This is a list of films which placed number one at the weekly box office in the United States during 1962 per Variety's weekly National boxoffice survey. The results are based on a sample of 20-25 key cities and therefore, any box office amounts quoted may not be the total that the film grossed nationally in the week.
# | Week ending | Film | Notes | Ref |
---|---|---|---|---|
1 | January 3, 1962 | Babes in Toyland | [1] | |
2 | January 10, 1962 | Flower Drum Song | [2] | |
3 | January 17, 1962 | [2] | ||
4 | January 24, 1962 | [3] | ||
5 | January 31, 1962 | One, Two, Three | [4] | |
6 | February 7, 1962 | [5] | ||
7 | February 14, 1962 | N/A | No survey published | |
8 | February 21, 1962 | Lover Come Back | Lover Come Back grossed more than $500,000 in 19 key cities | [6] |
9 | February 28, 1962 | Lover Come Back grossed more than $440,000 in 19 key cities | [7] | |
10 | March 7, 1962 | [8] | ||
11 | March 14, 1962 | [9] | ||
12 | March 21, 1962 | [10] | ||
13 | March 28, 1962 | West Side Story | [11] | |
14 | April 4, 1962 | [12] | ||
15 | April 11, 1962 | [12] | ||
16 | April 18, 1962 | [13] | ||
17 | April 25, 1962 | Moon Pilot | Moon Pilot, together with an Easter Disneyland USA stageshow, grossed a record $230,000 at Radio City Music Hall | [14] [15] |
18 | May 2, 1962 | West Side Story | [16] | |
19 | May 9, 1962 | [17] | ||
20 | May 16, 1962 | [18] | ||
21 | May 23, 1962 | [19] | ||
22 | May 30, 1962 | [20] | ||
23 | June 6, 1962 | [21] | ||
24 | June 13, 1962 | [22] | ||
25 | June 20, 1962 | [23] | ||
26 | June 27, 1962 | That Touch of Mink | That Touch of Mink grossed nearly $450,000 from 17 engagements | [24] |
27 | July 4, 1962 | That Touch of Mink grossed $450,000 from 18 key cities | [25] | |
28 | July 11, 1962 | [26] | ||
29 | July 18, 1962 | [27] | ||
30 | July 25, 1962 | That Touch of Mink grossed $400,000 from 18 key cities | [28] | |
31 | August 1, 1962 | The Music Man | [29] | |
32 | August 8, 1962 | That Touch of Mink | [30] | |
33 | August 15, 1962 | [31] | ||
34 | August 22, 1962 | The Wonderful World of the Brothers Grimm | The Wonderful World of the Brothers Grimm reached number one in its second week of release | [32] |
35 | August 29, 1962 | The Music Man | [33] | |
36 | September 5, 1962 | [34] | ||
37 | September 12, 1962 | [35] | ||
38 | September 19, 1962 | [36] | ||
39 | September 26, 1962 | [36] | ||
40 | October 3, 1962 | The Wonderful World of the Brothers Grimm | The Wonderful World of the Brothers Grimm returned to number one in its eighth week of release | [37] |
41 | October 10, 1962 | [38] | ||
42 | October 17, 1962 | [39] | ||
43 | October 24, 1962 | The Longest Day | [40] | |
44 | October 31, 1962 | [41] | ||
45 | November 7, 1962 | The Manchurian Candidate | [42] | |
46 | November 14, 1962 | The Longest Day | [43] | |
47 | November 21, 1962 | [44] | ||
48 | November 28, 1962 | The Wonderful World of the Brothers Grimm | [45] | |
49 | December 5, 1962 | Mutiny on the Bounty | [46] | |
50 | December 12, 1962 | [47] | ||
51 | December 19, 1962 | [48] | ||
52 | December 26, 1962 | N/A | No survey published | |
The highest-grossing films during the calendar year based on theatrical rentals were as follows:
Rank | Title | Distributor | Rental [49] |
---|---|---|---|
1 | Spartacus | Universal Pictures | $13,500,000 |
2 | West Side Story | United Artists | $11,000,000 |
3 | Lover Come Back | Universal Pictures | $8,500,000 |
That Touch of Mink | |||
5 | El Cid | Allied Artists | $8,000,000 |
The Music Man | Warner Bros. | ||
7 | King of Kings | Metro-Goldwyn-Mayer | $7,500,000 |
8 | Hatari! | Paramount Pictures | $6,000,000 |
9 | Flower Drum Song | Universal Pictures | $5,000,000 |
The Interns | Columbia Pictures | ||
A box office or ticket office is a place where tickets are sold to the public for admission to an event. Patrons may perform the transaction at a countertop, through a hole in a wall or window, or at a wicket. By extension, the term is frequently used, especially in the context of the film industry, as a synonym for the amount of business a particular production, such as a film or theatre show, receives. The term is also used to refer to a ticket office at an arena or a stadium.