This list of Ancient Greek poets covers poets writing in the Ancient Greek language, regardless of location or nationality of the poet. For a list of modern-day Greek poets, see List of Greek poets.
The Ancient Greek language includes the forms of Greek used in Ancient Greece and the ancient world from around the 9th century BCE to the 6th century CE. It is often roughly divided into the Archaic period, Classical period, and Hellenistic period. It is antedated in the second millennium BCE by Mycenaean Greek and succeeded by medieval Greek.
Adrianus was a Greek poet who wrote an epic poem on the history of Alexander the Great, which was called the Alexandriad (Αλεξανδριάς). We chiefly know of this poem from a mention of the seventh book in the Suda, but we possess only a fragment consisting of one line. The Suda mentions, among other poems, a work by a poet "Arrianus" called Alexandriad or Αλεξανδριάς, and there can be no doubt that this is the work of Adrianus, which is mistakenly attributed to this "Arrianus".
An epic poem, epic, epos, or epopee is a lengthy narrative poem, ordinarily involving a time beyond living memory in which occurred the extraordinary doings of the extraordinary men and women who, in dealings with the gods or other superhuman forces, gave shape to the moral universe that their descendants, the poet and his audience, must understand to understand themselves as a people or nation.
Alexander III of Macedon, commonly known as Alexander the Great, was a king (basileus) of the ancient Greek kingdom of Macedon and a member of the Argead dynasty. He was born in Pella in 356 BC and succeeded his father Philip II to the throne at the age of 20. He spent most of his ruling years on an unprecedented military campaign through Asia and northeast Africa, and by the age of thirty he had created one of the largest empires of the ancient world, stretching from Greece to northwestern India. He was undefeated in battle and is widely considered one of history's most successful military commanders.
Bacchylides was a Greek lyric poet. Later Greeks included him in the canonical list of nine lyric poets which included his uncle Simonides. The elegance and polished style of his lyrics have been noted in Bacchylidean scholarship since at least Longinus. Some scholars, however, have characterized these qualities as superficial charm. He has often been compared unfavourably with his contemporary, Pindar, as "a kind of Boccherini to Pindar's Haydn". However, the differences in their styles do not allow for easy comparison, and translator Robert Fagles has written that "to blame Bacchylides for not being Pindar is as childish a judgement as to condemn ... Marvel for missing the grandeur of Milton". His career coincided with the ascendency of dramatic styles of poetry, as embodied in the works of Aeschylus or Sophocles, and he is in fact considered one of the last poets of major significance within the more ancient tradition of purely lyric poetry. The most notable features of his lyrics are their clarity in expression and simplicity of thought, making them an ideal introduction to the study of Greek lyric poetry in general and to Pindar's verse in particular.
Bion of Smyrna was a Greek bucolic poet.
Smyrna was a Greek city dating back to antiquity located at a central and strategic point on the Aegean coast of Anatolia. Since 1930, the modern city located there has been known as İzmir, in Turkey, the Turkish rendering of the same name. Due to its advantageous port conditions, its ease of defense and its good inland connections, Smyrna rose to prominence. Two sites of the ancient city are today within the boundaries of İzmir. The first site, probably founded by indigenous peoples, rose to prominence during the Archaic Period as one of the principal ancient Greek settlements in western Anatolia. The second, whose foundation is associated with Alexander the Great, reached metropolitan proportions during the period of the Roman Empire. Most of the present-day remains of the ancient city date from the Roman era, the majority from after a 2nd-century AD earthquake.
Callimachus was a native of the Greek colony of Cyrene, Libya. He was a poet, critic and scholar at the Library of Alexandria and enjoyed the patronage of the Egyptian–Greek Pharaohs Ptolemy II Philadelphus and Ptolemy III Euergetes. Although he was never made chief librarian, he was responsible for producing a bibliographic survey based upon the contents of the Library. This, his Pinakes, 120 volumes long, provided the foundation for later work on the history of ancient Greek literature. He is among the most productive and influential scholar-poets of the Hellenistic age.
Callinus was an ancient Greek elegiac poet who lived in the city of Ephesus in Asia Minor in the mid-7th century BC. His poetry is representative of the genre of martial exhortation elegy in which Tyrtaeus also specialized and which both Archilochus and Mimnermus appear to have composed. Along with these poets, all his near contemporaries, Callinus was considered the inventor of the elegiac couplet by some ancient critics.
Chaeremon was an Athenian dramatist of the first half of the fourth century BCE. He was generally considered a tragic poet like Choerilus. Aristotle said his works were intended for reading, not for representation. According to Suidas, Chaeremon was also a comic poet, and the title of at least one of his plays seems to indicate that it was a satyric drama. His Centaurus is described by Aristotle as a rhapsody in all kinds of metres. His other known plays are Alphesiboea, Dionysus, Io, Minyae, Odysseus, Oeneus, Thyestes, and The Wounded Man. The fragments of Chaeremon are distinguished by correctness of form and facility of rhythm, but marred by a florid and affected style reminiscent of Agathon. He especially excelled in descriptions dealing with such subjects as flowers and female beauty. It is not agreed whether he is the author of the three epigrams in the Greek Anthology which bear his name. His maxim, "Luck, not wisdom, rules the affairs of men," was adopted by Plutarch as the text of one of his essays.
Diagoras "the Atheist" of Melos was a Greek poet and sophist of the 5th century BC. Throughout antiquity, he was regarded as an atheist, but very little is known for certain about what he actually believed. Anecdotes about his life indicate that he spoke out against ancient Greek religion. He allegedly chopped up a wooden statue of Heracles and used it to roast his lentils and revealed the secrets of the Eleusinian Mysteries. The Athenians banished him from their city for his impiety and he died in Corinth.
Dionysius Chalcus was an ancient Athenian poet and orator. According to Athenaeus, he was called Chalcus ("brazen") because he advised the Athenians to adopt a brass coinage. His speeches have not survived, but his poems are referred to and quoted by such authors as Plutarch, Aristotle, and Athenaeus. The extant fragments are chiefly elegies on symposiac subjects and are characterized by extravagant metaphors.
Latin literature includes the essays, histories, poems, plays, and other writings written in the Latin language. The beginning of Latin literature dates to 240 BC, when the first stage play was performed in Rome. Latin literature would flourish for the next six centuries. The classical era of Latin literature can be roughly divided into the following periods: Early Latin literature, The Golden Age, The Imperial Period and Late Antiquity.
The 1st millennium BC is the period of time between from the year 1000 BC to 1 BC . It encompasses the Iron Age in the Old World and sees the transition from the Ancient Near East to classical antiquity.
Apollodorus was a popular name in ancient Greece. It is the masculine gender of a noun compounded from Apollo, the deity, and doron, "gift"; that is, "Gift of Apollo." It may refer to:
Antimachus of Colophon, or of Claros, was a Greek poet and grammarian, who flourished about 400 BC.
Mimnermus was a Greek elegiac poet from either Colophon or Smyrna in Ionia, who flourished about 630–600 BC. He was strongly influenced by the example of Homer yet he wrote short poems suitable for performance at drinking parties and was remembered by ancient authorities chiefly as a love poet. Mimnermus in turn exerted a strong influence on Hellenistic poets such as Callimachus and thus also on Roman poets such as Propertius, who even preferred him to Homer for his eloquence on love themes. His work was collected by Alexandrian scholars in just two "books" and today only small fragments survive. The fragments confirm the ancient estimate of him as a "consummate poet" but also indicate that he was a "sturdier character" than the indulgent love poet he was assumed to be by various ancient commentators. Almost no reliable, biographical details have been recorded. One ancient account linked him romantically with a flute girl who subsequently gave her name, Nanno, to one of his two books.
Tyrtaeus was a Greek lyric poet from Sparta who composed verses around the time of the Second Messenian War, the date of which is not clearly established, but sometime in the latter part of the seventh century BC. He is known especially for political and military elegies, exhorting Spartans to support the state authorities and to fight bravely against the Messenians, who had temporarily succeeded in wresting their estates from Spartan control.
The ancient Greek drama was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and military power during this period, was its center, where it was institutionalised as part of a festival called the Dionysia, which honored the god Dionysus. Tragedy, comedy, and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies.
Callistratus may refer to:
Asclepiades is the name of:
The Alexandrian school is a collective designation for certain tendencies in literature, philosophy, medicine, and the sciences that developed in the Hellenistic cultural center of Alexandria, Egypt during the Hellenistic and Roman periods.
Choerilus of Samos was an epic poet of Samos, who flourished at the end of the 5th century BC.
Choerilus was an Athenian tragic poet, who exhibited plays as early as 524 BC.
The Alexandrian Pleiad is the name given to a group of seven Alexandrian poets and tragedians in the 3rd century BC working in the court of Ptolemy II Philadelphus. The name derives from the seven stars of the Pleiades star cluster.
Philoxenus of Cythera was a Greek dithyrambic poet, an exponent of the "new music."
Phrynichus may refer to:
Homerus of Byzantium was an ancient Greek grammarian and tragic poet. He was also called ho Neoteros, to distinguish him from the older Homerus (Homer).
The Alexandrine grammarians were philologists and textual scholars who flourished in Hellenistic Alexandria in the 3rd and 2nd centuries BCE, when that city was the center of Hellenistic culture. Despite the name, the work of the Alexandrine grammarians was never confined to grammar, and in fact did not include it, since grammar in the modern sense did not exist until the first century BC. In Hellenistic and later times, "grammarian" refers primarily to scholars concerned with the restoration, proper reading, explanation and interpretation of the classical texts, including literary criticism. However unlike Atticism, their goal was not to reform the Greek in their day.
Semonides of Amorgos was a Greek iambic and elegiac poet who is believed to have lived during the seventh century BC. Fragments of his poetry survive as quotations in other ancient authors, the most extensive and well known of which is a satiric account of different types of women which is often cited in discussions of misogyny in Archaic Greece. The poem takes the form of a catalogue, with each type of woman represented by an animal whose characteristics—in the poet's scheme—are also characteristic of a large body of the female population. Other fragments belong to the registers of gnomic poetry and wisdom literature in which the Hesiodic Works and Days and the Theognidea are classed, and reflect a similarly pessimistic view of the human experience. There is also evidence that Semonides composed the sort of personal invective found in the work of his near contemporary iambographer Archilochus and the later Hipponax, but no surviving fragment can be securely attributed to such a poem.