The Holy Cross Church (German: Heilig-Kreuz-Kirche) is a Catholic church in the Bornheim district of Frankfurt am Main (Germany) in the Bornheimer Hang settlement. From 1929 to 1950 and again from 2007 to 2015, it was a branch church of the parish of St. Josef in Frankfurt am Main. In between, the church had its own parish from 1950 to 2007. It is located in the Roman Catholic Diocese of Limburg.
The church was built by Martin Weber from 1928 to 1929, on a rise then known as Bornheimer Hang. It was finally completed on 25 August 1929 and handed to the Catholic congregation of Bornheim. It was damaged in the Second World War, and afterwards rebuilt with money donated for this purpose. The church is an unusual example of interwar modernism as sacredBauhaus architecture. Its design is similar to the Frauenfriedenskirche (Church of Our Lady of Peace) in Frankfurt-Bockenheim.
Current Use
The diocese dedicated it from 1 August 2007 as the location of a Holy Cross - Centre for Christian Meditation and Spirituality.[2] The centre was directed from August 2007 until July 2018 by the Franciscan Helmut SchlegelOFM,[3] who worked there until June 2019 as a retreat and meditation leader and priestly co-worker. Since November 2018 until May 2024 the centre was directed by the theologian Samuel Stricker,[4] who worked with a team of contributors, for example from the order of Medical Mission Sisters.[5] In May 2024, Kristina Wolf MMS took over as acting director of the centre,[4] as Samuel Stricker moved to another position within the Diocese of Limburg. At the end of August 2025, the closure of the meditation centre of the Roman Catholic Diocese of Limburg founded in 2007 and its location was announced for the 4th Advent on December 20, 2025. The future use of the premises in Heilig Kreuz was not yet determined at that time.[6]
Since the beginning of the restoration of the interior of St. Leonhard in Frankfurt-Altstadt, the services of the local St. Leonhard's International English-Speaking Catholic Parish have been held in the Holy Cross Church since 7 May 2011.[1] This remains the home of the Holy Cross Church even after the end of the work in St. Leonhard.[7]
History
20th century
Foundation
Steeple of the Holy Cross Church at the Martin-Weber-PlatzFour figures by Arnold Hensler at the south side of the steeple, symmbolizing the four EvangelistsEast side of Holy Cross Church, seen from the park on Bornheimer HangNorth side of the nave with circular inscription “Im Kreuz ist Heil” (Salvation is in the cross) by Arnold HenslerExterior lighting at the tower on the first weekend of Advent 2020Interior, fifth anniversary of the centre on 11 November 2012Chancel at Christmas 2007Veil of Veronica by Arnold Hensler at the southern wall of the steeplePietà by Arnold Hensler and Otto Zirnbauer in its original place in the entrance hallCommemorative plaque for the three parish priests inside the churchThe organ on the galleryAdvent-Labyrinth made with 2500 burning tealights the Saturday before Gaudete Sunday in 2011Creation and use of Advent labyrinth in 2013Part of the light show on the first advent weekend 2020 in the church (“Night Shimmer”)Nativity scene in 2011 with crib by Arnold Hensler and Otto ZirnbauerWooden cruzifix in the crypt
The Holy Cross church was built in 1929 by the master church builder Martin Weber and is at the edge of the housing development at the Bornheimer Hang. Weber also built the churches of St. Bonifatius in Frankfurt-Sachsenhausen in 1927 and of the Holy Spirit in Frankfurt-Riederwald in 1931. With these Frankfurt churches, alongside the Frauenfriedenskirche and the Pallottinerkirche St. Marien in Limburg an der Lahn, Martin Weber stands for "Neues Bauen" (=New Building Style) in the spirit of the Liturgical Movement in the Roman Catholic Church.[8]
The church is located on the eastern edge of the settlement planned by Ernst May as part of the New Frankfurt (German: Neues Frankfurt) urban planning programme, above the Bornheimer Hang (=Bornheim slope). The planned community centre at the upper end of the Wittelsbacherallee was not built, so there was enough space to build the new church. The Holy Cross Church was the second Catholic church in Frankfurt-Bornheim. The parish was an outsourcing[9] of the later neighbour fold[9]St. Josef, the first Catholic church in Bornheim. The reason why their priest Josef Höhler[9] decided to build the new church at this location was the expansion of the Bornheim quarter eastward at the Bornheimer Hang, with the new settlement. This resulted in a growing number of Roman Catholics living in the quarter.
After the Catholic community had acquired the two plots of land totaling 6,200 m² needed for the construction of the church in 1926 and 1927, the church executive committee decided in May 1927 to invite tenders for a closed architectural competition. Four architectural firms were invited: Hans (1872–1952) and Christoph Rummel (1881–1961) (Frankfurt), Richard Steidle (1881–1958) (Munich), Martin Weber (1890–1941) (Frankfurt), and Robert B. Witte (Dresden). The jury consisted of eight people, including the then parish priest, Pastor Höhler, as representative of the parish of St. Josef, the city planning officer Ernst May, and the architect Hans Herkommer. The competition had several stipulations for the church, e.g. the front of the steeple at the Wittelsbacherallee, between 700 and 800 seats, a high altar and two side altars and an organ loft for 150 people.[10] On 3 August 1927 a jury decided in a competition for the draft with the name slope crown[9] by the master church builder Martin Weber (1890-1941). Weber called the building model "slope crown", since the church should crown the Bornheimer Hang (slope).
On 19 February 1928 the construction work began with the turning of the first sod. The foundation stone was laid on 18 March 1928. A deed with text in the shape of a cross, two daily newspapers, a yearbook of Frankfurt Catholics, five Reichsmarks in various currencies, and a bottle of Rhine wine were walled into the foundation stone.
The topping-out ceremony was celebrated on 14 September 1928. On 25 August 1929 the church was consecrated by Ludwig Maria Hugo, the bishop of the Diocese of Mainz, because Augustinus Kilian, the bishop of the Diocese of Limburg at the time, was ill.[9] The name was chosen because there were several places in medieval Frankfurt dedicated to the holy cross. One of these was the chapel of the Hospital of the Holy Cross which was donated in 1343 by Wicker Frosch. Together with the chapel of the monastery of St. Katharinen which was built in 1354, it formed a small double church, the predecessor building of the today's Evangelical-Lutheran Katharinen church.[11] In Holy Cross Church there is a reliquary containing a splinter of the Holy Cross. Until 1950 the Holy Cross parish was financially still a part of the St. Josef parish, with which it has a common church executive committee.
Second World War
During the Nazi era (from 1933) the Holy Cross parish was suppressed by the Nazis, and it lost fold members[9] during World War II. Because of its prominent location, the church was used as a point of reference for the navigation of the bombers of the USAAF and the RAF. The windows at the west side of the church were destroyed on 4 October 1943 in an attack intended for the water works near the cemetery of Bornheim and destroyed the housing estate's wash house. During the first large-scale attack on Frankfurt in the evening of the same day, the windows of the eastern side and the parsonage building were destroyed by a line of bombs which came down on the garden plots at the Bornheimer Hang. With the next large attack on the city on 29 January 1944 parsonage building was heavily damaged. On the night of the 18/19 March 1944 the church was hit by several incendiary bombs, which pierced the roof timberwork. The bombs were extinguished inside the church. On 11 December 1944 the church was hit by three high-explosive bombs on its west side, completely destroying the large open staircase on the west side of the church tower and partially destroying the temporary chapel behind it in what later became the tower hall on the ground floor of the tower building, tearing a large hole in the west side of the nave. Pastor Georg Nilges wanted to retrieve the eucharist from the temporary chapel, but jumped back and thus escaped the explosion of the two bombs that devastated the lower church and completely destroyed its sacristy. The entire inventory, including chalices, monstrance, and thurible, was destroyed. Afterwards, church services had to be held in the boiler room below the tower, known as the “catacomb,” which was used as an air raid shelter. In addition to the air raids, there were also attacks by low-flying aircraft. On March 29, 1945, the first soldiers of the United States Army stood in front of the church.[12][13]
Post-war period
The boiler room underneath the steeple was used until 1. July 1946 as church. During the reconstruction period, starting on 26 September 1948, the parish hall beneath the church was used as a lower church, which at that time was still connected to what would later become the crypt, where the altar area was located. In 1950 Holy Cross became its own parish with its own church executive committee.[12]
1951 the order for the re-establishment of the church could be given. By 1952, the interior of the church had been restored to its original condition and freshly renovated, and the large open staircase on the west side of the tower had been rebuilt. The church windows were glazed new by the glass painter Lorenz Matheis with stained glass window in white and goldenyellow colours. The walls and the ceiling were painted in a single light colour. 1957 the kindergarten in the west of the church was built. In 1965 a stage for events was built in the parish hall under the church ship during a renovation.[9]
In 1968 the altar area was transformed, a consequence of the liturgy reformation by the Second Vatican Council. The high altar, which was reduced in size, with the relics of the two martyrsLaurence and Urban was moved further down from its previous position under the cross, without the previous marbletabernacle, so that the priest could celebrate mass facing the congregation. A stone lectern replaced the demolished pulpit. The boundary walls of the ambones on the left and right were each replaced by a guard rail. In the right-hand ambo, a new blueenamelled tabernacle decorated with gilded metal grilles and rock crystals was placed on a marble pedestal. The two side altars and the communion benches were removed. The baptismal font stood for 22 years at the former location of the altar under the large wall cross in the choir room. The ceiling was painted orange-red and the walls light beige. In 1969, the first parish council election took place. The dark pews were replaced with light wood benches in 1971. In 1975, the administrative council elected by the parish council replaced the church council.[9]
In 1990, as part of a restoration project led by architect Bernhard Weber (1930–2000), the chancel underwent further redesign. The baptismal font was moved back to the entrance area of the church. In its previous location, a sacrament altar with a tabernacle was erected, taking the place of the former high altar. The main altar was shortened again and the altar level was extended into the congregation area, with the lectern placed on the left side of the altar level. In 1992, during the renovation of the church interior, the original condition of the interior painting with its chequerboard pattern in light and dark red was largely restored, the large wall cross was extended to the ceiling and the inscription INRI was added to the upper part, and the apses were given boundary walls again. In 1995, the parish garden on Kettelerallee was reduced in size by residential buildings.[9][13] In 1997, the previously unnamed square in front of the church tower at the upper end of Wittelsbacherallee was redesigned and given the name Martin-Weber-Platz.[14]
21st century
Holy Cross - Centre for Christian Meditation and Spirituality
At 1. August 2007 the Roman Catholic Diocese of Limburg intended the church on instruction of former bishop Franz Kamphaus to the Holy Cross - Centre for Christian Meditation and Spirituality. The centre is a pastoral institution of the diocese under the responsibility of the Pastoral Care and Education Division, Pastoral Care and Development Department (as of 9/2025).[15] In the centre church services, meditation courses, contemplative prayer, Zen-meditation courses, days of reflection, spiritual exercises, retreats, and other meetings are offered. The Padre Helmut Schlegel of the Franciscan[3] takes the responsibility for the offers as director/conductor of the centre until July 2018 and as a priestly employee until June 2019. In November 2018 the theologian Samuel Stricker took over the leadership of the meditation centre and in August 2019 Olaf Lindenberg the role as a priestly employee.[4] The team includes colleagues like for example from the Medical Mission Sisters (MMS).[5] Although the offerings of the centre are affected by Christianity the target audience includes humans of all Religious denominations, world views and cultures. The team[4] currently publishes a program annual.[16] It was the first institution of its kind in Germany. The Holy Cross Church is one of five profile churches of the Diocese of Limburg. Furthermore, there are besides the Centre for Mourning Counselling (German:Zentrum für Trauerseelsorge) in St.Michael in Frankfurt-Nordend as well founded in 2007 also the three youth churches (German: Jugendkirchen) Crossover in St. Hildegard in Limburg an der Lahn, Jona in St. Bonifatius in Frankfurt-Sachsenhausen and Kana in Maria-Hilf in Wiesbaden-Nordost which were founded already in 2005.
In the church, small changes were gradually implemented by 2010. The previous church pews have been replaced by folding chairs, which allow a more flexible use of the available space. The present main altar is no longer used for the church services of the centre for meditation and has been replaced by a small wooden altar, which forms a circle with the folding chairs. Stairlifts or wheelchair ramps have been installed for barrier-free access to the church interior or other premises. The crypt and the rooms of the former parsonage were redesigned for the use as a meditation centre.
In March 2020, the centre's program had to be suspended because all worship services in Germany and thus all other events had to be cancelled due to the COVID-19 pandemic in Germany.[17] However, at certain times the church is daily open for meditation for a limited number of people.[18] In May services were resumed on Saturdays under special conditions.[19] In Advent 2020, four theme weeks were held with a special light show, the Advent Labyrinth, the Peace Light and about light figures.[20] In December 2020, a Protestantvicar of the Protestant Church in Hesse and Nassau was employed for the first time in a six-month special vicariate in the centre.[21]
On August 20, 2025, it was announced that the meditation centre of the Diocese of Limburg would be closing on the fourth Sunday of Advent, December 20, 2025, after more than 18 years. The future use of the premises in Heilig Kreuz had not yet been decided at that time.[6] This is determined jointly by the Diocese of Limburg; the parish of St. Josef Frankfurt, in whose parish territory the Holy Cross Church is located; and the Association of Catholic Parishes in Frankfurt.[22]
On 20 May 2025, a team from the diocese decided instead to establish a specialist centre for spirituality,[23] whose location, venues and programme were not yet known at that time.[24] The Missionary Medical Sisters continue to work in this facility.[25] Provided that future use of Holy Cross Church is compatible with specific offerings from the Spirituality Centre, the Centre may continue to use the church premises if necessary.[22]
From the new parish of St. Josef to the parish of a new type
With the establishment of the Centre for Christian Meditation and Christian Spirituality, the Holy Cross Church lost its previous role as a parish church. Thus, the former municipal territory of the Holy Cross parish belonged again to the parish of St. Josef from which the parish once emanated. The two Catholic Bornheim congregations, with a part of the parish territory of the previous parish of St. Michael, were united to form the new parish of St. Josef. The Church of St. Michael in Frankfurt-Nordend became the Zentrum für Trauerseelsorge (=Centre for Mourning Counselling) of the Diocese of Limburg. The parish of St. Josef in Bornheim and the neighbouring parish of Maria Rosenkranz (=MaryRosary) in Frankfurt-Seckbach formed the common pastoral area Frankfurt-Bornheim. Together with their neighbours Maria Rosenkranz in Frankfurt-Seckbach, the new St. Josef parishioners formed the pastoral area Frankfurt-Bornheim until 31 December 2011, in which a stronger cooperation than before took place. The parish of St. Josef was at this time with almost 11,000 Catholics one of the largest in the Diocese of Limburg. On 1 January 2012 the pastoral rooms in Frankfurt were reorganized and from the two pastoral areas of Frankfurt-Bornheim with the parishes of St. Josef-Bornheim and Maria Rosenkranz in Seckbach and Frankfurt-Ost with the two parishes of Heilig-Geist (=Holy Spiritin Frankfurt-Riederwald and Herz-Jesu (=Heart of Jesus) in Frankfurt-Fechenheim, a new pastoral area called Frankfurt-Ost was created. It existed until 31 December 2014.
On 1 January 2015, a parish of the new type under the name of St. Josef Frankfurt am Main was founded from the four parishes of the pastoral area Frankfurt-OstSt. Josef in Bornheim, Maria Rosenkranz in Seckbach, Heilig-Geist in Riederwald and Herz-Jesu in Fechenheim with the church places of Sankt Josef Bornheim, Maria Rosenkranz Seckbach, Heilig-Geist Riederwald and Herz-Jesu Fechenheim. This includes the centralization of certain tasks, such as the parish secretariat.[26][27] The parish now has about 16,500 members.[28] By its location in the parish of the new parish of St. Josef Frankfurt am Main, it was also their branch church again from 2007 bis 2015. The buildings are managed by the Catholic City Church of Frankfurt am Main.
Building
Tower Building
The church, with its steel frame construction, is covered by two flat gabled roofs on the nave and tower. It is accessed via a large flight of 24 steps on Wittelsbacherallee. The church interior is located one floor above street level. Martin Weber conceived the floor plan of the church as a further development of the floor plan of St. Boniface's Church in Frankfurt-Sachsenhausen.[9]
The tower building has three arcades on each of its west and east sides, each covering almost the entire height, with a turret clock without numerals in the right-hand arcade, which opens onto the square on the south side of the tower in a fourth arcade. Beneath the arcades on the west side, there is a narrow forecourt with three metal doors leading to the foyer in front of the entrance hall. On the east is a loggia, which was intended as an outdoor pulpit. Above this are two floors, each with three arched windows for the gallery and the bell frame. The tower has seven floors from the bottom up: boiler room, tower hall, tower lobby, choir loft, organ loft, belfry and the level for the bell ringing machinery and clockwork. There are large crosses on the roof of the western and eastern front walls of the tower and on the ridge of the roof on the north side. The tower crosses and the roof cross on the nave are designed in Martin Weber's typical width-to-height ratio of 1:4 (1.50 × 6.00 metres) (‘Weber cross’).[9]
At the southern external wall of the tower building ends the bell chair basic girder in four winged animal figures with the heads of a human, a lion, a bull and an eagle. They symbolize the four evangelistsMatthew, Mark, Luke and John. On the four girders is an inscription with a text from the First Epistle to the Corinthians1 Cor 1:23–24: Wir aber predigen Christus den Gekreuzigten, Christus Kraft und Gottes Weisheit (=But we preach Christ crucified, Christ the power of God, and the wisdom of God). Below the four animal figures is a plasterrelief of the Veil of Veronica.[9] The relief and animal figures, as well as the rest of the exterior decoration, were created by the sculptor Arnold Hensler from Wiesbaden.[9]
The church has a three-part peal of bells. In 1955, the peal of bells in the newly built ProtestantHeilandskirche [=Church of the Savior) was adapted to that of the Holy Cross Church and the Johanniskirche (=St. John's Church), so that all three peal of bells could sound together without disharmony.[29]
Directly beneath the eaves are seven slit-shaped sound openings, which were also used to attach long yellow and white church flags. The exterior design of the tower has not changed in the first century of its existence. Only the clock in the south-eastern arcade and the halos of the evangelists depicted with animal bodies on the south side are no longer there.[9]
Nave
The nave aligned precisely in a north-south direction so that, when viewed from the west, the tower appears as the dominant end point of Wittelsbacherallee. The chancel is located at the north end of the nave. After their inauguration, the interior was first painted red-pink plaid. The original windows bore large letters inside. It was a German translation of the LatinhymnVexilla Regis (Des Kreuzes Zeichen zieht einher, =The banners of the king issue forth). The letters appeared dark in the day before the light shining from the outside through the windows. In the night they shone through the reflection of the light of the church illumination. On the northern exterior of the nave is the circular inscription ‘Im Kreuz ist Heil’ (=In the Cross is Salvation), designed by Arnold Hensler.
In Holy Cross Church, the chancel is located at the front wall of the nave. In the church St. Bonifatius in Frankfurt-Sachsenhausen, the altar is located in its own chancel, and the church Heilig-Geist in Frankfurt-Riederwald has in contrast to this a centrally located chancel.[30]
In World War II the church and the adjoining parsonage in the Kettelerallee were damaged by several bomb hits. The church windows were destroyed in 1943 by the blast waves of bomb explosions nearby. The large main staircase at the tower was destroyed in 1944 by a bomb hit and the church roof of fire bombs. After reconstruction, the interior of the church was given a light coat of paint on the walls and ceiling in 1951. In 1968, the walls were painted light beige and the ceiling orange-red. In the 1990s, the original chequerboard pattern was restored. The new church windows were re-glazed in a yellowish hue. The two side altars were removed. In addition, there were a total of five side chapels in the church between the pillars in the inner church and the two side walls of the church ship. They were dedicated to various saints, such as Saint Elizabeth, Saint Rita and Saint Agnes. Behind the left front pillar was the staircase leading up to the pulpit, which was removed in 1968 and had a rectangular sounding board. The church was put under cultural heritage management in 1986 together with its location and the assignment to the Ernst May settlement around the church.[9] In 1990 extensive renovations were begun, in which the altar area was redesigned and the interior was restored to its original color in 1992, also for reasons of cultural heritage management.
Under the church is the crypt, which was subjected to a major renovation and transformation to a meditation room because of the founding of the Centre for Christian Meditation and Spirituality. Among other things, the floor was provided with a parquetry and the actual meditation area was provided with panels of linen and a door frame made of wood as an access. On the south wall of the crypt is a wooden crucifix with a size of 183 x 138cm. Presumably it originates originally from the Alps of the 17th or 18th century. It comes from the Nachlass of the wife May (née Ethel Mary Villers Forbes of the House of the Earl of Granard, Plymouth)[31] of the Jewish entrepreneur Carl von Weinberg. She died in 1937, and knew the first parish priest of Holy Cross Georg Nilges from his time as a chaplain in Frankfurt-Niederrad.[9]
Next to the crypt is a large auditorium with a stage, the parish hall of the former Holy Cross parish. In the foot of the tower building, which consists of seven floors, there is also the tower hall (German: Turmsaal), which is still used by the new parish of St. Josef Frankfurt am Main. On the outer walls of the side aisles, the inside of the left front partition of the left side aisle to the church room and the rear wall of the entrance hall in the tower building is a painted Stations of the Cross of 1932 created by the artist Georg Poppe. The penultimate (13th) station of the Stations of the Cross was until 2020 the Pietà made of wood by the sculptor Arnold Hensler[32] and Otto Zirnbauer.[33] In 2020, after a stay at an Arnold Hensler exhibition in the Diocesan Museum in Limburg, the Pietà was moved to a new location about halfway up the nave. On the altar side, there is a large cross that was redesigned during the reconstruction completed in 1952, on which there is a painting of the rising Jesus, which also thematically forms the conclusion of the Stations of the Cross. Until World War II, there were two large painted angels on the wall to the left and right of the cross. The gold-coloured crown hanging above the cross on the ceiling, which could be illuminated from below, was also not restored.[9]
Further buildings
On property are in addition the 1957 established kindergarten, a parsonage building with a parish office and dwellings, a building with group and club areas, as well as a football pitch used by young people. The parish kindergarten of St. Josef was expanded in 2011 by another building in the former parish court on Ortenberger Straße.
Organ
In 1964 the organ building company Gebr. Späth Orgelbau installed a typical pipe organ for this time. The tracker action works electrically, the organ stop loops are electro-pneumatically controlled. The organ was cleaned and overhauled in 2019 by the successor companies Freiburger Orgelbau Hartwig und Tilmann Späth. The freestanding organ console was completely redesigned and equipped with new organ stop rockers and LED lighting fixtures. The electrics were partially renewed, as well as the leather of the bellows, the membranes and other electro-pneumatic parts. The wind chests were overhauled and the wind supply stabilised by new bellows controls and a new motor. On the tonal level, the post-voicing gave the organ more character and softened loud sharpness. After the reconstruction and reversion, the Pommer 16' sounded as the supporting drone.[34][35]
I. Main C-g3
1.
Bordun
16'
2.
Principal
8'
3.
Gems Horn
8'
4.
Octave
4'
5.
Tube Flute
4'
6.
Nasat
2 2/3'
7.
Octave
2'
8.
Mixture
six to eightfold
9.
Trumpet
8'
II. Swell C-g3
10.
Couple Flute
8'
11.
Quintade
8'
12.
Principal
4'
13.
Night Horn
4'
14.
Schwiegel
2'
15.
Sifflute
1 1/3'
16.
Sesquialter
double
17.
Sharpen mixture
fourfold
18.
Schalmeyoboe
8'
Pedal C-f1
19.
Subbass
16.
Zartbass
16' TM I.
20.
Principal Bass
8'
21.
Covered Bass
8'
22.
Noise Bass
fourfold
23.
Trombone
16'
Coupler (Organ): II-I, I-P, II-P, Sub II-I, Super II-I
Music play help: 2 free combinations, 1 free pedal combination, crescendo roller, tutti, trigger, slider chest, electric action, electropneumatic stop action[34][35]
Transport connections
The Holy-Cross-Church could easily be reached by walk in one minute from the tram stop Ernst-May-Platz of the tramline 14 of the Frankfurt tramway and the Stadtbahn station Eissporthalle/Festplatz of the line U7 of the Frankfurt light rail system (German: Frankfurt U-Bahn). Bus line 38 connects the Panoramabad and the settlement with the district centre and the neighboring district of Seckbach. Also not far away is the motorway exit Frankfurt-Ost of the Federal Motorway 661 (German: Bundesautobahn 661).
At the end of June 2019, a confession different scenes for the Sat.1-television filmMörderische Tage – Julia Durant ermittelt (=Murderous days – Julia Durant investigates) in the Julia Durant series by Andreas Franz and Daniel Holbe with actress Sandra Borgmann in the title role was shot by the director Nicolai Rohde in the Holy Cross Church as a film set. The script was written by Kai-Uwe Hasenheit and Andreas Bareiss. For the shooting, chairs with black seats and backrests were set up inside the church by the film crew, as well as a custom-made confessional, which incorporates design elements and colour schemes from church doors.[39][40] Inside it can be seenn for example the wall painting of a grave scene in the entrance area, the pipe organ and the confessional as a film setting. Several times the perron and the houses of the settlement at Bornheimer Hang in opposite in the Ortenberger Street can be seen. In addition, drone images of the tower building were used. The television film was first broadcast on 10 November 2019 on Sat.1 emotions and on 11 November 2019 on Sat.1.[41]
Further reading
Kath. Pfarramt Heilig Kreuz (issuer) (1959), 30 Jahre Heilig Kreuz-parish Frankfurt a. M. Oktober 1959 (in German), Frankfurt am Main: Heilig Kreuz
Pfarrgemeinderat Heilig Kreuz (issuer), 50 Jahre Heilig Kreuz in Frankfurt 1929–1979 (in German), Frankfurt am Main: Heilig Kreuz
Heike Risse (1984), Frühe Moderne in Frankfurt am Main 1920–1933 (in German), Frankfurt am Main: Societäts-Verlag, ISBN978-3-7973-0422-3
Paul Bachmann, Anja Haag, Ingeborg Lüddecke (editorial staff) (2004), Festschrift zum 75. Jubiläum der Heilig-Kreuz-Kirche Frankfurt-Bornheim 1929–2004 (in German), Frankfurt am Main: parish council Heilig Kreuz{{citation}}: CS1 maint: multiple names: authors list (link)
Franz Manneck, Anneliese Hollerbach (2004), Kreuzweg Heilig-Kreuz-Kirche Frankfurt am Main-Bornheim (in German), Frankfurt am Main: Liturgy and Catechesis Committee Heilig Kreuz
Helen Barr, Ulrike May, Rahel Welsen (2007), Das Neue Frankfurt – Spaziergänge durch die Siedlungen Ernst Mays und die Architektur seiner Zeit (in German), Frankfurt am Main: B3 Verlag, ISBN978-3-938783-20-7{{citation}}: CS1 maint: multiple names: authors list (link)
Adrian Seib (2011), Martin Weber – Die Kirchen Heilig-Kreuz und Heilig-Geist in Frankfurt am Main als bahnbrechende Sakralbauten im Werk des Architekten in: das münster – Zeitschrift für christliche Kunst und Kulturwissenschaft, 64. Jahrgang, Nr. 1 (in German), Regensburg: Verlag Schnell und Steiner, pp.3–9, ISSN0027-299X
Franz Josef Hamm (2011), Martin Weber und Arnold Hensler – Eine Künstlerpartnerschaft in: das münster – Zeitschrift für christliche Kunst und Kulturwissenschaft, 64. Jahrgang, Nr. 1 (in German), Regensburg: Verlag Schnell und Steiner, pp.10–19, ISSN0027-299X
1 2 Sr. Kristina Wolf MMS (20 August 2025). Informationen zum Fachzentrum für Spiritualität (=Information about the Centre for Spirituality) (in German). Vol.Newsletter vom 20. August 2025. Frankfurt am Main: Heilig Kreuz – Zentrum für christliche Meditation und Spiritualität.
↑ Gernot Gottwals (13 August 2019). "Leonhardskirche wird feierlich wiedereröffnet – Sanierung – Nach acht Jahren sind die Arbeiten abgeschlossen – Der Bischof weiht den neuen Altar (=Leonhardskirche is ceremoniously reopened – Refurbishment – After eight years the work is completed – The bishop consecrates the new altar)". Frankfurter Neue Presse (in German).
↑ "Unsere Diözese in der Geschichte (=Our diocese in history)". Gotteslob – Katholisches Gebet- und Gesangbuch - Ausgabe für die Diözese Limburg (=Gotteslob – Catholic prayer and hymn book – edition for the Diocese of Limburg) (in German) (1sted.). Stuttgart / Kevelaer: (Erz-)Bischöfe Deutschlands und Österreichs und der Bischof von Bozen-Brixen (=(Arch)bishops of Germany and Austria and the Bishop of Bolzano-Bressanone) / Katholische Bibelanstalt GmbH / Lahn-Verlag GmbH (=Catholic Bible Institute Ltd. / Lahn Publishing House Ltd.). 2013. p.966. ISBN978-3-7840-0203-3.
↑ Heike Risse (1984). Frühe Moderne in Frankfurt am Main. 1920–1933 (=Early Modernism in Frankfurt am Main. 1920–1933) (in German). Societäts-Verlag. ISBN978-3-7973-0422-3.
↑ Pfarrgemeinderat Heilig Kreuz (1979). 50 Jahre Heilig Kreuz in Frankfurt 1929–1979 (=50 years of Holy Cross in Frankfurt 1929–1979) (in German). Heilig Kreuz Frankfurt-Bornheim.
1 2 Kath. Pfarramt Heilig Kreuz (1959). 30 Jahre Heilig Kreuz-Pfarrei Frankfurt a. M. Oktober 1959 (=30 years of Holy Cross Parish, Frankfurt am Main October 1959) (in German). Heilig Kreuz Frankfurt-Bornheim.
1 2 Pfarrgemeinderat Heilig Kreuz (2004). Festschrift zum 75. Jubiläum der Heilig-Kreuz-Kirche Frankfurt-Bornheim 1929 – 2004 (=Commemorative publication marking the 75th anniversary of Holy Cross Church in Frankfurt-Bornheim, 1929–2004) (in German). Heilig Kreuz Frankfurt-Bornheim.
↑ Simone Müller (12 April 2020). "Offene Kirche (=Open Church)" (in German). Heilig Kreuz – Zentrum für christliche Meditation und Spiritualität. Retrieved 7 April 2021.
↑ "Licht zur Nacht, das Zuversicht schafft - Heilig-Kreuz-Kirche bietet im Advent besonderes Beleuchtungskonzept (=Light to the night, which creates confidence - Holy-Cross-Church offers special lighting concept in Advent)". Frankfurter Neue Presse (in German): 15. 4 December 2020.
↑ Heilig Kreuz – Zentrum für christliche Meditation und Spiritualität (=Holy Cross – Centre for Christian Meditation and Spirituality) (7 December 2020). "Herzlich Willkommen! (=A warm welcome!)" (in German). Archived from the original on 22 April 2021. Retrieved 7 April 2021.
↑ Durchblick – Wegweiser durch die Kath. Pfarrei St. Josef Frankfurt am Main (=Insight – Guide to the Catholic Parish of St. Josef in Frankfurt am Main) (in German). Katholische Pfarrei St. Josef Frankfurt am Main. 2015.
↑ Ernst Weber (1955). Der Bauausschuss – Der Bau der Heilandskirche als Aufgabe des Bau- und Arbeitsausschusses (=The Building Committee – The construction of the Heilandskirche as a task of the Building and Working Committee) (in German). Vol.Festschrift zur Einweihung der evangelisch-lutherischen Heilandskirche Frankfurt / Main am 4. September 1955 (=Commemorative publication for the inauguration of the Evangelical Lutheran Heilandskirche in Frankfurt am Main on 4 September 1955). Frankfurt am Main: Ernst Klöß / Evangelische Heilandsgemeinde Frankfurt am Main (=Protestant Saviour Parish Frankfurt am Main). p.13.
↑ Gudrun Berger, Harald Berger, Gaby Gann, Ludwig Janzen, Heinrich Kress, Walter Kropp, Dieter Muthig, Willi Thiele, Martin Weber (2006). 75 Jahre Heilig-Geist-Kirche Frankfurt Riederwald 1931–2006 - Festschrift zum 75. Kirchweihfest der Heilig-Geist-Kirche Frankfurt am Main-Riederwald (=75 Years of the Holy Spirit Church in Frankfurt Riederwald 1931–2006 – Commemorative publication marking the 75th anniversary of the Holy Spirit Church in Frankfurt am Main-Riederwald) (in German). Frankfurt am Main: Katholische Kirchengemeinde Zum Heiligen Geist Frankfurt-Riederwald (=Catholic Parish of the Holy Spirit, Frankfurt-Riederwald).{{cite book}}: CS1 maint: multiple names: authors list (link)
↑ Franz Manneck, Anneliese Hollerbach (2004). Kreuzweg Heilig-Kreuz-Kirche Frankfurt am Main-Bornheim (=Way of the Cross Holy Cross Church Frankfurt am Main-Bornheim) (in German). Sachausschuss Liturgie und Katechese Heilig Kreuz.
↑ Unaltered quotation from Otto Zirnbauer's catalogue raisonné created by himself: 1928-1930, collaboration with Professor Hensler, Wiesbaden: Memorial Mainz - railway administration; Pieta - Holy Cross Church Frankfurt/Main; St. Josef - Bad Soden; war memorial Weeze / Lower Rhine; [instead of repetition signs added: war memorial] Neroberg - Wiesbaden; spring nymph Reisingerbrunnen Wiesbaden; nativity scene Heilig-Kreuzkirche Frankfurt/Main; Ecce homo [Heilig-Kreuzkirche Frankfurt/Main]; war memorial Bad Kreuznach; St.Konrad Freiburg/Brsg.; crucifixion group - Limburg/Lahn, cathedral; majolica - old people's home, Patschkau; portrait Frhr.v.Stein - bronze; 'Wanderer' - youth hostel Limburg/Lahn, shell limestone
↑ "Heilig Kreuz als Filmkulisse - Bornheim - In der Kirche wurden Szenen für Krimiserie aufgenommen. (=Holy Cross as a film set - Bornheim - In the church scenes for crime series were filmed)". Frankfurter Neue Presse (in German). 13 July 2019.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
