A request that this article title be changed to Money for Nothing is under discussion . Please do not move this article until the discussion is closed. |
"Money for Nothing" | ||||
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Single by Dire Straits | ||||
from the album Brothers in Arms | ||||
B-side | "Love over Gold" (Live) | |||
Released | 28 June 1985 [1] | |||
Studio | AIR (Salem, Montserrat) | |||
Genre | Pop rock | |||
Length |
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Label | Vertigo | |||
Songwriter(s) | ||||
Producer(s) |
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Dire Straits singles chronology | ||||
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Music video | ||||
"Money for Nothing" on YouTube | ||||
Audio | ||||
"Money for Nothing" on YouTube |
"Money for Nothing" is a song by British rock band Dire Straits,the second track on their fifth studio album Brothers in Arms (1985). It was released as the album's second single on 28 June 1985 through Vertigo Records. The song's lyrics are written from the point of view of two working-class men watching music videos and commenting on what they see. The song features a guest appearance by Sting who sings the signature falsetto introduction,background vocals and a backing chorus of "I want my MTV". [2] The groundbreaking video was the first to be aired on MTV Europe when the network launched on 1 August 1987. [3]
It was Dire Straits' most commercially successful single,peaking at number 1 for three weeks on both the US Billboard Hot 100 and Top Rock Tracks chart and number 4 in the band's native UK. In July 1985,the month following its release,Dire Straits and Sting performed the song at Live Aid. At the 28th Annual Grammy Awards in 1986,"Money for Nothing" won Best Rock Performance by a Duo or Group with Vocal and was nominated for Record of the Year and Song of the Year as well. At the 1986 MTV Video Music Awards,the music video received 11 nominations,winning Video of the Year and Best Group Video. It is widely considered one of the band's signature songs.
"Money for Nothing" is a pop rock song. [4] Knopfler modeled his guitar sound on ZZ Top guitarist Billy Gibbons' trademark guitar tone, as ZZ Top's music videos were already a staple of early MTV. Gibbons told Timothy White of Musician in late 1985 that Knopfler had solicited Gibbons' help in replicating the tone, adding, "He didn't do a half-bad job, either, considering that I never told him a goddamned thing!" [5]
Following the initial sessions in Montserrat, at which that particular guitar part was recorded, Neil Dorfsman attempted to recreate the sound during subsequent sessions at the Power Station in New York but was unsuccessful. [6]
Mark Knopfler described the writing of the song in a 1985 interview with critic Bill Flanagan:
The lead character in "Money for Nothing" is a guy who works in the hardware department in a television/custom kitchen/refrigerator/microwave appliance store. He's singing the song. I wrote the song when I was actually in the store. I borrowed a bit of paper and started to write the song down in the store. I wanted to use a lot of the language that the real guy actually used when I heard him, because it was more real.... [7]
In 2000, Knopfler appeared on Parkinson on BBC One and explained again where the lyrics originated. According to Knopfler, he was in New York City and had visited an appliance store. At the back of the store was a wall of televisions which were all tuned to MTV. Knopfler said that standing next to him, watching the TVs, there was a male employee, dressed in a baseball cap, work boots, and a checkered shirt, who was delivering boxes. As they were watching MTV, as Knopfler recalled, the man came out with lines such as, "What are those, Hawaiian noises?... That ain't workin'," etc. Knopfler then requested a pen to write some of these lines down, and eventually put them to music. [7] The first-person narrator in the lyrics describes a musician "banging on the bongos like a chimpanzee" and a woman "stickin' in the camera - Man, we could have some fun". In the second verse, the performer is described as "that little faggot with the earring and the make-up", and the narrator bemoans that these artists get "Money for nothing and chicks for free". [8]
The songwriting credits are shared between Mark Knopfler and Sting. [9] According to Knopfler, he used the network slogan "I want my MTV" after seeing an MTV advertisement featuring The Police and setting it to the tune of "Don't Stand So Close to Me" (written by Sting), hence the cowriting credit. [10] "Sting used to come to Montserrat to go windsurfing," recalled John Illsley, "and he came up for supper at the studio. We played him 'Money for Nothing' and he turned round and said, 'You've done it this time, you bastards.' Mark said if he thought it was so good, why didn't he go and add something to it. He did his bit there and then." [11]
Sting elaborated on his co-writing credit in a 1987 interview:
Mark [Knopfler] asked me to go in the studio and sing this line, "I want my MTV." He gave me the melody, and I thought, "Oh, great, 'Don't Stand So Close to Me', that's a nice quote, it's fun." So I did it, and thought nothing of it, until my publishers, Virgin - who I've been at war with for years and who I have no respect for - decided that was a song they owned, 'Don't Stand So Close to Me'. They said that they wanted a percentage of the song, much to my embarrassment. So they took it. [12]
However, keyboard player Alan Clark claims the "I want my MTV" intro was his idea and not Knopfler's. According to him, the song originally began with the guitar riff, and then he developed the intro on keyboards and sang "I want my MTV" on top during a break in rehearsals for the album. [13]
The music video for the song features early 3D computer animation illustrating the lyrics. The video was one of the first uses of computer-animated human characters and was groundbreaking at the time of its release. [14]
Two other music videos are also featured within "Money for Nothing". The Hungarian pop band Első Emelet [15] and their video "Állj, Vagy Lövök!" ("Stop or I'll Shoot!") appears as "Baby, Baby" by "First Floor" during the second verse (The name "első emelet" translates to "first floor", and the song is credited as being on "Magyar Records": "Magyar" means "Hungarian" in the Hungarian language.) [16] The other one is fictional, "Sally" by the "Ian Pearson Band". The fictional album for the first video was listed as "Turn Left" and the second was "Hot Dogs". For the second video, the record company appears as "Rush Records", and it was filmed on Fisherman's Bastion, Budapest, Hungary. [16] [17]
Originally, Mark Knopfler was not at all enthusiastic about the concept of the music video. MTV, however, was insistent on it. Director Steve Barron, of Rushes Postproduction in London, was contacted by Warner Bros. to persuade Knopfler to relent. Describing the contrasting attitudes of Knopfler and MTV, he said:
The problem was that Mark Knopfler was very anti-videos. All he wanted to do was perform, and he thought that videos would destroy the purity of songwriters and performers. They said, "Can you convince him that this is the right thing to do, because we've played this song to MTV and they think it's fantastic but they won't play it if it's him standing there playing guitar. They need a concept." [18]
Barron then flew to Budapest to convince Knopfler of their concept. Meeting together after a gig, Knopfler was still unimpressed, but this time his girlfriend was present and took a hand. According to Barron:
Luckily, his girlfriend said, "He's absolutely right. There aren't enough interesting videos on MTV, and that sounds like a brilliant idea." Mark didn't say anything but he didn't make the call to get me out of Budapest. We just went ahead and did it.
Ian Pearson and Gavin Blair created the animation, using a Bosch FGS-4000 CGI system [19] and a Quantel Paintbox system. [20] The animators went on to found computer animation studio Mainframe Entertainment (today Mainframe Studios), and referenced the "Money for Nothing" video in an episode of their ReBoot series. The video also includes stage footage of Dire Straits performing, with partially rotoscoped animation in bright neon colours, as seen on the cover of the compilation album of the same name.
When Dire Straits performed "Money for Nothing" at the 1985 Live Aid Concert at Wembley Stadium, the performance featured a guest appearance by Sting. Knopfler performed "Money for Nothing" during the Nelson Mandela 70th Birthday Tribute and the Prince's Trust concerts in 1986 with Sting, [21] as well as the Nordoff-Robbins charity show at Knebworth in 1990. These versions featured extended guitar solos by Knopfler, backed by Eric Clapton (as guest) and Phil Palmer.
Cash Box said that it's "a simply rocking cut taking a look at jobs and videos performed by rock stars." [22] Billboard called it a "bluesy poke at [Dire Straits' and Sting's] own kind; intentions ambiguous." [23]
Rolling Stone listed the song as the 94th greatest guitar song of all time, noting how Mark Knopfler "traded his pristine, rootsy tone for a dry, over-processed sound achieved by running a Les Paul through a wah-wah pedal on a track that became one of the [MTV] network's earliest hits." [24] The video was awarded "Video of the Year" (among many other nominations) at the third annual MTV Video Music Awards in 1986. [19] [25]
Year | Ceremony | Nominated work | Nominee | Category | Result |
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1986 | Brit Awards | "Money for Nothing" | Dire Straits | British Single of the Year | Nominated |
British Video of the Year | Nominated | ||||
Grammy Awards [26] | Best Rock Performance by a Duo or Group with Vocal | Won | |||
Dire Straits Neil Dorfsman and Mark Knopfler, producers | Record of the Year | Nominated | |||
Dire Straits Mark Knopfler and Sting, songwriters | Song of the Year | Nominated | |||
MTV Video Music Awards [25] | Steve Barron, art direction | Best Art Direction in a Video | Nominated | ||
Dire Straits | Best Concept Video | Nominated | |||
Steve Barron, director | Best Direction in a Video | Nominated | |||
David Yardley, editor | Best Editing in a Video | Nominated | |||
Dire Straits | Best Experimental Video | Nominated | |||
Best Group Video | Won | ||||
Best Overall Performance in a Video | Nominated | ||||
Best Stage Performance in a Video | Nominated | ||||
Ian Pearson, special effects | Best Visual Effects in a Video | Nominated | |||
Dire Straits | Video of the Year | Won | |||
Viewer's Choice | Nominated |
Some lyrics of the song have been criticised as being homophobic. [27] In a late 1985 interview in Rolling Stone magazine, Knopfler expressed mixed feelings on the controversy:
I got an objection from the editor of a gay newspaper in London – he actually said it was below the belt. Apart from the fact that there are stupid gay people as well as stupid other people, it suggests that maybe you can't let it have so many meanings – you have to be direct. In fact, I'm still in two minds as to whether it's a good idea to write songs that aren't in the first person, to take on other characters. The singer in "Money for Nothing" is a real ignoramus, hard hat mentality – somebody who sees everything in financial terms. I mean, this guy has a grudging respect for rock stars. He sees it in terms of, well, that's not working and yet the guy's rich: that's a good scam. He isn't sneering. [28]
When examined in context, Knopfler is mocking the jealous and homophobic nature of the antagonist in the song by adopting a third-person point of view to show the irony, bigotry, and ignorance of the character. [29] [30]
Dire Straits often performed the song in live concerts and when on tour, where the second verse was included but often altered slightly.[ citation needed ] For the band's 10 July 1985 concert (televised in the United Kingdom on The Tube on Channel 4 in January 1986 [31] ), Knopfler replaced the word faggot with queenie:[ original research? ]
"See the little queenie got the earring and the make-up" and "That little queenie got his own jet airplane, he's got a helicopter, he's a millionaire."
When the song was included in the 1998 compilation Sultans of Swing: The Very Best of Dire Straits , a censored version was used, which completely omitted the second verse. In January 2011, the Canadian Broadcast Standards Council (CBSC) ruled that the unedited version of the song was unacceptable for airplay on private Canadian radio stations, as it breached the Canadian Association of Broadcasters' code of ethics and their equitable portrayal code. [32] [33] [34] The CBSC concluded that "like other racially driven words in the English language, 'faggot' is one that, even if entirely or marginally acceptable in earlier days, is no longer so." [32] The CBSC's proceedings came in response to a radio listener's Ruling Request stemming from a playing of the song by CHOZ-FM in St. John's, Newfoundland and Labrador, which in turn followed the radio listener's dissatisfaction with the radio station's reply to their complaint about the word 'faggot' in the lyrics. [32] [35]
Not all stations followed this ruling; at least two—CIRK-FM in Edmonton, Alberta, [36] and CFRQ-FM in Halifax, Nova Scotia [37] —played the unedited version of "Money for Nothing" repeatedly for one hour out of protest. Galaxie, which was owned by the Canadian Broadcasting Corporation (the CBC) at the time of the controversy, also continued to play the song. [38] [39] On 21 January 2011, the Canadian Radio-television and Telecommunications Commission asked the CBSC for a review on the ban, in response to the public outcry against the CBSC's actions; the commission reportedly received over 250 complaints erroneously sent to them, instead of the CBSC. The regulator requested the CBSC to appoint a nationwide panel to review the case, as the decision on the ban was reviewed by a regional panel for the Maritimes and Newfoundland. [40]
On 31 August 2011, the CBSC reiterated that it found the use of 'faggot' to be inappropriate; however, because of considerations in regard to its use in context, the CBSC has left it up to the stations to decide whether to play the original or edited versions of the song. Most of the CBSC panelists thought it was inappropriate, but it was used only in a satirical, non-hateful manner. [41] [42]
Credits sourced from Sound On Sound [43]
Dire Straits
Additional musicians
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [68] | Gold | 50,000^ |
Denmark (IFPI Danmark) [69] | Platinum | 90,000‡ |
Germany (BVMI) [70] | Gold | 250,000‡ |
Italy (FIMI) [71] | Platinum | 70,000‡ |
New Zealand (RMNZ) [72] | Gold | 10,000* |
Spain (PROMUSICAE) [73] | Platinum | 60,000‡ |
United Kingdom (BPI) [74] | Platinum | 600,000‡ |
* Sales figures based on certification alone. |
The 1983 Gibson Les Paul Standard reissue guitar Knopfler played on the song sold for £592,200 in a Christie's auction in London that included a total of 122 lots. [75]
Dire Straits were a British rock band formed in London in 1977 by Mark Knopfler, David Knopfler, John Illsley and Pick Withers. The band was active from 1977 to 1988 and again from 1990 to 1995.
Mark Freuder Knopfler is a British guitarist, singer, songwriter, and record producer. He was the lead guitarist, singer and songwriter of the rock band Dire Straits from 1977 to 1995. He pursued a solo career after the band dissolved, and is now an independent artist.
Dire Straits is the debut studio album by the British rock band Dire Straits, released on 9 June 1978 by Vertigo Records internationally, Warner Bros. Records in the United States and Mercury Records in Canada. The album features the hit single "Sultans of Swing", which reached number 4 on the Billboard Hot 100 chart and number 8 on the UK Singles Chart. The album reached the top of the album charts in Germany, Australia and France, number 2 in the United States and number 5 in the United Kingdom. Dire Straits was later certified double platinum in both the United States and the United Kingdom by the Recording Industry Association of America (RIAA) and the British Phonographic Industry (BPI) respectively.
Brothers in Arms is the fifth studio album by the British rock band Dire Straits, released on 17 May 1985, by Vertigo Records internationally and Warner Bros. Records in the United States. It was the first album in history to sell over one million copies in CD format.
Making Movies is the third studio album by British rock band Dire Straits, released on 17 October 1980 by Vertigo Records internationally, Warner Bros. Records in the United States and Mercury Records in Canada. The album includes the single "Romeo and Juliet", which reached number 8 on the UK Singles Chart, as well as “Tunnel of Love,” featured in the 1982 Richard Gere film An Officer and a Gentleman.
"Sultans of Swing" is a song by British rock band Dire Straits, written by lead vocalist and guitarist Mark Knopfler. The demo of the song was recorded at Pathway Studios, North London, in July 1977 and quickly acquired a following after it was put in rotation on BBC Radio London. Its popularity soon reached record executives, and Dire Straits were offered a contract with Phonogram Records. The song was then re-recorded in February 1978 at Basing Street Studios for the band's eponymous debut album.
Love over Gold is the fourth studio album by British rock band Dire Straits, released on 24 September 1982 by Vertigo Records internationally and by Warner Bros. Records in the United States. The album featured two singles: "Private Investigations," which reached No. 2 on the UK Singles Chart, and "Industrial Disease," which reached No. 9 on Billboard's Hot Mainstream Rock Tracks chart in the United States. The title track was never released as a single, but two years later a live version from Alchemy: Dire Straits Live reached #15 in France, #29 in New Zealand, #43 in the Netherlands and #50 in the band's native United Kingdom. The album reached number one on album charts in Australia, Austria, Italy, New Zealand, Norway and the United Kingdom, as well as number 19 in the United States. Love over Gold was later certified gold in the United States, platinum in France and Germany and double-platinum in Canada and the United Kingdom.
Alchemy: Dire Straits Live is the first live album by the British rock band Dire Straits, released on 16 March 1984 by Vertigo Records internationally, and by Warner Bros. Records in the United States. Recorded at the Hammersmith Odeon in London on 22–23 July 1983, the double album features songs from the band's first four albums, the ExtendedancEPlay EP and Mark Knopfler's Local Hero soundtrack. Many of the songs have reworked arrangements and extended instrumental segments. The album cover is taken from a painting by Brett Whiteley.
David Knopfler is a British musician. Together with his older brother Mark Knopfler, John Illsley, and Pick Withers, he founded the rock band Dire Straits in 1977, serving as rhythm guitarist on their first two albums. After quitting the band in 1980 during the recording of their third album, Knopfler embarked upon a solo career as a recording artist. Knopfler initially created smaller record labels, publishing companies, and indie labels.
"Don't Stand So Close to Me" is a hit song by the British rock band the Police, released in September 1980 as the lead single from their third studio album Zenyatta Mondatta. It concerns a teacher who has a sexual relationship with a student, which in turn is discovered.
On the Night is the second live album by the British rock band Dire Straits, released on 10 May 1993 by Vertigo Records internationally, and by Warner Bros. Records in the United States. The album features many of the band's later hits, including the singles "Walk of Life" and "Money for Nothing". The cover art of the album features dishes of the Very Large Array in central New Mexico.
"Private Dancer" is a song written by British musician Mark Knopfler and recorded by singer Tina Turner, first released in October 1984. The song was intended to be for Knopfler’s band Dire Straits, but was never fully recorded or released by the band. He ended up giving the song to Turner, with her recording being produced by John Carter for her fifth solo album of the same name and released as the album's fifth single. The track reached number seven on the US Billboard Hot 100 and number three on the US R&B chart. The song had moderate international success, reaching number 26 on the UK Singles Chart.
"Money for Nothing/Beverly Hillbillies*" is a song by "Weird Al" Yankovic. It is a cover of "Money for Nothing" by Dire Straits with the lyrics replaced by those of The Beverly Hillbillies theme song. The music video, which appeared as part of Yankovic's film UHF, is a parody of the "Money for Nothing" music video.
"Romeo and Juliet" is a rock song by the British rock band Dire Straits, written by frontman Mark Knopfler. It first appeared on the 1980 album Making Movies and was released as a single in 1981. The song subsequently appeared on the Dire Straits live albums Alchemy and On the Night, and later on Knopfler's live duet album with Emmylou Harris, Real Live Roadrunning. The track was also featured on the greatest hits albums Money for Nothing, Sultans of Swing: The Very Best of Dire Straits, and The Best of Dire Straits & Mark Knopfler: Private Investigations.
"Walk of Life" is a song by the British rock band Dire Straits, being the third track on their fifth studio album Brothers in Arms (1985). It was released as a single in the US in October 1985 and in the UK in January 1986.
Money for Nothing is a greatest hits album by British rock band Dire Straits released on 14 October 1988, featuring highlights from the band's first five albums. The vinyl edition omits the song "Telegraph Road" and has a different running order.
"Private Investigations" is a song by the British rock band Dire Straits from their album Love over Gold. It reached number 2 in the United Kingdom, and is one of their biggest chart successes in the UK. The track has appeared on the compilation albums Money for Nothing and Sultans of Swing: The Very Best of Dire Straits, and is the title track to the more recent 2005 compilation, Private Investigations: The Best of Dire Straits & Mark Knopfler.
"Heavy Fuel" is a song by British rock band Dire Straits from their 1991 album On Every Street. The song was also released as a single and reached No. 1 on the US Billboard Album Rock Tracks chart, making it the band's second song to do so.
"Tunnel of Love" is a song by the British rock band Dire Straits. It appears on the 1980 album Making Movies, and subsequently on the live albums Alchemy and Live at the BBC and the greatest hits albums Money for Nothing, Sultans of Swing: The Very Best of Dire Straits, and The Best of Dire Straits & Mark Knopfler: Private Investigations. The song was also featured in the 1982 Richard Gere film An Officer and a Gentleman and was included in the film’s accompanying soundtrack album.
The Mark Knopfler discography consists of recordings by British singer-songwriter and guitarist Mark Knopfler, not including his work with Dire Straits. Knopfler began recording apart from Dire Straits in 1983, when he released his first soundtrack album Local Hero. That same year he produced his first album, Infidels for Bob Dylan. Between 1983 and 2016, Knopfler composed and released nine soundtrack albums, the last of which was with Evelyn Glennie.
But the channel's continental incarnation - MTV Europe - ... was launched in 1987 with the first video - beamed into 1.6 million paying households - being Dire Straits' Money for Nothing.
The opening tracks are pretty conventional pop-rock chart shooters
'I gotta hand it to that Mark Knopfler for the "Money For Nothing" number on that last Dire Straits album. That guy must have called me three or four times to find out what I did with my guitar so that he could copy it for that song.' He pushes the brim back on his golf cap and smiles, the flawless pearly whites gleaming. 'He didn't do a half-bad job, either, considering that I never told him a goddamned thing!'