Currents (Tame Impala album)

Last updated

Currents
Tame Impala - Currents.png
Studio album by
Tame Impala
Released17 July 2015
Recorded2012–2015
Studio Kevin Parker's home studio, Fremantle, Western Australia
Genre
Length51:12
Label Modular
Producer Kevin Parker
Tame Impala chronology
Live Versions
(2014)		Currents
(2015)		 The Slow Rush
(2020)
Singles from Currents
  1. "Let It Happen"
    Released: 11 March 2015 [1]
  2. "'Cause I'm a Man"
    Released: 7 April 2015 [1]
  3. "Eventually"
    Released: 15 June 2015 [2] [3]
  4. "The Less I Know the Better"
    Released: 29 November 2015 [4]

Currents is the third studio album by Australian musical project Tame Impala, released on 17 July 2015 by Modular Recordings. It was released by Interscope Records in the United States and by Fiction Records in the United Kingdom, while Caroline International released it in other regions. Like the project's previous two albums, Currents was written, recorded, performed, and produced by Kevin Parker. For the first time, Parker mixed the music and recorded all instruments by himself; the album featured no other collaborators.

Contents

After the release of his previous album, Lonerism (2012), Parker began work on Currents, largely recording at his home studio in Fremantle. He engrossed himself with writing and recording, and in keeping with his reputation as a musical auteur, laboured over the details of each song, ultimately causing the release date to be delayed by two months. In contrast to the psychedelic rock sound of the project's prior work, Currents marks a shift to more dance-oriented music, with more emphasis placed on synthesisers than guitars. Parker was inspired to seek a change out of desire to hear Tame Impala's music played in dance clubs and a more communal setting. Thematically, the record is about the process of personal transformation, which many critics interpreted to be the result of a romantic breakup. The album's cover art depicting vortex shedding is a visualisation of these themes.

Currents was supported by the release of the singles "Let It Happen", "'Cause I'm a Man", "Eventually" and "The Less I Know the Better". The album became the project's best charting release, debuting at number one in Australia, number three in the United Kingdom, and at number four in the United States. As of January 2023, Currents has sold over one million copies in the United States. Like its predecessors, the album received critical acclaim and appeared on various critics' lists of the best albums of 2015. At the 2015 ARIA Music Awards, Currents was awarded Best Rock Album and Album of the Year, and it also received nominations for the Grammy Award for Best Alternative Music Album and the J Award for Australian Album of the Year. [5] In December 2021, the album was listed at number 12 in Rolling Stone Australia 's list of the "200 Greatest Australian Albums of All Time", [6] and in 2020, Rolling Stone ranked Currents 382nd on its list of "The 500 Greatest Albums of All Time".

Background

Tame Impala performing in 2014. Tame Impala-3736 (18224292843).jpg
Tame Impala performing in 2014.

Tame Impala emerged in the early 2010s as one of psychedelic rock's most prominent new acts. [7] The group, fronted by musician Kevin Parker, released two albums that received adoration from music critics: Innerspeaker (2010) and Lonerism (2012). [8] "Elephant" became an alt-rock radio hit, and was placed in several television series and commercials. [9] Parker founded the band and is typically the sole operating member in the studio. [10] In between Tame Impala releases, Parker founded the space disco band AAA Aardvark Getdown Services. [7]

He began writing songs shortly after completing Lonerism, [11] but was unable to specify when the album began to take shape: "There’s never really a start and never really an end either." [12] The idea to compile his songs into an album came when he had between 10–20 songs ready. [13] In May 2014, Parker spoke of his growing inclination toward recording the album in a triple J radio interview, explaining that: "I'm getting more and more sucked into the world of making an album. It's weird how it happens naturally, it's almost feels like a seasonal thing. I've started to think about tracklistings and all the things that come with an album." [14]

The album's change in style has root in several events. Parker began to feel that even songs outside the psychedelic genre could possess its qualities; he made this assumption while under the influence of psychedelic mushrooms and cocaine and listening to the Bee Gees' "Stayin' Alive". [13] [15] At some point, Parker broke up with his girlfriend, French singer-songwriter Melody Prochet, and moved from Paris back to his hometown of Perth. [15] According to Parker, "the only rule was to make an attempt to abandon the rules that I've set up in the past." This included toying with things he considered musically "cheesy" or taboo, including drum machines and various effects. [16]

Recording and production

Kevin Parker (pictured in 2015) recorded, produced and mixed Currents. Tame Impala Lollapalooza 2015-3.jpg
Kevin Parker (pictured in 2015) recorded, produced and mixed Currents.

Currents was recorded, produced, and mixed by Kevin Parker at his beachside home studio in Fremantle, Western Australia. [17] The two-room studio contained a minimal amount of equipment: "a ramshackle drum kit, a guitar covered in duct tape and some battered vintage synths." [10] Parker likened his small setup to an aeroplane cockpit. [15] In an adjoining room, he began designing the light show that would accompany live performances of the album by using automated stage lights on stands. [8] [10] He hoped to deviate from the creative process by which he created Lonerism, which he described as torturous, but ultimately found himself "falling down completely the same hole again" on Currents. [18]

Recording the album soon became an obsession to Parker, as he worked "all day, every day," growing increasingly isolated. He said, "At some point, life outside the studio fades into the distance. That's how I know that I'm into it." He reasoned that any alternate approach would imply that the music was not powerful enough. [15] Pitchfork writer Corban Goble described Parker's daily routine in an article shortly preceding the album's release: "During the making of an album, the 29-year-old generally likes to rise around midday and then work, slowly and methodically, late into the night while drinking and smoking." [19] Parker contended this approach helped his writing, noting, "Things flow easier [after a few drinks] – the flow is the most important thing for me for recording." [20] He also often went swimming during breaks, which he dubbed "the ultimate purifier." [20] He followed a mantra of "give the song what it deserves," which entailed creating music without "any sensible or logical decisions." [21] Parker recorded dozens of vocals takes; according to him, for one song, he performed over 1,056 partial vocal takes. [22] For one week, he rented another house located four hours south of Perth—the same one where he recorded Innerspeaker—to brainstorm drum ideas for songs. [13]

For Currents, Parker utilised the Roland Juno-106 and Sequential Circuits Pro-One synths that he had previously used on Lonerism , and also added a Roland JV-1080 synth module and a Sequential Circuits Drumtraks for electronic drums. [23] The JV-1080 was used to record orchestral strings and brass sounds as well as choirs and chimes, [24] and the album was recorded in Ableton Live with analogue summing equipment to add colour to the stereo bus. [25] On “The Less I Know the Better” Parker used a Roland GR-55 guitar synth to record “every sound on the first two minutes of the song” using just a guitar with a MIDI pickup and his laptop. [26]

The decision to exert control in every aspect of production aside from mastering came from obsession. He said, "I felt like, this way the album is even more my heart and soul, my blood, sweat, and tears." [8] Parker set a deadline to complete the record because of his tendency to procrastinate; he described having a deadline as "a blessing in disguise because it forces you to make decisions there and then. Which in the end makes for good art." [16] Currents was due to be completed in January 2015, but the deadline was pushed back several times. [17] Late in the process, he became self-conscious about the honesty of his lyrics. [10] He became obsessive about minor details in the work, [11] making him unable to wholly enjoy it upon its completion. Shortly before its release, he said, "I still think this album is completely unlistenable." [19]

Composition

Music

Currents features styles of psychedelic pop, [27] disco, [28] R&B, [29] and electropop, [30] but the album's chord progressions and rhythms are most indebted to R&B. [31] Kevin Parker listened to R&B from the 1990s during recording, [18] which he had forced himself to reject while growing up due to peer pressures. He said, "Music guys aren't allowed to be into R&B when they are teenagers because all the teenybopper kids blast that shit in their cars." As such, learning to let go of preconceptions and embracing the music felt liberating to him. [32] He had previously refrained from making his music more pop-oriented because he thought "indie-music snobs would turn their nose up at it," [33] and he discovered that writing pure pop music was a challenge. [34] Parker attributed his openness on Currents to producer Mark Ronson, whose album Uptown Special he collaborated on. [22] [32]

Many of the songs were composed over several years, both in the studio and on the road. Parker saved ideas using a voice recorder on his phone, [33] and wrote many songs on a drum machine. [35] Guitars are present in every song on Currents, but are used to accompany and answer other instruments. [31] This was partially due to his gear being inaccessible: "We'd finish one tour in say, Europe, go home for two weeks, and all our gear, including my guitars and pedals, would be on their way to South America." He had a larger array of synthesizers at his home studio, which allowed them to become the prominent instrument. He said, "It's really just whatever is sitting around when I think of the song." [31] The album incorporates Parker's falsetto, as well as a vocoder. [18]

Lyrics

"Currents follows the progression of someone feeling like they are becoming something else. They're becoming the kind of person they thought they'd never become."

—Kevin Parker [11]

The lyrical themes of Currents centre on personal transition [13] and growing older. [22] Parker's lyrics on the album are entirely autobiographical. [15] His vocals are clearer and less affected than in prior Tame Impala releases, [17] which is partially owed to him having more pride in his lyrics; he said he hoped it would be easy for listeners to understand them. [16] Parker considered the primary theme of the album to be a "deep feeling of transition in your psyche," or, in a broad sense, fully entering adulthood. [16] He began learning about the concept of the Saturn return halfway through the recording process, which explained his feelings of reflection. He said, "I was halfway through making the album when I heard about it, and it gave what I was doing a lot more meaning; suddenly things made a lot more sense." [20] Accordingly, on the album his reaction to transition is acceptance, exemplified by the opening song, "Let It Happen". [16] Parker also felt buying the home where he recorded Currents "really changed my perspective about where I saw myself, like a place that I belonged." [9]

Currents has also been frequently characterised as a breakup album. [36] [37] Prior to recording, Parker made the decision to break up with French singer-songwriter Melody Prochet. Several songs on the album examine it from his angle as the instigator of the breakup, which consists of guilt and self-questioning. [38] Parker downplayed the notion that the album was entirely aimed at former lovers, however, [15] and likened it to an inner monologue: "It's really me talking to myself, another part of myself... to my old self, the part of me that resists change and wants me to stay as I am." [39] For Parker, the album meant "looking forward and a sudden adoption of confidence." [35] The album's title reflects this, with currents being "these unstoppable forces; the parts of you that are trying to change you." [13]

Songs

Gnome-mime-sound-openclipart.svg
"Let It Happen"
A section of "Let It Happen" appears to skip, becoming part of the song's beat.
Problems playing this file? See media help.

"Let It Happen" opens the album, and is about "finding yourself always in this world of chaos and all this stuff going on around you and always shutting it out because you don't want to be part of it. But at some point, you realise it takes more energy to shut it out than it does to let it happen and be a part of 'it'." [39] At one point, the song begins to skip, reminiscent of a skipping compact disc. Parker included this as an extension of his fascination with glitches in playback. [13] "Nangs" has been noted for its interlude-like composition and its woozy, psychedelic sound. [40] "Yes I'm Changing" is a song Parker claims he does not remember making: "A weird experience, because it was like it was someone else made the song. I had no memory of imagining it." [41] "Eventually" concerns "knowing that you're about to damage someone almost irreparably, and the only consolation you get is this distant hope that they’ll be alright eventually, because you know they aren't going to be now or soon." [41] Parker conceded that he "can't really deny" it is a breakup song. [41]

Parker stated that "The Less I Know the Better" "shouldn't be on a Tame Impala album because it has this dorky, white disco funk." [41] "'Cause I'm a Man" attracted controversy upon its release due to perceived sexism in its lyrics, but Parker meant the opposite: "The song is about how weak men are basically, and how we make all these excuses." [11] "New Person, Same Old Mistakes" closes the record, and expresses self-doubt. Parker said, "The last song is meant to sound like the final battle between optimism and pessimism, a confrontation between the side of you that wants to progress and the side of you that wants to stay the same." [39] Barbadian singer and songwriter Rihanna covered the track for her eighth studio album Anti (2016) under the title "Same Ol' Mistakes". [42] It consists of Tame Impala's instrumental, extended to a length of 6 minutes and 35 seconds, with Rihanna's vocal replacing Parker's.

Release

The album's promotional cycle began when lead single "Let It Happen" was released as a free download on 10 March 2015. One day later, Parker was in New York for a mastering session with engineer Greg Calbi. [11] The album was originally set to be released in May 2015, capitalizing on the group's appearance at Coachella. [32] But as the album neared mastering, Parker was not yet done with lyrics for two songs. His perfectionism led to the album's release date being pushed back to July. [22] In the interim, three more singles were released: "'Cause I'm a Man" and "Disciples" in April during a Reddit AMA, and "Eventually" in May. [1] [43] Due to the album's delay, Chris DeVille at Stereogum noted that "about a third of the record [had] gone public already" by the time it was released. [32]

In October 2017, a "collector's edition" of Currents was announced. The release includes three B-sides and two remixes, and was released on 17 November.

The cover art for Currents and its accompanying singles was created by Kentucky-based artist and musician Robert Beatty. [44] Kevin Parker has said Currents' designs are based on a diagram of vortex shedding he remembered while trying to visualise the album's themes. [45] Beatty described how Parker's ideas for the album artwork "were all based on turbulent flow, the way liquid or air flows around objects." [44]

Critical reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic? 7.9/10 [46]
Metacritic 84/100 [47]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [48]
Entertainment Weekly A− [49]
The Guardian Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [37]
The Independent Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [50]
NME 8/10 [51]
Paste 9.4/10 [52]
Pitchfork 9.3/10 [36]
Q Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [53]
Rolling Stone Australia Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [54]
Spin 9/10 [55]

Currents received widespread acclaim from music critics. On Metacritic, the album holds an average critic score of 84, based on 38 critics, indicating "universal acclaim". [47] Ian Cohen of Pitchfork gave the album a "Best New Music" designation, saying, "Nearly every proper song on Currents is a revelatory statement of Parker's range and increasing expertise as a producer, arranger, songwriter, and vocalist while maintaining the essence of Tame Impala". Cohen compared the record to others such as Loveless , Kid A , and Yankee Hotel Foxtrot , writing, "it's the result of a supernaturally talented obsessive trying to perfect music while redefining their relationship to album-oriented rock." [36] Spin 's Harley Brown called it "the purest – and most complex – distillation of everything that makes the band such a nearly physical pleasure to listen to". Brown added, "The real magic of Currents, though, is in how Parker so effectively (and genuinely, for the most part) manipulates the listener's emotions without necessarily revealing any himself." [55] Alex Denney of NME praised Parker for his musical transition, writing, "Fuzzed-out guitars simply aren't where Parker's head is at now, which strikes us as a fair trade-off from a producer pushing at the outer reaches of his talent." [51]

Alexis Petridis of The Guardian wrote "A lot of the album's power and strangeness comes from the way [the lyrics] cut against the lusciousness of the arrangements... and the loveliness of the melodies." He praised Parker for creating psychedelia by leaving the listener "simultaneously baffled and intrigued", rather than resorting to clichéd psychedelic music effects. [37] Darren Levin of Rolling Stone Australia said "the first thing that really strikes you about Currents is how hi-fi it actually is", and that after listening to the opening track, "you really do get the feeling you're watching one of rock's most restlessly creative minds at work". He concluded his review, "For someone who once sang 'Feels like we only go backwards', moving forward seems like Kevin Parker's only preoccupation right now." Levin was one of many reviewers to compare the album to Daft Punk's 2013 record Random Access Memories . [54] Jon Pareles of The New York Times said that like their first two albums, "The core of Tame Impala is its aura of solitude". He called Currents "a tour de force for the songwriter and his gizmos. But it's also decidedly hermetic, nearly airless." [56] Andy Gill of The Independent said, "while copious application of phasing offers a link to Tame Impala's psychedelic roots, the absence of guitar wig-outs may disappoint some fans". [50]

Accolades

Currents appeared on several critics' lists of the best albums of 2015. Q named Currents the year's top album, saying that "Parker added dancefloor pop to their kaleidoscopic sound" while calling it "sonically advanced and filled with great songs". [57] Spin ranked it as the year's fourth-best, calling it the group's "best because its soul actually lies in Motown". The magazine said the album finds Parker "coming to the epiphany that no amount of pitch- and time-shifting will screw with your perception of reality as much as a lyric that's as direct and true as 'They say people never change but that's bullshit / They do.'" [58] Mojo also ranked the record as fourth-best of the year. [59] Pitchfork ranked the album as the year's fifth-best, saying, "There's still a bit of Parker's elegant guitar here, but he's mostly rerouted his perfectionistic craftsmanship to synthesizer tones and drum programming." [60] Paste ranked Currents at number eight on its list of the year's best albums, calling it a "near-perfect album" and "a superb progression from their last efforts, a study in internal consistency." [61] Rolling Stone placed the album at number 13 on its list of the "50 Best Albums of 2015", writing that Parker's "musical rethink... is expansive, resulting in wide-screen adventures like 'Let It Happen'" and that the record is "full of weightless vocals and synthesized funk, for a set that's both blissed-out and mournful, like a set of diary entries from an astronaut floating off into oblivion". [62] The album was also ranked fifth-best of the year by Consequence of Sound [63] and NME , [64] 15th-best by Stereogum, [65] and 22nd-best by PopMatters, [66] while Exclaim! named it the eighth-best pop/rock album of the year. [67]

At the 2015 ARIA Music Awards, Currents was awarded Best Rock Album and Album of the Year, and "Let It Happen" was nominated for Best Pop Release. At the same event, Parker won for Engineer of the Year and Producer of the Year for his work on Currents, and Tame Impala were named Best Group. [68] The album was nominated for Best Alternative Music Album at the 58th Annual Grammy Awards.

In 2020, Rolling Stone ranked Currents 382nd on its list of "The 500 Greatest Albums of All Time". [69]

In 2023, writer Andrew McMillen of The Australian included the album in a list of albums that he considers "flawless" from recent decades. He wrote that Parker "let go of his classic rock roots to explore alternative dance and electronica, and the results were spectacular". [70]

Commercial performance

Currents debuted at number one in Australia, [71] the group's first album to top the charts in their native country. [72] It debuted at number three in the United Kingdom, becoming Tame Impala's first top-ten album in the country. [73] In the United States, the album debuted at number four on the Billboard 200, moving 50,000 "equivalent album units" in its first week, 45,000 of which were sales; [74] it was the group's first top-ten entry on the chart. [75] The record debuted well on other Billboard charts, entering the Alternative Albums chart and Vinyl Albums chart at number one, and the Top Rock Albums chart at number two; first-week sales of vinyl copies in the US totaled 14,000, the highest for any album in a single week in the US since Jack White's Lazaretto more than a year prior. [75] As of December 2015, 120,000 copies of Currents have sold in North America. [76] In September 2015, the UK's Official Charts Company announced the creation of a new monthly chart called the Official Progressive Albums Chart, and that Currents would be its first number-one album. [77]

Track listing

All tracks are written by Kevin Parker

Currents track listing
No.TitleLength
1."Let It Happen"7:46
2."Nangs"1:47
3."The Moment"4:15
4."Yes I'm Changing"4:30
5."Eventually"5:19
6."Gossip"0:55
7."The Less I Know the Better"3:38
8."Past Life"3:47
9."Disciples"1:48
10."'Cause I'm a Man"4:02
11."Reality in Motion"4:12
12."Love/Paranoia"3:10
13."New Person, Same Old Mistakes"6:03
Total length:51:12
Japan bonus disc: Live Versions
No.TitleLength
1."Endors Toi"5:57
2."Why Won't You Make Up Your Mind?"4:22
3."Sestri Levante"1:58
4."Mind Mischief"3:56
5."Desire Be, Desire Go"5:24
6."Half Full Glass of Wine"8:14
7."Be Above It"7:29
8."Feels Like We Only Go Backwards"2:56
9."Apocalypse Dreams" (Parker, Jay Watson)7:56
Total length:48:08
2017 collector's edition bonus vinyl / B-Sides & Remixes EP
No.TitleLength
1."List of People (To Try and Forget About)"4:40
2."Powerlines"4:19
3."Taxi's Here"4:48
4."Reality in Motion" (Gum remix)5:04
5."Let It Happen" (Soulwax remix)9:18
Total length:28:06

Personnel

Tame Impala

Technical

Artwork

Charts

Certifications

Certifications for Currents
RegionCertification Certified units/sales
Australia (ARIA) [137] Platinum70,000^
Canada (Music Canada) [138] Gold40,000‡
Denmark (IFPI Danmark) [139] Platinum20,000‡
France (SNEP) [140] Gold50,000‡
Italy (FIMI) [141] Gold25,000‡
Netherlands (NVPI) [142] Gold20,000‡
Poland (ZPAV) [143] Platinum20,000‡
United Kingdom (BPI) [144] Platinum300,000‡
United States (RIAA) [145] Platinum1,000,000‡

^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

Related Research Articles

<span class="mw-page-title-main">Modular Recordings</span> Australian record label

Modular Recordings was an Australian record label founded in 1998 by Steve Pavlovic that by 2015 was owned by Universal Music Australia. It has released music from local artists such as Eskimo Joe, Ben Lee, The Avalanches, Wolfmother, Cut Copy, The Bumblebeez, Bag Raiders, Van She, Rocket Science, Ghostwood, The Presets, Pond, and Tame Impala, and local releases of international artists including Dom, Yeah Yeah Yeahs, Chromeo, Colder, Klaxons, Ladyhawke, NYPC, MSTRKRFT, and Softlightes.

<span class="mw-page-title-main">Let It Happen</span> 2015 single by Tame Impala

"Let It Happen" is a song by the Australian rock artist Tame Impala. It was released as the lead single from their third studio album, Currents (2015), on 10 March 2015. The song centers on accepting personal transition, and was worked on in various locations around the world. The song runs at nearly eight minutes long, and its second half contains a section of the song repeating akin to a scratched Compact Disc, and stripped-down lyrics consisting of gibberish. It also has vocoded-like vocals in the second half, which were actually manipulated with a keyboard sampler.

<span class="mw-page-title-main">Tame Impala</span> Australian psychedelic music project

Tame Impala is the psychedelic music project of Australian multi-instrumentalist Kevin Parker. In the recording studio, Parker writes, records, performs, and produces all of the project's music. As a touring act, Tame Impala consists of Parker, Dominic Simper, Jay Watson, Cam Avery, and Julien Barbagallo. The group has a close affiliation with fellow Australian psychedelic rock band Pond, sharing members and collaborators, including Nick Allbrook, formerly a live member of Tame Impala. Originally signed to Modular Recordings, Tame Impala is now signed to Interscope Records in the United States and Fiction Records in the UK.

<i>Innerspeaker</i> 2010 studio album by Tame Impala

Innerspeaker is the debut studio album by Australian musical project Tame Impala, released on 21 May 2010 by Modular Recordings. The album was recorded and produced by musician Kevin Parker at a remote beach shack in Western Australia during the winter of 2009, who also wrote every track on it except for the interlude after "The Bold Arrow of Time".

<i>Lonerism</i> 2012 studio album by Tame Impala

Lonerism is the second studio album by Australian musical project Tame Impala, released on 5 October 2012 by Modular Recordings. Like the band's debut studio album, Innerspeaker (2010), Lonerism was written, recorded, performed, and produced by Kevin Parker, with live member Jay Watson contributing on two tracks. Recorded mostly in Perth, Australia, and Paris, France, Lonerism builds on the psychedelic sound of its predecessor and features fewer guitars and more synthesisers and samples. Parker attempted to incorporate his love for pop music into his songwriting for the record through catchier melodies. Many tracks feature ambient sounds recorded by Parker with a dictaphone. The album's theme of isolation is reflected in the album cover, featuring an image of a fenced-off Jardin du Luxembourg in Paris.

<span class="mw-page-title-main">Kevin Parker (musician)</span> Australian musician (born 1986)

Kevin Richard Parker is an Australian singer, songwriter, musician, record producer, and DJ, best known for his musical project Tame Impala, for which he writes, performs, records, and produces the music. Parker has released four Tame Impala albums: Innerspeaker (2010), Lonerism (2012), Currents (2015), and The Slow Rush (2020). He has won 13 ARIA Music Awards, two APRA Awards, and a Brit Award, and has received four Grammy Award nominations.

<span class="mw-page-title-main">Elephant (Tame Impala song)</span> 2012 single by Tame Impala

"Elephant" is a song by Australian psychedelic rock band Tame Impala, released on 26 July 2012 as the lead single from their second album Lonerism (2012). The single features artwork from Australian artist Leif Podhajsky, who also created the artwork for Innerspeaker and the follow-up Lonerism.

<span class="mw-page-title-main">Feels Like We Only Go Backwards</span> 2012 single by Tame Impala

"Feels Like We Only Go Backwards" is a song by Australian psychedelic rock band Tame Impala. It is the seventh track on their 2012 album Lonerism, and was released as its second single on 1 October 2012. The single features artwork from Australian artist Leif Podhajsky, who also created the artwork for their first album, Innerspeaker. In an interview with Rick Rubin on the podcast Broken Record, Kevin Parker said he wrote "Feels Like We Only Go Backwards" after being inspired by "Walk in the Park" by Beach House.

<span class="mw-page-title-main">Mind Mischief</span> 2012 song by Tame Impala

"Mind Mischief" is a song by Australian psychedelic rock band Tame Impala. It is the fourth track on their 2012 album Lonerism, and was released as its third and final single on 26 January 2013. Kevin Parker wrote the song, and he also performed all the vocals and instruments on it by himself. A live performance of the song was also released on the album Live Versions.

<span class="mw-page-title-main">Tame Impala discography</span>

The discography of Tame Impala, a psychedelic rock project by the Australian musician Kevin Parker, consists of four studio albums, two live albums, four extended plays, twenty one singles and several collaborations and compilation appearances.

<span class="mw-page-title-main">'Cause I'm a Man</span> 2015 single by Tame Impala

"'Cause I'm a Man" is a song by Australian musical project Tame Impala, released on 7 April 2015 as the second single from their third studio album Currents. The song peaked at number 80 on the ARIA Singles Chart. A music video for the song was uploaded on 21 May 2015 on the project's Vevo channel on YouTube.

<span class="mw-page-title-main">The Less I Know the Better</span> 2015 single by Tame Impala

"The Less I Know the Better" is a song released by the Australian music project Tame Impala on 29 November 2015 as the fourth and final single from their third studio album, Currents. The song's accompanying music video mixes hand-drawn animation with live action and takes place in a high school, especially the gym and locker room, where a male basketball player suffers a broken heart.

<span class="mw-page-title-main">Eventually (Tame Impala song)</span> 2015 single by Tame Impala

"Eventually" is a song by Australian psychedelic music project Tame Impala. It is the fifth track on the 2015 album Currents, and was originally released as a promotional single on 8 May 2015, alongside the announcement of the album. A radio edit was serviced radio in June 2015 as the third single from the album. "Eventually" was certified gold in Australia in 2020.

"Waves" is a song recorded by the American recording artist Miguel for his third studio album, Wildheart (2015).It was released as a promotional single from the album in 2016 through RCA Records.

<span class="mw-page-title-main">Patience (Tame Impala song)</span> 2019 single by Tame Impala

"Patience" is a song by Australian psychedelic music project Tame Impala. It was released as a single on 22 March 2019 through Modular Recordings. It was written and produced by Kevin Parker, and was his first single since "The Less I Know the Better" in 2015.

<span class="mw-page-title-main">Borderline (Tame Impala song)</span> 2019 single by Tame Impala

"Borderline" is a song by the Australian psychedelic music project Tame Impala. It is the third track on the 2020 studio album The Slow Rush, and was released as a single on 12 April 2019 through Modular Recordings. The song was written by Kevin Parker, who performed all instruments and vocals. The song was influenced by yacht rock and disco, and the lyrics explore nihilism and insecurity. It was debuted during the band's performance on Saturday Night Live on 30 March; Parker ad-libbed much of the initial lyrics since he had not yet finalised them.

<i>The Slow Rush</i> 2020 studio album by Tame Impala

The Slow Rush is the fourth studio album by Australian musical project Tame Impala, released on 14 February 2020. It follows the 2015 album Currents and the 2019 singles "Patience" and "Borderline", with the latter serving as the first single from the album. Rooted in psychedelic disco music, the album was positively received by critics and reached the top 10 on many record charts around the world, debuting atop the charts in three countries and as well as on the US Alternative and Rock charts.

<span class="mw-page-title-main">It Might Be Time</span> 2019 single by Tame Impala

"It Might Be Time" is a song by Australian psychedelic music project Tame Impala. It is the tenth track on the 2020 studio album The Slow Rush, and was released as its second single on 28 October 2019. The song was written by Kevin Parker, who performed all instruments and vocals.

<span class="mw-page-title-main">Posthumous Forgiveness</span> 2019 single by Tame Impala

"Posthumous Forgiveness" is a song by the Australian psychedelic music project Tame Impala. It is the fourth track on the 2020 album The Slow Rush and was released as a promotional single on 3 December 2019. The song was written by Kevin Parker, who also performed all instruments and vocals.

<span class="mw-page-title-main">Lost in Yesterday</span> 2020 single by Tame Impala

"Lost in Yesterday" is a song by Australian psychedelic music project Tame Impala. It is the eighth track on the 2020 album The Slow Rush, and was released as its fourth single on 8 January 2020. The song was written by Kevin Parker, who performed all instruments and vocals.

References

  1. 1 2 3 Kreps, Daniel (5 April 2015). "Tame Impala Share Infectious Cause I'm a Man From New LP 'Currents'". Rolling Stone. Archived from the original on 7 April 2015. Retrieved 6 April 2015.
  2. ↑ "Eventually by Tame Impala Download". AIRIT. Archived from the original on 23 February 2020. Retrieved 23 February 2020.
  3. ↑ "Triple J Weekly Additions 22 June 2015". June 2015. Archived from the original on 23 February 2020. Retrieved 23 February 2020.
  4. ↑ "Tame Impala - "The Less I Know The Better"". Interscope Records. Archived from the original on 5 February 2016.
  5. ↑ "The J Award 2015". Triple J . Australian Broadcasting Corporation. 2015. Archived from the original on 2 December 2020. Retrieved 15 August 2020.
  6. ↑ Rolling Stone’s 200 Greatest Australian Albums of All Time Archived 16 December 2021 at the Wayback Machine . Rolling Stone Australia, Rolling Stone Australia, 06 December 2021. Retrieved 06 December 2021
  7. 1 2 Jody Macgregor. "Tame Impala - Biography". AllMusic. Archived from the original on 3 February 2016. Retrieved 13 February 2016.
  8. 1 2 3 Jenny Eliscu (28 April 2015). "Tame Impala's Kevin Parker Talks New Album, New Sound, and Being a Control Freak". Maxim . Archived from the original on 9 February 2016. Retrieved 13 February 2016.
  9. 1 2 Patrick Ryan (19 August 2015). "Tame Impala talks cartoons, concert nightmares". USA Today . Archived from the original on 24 August 2015. Retrieved 13 February 2016.
  10. 1 2 3 4 Matt Coyte (24 July 2015). "Kevin Parker's Dream World". Rolling Stone Australia . Archived from the original on 1 December 2017. Retrieved 13 February 2016.
  11. 1 2 3 4 5 Matt Fink (April 2015). "Tame Impala: Perfect Sounds Forever". Under the Radar . No. 53. pp. 68–75.
  12. ↑ Philip Cosores (15 July 2015). "Tame Impala: Imposter Complex". Consequence of Sound. Archived from the original on 11 April 2021. Retrieved 13 February 2016.
  13. 1 2 3 4 5 6 Pat Healy (14 July 2015). "Tame Impala: Swimming With the Currents". Paste . Archived from the original on 25 March 2016. Retrieved 13 February 2016.
  14. ↑ "Kevin Parker talks Mink Mussel Creek, new Tame Impala | triple j". Australian Broadcasting Company. 20 May 2014. Archived from the original on 21 January 2015. Retrieved 13 February 2016.
  15. 1 2 3 4 5 6 Kevin EG Perry (4 July 2015). "Tame Impala's Kevin Parker, from psych-rock stoner to disco infiltrator". The Guardian . Archived from the original on 13 September 2017. Retrieved 13 February 2016.
  16. 1 2 3 4 5 Kyle McGovern (17 July 2015). "The Moment Has Arrived for Tame Impala". Spin . Archived from the original on 4 March 2016. Retrieved 13 February 2016.
  17. 1 2 3 Simon Collins (26 November 2015). "Sonic boom - Tame Impala's Kevin Parker". The West Australian . Archived from the original on 6 October 2016. Retrieved 13 February 2016.
  18. 1 2 3 Patrick Doyle (4 August 2015). "Tame Impala's Vision Quest". Rolling Stone . No. 1241. Archived from the original on 6 December 2017. Retrieved 13 February 2016.
  19. 1 2 Corban Goble (14 July 2015). "Cosmic Neurotic: The Heady Perfectionism of Tame Impala's Kevin Parker". Pitchfork . Archived from the original on 18 March 2016. Retrieved 13 February 2016.
  20. 1 2 3 Ray Rogers (23 July 2015). "Tame Impala's Kevin Parker Is Ready to Jump From Reclusive Studio Whiz to Global Alt-Rock God". Billboard . Archived from the original on 23 February 2016. Retrieved 13 February 2016.
  21. ↑ Andy Beta (14 May 2015). "Tame Impala's Mind Tricks: Kevin Parker on Sense-Altering 'Currents'". Rolling Stone . Archived from the original on 21 November 2017. Retrieved 13 February 2016.
  22. 1 2 3 4 Zan Rowe (14 July 2015). "Kevin Parker tells us 11 amazing insights about Tame Impala's Currents". Australian Broadcasting Corporation. Archived from the original on 1 July 2017. Retrieved 13 February 2016.
  23. ↑ "Tame Impala's: Current Nostalgia". AudioTechnology. 20 March 2017. Archived from the original on 11 February 2023. Retrieved 11 February 2023.
  24. ↑ "Tame Impala's "Eventually" Synth Sounds | Reverb Machine". reverbmachine.com. 5 April 2022. Archived from the original on 11 February 2023. Retrieved 11 February 2023.
  25. ↑ "Tame Impala's: Current Nostalgia". AudioTechnology. 20 March 2017. Archived from the original on 11 February 2023. Retrieved 11 February 2023.
  26. ↑ Bruce Fagerstrom (9 May 2022). "Tame Impala's Kevin Parker: "I've rediscovered the joy of trying random chord shapes and seeing what happens. That's how so many great guitar parts were written"". guitarworld. Archived from the original on 11 February 2023. Retrieved 11 February 2023.
  27. ↑ The following references cite the album as psychedelic pop:
  28. ↑ The following references cite the album as disco:
  29. ↑ The following references cite the album as R&B:
  30. ↑ The following references cite the album as electropop or synth-pop:
  31. 1 2 3 David Von Bader (26 August 2015). "Tame Impala: Psych Wunderkind Kevin Parker". Premier Guitar. Archived from the original on 19 February 2016. Retrieved 13 February 2016.
  32. 1 2 3 4 Chris DeVille (1 July 2015). "Yes I'm Changing: The Bold Metamorphosis Of Tame Impala's Currents". Stereogum. Archived from the original on 16 February 2016. Retrieved 13 February 2016.
  33. 1 2 Steven Hyden (10 June 2015). "Tame Impala Let It Happen". Grantland.com. Archived from the original on 2 March 2016. Retrieved 13 February 2016.
  34. ↑ "Tame Impala's Kevin Parker: "I Assumed Pop Music Was Easy..."". Mojo . No. 262. 6 August 2015. Archived from the original on 4 January 2016. Retrieved 13 February 2016.
  35. 1 2 Mark Smith (4 January 2016). "Tame Impala's Kevin Parker Reflects on Pop Success". Electronic Beats . Archived from the original on 16 February 2016. Retrieved 13 February 2016.
  36. 1 2 3 Cohen, Ian (13 July 2015). "Tame Impala: Currents". Pitchfork . Archived from the original on 11 December 2015. Retrieved 13 July 2015.
  37. 1 2 3 Petridis, Alexis (16 July 2015). "Tame Impala: Currents review – takes psychedelic music into unknown territory". The Guardian . Archived from the original on 23 January 2018. Retrieved 16 July 2015.
  38. ↑ Nancy Groves & Alexandra Spring (27 July 2015). "Tame Impala's Kevin Parker: there's no Aussie psych scene, we're just 10 people". The Guardian . Archived from the original on 15 February 2016. Retrieved 13 February 2016.
  39. 1 2 3 John Calvert (14 July 2015). "Tame Impala Interview: Inside The Mind Of A Psych-Pop Shaman". NME . Archived from the original on 5 October 2016. Retrieved 13 February 2016.
  40. ↑ "Tame Impala – "Nangs"". Stereogum . 2 July 2015. Archived from the original on 18 March 2017. Retrieved 28 November 2016.
  41. 1 2 3 4 Matt Fink (April 2015). "Tame Impala: The Ocean Inside". Under the Radar (Digital Edition). No. 53. pp. 103–105.
  42. ↑ Payne, Chris (29 January 2016). "Tame Impala Is 'Really Happy' With Rihanna's Cover of Their Song". Billboard . Archived from the original on 15 October 2022. Retrieved 15 October 2022.
  43. ↑ "Tame Impala Share New Single "Eventually"". prettymuchamazing.com. 7 May 2015. Archived from the original on 26 June 2015. Retrieved 7 May 2015.
  44. 1 2 Alexander, Jakub (1 May 2015). "Robert Beatty Interview + New TI Single". Archived from the original on 7 May 2015. Retrieved 3 May 2015.
  45. ↑ "I am Kevin Parker from Tame Impala. Ask me Anything!". nr.reddit.com/r/IAmA. 30 April 2015. Archived from the original on 22 June 2023. Retrieved 30 April 2015.
  46. ↑ "Currents by Tame Impala reviews". AnyDecentMusic?. Archived from the original on 15 May 2017. Retrieved 21 April 2017.
  47. 1 2 "Reviews for Currents by Tame Impala". Metacritic. Archived from the original on 5 November 2015. Retrieved 13 July 2015.
  48. ↑ Sendra, Tim. "Currents – Tame Impala". AllMusic. Archived from the original on 19 July 2015. Retrieved 17 July 2015.
  49. ↑ Greenblatt, Leah (17 July 2015). "Currents by Tame Impala: EW review". Entertainment Weekly . Archived from the original on 19 July 2015. Retrieved 17 July 2015.
  50. 1 2 Gill, Andy (10 July 2015). "Tame Impala, Currents – album review: An unexpected move into 70's era electropop that may leave fans disappointed". The Independent . Archived from the original on 12 July 2015. Retrieved 26 July 2015.
  51. 1 2 Denney, Alex (1 July 2015). "Tame Impala – 'Currents'". NME . Time Inc. UK. Archived from the original on 4 March 2016. Retrieved 13 July 2015.
  52. ↑ Hayden, Mack (14 July 2015). "Tame Impala: Currents Review". Paste . Archived from the original on 21 January 2016. Retrieved 16 July 2015.
  53. ↑ "Tame Impala: Currents". Q (349): 102. August 2015.
  54. 1 2 Levin, Darren (14 July 2015). "Tame Impala – Currents". Rolling Stone Australia . Archived from the original on 25 October 2015. Retrieved 26 July 2015.
  55. 1 2 Brown, Harley (13 July 2015). "Review: Tame Impala Embark on a Flawless Interstellar Journey With 'Currents'". Spin . SpinMedia. Archived from the original on 19 November 2015. Retrieved 13 July 2015.
  56. ↑ Pareles, Jon (15 July 2015). "Review: Tame Impala's New Album Clears the Haze". The New York Times . Archived from the original on 20 July 2015. Retrieved 26 July 2015.
  57. ↑ Doyle, Tom (January 2016). "50 Albums of Year 2015". Q (354): 88–89.
  58. ↑ Unterberger, Andrew (1 December 2015). "The 50 Best Albums of 2015". Spin . SpinMedia. Archived from the original on 17 March 2017. Retrieved 1 December 2015.
  59. ↑ "50 Best Albums Of 2015: The Final Reckoning!". Mojo . 24 November 2015. Archived from the original on 30 November 2016. Retrieved 27 November 2015.
  60. ↑ Wolk, Douglas (16 December 2015). "The 50 Best Albums of 2015". Pitchfork . Archived from the original on 3 March 2016. Retrieved 16 December 2015.
  61. ↑ Hayden, Mack (1 December 2015). "The 50 Best Albums of 2015". Paste . Archived from the original on 3 December 2015. Retrieved 1 December 2015.
  62. ↑ "50 Best Albums of 2015". Rolling Stone . 1 December 2015. Archived from the original on 6 October 2017. Retrieved 1 December 2015.
  63. ↑ Gwee, Karen (2 December 2015). "Top 50 Albums of 2015". Consequence of Sound . Archived from the original on 19 December 2015. Retrieved 2 December 2015.
  64. ↑ "NME's Albums of the Year 2015". NME . Time Inc. UK. 2 December 2015. Archived from the original on 13 October 2016. Retrieved 2 December 2015.
  65. ↑ DeVille, Chris (1 December 2015). "The 50 Best Albums of 2015". Stereogum . SpinMedia. Archived from the original on 9 December 2015. Retrieved 1 December 2015.
  66. ↑ McCarthy, Sean (7 December 2015). "The 80 Best Albums of 2015". PopMatters . Archived from the original on 11 December 2015. Retrieved 8 December 2015.
  67. ↑ Wilkie, Trent (3 December 2015). "Exclaim!'s Top 20 Pop & Rock Albums, Part Two Best of 2015". Exclaim! . Archived from the original on 23 August 2017. Retrieved 3 December 2015.
  68. ↑ "Aria Awards 2015: Queensland artists take out Song of Year and Best Pop Release". News.com.au. 26 November 2015. Archived from the original on 7 December 2015. Retrieved 26 November 2015.
  69. ↑ "The 500 Greatest Albums of All Time". Rolling Stone . No. 1344. October 2020. p. 84. Archived from the original on 23 September 2020. Retrieved 22 September 2020.
  70. ↑ Andrew McMillen. "Flawless: 52 of the best albums you'll ever hear". The Australian .
  71. ↑ "ARIA Australian Top 50 Albums". Australian Recording Industry Association. 27 July 2015. Archived from the original on 6 September 2014. Retrieved 25 July 2015.
  72. ↑ Brandle, Lars (27 July 2015). "Tame Impala's 'Currents' Is On Top Down Under". Billboard . Archived from the original on 8 January 2016. Retrieved 28 July 2015.
  73. ↑ Levine, Nick (24 July 2015). "Tame Impala score first UK Top 10 album". NME . Time Inc. UK. Archived from the original on 20 December 2015. Retrieved 24 July 2015.
  74. ↑ Caulfield, Keith (26 July 2015). "Future Earns His First No. 1 Album on Billboard 200 Chart". Billboard . Archived from the original on 8 August 2015. Retrieved 26 July 2015.
  75. 1 2 White, Emily (29 July 2015). "Tame Impala Scores Career-High Debut on Rock". Billboard . Archived from the original on 9 January 2016. Retrieved 29 July 2015.
  76. ↑ Teitelman, Bram (8 January 2016). "Metal by Numbers: Metallica, FFDP, AC/DC among 2015's biggest-selling rock, metal records". MetalInsider.net. Archived from the original on 12 September 2016. Retrieved 8 January 2016.
  77. ↑ Sherwin, Adam (3 September 2015). "Prog rock finally comes of age with launch of the first Official Progressive Chart". The Independent . Archived from the original on 17 September 2018. Retrieved 3 September 2015.
  78. ↑ "Australiancharts.com – Tame Impala – Currents". Hung Medien. Retrieved 25 July 2015.
  79. ↑ "Austriancharts.at – Tame Impala – Currents" (in German). Hung Medien. Retrieved 6 August 2015.
  80. ↑ "Ultratop.be – Tame Impala – Currents" (in Dutch). Hung Medien. Retrieved 24 July 2015.
  81. ↑ "Ultratop.be – Tame Impala – Currents" (in French). Hung Medien. Retrieved 24 July 2015.
  82. ↑ "Tame Impala Chart History (Canadian Albums)". Billboard. Retrieved 29 December 2023.
  83. ↑ "Danishcharts.dk – Tame Impala – Currents". Hung Medien. Retrieved 1 August 2015.
  84. ↑ "Dutchcharts.nl – Tame Impala – Currents" (in Dutch). Hung Medien. Retrieved 25 July 2015.
  85. ↑ "Lescharts.com – Tame Impala – Currents". Hung Medien. Retrieved 26 July 2015.
  86. ↑ "Offiziellecharts.de – Tame Impala – Currents" (in German). GfK Entertainment Charts. Retrieved 29 December 2023.
  87. ↑ "GFK Chart-Track Albums: Week 30, 2015". Chart-Track. IRMA. Retrieved 24 July 2015.
  88. ↑ "Italiancharts.com – Tame Impala – Currents". Hung Medien. Retrieved 25 July 2015.
  89. ↑ テーム・インパラの売上ランキング [Tame Impala sales ranking] (in Japanese). Oricon. Archived from the original on 19 February 2020. Retrieved 19 February 2020.
  90. ↑ "Charts.nz – Tame Impala – Currents". Hung Medien. Retrieved 24 July 2015.
  91. ↑ "Norwegiancharts.com – Tame Impala – Currents". Hung Medien. Retrieved 8 August 2015.
  92. ↑ "Portuguesecharts.com – Tame Impala – Currents". Hung Medien. Retrieved 27 November 2015.
  93. ↑ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 29 December 2023.
  94. ↑ "Spanishcharts.com – Tame Impala – Currents". Hung Medien. Retrieved 27 November 2015.
  95. ↑ "Swedishcharts.com – Tame Impala – Currents". Hung Medien. Retrieved 29 December 2023.
  96. ↑ "Swisscharts.com – Tame Impala – Currents". Hung Medien. Retrieved 29 July 2015.
  97. ↑ "Official Albums Chart Top 100". Official Charts Company. Retrieved 24 July 2015.
  98. ↑ "Tame Impala Chart History (Billboard 200)". Billboard. Retrieved 28 July 2015.
  99. ↑ "Tame Impala Chart History (Top Alternative Albums)". Billboard. Retrieved 29 December 2023.
  100. ↑ "Tame Impala Chart History (Top Rock Albums)". Billboard. Retrieved 28 July 2015.
  101. ↑ "Tame Impala Chart History (Top Tastemaker Albums)". Billboard. Retrieved 29 December 2023.
  102. ↑ "Official IFPI Charts – Top-75 Albums Sales Chart (Combined) – Week: 11/2022". IFPI Greece. Archived from the original on 2 April 2022. Retrieved 29 December 2023.
  103. ↑ "2022 8-os savaitės klausomiausi (Top 100)" (in Lithuanian). AGATA. 25 February 2022. Archived from the original on 21 March 2022. Retrieved 29 December 2023.
  104. ↑ "ARIA Top 100 Albums for 2015". Australian Recording Industry Association. Archived from the original on 12 January 2016. Retrieved 29 December 2023.
  105. ↑ "Jaaroverzichten 2015 – Albums" (in Dutch). Ultratop. Archived from the original on 10 March 2016. Retrieved 4 January 2016.
  106. ↑ "Jaaroverzichten – Album 2015" (in Dutch). Dutch Charts. Archived from the original on 6 January 2016. Retrieved 20 March 2016.
  107. ↑ "Top Alternative Albums – Year-End 2015" . Billboard. Archived from the original on 19 April 2023. Retrieved 29 December 2023.
  108. ↑ "Top Rock Albums – Year-End 2015" . Billboard. Archived from the original on 1 July 2023. Retrieved 13 January 2016.
  109. ↑ "ARIA Top 100 Albums for 2016". Australian Recording Industry Association. Archived from the original on 6 January 2017. Retrieved 29 December 2023.
  110. ↑ "Jaaroverzichten 2016 – Albums" (in Dutch). Ultratop. Archived from the original on 21 November 2018. Retrieved 29 December 2016.
  111. ↑ "Rapports annuels 2016 – Albums" (in French). Ultratop. Archived from the original on 1 December 2020. Retrieved 29 December 2016.
  112. ↑ "Jaaroverzichten – Album 2016" (in Dutch). Dutch Charts. Archived from the original on 23 December 2016. Retrieved 26 December 2016.
  113. ↑ "Top Rock Albums – Year-End 2016" . Billboard. Archived from the original on 8 April 2023. Retrieved 3 August 2020.
  114. ↑ "ARIA Top 50 Australian Albums for 2017". Australian Recording Industry Association. Archived from the original on 23 April 2023. Retrieved 29 December 2023.
  115. ↑ "ARIA Top 50 Australian Albums for 2018". Australian Recording Industry Association. Archived from the original on 5 April 2023. Retrieved 29 December 2023.
  116. ↑ "ARIA Top 50 Australian Albums for 2019". Australian Recording Industry Association. Archived from the original on 19 September 2020. Retrieved 29 December 2023.
  117. ↑ "Top Alternative Albums – Year-End 2019" . Billboard. Archived from the original on 3 July 2022. Retrieved 29 December 2023.
  118. ↑ "Top Rock Albums – Year-End 2019" . Billboard. Archived from the original on 15 October 2022. Retrieved 5 August 2020.
  119. ↑ "ARIA Top 100 Albums for 2020". Australian Recording Industry Association. Archived from the original on 14 January 2021. Retrieved 15 January 2021.
  120. ↑ "Top Alternative Albums – Year-End 2020" . Billboard. Archived from the original on 3 July 2022. Retrieved 29 December 2023.
  121. ↑ "Top Rock Albums – Year-End 2020" . Billboard. Archived from the original on 27 May 2022. Retrieved 17 December 2020.
  122. ↑ "Top Alternative Albums – Year-End 2021" . Billboard. Archived from the original on 23 June 2022. Retrieved 29 December 2023.
  123. ↑ "Top Rock Albums – Year-End 2021" . Billboard. Archived from the original on 17 June 2022. Retrieved 18 January 2022.
  124. ↑ "ARIA Top 100 Albums for 2022". Australian Recording Industry Association. Archived from the original on 4 January 2023. Retrieved 4 January 2023.
  125. ↑ "Jaaroverzichten 2022 – Albums" (in Dutch). Ultratop. Archived from the original on 13 January 2023. Retrieved 14 January 2023.
  126. ↑ "Jaaroverzichten – Album 2022" (in Dutch). Dutch Charts. Archived from the original on 3 January 2023. Retrieved 4 January 2023.
  127. ↑ "2022 metų klausomiausi (Top 100)" (in Lithuanian). AGATA. Archived from the original on 26 March 2023. Retrieved 28 February 2023.
  128. ↑ "Billboard 200 Albums – Year-End 2022" . Billboard. Archived from the original on 7 December 2022. Retrieved 4 December 2022.
  129. ↑ "Top Alternative Albums – Year-End 2022" . Billboard. Archived from the original on 1 December 2022. Retrieved 29 December 2023.
  130. ↑ "Top Rock Albums – Year-End 2022" . Billboard. Archived from the original on 2 December 2022. Retrieved 4 December 2022.
  131. ↑ "ARIA Top 100 Albums Chart for 2023". Australian Recording Industry Association. Archived from the original on 12 January 2024. Retrieved 12 January 2024.
  132. ↑ "Jaaroverzichten 2023" (in Dutch). Ultratop. Archived from the original on 7 January 2024. Retrieved 7 January 2024.
  133. ↑ "Jaaroverzichten – Album 2023". dutchcharts.nl (in Dutch). Archived from the original on 2 January 2024. Retrieved 3 January 2024.
  134. ↑ "Billboard 200 Albums – Year-End 2023". Billboard. Archived from the original on 4 December 2023. Retrieved 23 November 2023.
  135. ↑ "Top Alternative Albums – Year-End 2023". Billboard. Archived from the original on 7 December 2023. Retrieved 29 December 2023.
  136. ↑ "Top Rock Albums – Year-End 2023". Billboard. Archived from the original on 4 December 2023. Retrieved 23 November 2023.
  137. ↑ "ARIA Charts – Accreditations – 2017 Albums" (PDF). Australian Recording Industry Association . Retrieved 11 December 2017.
  138. ↑ "Canadian album certifications – Tame Impala – Currents". Music Canada . Retrieved 28 May 2018.
  139. ↑ "Danish album certifications". IFPI Danmark . Retrieved 6 July 2021.
  140. ↑ "French album certifications – Tame Impala – Currents" (in French). Syndicat National de l'Édition Phonographique . Retrieved 27 May 2019.
  141. ↑ "Italian album certifications – Tame Impala – Currents" (in Italian). Federazione Industria Musicale Italiana . Retrieved 7 March 2023.
  142. ↑ "Dutch album certifications – Tame Impala – Currents" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers . Retrieved 6 August 2018.Enter Currents in the "Artiest of titel" box. Select 2016 in the drop-down menu saying "Alle jaargangen".
  143. ↑ "OLiS - oficjalna lista wyróżnień" (in Polish). Polish Society of the Phonographic Industry . Retrieved 10 May 2023. Click "TYTUŁ" and enter Currents in the search box.
  144. ↑ "British album certifications – Tame Impala – Currents". British Phonographic Industry . Retrieved 6 October 2023.
  145. ↑ "American album certifications – Tame Impala – Currents". Recording Industry Association of America . Retrieved 6 August 2020.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.