot for two weeks before "Le Freak" returned to #1 again. "Too Much Heaven" also rose to the top three in the UK. In the US, it would become the fourth of six consecutive No. 1s, equaling the record set by Bing Crosby, Elvis Presley, and the Beatles for the most consecutive No. 1 songs. The six Bee Gee songs are "How Deep Is Your Love", "Stayin' Alive", "Night Fever", "Too Much Heaven", "Tragedy" and "Love You Inside Out". The songs spanned the years of 1977, 1978 and 1979.
"Tragedy" is a song released by the Bee Gees, written by Barry, Robin & Maurice Gibb, included on their 1979 album Spirits Having Flown. The single reached number one in the UK in February 1979 and repeated the feat the following month on the US Billboard Hot 100. In 1998, it was covered by British pop group Steps, whose version also reached number one in the UK. In 2024, it was used in the film Beetlejuice Beetlejuice, as well as its trailer.
"I Started a Joke" is a song by the Bee Gees from their 1968 album Idea, which was released as a single in December of that year. It was not released as a single in the United Kingdom, where buyers who could not afford the album had to content themselves with a Polydor version by Heath Hampstead. This is the last Bee Gees single to feature Vince Melouney's guitar work, as he left the band in early December after this song was released as a single.
"I've Gotta Get a Message to You" is a song by the Bee Gees. Released as a single in 1968, it was their second number-one hit in the UK Singles Chart, and their first US Top 10 hit. Barry Gibb re-recorded the song with Keith Urban for his 2021 album Greenfields.
"How Deep Is Your Love" is a ballad written and recorded by the Bee Gees in 1977 and released as a single in September of that year. It was ultimately used as part of the soundtrack to the film Saturday Night Fever. It was a number-three hit in the United Kingdom and Australia. In the United States, it topped the Billboard Hot 100 on 25 December 1977 and stayed in the Top 10 for 17 weeks. It spent six weeks atop the US adult contemporary chart. It is listed at No. 27 on Billboard's All Time Top 100. Alongside "Stayin' Alive" and "Night Fever", it is one of the group's three tracks on the list. The song was covered by Take That for their 1996 Greatest Hits album, reaching No. 1 on the UK Singles Chart for three weeks.
"How Can You Mend a Broken Heart" is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar. It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks.
"Lonely Days" is a ballad written and performed by the Bee Gees. It appeared on their album 2 Years On, and was released as a single, becoming their first Top Five hit in the US, peaking at number three in the Billboard Hot 100 and reaching number one in the Cashbox and Record World charts. Barry Gibb later re-recorded the song with country quartet Little Big Town for his 2021 album Greenfields.
"Don't Forget to Remember", also called "Don't Forget to Remember Me", is a country ballad recorded by the Bee Gees, from the album Cucumber Castle. The song was written by Barry and Maurice Gibb. It was produced by the band with Robert Stigwood.
"Living Eyes" is a power ballad recorded by the Bee Gees and was released in November 1981 as the second single and title track off the LP of the same name. It was written by Barry, Robin & Maurice Gibb. The sound of this single was closer musically to the rest of the album than its predecessor, "He's a Liar".
"World" is a song by the Bee Gees, released in 1967 as a single in the United Kingdom and Europe and then included on their album Horizontal the following year. Though it was a big hit in Europe, Atco Records did not issue it as a single in the United States, having just issued a third single from Bee Gees' 1st, "Holiday".
"First of May" is a song by the Bee Gees with lead vocals by Barry Gibb, released as a single from their 1969 double album Odessa. Its B-side was "Lamplight". It also featured as the B-side of "Melody Fair" when that song was released as a single in the Far East in 1971 as well as in 1976 and 1980 on RSO Records. It was the first Bee Gees single to be released after lead guitarist Vince Melouney had left the group.
"Tomorrow Tomorrow" is a song by the Bee Gees written by Barry and Maurice Gibb. The song was originally intended to be recorded by Joe Cocker. It was the first Bee Gees single released after Robin Gibb had quit the group which was now down to a trio featuring Barry Gibb, Maurice Gibb and drummer Colin Petersen.
"Guilty" is a vocal duet between Barbra Streisand and Barry Gibb. The song was written by all three Bee Gees: Barry, Robin & Maurice Gibb. Released as a single from Streisand's 1980 album of the same name, "Guilty" peaked at No. 3 on the US Billboard Hot 100 chart and No. 5 on the adult contemporary chart. In the UK, the song reached No. 34 on the UK Singles Chart. The single was certified gold by the RIAA. In addition, "Guilty" won a Grammy Award in the category Best Pop Vocal Performance, Duo or Group. The song also appeared on the 2001 Bee Gees compilation, Their Greatest Hits: The Record.
"Don't Wanna Live Inside Myself" is a ballad written and sung by Barry Gibb, and released on the Bee Gees' album Trafalgar in 1971, and the second single release taken from the album.
"My World" is a 1972 single released by the Bee Gees. It was originally released as a non-album single on 14 January 1972 worldwide. but was later included on the compilation Best of Bee Gees, Volume 2 in 1973. The flip side of the single was "On Time", a country rock number composed by Maurice Gibb. "My World" reached the Top 20 in both US and UK.
"Run to Me" is a song by the Bee Gees, the lead single from the group's album To Whom It May Concern (1972). The song reached the UK Top 10 and the US Top 20.
"Alive" is a ballad recorded by the Bee Gees for their album To Whom It May Concern. It was the second and last single from the album released on 10 November 1972 worldwide. The song was credited to Barry and Maurice Gibb and produced by the Gibbs and their manager Robert Stigwood.
"Fanny (Be Tender with My Love)" is a song written and performed by the Bee Gees for their Main Course album in 1975. It was the third single release from the album, peaking at number 12 on the United States Billboard Hot 100 and number two in Canada. According to Maurice Gibb, producer Quincy Jones called "Fanny" one of his favorite R&B songs of all time.
"Saw a New Morning" is the 1973 single released by the Bee Gees. It was also the group's first single released on Robert Stigwood's newly created records label RSO Records. The Bee Gees moved to Los Angeles in 1972 to record the album Life in a Tin Can which was a new direction for the group, who had been recording in England since 1967. The B-side, "My Life Has Been a Song" features lead vocal by Robin Gibb as well as Barry Gibb.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)