Aeschylus was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.
Euripides was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete. There are many fragments of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined—he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.
In Greek mythology, Adrastus or Adrestus, , was a king of Argos, and leader of the Seven against Thebes. He was the son of the Argive king Talaus, but was forced out of Argos by his dynastic rival Amphiaraus. He fled to Sicyon, where he became king. Later he reconciled with Amphiaraus and returned to Argos as its king.
The Dionysia was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year. They were also an essential part of the Dionysian Mysteries.
Greek tragedy is one of the three principal theatrical genres from Ancient Greece and Greek inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
Iphigenia in Tauris is a drama by the playwright Euripides, written between 414 BC and 412 BC. It has much in common with another of Euripides's plays, Helen, as well as the lost play Andromeda, and is often described as a romance, a melodrama, a tragi-comedy or an escape play.
Eupolis was an Athenian poet of the Old Comedy, who flourished during the time of the Peloponnesian War.
The Seven against Thebes were seven champions in Greek mythology who made war on Thebes. They were chosen by Adrastus, the king of Argos, to be the captains of an Argive army whose purpose was to restore Oedipus' son Polynices to the Theban throne. Adrastus, although always the leader of the expedition against Thebes, was not always counted as one of the Seven champions. Usually the Seven were Polynices, Tydeus, Amphiaraus, Capaneus, Parthenopaeus, Hippomedon, and Adrastus or Eteoclus, whenever Adrastus is excluded. They tried and failed to take Thebes, and all but Adrastus died in the attempt.
Japan has a nationwide system of national highways distinct from the expressways. The Ministry of Land, Infrastructure, Transport and Tourism and other government agencies administer the national highways. Beginning in 1952, Japan classified these as Class 1 or Class 2. Class 1 highways had one- or two-digit numbers, while Class 2 highways had three-digit numbers. For example, routes 1 and 57 were Class 1 highways while 507 was a Class 2 highway.
The following is a complete list of cases decided by the United States Supreme Court organized by volume of the United States Reports in which they appear. This is a list of volumes of U.S. Reports, and the links point to the contents of each individual volume. Each volume was edited by one of the Reporters of Decisions of the Supreme Court. As of the beginning of the October 2019 Term, there were 574 bound volumes of the U.S. Reports. There were another 14 volumes worth of opinions available as "slip opinions", which are preliminary versions of the opinion published on the Supreme Court's website.
2nd millennium BC in music - 1st millennium BC in music - 1st millennium in music
Peisander was an Athenian from the demos of Acharnae, who played a prominent part in the Athenian coup of 411 BC, which briefly replaced the Athenian democracy with an oligarchy controlled by a group called the Four Hundred.
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