This is a list of films, which placed number one at the weekly box office in the United States during 1975, per Variety . The data was based on grosses from 20 to 24 key cities and therefore, the gross quoted may not be the total that the film grossed nationally in the week.
# | Week ending | Film | Gross | Notes | Ref |
---|---|---|---|---|---|
1 | January 1, 1975 | The Godfather Part II | $1,872,700 | [1] | |
2 | January 8, 1975 | $1,473,000 | [2] | ||
3 | January 15, 1975 | The Towering Inferno | $1,158,400 | The Towering Inferno reached number one in its fourth week on the chart | [3] |
4 | January 22, 1975 | Murder on the Orient Express | $1,011,700 | Murder on the Orient Express reached number one in its eighth week on the chart | [4] |
5 | January 29, 1975 | $1,133,300 | [5] | ||
6 | February 5, 1975 | Young Frankenstein | $1,130,440 | Young Frankenstein reached number one in its seventh week on the chart | [6] |
7 | February 12, 1975 | The Towering Inferno | $1,171,579 | The Towering Inferno returned to number one in its eighth week on the chart | [7] |
8 | February 19, 1975 | $1,580,114 | [8] | ||
9 | February 26, 1975 | $1,112,071 | [9] | ||
10 | March 5, 1975 | $964,550 | [10] | ||
11 | March 12, 1975 | $1,003,132 | [11] | ||
12 | March 19, 1975 | Funny Lady | $1,072,254 | Funny Lady grossed $2,254,3851 in its first five days nationally | [12] [13] |
13 | March 26, 1975 | The Godfather Part II | $1,357,143 | The Godfather Part II returned to number one in its 15th week of release | [14] |
14 | April 2, 1975 | $1,509,856 | [15] | ||
15 | April 9, 1975 | $1,184,325 | [16] | ||
16 | April 16, 1975 | $1,161,950 | [17] | ||
17 | April 23, 1975 | $792,400 | [18] | ||
18 | April 30, 1975 | Alice Doesn't Live Here Anymore | $713,250 | Alice Doesn't Live Here Anymore reached number one in its 14th week on the chart | [19] |
19 | May 7, 1975 | $668,700 | [20] | ||
20 | May 14, 1975 | The Happy Hooker | $475,000 | [21] | |
21 | May 21, 1975 | $321,500 | [22] | ||
22 | May 28, 1975 | Breakout | $1,701,796 | Breakout grossed $8.2 million in its first six days nationally | [23] [24] |
23 | June 4, 1975 | $1,263,016 | Breakout grossed $12,711,224 in its first two weeks nationally | [25] [26] | |
24 | June 11, 1975 | Shampoo | $575,500 | Shampoo reached number one in its 17th week on the chart | [27] |
25 | June 18, 1975 | The Return of the Pink Panther | $889,200 | The Return of the Pink Panther reached number one in its fourth week of release | [28] |
26 | June 25, 1975 | Jaws | $2,590,531 | Jaws grossed $7,061,513 nationally from all markets in the weekend ended June 22, setting the opening weekend record | [29] [30] [31] [32] |
27 | July 2, 1975 | $4,317,542 | Jaws grossed $6,810,584 nationally from all markets in the weekend ended June 29 | [33] [34] [31] | |
28 | July 9, 1975 | $4,029,365 | Jaws grossed $6,443,138 nationally from all markets in the weekend ended July 6 | [35] [36] [31] | |
29 | July 16, 1975 | $3,818,556 | Jaws grossed $5,954,787 nationally from all markets in the weekend ended July 13 | [37] [38] [31] | |
30 | July 23, 1975 | $3,078,793 | Jaws grossed $5,229,811 nationally from all markets in the weekend ended July 20 | [39] [40] | |
31 | July 30, 1975 | $2,687,163 | Jaws grossed $6,150,000 nationally from all markets in the weekend ended July 27 | [41] [42] [31] | |
32 | August 6, 1975 | $2,225,509 | [43] | ||
33 | August 13, 1975 | $2,260,793 | [44] | ||
34 | August 20, 1975 | $1,968,605 | [45] | ||
35 | August 27, 1975 | $1,913,651 | [46] | ||
36 | September 3, 1975 | $1,626,685 | [47] | ||
37 | September 10, 1975 | $1,422,753 | [48] | ||
38 | September 17, 1975 | $972,589 | [49] | ||
39 | September 24, 1975 | $729,993 | [50] | ||
40 | October 1, 1975 | Love and Death | $588,300 | Love and Death reached number one in its 16th week on the chart | [51] |
41 | October 8, 1975 | The Master Gunfighter | $606,350 | [52] | |
42 | October 15, 1975 | Hard Times | $1,141,605 | [53] | |
43 | October 22, 1975 | Three Days of the Condor | $1,071,168 | Three Days of the Condor reached number one in its fourth week on the chart | [54] |
44 | October 29, 1975 | $963,633 | [55] | ||
45 | November 5, 1975 | $847,609 | [56] | ||
46 | November 12, 1975 | Let's Do It Again | $726,010 | Let's Do It Again reached number one in its fifth week on the chart | [57] |
47 | November 19, 1975 | Three Days of the Condor | $635,425 | Three Days of the Condor returned to number one in its eighth week on the chart | [58] |
48 | November 26, 1975 | Let's Do It Again | $938,044 | Let's Do It Again returned to number one in its seventh week on the chart | [58] |
49 | December 3, 1975 | $1,154,700 | [59] | ||
50 | December 10, 1975 | $614,200 | [60] | ||
51 | December 17, 1975 | $391,300 | [61] | ||
52 | December 24, 1975 | The Killer Elite | $849,000 | [62] | |
53 | December 31, 1975 | Dog Day Afternoon | $1,931,500 | Dog Day Afternoon reached number one in its 14th week on the chart | [63] |
Jaws is a 1975 American thriller film directed by Steven Spielberg, based on the 1974 novel by Peter Benchley. It stars Roy Scheider as police chief Martin Brody, who, with the help of a marine biologist and a professional shark hunter, hunts a man-eating great white shark that attacks beachgoers at a summer resort town. Murray Hamilton plays the mayor, and Lorraine Gary portrays Brody's wife. The screenplay is credited to Benchley, who wrote the first drafts, and actor-writer Carl Gottlieb, who rewrote the script during principal photography.
The year 1975 in film involved some significant events.
A blockbuster is a work of entertainment—typically used to describe a feature film produced by a major film studio, but also other media—that is highly popular and financially successful. The term has also come to refer to any large-budget production intended for "blockbuster" status, aimed at mass markets with associated merchandising, sometimes on a scale that meant the financial fortunes of a film studio or a distributor could depend on it.
In the motion picture industry, a wide release is a film playing at the same time at cinemas in most markets across a country. This is in contrast to the formerly common practice of a roadshow theatrical release in which a film opens at a few cinemas in key cities before circulating among cinemas around a country, or a limited release in which a film is booked at fewer cinemas in larger cities in anticipation of lesser commercial appeal. In some cases, a film that sells well in limited release will then "go wide". Since 1994, a wide release in the United States and Canada has been defined by Nielsen EDI as a film released in more than 600 theaters.