An abatement (or rebatement) is a modification of a coat of arms, representing a less-than honorable augmentation, [1] [2] imposed by an heraldic authority (such as the Court of Chivalry in England) or by royal decree for misconduct. The practice of inverting the entire escutcheon of an armiger found guilty of high treason has been attested since the Middle Ages and is generally accepted as reliable, and medieval heraldic sources cite at least one instance of removing an honourable charge from a coat of arms by royal decree as an abatement of honour. Other abatements of honour implied by the addition of dishonourable stains and charges, appearing in late 16th-century texts, have never been reliably attested in actual practice. Additionally, as many heraldic writers note, the use of arms is not compulsory, so armigers are more likely to relinquish a dishonored coat of arms than to advertise their dishonor.
The earliest mention in heraldic writing of a dishonorable display of arms (and, according to Fox-Davies, the only one reliably attested in actual use; see historical examples below) [3] was inverting the entire shield, first documented by Johannes de Bado Aureo in his heraldic treatise Tractatus de armis (c. 1394). [4] Contemporary accounts of executions for treason describe the traitor being marched to his execution in a paper tabard displaying his inverted arms, [3] and other accounts tell of displaying the inverted arms of prisoners, released on parole, who refuse to pay their ransom. [4]
Note that inverted arms can also indicate the death of the holder, and do not necessarily indicate dishonour. [5] [6]
Eight other abatements were introduced in the late 16th century, each prescribing a specific charge in a specific stain for a specific offense; though the charges themselves were uncommon but no less honourable than any other charge (if colored in any standard tincture or fur), it was only when displayed in the prescribed position and stain that these charges were supposed to be considered dishonourable.
Leigh (1562) enumerated the nine abatements thus: [7]
Scottish herald Thomas Innes of Learney mentioned abatements in marital situations: "The law of arms provides for abating the arms of an adulterer by two gussets sanguine, and where the bearing of arms is necessary this, and one gusset (they will be close-gussets) for non-adulterous divorcees, are, at least in Patents, applied in the case of divorcees." [9]
Several notable modern heraldists have asserted that the execution of this system of abatements has never been attested in fact, and that the whole system was in all likelihood a theoretical exercise created by heralds for the purpose of discouraging armigers from committing dishonourable acts. [3] [7]
As another form of abatement, some coats of arms were reportedly modified through breaking or cutting, reversing, or altogether erasing some existing charges, at least as they occur in patents, though the armiger's actual display of these defaced arms has not been documented and is unlikely.
In French heraldry the term diffamé is used to denote a lion or other animal whose tail is cut off, or may refer more broadly to arms which have been altered to signify loss of honor. A lion with its tail between its hind legs is termed "couard" (coward), and has also been cited as a mark of infamy. [9]
Though lions are traditionally depicted with male genitals, a recent trend toward omitting the genitals has been controversial, prodding claims that emasculated lions have also been an historical form of abatement. Commenting on the newly castrated lion in the arms of the Nordic Battle Group in 2007, Vladimir Sagerlund, heraldic artist at the Swedish National Archives since 1994, was critical of the politically motivated decision, stating, "once upon a time coats of arms containing lions without genitalia were given to those who betrayed the Crown." [10] [11] The Times in London, however, noted a growing recent trend toward heraldic "castration", pointing to the lions passant on the royal coat of arms of England, as well as the lions rampant on those of Norway, Finland, Belgium, Luxembourg and Scotland, all of which have recently been depicted without genitals; in conclusion, The Times wrote, "some crests are ambiguous, but the message remains clear: the lions are supposed to display courage and nothing else." [12] While such arms are clearly not intended as an abatement in modern times, no known examples of castrated lions have been found in medieval heraldry.
A few examples of historical abatements of arms have been recorded, though none of these reflect the addition of stained ordinaries as detailed above. Rather, these include broken chevrons, disarmed lions, and reversed or erased charges.
One of these rare historical examples was Amery of Pavy, who was appointed governor of Calais by King Edward III of England in 1347, and whose arms were abated by royal decree in 1349 after the failed French siege of Calais on the last day of December 1348, which resulted from Sir Amery's attempt to sell Calais to Sir Geffrey Charney, the French governor of nearby Saint-Omer, for 20,000 crowns. [13] [14] [15] As stated by Sir George Mackenzie: "And Edward the Third of England ordained two of six stars which a gentleman had in his arms to be effaced, because he had sold a seaport of which he was made governor." [9] [16] Pursuivant of arms John Guillim, writing circa 1610, gave the story in considerable detail, adding that Sir Amery's arms were also inverted for his treachery. Guillim further explained that this humiliation is not inherited by the traitor's heirs, up to and including capital crimes, except in cases of high treason. [17]
An example of a lion diffamée is that of Jean d'Avesnes who insulted his mother, Margaret II, Countess of Flanders, in the presence of King Louis IX. He is supposed to have seen the lion in his arms diffamée (i.e. the tail removed) and morné (i.e. the teeth and claws removed). [9]
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
A coat of arms is a heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to the armiger. The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter.
In heraldry, tenné is a "stain", or non-standard tincture, of orange, light brown or orange-tawny colour.
Tinctures are the colours, metals, and furs used in heraldry. Nine tinctures are in common use: two metals, or and argent ; the colours gules (red), azure (blue), vert (green), sable (black), and purpure (purple); and the furs ermine, which represents the winter fur of a stoat, and vair, which represents the fur of a red squirrel. The use of other tinctures varies depending on the time period and heraldic tradition in question.
In heraldry, murrey is a "stain", i. e. a non-standard tincture, that is a dark reddish purple colour. It is most proximate in appearance to the heraldic tincture of purpure, but is distinct therefrom.
In heraldry, cadency is any systematic way to distinguish arms displayed by descendants of the holder of a coat of arms when those family members have not been granted arms in their own right. Cadency is necessary in heraldic systems in which a given design may be owned by only one person at any time, generally the head of the senior line of a particular family.
In heraldry, an escutcheon is a shield that forms the main or focal element in an achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge within a coat of arms.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
Sanguine is a stain, or non-standard tincture in heraldry, of a blood-red colour.
In heraldry, an augmentation is a modification or addition to a coat of arms, typically given by a monarch as either a mere mark of favour, or a reward or recognition for some meritorious act. The grants of entire new coats by monarchs as a reward are not augmentations, but rather grants of arms, and an augmentation mistakenly given to someone who did not have a right to a coat would be nugatory.
The eagle is used in heraldry as a charge, as a supporter, and as a crest. Heraldic eagles can be found throughout world history like in the Achaemenid Empire or in the present Republic of Indonesia. The European post-classical symbolism of the heraldic eagle is connected with the Roman Empire on one hand, and with Saint John the Evangelist on the other.
The rule of tincture is a design philosophy found in some heraldic traditions that states "metal should not be put on metal, nor colour on colour". Heraldic furs such as ermine and vair, and charges described as "proper", are generally exempt from the rule of tincture.
John Guillim of Minsterworth, Gloucestershire, was an antiquarian and officer of arms at the College of Arms in London. He is best remembered for his monumental work on heraldry, A Display of Heraldry, first published in London in 1610.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
South African heraldry dates back to the 1650s, inheriting European heraldic traditions. Arms are borne by individuals, official bodies, local authorities, military units, and by a wide variety of organisations. South Africa has had its own heraldic authority since 1963, to provide armigers with legal protection, and to promote high standards of armorial practice.
In heraldry, the term attitude describes the position in which a figure is emblazoned as a charge, a supporter, or as a crest. The attitude of a heraldic figure always precedes any reference to the tincture of the figure and its parts. Some attitudes apply only to predatory beasts, exemplified by the beast most usual to heraldry – the heraldic lion; other terms apply to docile animals, such as the doe, usually emblazoned as a "hind".
English heraldry is the form of coats of arms and other heraldic bearings and insignia used in England. It lies within the so-called Gallo-British tradition. Coats of arms in England are regulated and granted to individuals by the English kings of arms of the College of Arms. An individual's arms may also be borne 'by courtesy' by members of the holder's nuclear family, subject to a system of cadency marks, to differentiate those displays from the arms of the original holder. The English heraldic style is exemplified in the arms of British royalty, and is reflected in the civic arms of cities and towns, as well as the noble arms of individuals in England. Royal orders in England, such as the Order of the Garter, also maintain notable heraldic bearings.
In heraldry, a stain is one of a few non-standard tinctures or colours, which are only known to occur in post-medieval heraldry and may be used as part of a rebatement of honour. However, in heraldic practice almost none of these rebatements are in fact found; and in British heraldry the stains find only exceptional use, other than for purposes of livery.
Amery of Pavy or of Pavia was a 14th-century English knight, originally from Pavia in Lombardy, who was made captain of Calais by King Edward III of England in 1347. He made a secret deal with Sir Geoffrey de Charny, a French knight, to sell Calais for 20,000 écus. After discovering the plot, Edward summoned Amery to London and confronted him, ordering him to keep his bargain with Geoffrey and say nothing of the king's knowledge. As Geoffrey gathered an army to take control of the town in December of that year, Edward brought an army from England to counter the French. The English then prevailed in the failed siege of Calais on 31 December 1349, and Edward transferred governance of Calais to John de Beauchamp and abated the arms of Amery in 1350. In 1352, Amery was captured and tortured to death by Charny.
The gusset is a heraldic charge resembling the union of a pile with a pale extending from chief to base. In French heraldry, it has been classed as one of the thirty honorable ordinaries. For an 'inverted' gusset, one issuing from base and extending to the chief, some authors prefer the term graft.
Abatement is a term which was unknown until it made its appearance in certain heraldic writings of the sixteenth century, when it was used to denote such marks or devices as, by the writers in question, were held to be the reverse of honourable Augmentation—Augmentations of dishonour indeed, and tokens of degradation.
Abatement: - any sign of degradation