Rosh Hashanah is the name of a text of Jewish law originating in the Mishnah which formed the basis of tractates in both the Babylonian Talmud and the Jerusalem Talmud of the same name. It is the eighth tractate of the order Moed. The text contains the most important rules concerning the calendar year, together with a description of the inauguration of the months, laws on the form and use of the shofar and laws related to the religious services during the Jewish holiday of Rosh Hashanah.
Selichot are Jewish penitential poems and prayers, especially those said in the period leading up to the High Holidays, and on fast days. The Thirteen Attributes of Mercy are a central theme throughout these prayers.
Hallel is a Jewish prayer, a verbatim recitation from Psalms 113–118 which is recited by observant Jews on Jewish holidays as an act of praise and thanksgiving.
A piyyut or piyut is a Jewish liturgical poem, usually designated to be sung, chanted, or recited during religious services. Piyyutim have been written since Temple times. Most piyyutim are in Hebrew or Aramaic, and most follow some poetic scheme, such as an acrostic following the order of the Hebrew alphabet or spelling out the name of the author.
Zemirot or Z'miros are Jewish hymns, usually sung in the Hebrew or Aramaic languages, but sometimes also in Yiddish or Ladino. The best known zemirot are those sung around the table during Shabbat and to some extent the Jewish holidays. The Shabbat zemirot are specifically associated with each of the three obligatory meals of Shabbat, such as those sung for the Friday evening meal, the Saturday day meal, and the third Sabbath meal just before sundown on Saturday afternoon. In some editions of the Jewish prayerbook (siddur), the words to these hymns are printed after the opening prayer (kiddush) for each meal.
Lekha Dodi is a Hebrew-language Jewish liturgical song recited Friday at dusk, usually at sundown, in synagogue to welcome the Sabbath prior to the evening services. It is part of Kabbalat Shabbat.
Adon Olam is a hymn in the Jewish liturgy. It has been a regular part of the daily and Shabbat (Sabbath) liturgy since the 15th century.
Mussaf is an additional service that is recited on Shabbat, Yom Tov, Chol Hamoed, and Rosh Chodesh. The service, which is traditionally combined with the Shacharit in synagogues, is considered to be additional to the regular services of Shacharit, Mincha, and Maariv. In contemporary Hebrew, the word may also signify a newspaper supplement.
Adir Hu is a hymn sung by Ashkenazi Jews worldwide at the Passover Seder. It switches rapidly between saying the virtues of God in an alphabet format, and expressing hope that God will "rebuild the Holy Temple speedily." Most of the virtues of God are adjectives ; however, a few are nouns..
The Great Synagogue of London was, for centuries, the centre of Ashkenazi synagogue and Jewish life in London. Built north of Aldgate in the 17th century, it was destroyed during World War II, in the Blitz.
Special Shabbatot are Jewish Shabbat days on which special events are commemorated. Variations in the liturgy and special customs differentiate them from the other Shabbats and each one is referred to by a special name. Many communities also add piyyutim on many of these special Shabbatot. Two such Shabbats, Shabbat Mevarchim—the Shabbat preceding a new Hebrew month—and Shabbat Rosh Chodesh can occur on several occasions throughout the year. The other special Shabbats occur on specific sabbaths before or coinciding with certain Jewish holidays during the year according to a fixed pattern.
Jewish music is the music and melodies of the Jewish people. There exist both traditions of religious music, as sung at the synagogue and domestic prayers, and of secular music, such as klezmer. While some elements of Jewish music may originate in biblical times, differences of rhythm and sound can be found among later Jewish communities that have been musically influenced by location. In the nineteenth century, religious reform led to composition of ecclesiastic music in the styles of classical music. At the same period, academics began to treat the topic in the light of ethnomusicology. Edward Seroussi has written, "What is known as 'Jewish music' today is thus the result of complex historical processes". A number of modern Jewish composers have been aware of and influenced by the different traditions of Jewish music.
This article describes the principal types of religious Jewish music from the days of the Temple to modern times.
Myer Lyon, better known by his stage name Michael Leoni, was a hazzan at the Great Synagogue of London who achieved fame as a tenor opera singer in London and Dublin, and as the mentor of the singer John Braham.
Nusach Ashkenaz is a style of Jewish liturgy conducted by Ashkenazi Jews. It is primarily a way to order and include prayers, and differs from Nusach Sefard and Baladi-rite prayer, and still more from the Sephardic rite proper, in the placement and presence of certain prayers.
The God of Abraham Praise is a Christian adaptation of the well known Jewish hymn "Yigdal", loosely translated and Christianised by the evangelist Thomas Olivers after a visit to the Great Synagogue of London in 1770. It was first published in 1772. The title of the hymn was based on a verse in the Book of Exodus: "I am the God of thy Father, the God of Abraham".
Thomas Olivers (1725–1799) was a Methodist preacher and hymn-writer from Tregynon, Montgomeryshire, Wales. He was also author of the Arminian Magazine from 1775 to 1789, when he was dropped from the position by John Wesley for numerous printing errors.
"Praise to the Living God" is an American Judeo-Christian hymn written in 1884 by Max Landsberg and Newton Mann. It was revised in 1910 by William C. Gannett.
"Lo! He comes with clouds descending" is a Christian hymn by Charles Wesley (1707–1788), based on an earlier hymn, "Lo! He cometh, countless Trumpets" by John Cennick (1718–1755). Most commonly sung at Advent, the hymn derives its theological content from the Book of Revelation relating imagery of the Day of Judgment. Considered one of the "Great Four Anglican Hymns" in the 19th century, it is most commonly sung to the tune Helmsley, first published in 1763.
Azi Schwartz is a chazzan (cantor), vocal performer, and recording artist whose music reaches Jewish and interfaith audiences internationally. Born in Israel, he lives in New York City, where he serves as the Senior Cantor of Park Avenue Synagogue. Cantor Schwartz performs concerts internationally and is a teacher of cantorial music.
