National
Greater coat of arms
Lesser coat of arms
This is a list of coats of arms of Serbia .
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This is a list of cities in Serbia and Montenegro. For a list of municipalities, see Internal structure of Serbia and Montenegro; for a list of all places in Serbia, see List of places in Serbia; for lists of villages in Serbia and Montenegro, see List of villages in Serbia and Montenegro.
The coat of arms of Bulgaria consists of a crowned golden lion rampant over a dark red shield; above the shield is the Bulgarian historical crown. The shield is supported by two crowned golden lions rampant; below the shield there is compartment in the shape of oak twigs and white bands with the national motto "Unity makes strength" inscribed on them.
The coat of arms of the Republic of Serbia consists of two main heraldic symbols which represent the identity of the Serbian state and Serbian people across the centuries: the Serbian eagle and the Serbian cross. The coat of arms also features the Serbian historical crown; while unusual for republics, it is not unprecedented, as can be seen in coat of arms of numerous European countries with republican form of government.
The Serbian Cross, also known as the Firesteels, is one of national symbols of Serbia, part of the coat of arms and flag of Serbia. It is based on the tetragrammic cross emblem/flag of the Byzantine Palaiologos dynasty, with the difference that in Serbian use the cross is usually white on a red background, rather than gold on a red background.
Podunavlje is the name of the Danube river basin parts located in Croatia and Serbia. Podunavlje is located on the southern edge of Pannonian Basin. In its wider meaning, the Croatian term refers to the area around the entire flow of the river Danube.
The Serbian Despotate was a medieval Serbian state in the first half of the 15th century. Although the Battle of Kosovo in 1389 is mistakenly considered the end of medieval Serbia, the Despotate, a successor of the Serbian Empire and Moravian Serbia, lasted for another sixty years, experiencing a cultural, economic, and political renaissance, especially during the reign of Despot Stefan Lazarević. After the death of Despot Đurađ Branković in 1456, the Despotate continued to exist for another three years before it finally fell under Ottoman rule in 1459.
The Serbs of Vojvodina are the largest ethnic group in this northern province of Serbia. For centuries, Vojvodina was ruled by several European powers, but Vojvodina Serbs never assimilated into cultures of those countries. Thus, they have consistently been a recognized indigenous ethnic minority with its own culture, language and religion. According to the 2022 census, there were 1,190,785 Serbs in Vojvodina or 68.43% of the population of the province.
Hristofor Žefarović was an 18th-century painter, engraver, writer and poet and a notable proponent of early pan-South Slavism.
The Kastrioti were an Albanian noble family, active in the 14th and 15th centuries as the rulers of the Principality of Kastrioti. At the beginning of the 15th century, the family controlled a territory in the Mat and Dibra regions. The most notable member was Gjergj Kastrioti, better known as Skanderbeg, regarded today as an Albanian hero for leading the resistance against Mehmed the Conqueror's efforts to expand the Ottoman Empire into Albania. After Skanderbeg's death and the fall of the Principality in 1468, the Kastrioti family gave their allegiance to the Kingdom of Naples and were given control over the Duchy of San Pietro in Galatina and the County of Soleto, now in the Province of Lecce, Italy. Ferrante, son of Gjon Kastrioti II, Duke of Galatina and Count of Soleto, is the direct ancestor of all male members of the Kastrioti family today. Today, the family consists of two Italian branches, one in Lecce and the other in Naples. The descendants of the House of Kastrioti in Italy use the family name "Castriota Scanderbeg".
This is article about the infrastructure of Novi Sad.
The Serbian eagle is a double-headed heraldic eagle, also known as the White eagle, a common symbol in the history of Serbian heraldry and vexillology. The double-headed eagle and the Serbian cross are the main heraldic symbols which represent the national identity of the Serbian people across the centuries, originating from the medieval Nemanjić dynasty. The eagle, defaced with the cross, has been used in the coat of arms of the Kingdom of Serbia from 1882 to 1918 and in contemporary coat of arms of the Republic of Serbia since 2004.
The wild boar and boar's head are common charges in heraldry.
The Macedonian lion is an unofficial symbol of North Macedonia. After the independence of the Republic of Macedonia from Yugoslavia, the lion was proposed as a coat of arms of the new independent state several times.
Angelina Branković, née Arianiti, was the Albanian Despotess consort of Serbian Despot Stefan Branković, and a daughter of Prince Gjergj Arianiti and his first wife Maria Muzaka. For her pious life she was proclaimed a saint and venerated as such by the Serbian Orthodox Church as Venerable Mother Angelina.
The Serbian monarchs and royalty have assumed several regnal titles and styles throughout history.
Fojnica Armorial is a prominent Illyrian armorial which contains South Slavic heraldic symbols, and expresses romantic nationalism and Illyrism rather than historical accuracy. The manuscript is named after the Franciscan monastery in Fojnica where it was kept.
The coat of arms of Triballia is a historical coat of arms attributed to medieval Serbia by various armorials, and is today depicted in several Serbian municipality coat of arms in Šumadija. The motif is of a severed (erased) wild boar's head with an arrow in its mouth or through its head.
Stemmatografia, known by its full name Stemmatographia sive Armorum Illyricorum delineatio, descriptio et restitutio is a heraldic essay written and illustrated by Pavao Ritter Vitezović, and originally published in 1701.
Heraldry, as a scholarly discipline that deals with the study and origin of various symbols and elements, emerged in Albania towards the end of the 13th century. Over time, it has evolved as an inseparable component of European heraldry, encompassing its advancements, shifts and accomplishments.