Hi-NRG is uptempo disco or electronic dance music usually featuring synthetic bassline octaves. This list contains some examples of Hi-NRG artists and songs. Hi-NRG songs by non-Hi NRG artists are also included.
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Artists • Songs (1970s • Early 1980s • Mid to late 1980s • 1990s • 2000s • 2010s) • Albums • References |
Year | Artist | Origin | Song | Label |
---|---|---|---|---|
1977 | Donna Summer | ![]() | "I Feel Love" [1] [2] [3] | Casablanca / GTO |
1978 | Peter Jacques band | ![]() | "Fly With the Wind" [4] | Ariola |
1978 | Sylvester | ![]() | "You Make Me Feel (Mighty Real)" [1] [5] [6] [7] [8] | Fantasy |
Year | Artist | Origin | Song | Label |
---|---|---|---|---|
1980 | Donna Summer | ![]() | "Sunset People" [9] | Casablanca |
1981 | Boys Town Gang | ![]() | "Remember Me / Ain't No Mountain High Enough" [10] | Moby Dick |
1981 | Patrick Cowley | ![]() | "Get a Little" [11] | Megatone |
1981 | Patrick Cowley | ![]() | "Megatron Man" [12] | Megatone |
1981 | Patrick Cowley | ![]() | "Menergy" [8] [12] [13] [14] | Fusion |
1981 | Carol Jiani | ![]() | "Hit 'N Run Lover" [15] [16] | Matra |
1982 | Claudja Barry | ![]() | "Work Me Over" [17] | Jupiter |
1982 | Patrick Cowley | ![]() | "Goin' Home" [14] | Megatone |
1982 | Divine | ![]() | "Native Love (Step By Step)" [18] [19] | "O" |
1982 | The Flirts | ![]() | "Passion" [20] | "O" |
1982 | Roni Griffith | ![]() | "Spys" [21] [22] | Vanguard |
1982 | Lime | ![]() | "Babe, We're Gonna Love Tonight" [23] | Mantra |
1982 | Paul Parker | ![]() | "Right on Target" [8] [12] | Megatone |
1982 | Q-Feel | ![]() | "Dancing in Heaven (Orbital Be-Bop)" [24] | Jive |
1982 | Donna Summer | ![]() | "I Feel Love" (Patrick Cowley Remix) [25] | Casablanca |
1982 | Sylvester | ![]() | "Do Ya Wanna Funk" [8] [12] [13] [26] [27] | Megatone |
1982 | The Weather Girls | ![]() | "It's Raining Men" [28] [29] [30] | CBS (UK) |
1982 | Viola Wills | ![]() | "Stormy Weather" [31] [32] | Sunergy |
1983 | Claudja Barry | ![]() | "For Your Love" [33] | Personal |
1983 | Miquel Brown | ![]() | "So Many Men, So Little Time" [17] [34] [35] [36] | Record Shack |
1983 | Dead or Alive | ![]() | "Misty Circles" (Dance Mix) [37] | Epic |
1983 | Hazell Dean | ![]() | "Searchin' (I Gotta Find a Man)" [17] [29] [38] | Proto |
1983 | Divine | ![]() | "Shoot Your Shot" [39] | "O" |
1983 | Frankie Goes to Hollywood | ![]() | "Relax" [40] [41] | ZTT |
1983 | New Order | ![]() | "Blue Monday" [42] | Factory |
1983 | William Onyeabor | ![]() | "Good Name" [43] | Wilfilms |
1983 | Sylvester | ![]() | "Don't Stop" [12] [44] | Megatone |
1984 | Agents Aren't Aeroplanes | ![]() | "The Upstroke" [45] | Proto (UK) |
1984 | Bronski Beat | ![]() | "Smalltown Boy" [46] | London |
1984 | Bronski Beat | ![]() | "Why?" [46] [47] [48] | London |
1984 | Dead or Alive | ![]() | "You Spin Me Round (Like a Record)" [49] [50] [51] [52] | Epic |
1984 | Hazell Dean | ![]() | "Whatever I Do (Wherever I Go)" [45] | Proto (UK) |
1984 | Divine | ![]() | "You Think You're a Man" [19] [29] [39] [45] [53] | Proto |
1984 | Fancy | ![]() | "Get Lost Tonight" [54] | Metronome |
1984 | Fancy | ![]() | "Slice Me Nice" [55] | Metronome |
1984 | The Flirts | ![]() | "Helpless (You Took My Love)" [56] | Telefon |
1984 | Frankie Goes to Hollywood | ![]() | "Two Tribes" [57] | ZTT |
1984 | Fun Fun | ![]() | "Colour My Love" [17] | X-Energy |
1984 | Fun Fun | ![]() | "Give Me Your Love" [58] | X-Energy |
1984 | Freddie Mercury | ![]() | "Love Kills" [59] | Columbia |
1984 | Sylvester | ![]() | "Rock the Box" [13] | Megatone |
1984 | Evelyn Thomas | ![]() | "High Energy" [15] [29] [34] [35] [36] [60] | Record Shack (UK) |
1984 | Kim Wilde | ![]() | "The Second Time" [61] | MCA |
Year | Artist | Origin | Song | Label |
---|---|---|---|---|
1985 | Bronski Beat | ![]() | "Hit That Perfect Beat" [62] [63] [64] | London |
1985 | Bronski Beat | ![]() | "Run From Love" / "Hard Rain" [65] | London |
1985 | Bronski Beat and Marc Almond | ![]() | "I Feel Love" [7] | London |
1985 | Divine | ![]() | "Walk Like a Man" [66] | Proto |
1985 | Madleen Kane | ![]() | "I'm No Angel" [67] | TSR |
1985 | Madleen Kane | ![]() | "On Fire" [67] | TSR |
1985 | Lime | ![]() | "Unexpected Lovers" [68] | Mantra |
1985 | Barbara Pennington | ![]() | "Vertigo" [69] | Record Shack |
1985 | People Like Us | ![]() | "Reincarnation (Coming Back For Love)" [70] | Passion (UK) |
1985 | Sinitta | ![]() | "So Macho" [71] | Fanfare (UK) |
1985 | Suzy Q | ![]() | "Computer Music" [15] | J.C. |
1985 | Taffy | ![]() | "I Love My Radio" [72] | Ibiza (Italy) / Transglobal (UK) |
1985 | Village People | ![]() | "Sex Over the Phone" [73] [74] | Casablanca |
1985 | Betty Wright | ![]() | "Sinderella" [75] | Jamaica |
1986 | Bananarama | ![]() | "Venus" [45] [76] [77] | London |
1986 | Claudja Barry | ![]() | "Down and Counting" [78] | Epic |
1986 | The Communards | ![]() | "Don't Leave Me This Way" [62] [79] [80] | London |
1986 | Dead or Alive | ![]() | "Something In My House" [81] | Epic |
1986 | Man 2 Man and Man Parrish | ![]() | "Male Stripper" [82] | Bolts |
1986 | Stacey Q | ![]() | "Two of Hearts" [83] [84] | Atlantic |
1986 | Evelyn Thomas | ![]() | "How Many Hearts" [85] | Record Shack |
1986 | Kim Wilde | ![]() | "You Keep Me Hangin' On" [86] [87] [88] | MCA |
1987 | Bona-Riah | ![]() | "House of the Rising Sun" [49] | Rise |
1987 | The Communards | ![]() | "Never Can Say Goodbye" [89] | London |
1987 | Paul Lekakis | ![]() | "Boom Boom (Let's Go Back to My Room)" [90] [91] | ZYX / Polydor |
1987 | New Baccara | ![]() | "Call Me Up" [92] | Bellaphon |
1987 | Pet Shop Boys | ![]() | "Always on My Mind" [93] | Parlophone |
1987 | Taffy | ![]() | "Step by Step" [94] | Transglobal |
1987 | Kylie Minogue | ![]() | "I Should Be So Lucky" [95] | PWL |
1988 | Erasure | ![]() | "Knocking on Your Door" [96] [97] | Mute / Sire |
1988 | Erasure | ![]() | "Stop!" [96] [97] | Mute / Sire |
1988 | Kylie Minogue | ![]() | "The Loco-Motion" [98] | PWL |
1988 | New Baccara | ![]() | "Fantasy Boy" [92] | Bellaphon |
1988 | Quantize | ![]() | "The Sun Ain't Gonna Shine Anymore" [49] | Passion |
1989 | Boy | ![]() | "Broken Wings" [49] | Flea |
1989 | Eartha Kitt and Bronski Beat | ![]() ![]() | "Cha Cha Heels" [99] | Arista |
1989 | New Baccara | ![]() | "Touch Me" [92] | Bellaphon |
1989 | Quantize | ![]() | "You've Lost That Lovin' Feeling" [49] | Passion |
1989 | Donna Summer | ![]() | "I Don't Wanna Get Hurt" [100] | Warner Bros. |
1989 | Donna Summer | ![]() | "This Time I Know It's for Real" [100] [101] [102] | Warner Bros. |
1989 | Donna Summer | ![]() | "Whatever Your Heart Desires" [100] | Atlantic / PWL |
Year | Artist | Origin | Song | Label |
---|---|---|---|---|
2000 | A Touch of Class (ATC) | ![]() | "Around the World (La La La La La)" [127] | King Size |
2003 | The Knife | ![]() | "Listen Now" [128] [129] | Rabid |
2004 | Jimmy Somerville | ![]() | "Come On" [130] | Sony BMG |
2006 | Moby feat. Debbie Harry | ![]() | "New York, New York" [131] | Mute |
2007 | Bloc Party | ![]() | "Flux" [132] | Wichita |
2007 | Sophie Ellis-Bextor | ![]() | "China Heart" [133] [134] | Fascination |
2007 | Róisín Murphy | ![]() | "Cry Baby" [135] | EMI |
2007 | Britney Spears | ![]() | "Heaven on Earth" [136] [137] | Jive / Zomba |
2008 | Anastacia | ![]() | "Heavy Rotation" [138] [139] | Mercury |
2008 | Donna Summer | ![]() | "I'm a Fire" [140] | Burgundy |
2009 | Bananarama | ![]() | "Dum Dum Boy" [141] | Fascination |
2009 | Bananarama | ![]() | "Love Comes" [142] [143] | Fascination |
2009 | Silver Columns | ![]() | "Brow Beaten" [144] | Silver Columns |
Year | Artist | Origin | Song | Label |
---|---|---|---|---|
2011 | Britney Spears | ![]() | "I Wanna Go" [145] | Jive |
2011 | Rihanna | ![]() | "S&M" [146] | Def Jam / SRP |
2011 | Kim Wilde | ![]() | "Remember Me" [147] | Columbia SevenOne |
2012 | Pet Shop Boys | ![]() | "A Face Like That" [148] | Parlophone |
2013 | Club 8 | ![]() | "Stop Taking My Time" [149] [150] | Labrador |
2013 | Pet Shop Boys | ![]() | "Axis" [151] [152] | x2 |
2013 | Pet Shop Boys | ![]() | "Love Is a Bourgeois Construct" [153] [154] | x2 |
2013 | Shit Robot feat. JENR | ![]() ![]() | "Feels Real" [155] [156] | DFA |
2014 | Todd Terje | ![]() | "Delorean Dynamite" [157] | Olsen |
2015 | Belle and Sebastian | ![]() | "Enter Sylvia Plath" [158] | Matador |
Hi-NRG is a genre of uptempo disco or electronic dance music (EDM) that originated in the United States during the late 1970s and early 1980s.
Baltimora was an Italian music project active in the 1980s. They are best known for their 1985 single "Tarzan Boy" and are often considered a one-hit wonder in the United Kingdom and the United States due to the song's success compared to their other singles. In other European countries, including their native Italy, Baltimora enjoyed more success.
Eurodance is a genre of electronic dance music that originated in the late 1980s in Europe. It combines many elements of hip hop, techno, Hi-NRG, house music and Euro disco.
Italo disco is a music genre which originated in Italy and was mainly produced from the late 1970s to the late 1980s. Italo disco evolved from the then-current underground dance, pop, and electronic music, both domestic and foreign and developed into a diverse genre. The genre employs drum machines, synthesizers, and occasionally vocoders. It is usually sung in English, and to a lesser extent in Italian and Spanish.
"Venus" is a song by Dutch rock band Shocking Blue, initially released as a single in the Netherlands in the summer of 1969. Written by Robbie van Leeuwen, the song topped the charts in nine countries. In 1981, it was used to open the "Stars on 45" medley. In 1986, English girl group Bananarama covered "Venus" for their third studio album, True Confessions, reaching number one in six countries. The composition has been featured in numerous films, television shows and commercials, and covered dozens of times by artists around the world.
Cruel Summer is a 1998 album by Swedish pop group Ace of Base, released as the band's third album in North America on July 14, 1998 and in Japan on August 25, 1998 by Arista Records. Though Flowers sold four million copies in Europe, Asia, and Africa following its release in June 1998, Arista Records decided to release a different version of the album in the North America and Japan, retitled Cruel Summer. This version of the album featured the new track "Everytime It Rains" and many new versions of songs that were first featured on Flowers. As executive producer, Clive Davis enlisted collaborators including production team Cutfather & Joe and songwriter Billy Steinberg. While primarily a pop album, Cruel Summer explores the genres of euro disco, motown, and dance.
Nancy Martinez is a French-Canadian dance-pop singer and musician who is primarily known for her 1986 hits "For Tonight" and "Move Out".
"Ring My Bell" is a 1979 disco song written by Frederick Knight. The song was originally written for then eleven-year-old Stacy Lattisaw, as a teenybopper song about kids talking on the telephone. When Lattisaw signed with a different label, Anita Ward was asked to sing it instead, and it became her only major hit.
Dance-rock is a post-disco genre connected with pop rock and post-punk with fewer rhythm and blues influences, originated in the early 1980s, following the decline in popularity of punk and disco.
Post-disco is a term to describe an aftermath in popular music history circa 1979–1984, imprecisely beginning with an unprecedented backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of New Wave in the early 1980s. Disco during its dying stage displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, euro disco and was succeeded by an underground club music called hi-NRG, which was its direct continuation.
Ambient pop is a musical genre that developed in the 1980s as an extension of the dream pop movement. It merges structures that are common to conventional pop music with "electronic textures and atmospheres that mirror the hypnotic, meditative qualities of ambient music."
The Moment of Truth World Tour was the second worldwide tour by American R&B/Pop singer, Whitney Houston, and supported her multi-platinum hit album Whitney. The trek started on July 4, 1987 in North America and continued overseas during 1988 in Europe, Asia and Australia. As reported by Pollstar Magazine's top-grossing tours in 1987, Houston had the seventh highest-earning and the highest-grossing tour by a female artist that year. The North American leg tour alone grossed over $20.1 million.
"Drunk on Love" is a 1994 song by Polish-born singer Basia from her third album The Sweetest Illusion. The track was a no. 1 on Billboard's Dance Club Songs chart and remains one of Basia's biggest hits.
"Ghetto Day"/"What I Need" is the second single from American singer-songwriter Crystal Waters' second studio album, Storyteller (1994). It was produced by The Basement Boys and released in June 1994 by Mercury Records, A&M Records and A&M's division AM PM. Waters and Sean Spencer wrote "Ghetto Day", which is a funk song that contains samples from The 5th Dimension's song "Stoned Soul Picnic" and Flavor Unit's "Flavor Unit Assassination Squad". According to Spin, the track's lyrics talk about "those balmy, front-stoop, 40-swinging summer afternoons." The single's second A-side, "What I Need", is a house track written by Waters, Doug Smith and Richard Payton.
Donna Summer's 'I Feel Love', a vocal topline ad-libbed over a simple chord-shifted sequence, inaugurated Hi-NRG, anticipating the galloping bass line of much post-House software-sequenced music
Divine's "Native Love," a rowdy hi-NRG anthem previously pillaged by Nitzer Ebb, the Prodigy, even New Order.
'Relax' tapped into Hi-NRG's remorseless, metronomic precision and orgiastic vibe — the spasming drum roll at the end of the single feels like an amyl nitrite rush.
As Bronski Beat's falsetto leader, Somerville made gay politics a hot pop topic with such hi-NRG dance floor staples as "Why?" and "Smalltown Boy"
This band originally hails from Africa so it's a bit of a surprise to find them performing a commercial slice of Hi-NRG which, compared to other tracks of this ilk, currently doing the rounds, lacks the necessary sparkle.
It was in 1986 that Stock, Aitken & Waterman produced Bananarama's smash Hi-NRG remake of Shocking Blue's "Venus."
The Communards’ hi-NRG version makes it clear that the song is as concerned with sexual satisfaction as it is with romance; perhaps more so.
a version of R.E.M.'s "Losing My Religion" that infuses the soul that Abigail's 1992 Hi-NRG version lacked.
'Heaven On Earth', crafted by 'Gimme More' producer Danja, is a hi-NRG Moroder-esque dance track whose lyrics veer more into the territory of generic love song fluff
"I Wanna Go" is all hi-NRG booty calling, with a possible reference to New Order's "Blue Monday" thrown in.
"Stop Taking My Time" is a Hi-NRG disco romp à la Nordic neighbour Annie Strand and features, amusingly, a rapping infant.
Overpowered (EMI) was funky in all senses – skittering from glacial electro to hi-NRG disco
Viva's 11 infectious hi-NRG tracks
[Tina Charles]'s Indian-British producer, Biddu, hired both men as session musicians, and his work in the fields of Hi-NRG and electronic disco had a profound influence on [Trevor Horn]'s own production aspirations.
HI-NRG was the club sound that boosted both Evelyn Thomas and the trash dementis of Divine but it also propelled both the Bronski and Frankie Goes To Hollywood.
Another contender is hi-N.R.G., a fast, cheerful style, first heard in gay San Francisco clubs in the early 1980s and now on the pop Top 40 in hits by Corona and the Real McCoy.
Many of Erasure's songs exemplify the post-disco style called hi-N.R.G. -fast and openly artificial, with synthesized riffs bouncing and ticking in every register.
[Klaus Nomi] worked with Man Parrish, the New York electro and hi-NRG producer, on his self-titled debut album.
Neil Tennant and Chris Lowe use electronic instruments and work within and across dance-floor genres such as house, Hi-NRG, techno, and many other subgenres.
Eventually, the group worked its way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction.
Owen's debut single Child showcased a more acoustic, psychedelic sound than his Hi-NRG Take That hits.