Heathcote is a Neoclassical-style villa in Ilkley, West Yorkshire, England. Designed by architect Edwin Lutyens, it was his first comprehensive use of that style, [1] making it the precursor of his later public buildings in Edwardian Baroque style and those of New Delhi. [2] It was completed in 1908.
In December 2014 English Heritage designated it a Grade I listed building, raising it from the Grade II* designation that it received in 1979. [3] In its new listing for Heathcote, English Heritage called it a "pivotal" building in Lutyens's career, and "an imaginative and inventive essay in Mannerism". [4] The gardens are Grade II listed in the National Register of Historic Parks and Gardens. [5]
In 1906, [2] Lutyens was commissioned by John Thomas Hemingway (1857–1926), a wealthy self-made Bradford wool merchant, and his wife Emma Jane, to replace their existing villa, which was at the lower, southern end of a sloping site, [6] 4 acres (1.6 ha) in extent. [7] Lutyens was given a free rein in the design. He built the new villa at the top of the site, in a size and style intended to dominate the neighbouring villas. [6] Lutyens had already mixed elements of classical architecture into his earlier, vernacular and Neo-Georgian designs, and his correspondence with Herbert Baker displayed a growing enthusiasm for classical architecture. [2] Later, he acknowledged a stylistic debt at Heathcote to the 16th-century Italian architect Michele Sanmicheli. Lutyens has been criticised for using a grand style more suited to a public building than to the Hemingways' dwelling. [6] Lutyens came to call his new style "Wrennaissance", after Christopher Wren. [8]
The house is built of local ashlar: yellow Guiseley stone decorated with grey stone from Morley, [10] with rustication on the ground floor and on the tall chimneys. The main features of the house and gardens are symmetrical around a north-south axis. [2] English Heritage have identified a compositional influence from the 17th-century French architect François Mansart. [4] The house has a three-storey central block, set back between two flanking two-storey pavilions to east and west, each with an additional one-storey outer wing. Each of these five components has a hip roof, [4] made of red pantiles. [10]
Entry is from King's Road, via a walled entrance court, to a door in the centre of the north elevation. The central hall leads out to a terrace garden giving a view southwards towards Ilkley Moor. [7] The south, garden elevation is more elaborate than the north, with wrought-iron balconies, additional setbacks in the central bay, and Doric pilasters on the flanking pavilions. [2] English Heritage have called the south elevation a "witty reinterpretation" of Michele Sanmicheli's Porta Palio in Verona. [4]
For the interior design, Lutyens continued the classical theme. [2] The vestibule floor was white marble. [11] The hall had green Siberian marble columns, a black marble staircase and a vivid green carpet. Blue was used for some other surfaces, and for the Lutyens-designed furniture. [12] He also designed star-shaped light fittings. [2] Other interior features designed by Lutyens which remain intact include the fireplaces, cabinets and cupboards. [4]
Emma Jane Hemingway died in the house in 1937. [6] The company NG Bailey used the building as offices from 1958 to 2011. After a planning application to split it into two apartments was unsuccessful, it was converted back into an eight-bedroom house in 2012. [13]
The gardens were laid out by Lutyens, [5] with pools and parterres, and retaining walls for the terracing, including that of the central lawn. [7] The Grade I listing of 12 December 2014 combined numerous garden and courtyard features that were individually Grade II* listed, as well as some outbuildings and a pair of cottages fronting onto King's Road. [4]
The planting of the gardens was by garden designer Gertrude Jekyll. [14]
Sir Edwin Landseer Lutyens was an English architect known for imaginatively adapting traditional architectural styles to the requirements of his era. He designed many English country houses, war memorials and public buildings. In his biography, the writer Christopher Hussey wrote, "In his lifetime (Lutyens) was widely held to be our greatest architect since Wren if not, as many maintained, his superior". The architectural historian Gavin Stamp described him as "surely the greatest British architect of the twentieth century".
Campion Hall is one of the six Permanent Private Halls of the University of Oxford in England. It is run by the Society of Jesus and named after St. Edmund Campion, a martyr and fellow of St John's College, Oxford. The hall is located on Brewer Street, between Christ Church and Pembroke College. The buildings, along with many of the fixtures and fittings, were designed by Sir Edwin Lutyens, his only buildings in Oxford. The hall also houses an extensive collection of religious art spanning 600 years; the pieces were collected primarily by Fr Martin D'Arcy in the 1930s.
Castle Drogo is a country house and mixed-revivalist castle near Drewsteignton, Devon, England. Constructed between 1911 and 1930, it was the last castle to be built in England. The client was Julius Drewe, the hugely successful founder of the Home and Colonial Stores. Drewe chose the site in the belief that it formed part of the lands of his supposed medieval ancestor, Drogo de Teigne. The architect he chose to realise his dream was Edwin Lutyens, then at the height of his career. Lutyens lamented Drewe's determination to have a castle but nevertheless produced one of his finest buildings. The architectural critic, Christopher Hussey, described the result: "The ultimate justification of Drogo is that it does not pretend to be a castle. It is a castle, as a castle is built, of granite, on a mountain, in the twentieth century".
100 King Street, formerly the Midland Bank, is a former bank premises on King Street, Manchester, England. It was designed by Sir Edwin Lutyens in 1928 and constructed in 1933–35. It is Lutyens' major work in Manchester and was designated a Grade II* listed building in 1974.
The Free Church is a building located in Hampstead Garden Suburb, Barnet, London. It was built to a design by Sir Edwin Lutyens starting in 1911, and, like St Jude's Church at the opposite side of Central Square, is a Grade I listed building.
Roderick Gradidge AA Dipl. ARIBA was a British architect and writer on architecture, former Master of the Art Workers Guild and campaigner for a traditional architecture.
Rochdale Cenotaph is a First World War memorial on the Esplanade in Rochdale, Greater Manchester, in the north west of England. Designed by Sir Edwin Lutyens, it is one of seven memorials in England based on his Cenotaph in London and one of his more ambitious designs. The memorial was unveiled in 1922 and consists of a raised platform bearing Lutyens' characteristic Stone of Remembrance next to a 10-metre (33 ft) pylon topped by an effigy of a recumbent soldier. A set of painted stone flags surrounds the pylon.
Little Thakeham is an Arts and Crafts style, Grade I listed private house in the parish of Thakeham, near the village of Storrington, in the Horsham district of West Sussex, England. Designed by architect Edwin Lutyens in 1902, the house was one of the first in which Lutyens mixed neoclassical architecture into his previously vernacular style. The exterior of the house is vernacular, but the interior has classical features, particularly in its large hall. The gardens, also designed by Lutyens, are Grade II* listed in the National Register of Historic Parks and Gardens.
Munstead Wood is a Grade I listed house and garden in Munstead Heath, Busbridge on the boundary of the town of Godalming in Surrey, England, 1 mile (1.6 km) south-east of the town centre. The garden was created first, by garden designer Gertrude Jekyll, and became widely known through her books and prolific articles in magazines such as Country Life. The Arts and Crafts style house, in which Jekyll lived from 1897 to 1932, was designed by architect Edwin Lutyens to complement the garden.
Orchards is an Arts and Crafts style house in Bramley in Surrey, England. It is on Bramley's boundary with Busbridge and 1 mile (1.6 km) south-east of Godalming town centre. Described by English Heritage as the first major work of architect Edwin Lutyens, it is a Grade I listed building. The gardens are Grade II* listed in the National Register of Historic Parks and Gardens. The property is privately owned.
Tigbourne Court is an Arts and Crafts style country house in Wormley, Surrey, England, 1 mile (1.6 km) south of Witley. It was designed by architect Edwin Lutyens, using a mixture of 17th-century style vernacular architecture and classical elements, and has been called "probably his best" building, for its architectural geometry, wit and texture. It was completed in 1901. English Heritage have designated it a Grade I listed building.
Mells Park is a country estate of 140 hectares near Mells, Somerset, England. It originated as a 17th-century deer park, probably created by the Horner family, who had been the owners of Mells Manor from 1543. The Horners expanded the park and planted extensive woodlands, resulting in a large collection of mature trees, especially 18th-century plantings of oak, lime and beech. The park is Grade II listed in the National Register of Historic Parks and Gardens. It contains Park House, also known as Mells Park House, a Grade II* listed building, built in 1925 in neoclassical style by the architect Edwin Lutyens, replacing an 18th-century house of the same name. It is c. 1 mile (1.6 km) west of Mells Manor House, which does not lie within the park.
Marshcourt, also spelled Marsh Court, is an Arts and Crafts style country house in Marsh Court, near Stockbridge, Hampshire, England. It is constructed from quarried chalk. Designed and built by architect Edwin Lutyens between 1901 and 1905, it is a Grade I listed building. The gardens, designed by Lutyens and Gertrude Jekyll, are Grade II* listed in the National Register of Historic Parks and Gardens.
Homewood is an Arts and Crafts style country house in Knebworth, Hertfordshire, England. Designed and built by architect Edwin Lutyens around 1900–3, using a mixture of vernacular and Neo-Georgian architecture, it is a Grade II* listed building. The house was one of Lutyens' first experiments in the addition of classical features to his previously vernacular style, and the introduction of symmetry into his plans. The gardens, also designed by Lutyens, are Grade II listed in the National Register of Historic Parks and Gardens.
Folly Farm is an Arts and Crafts style country house in Sulhamstead, West Berkshire, England. Built around a small farmhouse dating to c. 1650, the house was substantially extended in William and Mary style by architect Edwin Lutyens c. 1906, and further extended by him in vernacular style c. 1912. It is a Grade I listed building. The gardens, designed by Lutyens and Gertrude Jekyll, are Grade II* listed in the National Register of Historic Parks and Gardens. They are among the best-known gardens of the Lutyens/Jekyll partnership.
Spalding War Memorial is a First World War memorial in the gardens of Ayscoughfee Hall in Spalding, Lincolnshire, in eastern England. It was designed by the architect Sir Edwin Lutyens. The proposal for a memorial to Spalding's war dead originated in January 1918 with Barbara McLaren, whose husband and the town's Member of Parliament, Francis McLaren, was killed in a flying accident during the war. She engaged Lutyens via a family connection and the architect produced a plan for a grand memorial cloister surrounding a circular pond, in the middle of which would be a cross. The memorial was to be built in the formal gardens of Ayscoughfee Hall, which was owned by the local district council. When McLaren approached the council with her proposal, it generated considerable debate within the community and several alternative schemes were suggested. After a public meeting and a vote in 1919, a reduced-scale version of McLaren's proposal emerged as the preferred option, in conjunction with a clock on the town's corn exchange building.
Mells War Memorial is a First World War memorial by Sir Edwin Lutyens in the village of Mells in the Mendip Hills of Somerset, south-western England. Unveiled in 1921, the memorial is one of multiple buildings and structures Lutyens designed in Mells. His friendship with two prominent families in the area, the Horners and the Asquiths, led to a series of commissions; among his other works in the village are memorials to two sons—one from each family—killed in the war. Lutyens toured the village with local dignitaries in search of a suitable site for the war memorial, after which he was prompted to remark "all their young men were killed".
Nashdom, also known as Nashdom Abbey, is a former country house and former Anglican Benedictine abbey in Burnham, Buckinghamshire, England. Designed in Neo-Georgian style by architect Edwin Lutyens, it is a Grade II* listed building. It was converted into apartments in 1997. The gardens are Grade II listed in the National Register of Historic Parks and Gardens.
New Place, Shirrell Heath, Shedfield, Hampshire, England, is a former county house, now a hotel, designed by Edwin Lutyens. It is a Grade I listed building.
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