Pearl Jam (album)

Last updated
Pearl Jam
Studio album by
ReleasedMay 2, 2006
RecordedNovember 2004 – February 2006
Studio Studio X, Seattle, Washington
Label J
Producer Adam Kasper, Pearl Jam
Pearl Jam chronology
Riot Act
Pearl Jam
Vinyl LP
Artwork for the 2006 vinyl edition.
Singles from Pearl Jam
  1. "World Wide Suicide"
    Released: March 14, 2006
  2. "Life Wasted"
    Released: August 28, 2006
  3. "Gone"
    Released: October 7, 2006

Pearl Jam (sometimes referred to as The Avocado Album or simply Avocado) is the eighth studio album by American alternative rock band Pearl Jam, released on May 2, 2006 on J Records. It was Pearl Jam's first and only release for J Records, their last album issued by Sony Music. It was the band's first full-length studio release in almost four years, since Riot Act (2002). Following their performances at the Vote For Change tour in 2004, the band commenced work on Pearl Jam in November 2004 at Studio X in Seattle, Washington and finished in February 2006.

Alternative rock is a style of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1980s. In this instance, the word "alternative" refers to the genre's distinction from mainstream rock music. The term's original meaning was broader, referring to a generation of musicians unified by their collective debt to either the musical style or simply the independent, DIY ethos of punk rock, which in the late 1970s laid the groundwork for alternative music. At times, "alternative" has been used as a catch-all description for music from underground rock artists that receives mainstream recognition, or for any music, whether rock or not, that is seen to be descended from punk rock. Although the genre evolved in the late 1970s and 1980s, music anticipating the sound of the genre can be found as early as the 1960s, with bands such as The Velvet Underground and artists such as Syd Barrett.

Pearl Jam American band

Pearl Jam is an American rock band formed in 1990 in Seattle, Washington. The band's current lineup comprises founding members Eddie Vedder, Mike McCready, Stone Gossard and Jeff Ament (bass) and Matt Cameron (drums). Keyboardist Boom Gaspar has also been a session/touring member with the band since 2002. Drummers Jack Irons, Dave Krusen, Matt Chamberlain and Dave Abbruzzese are former members of the band.

J Records American record label

J Records was an American record label owned and operated by Sony Music Entertainment, and was distributed through the RCA Music Group. The label was founded in 2000 by Clive Davis and was dissolved into RCA Records in 2011.


The music on the record was proclaimed as a return to the band's roots, with an emphasis on up-tempo songs with an aggressive sound. The song lyrics are mostly told from the point of view of characters and deal with the socio-political issues in the United States at the period, such as the War on Terror.

War on Terror International military campaign that started after the 11 September 2001 attacks

The War on Terror, also known as the Global War on Terrorism, is an international military campaign that was launched by the United States government after the September 11 attacks against the United States. The targets of the campaign are primarily Sunni Islamist fundamentalist armed groups located throughout the Muslim world, with the most prominent groups being Al-Qaeda, the Islamic State, the Taliban, Tehrik-i-Taliban Pakistan, and the various franchise groups of the former two organizations. The naming of the campaign uses a metaphor of war to refer to a variety of actions that do not constitute a specific war as traditionally defined. U.S. president George W. Bush first used the term "war on terrorism" on 16 September 2001, and then "war on terror" a few days later in a formal speech to Congress. In the latter speech, George Bush stated, "Our enemy is a radical network of terrorists and every government that supports them." The term was originally used with a particular focus on countries associated with al-Qaeda. The term was immediately criticised by such people as Richard B. Myers, chairman of the Joint Chiefs of Staff, and more nuanced terms subsequently came to be used by the Bush administration to publicly define the international campaign led by the U.S. It was never used as a formal designation of U.S. operations in internal government documentation.There was a medal issued in the name of terrorism, however, the "Global War on Terrorism Service Medal".

Pearl Jam was critically well received and was a commercial success, debuting at number two on the Billboard 200 chart and eventually outselling the band's previous release, Riot Act. The album also produced three singles—"World Wide Suicide", "Life Wasted" and "Gone"—which were moderately successful. The band supported the album with a full-scale world tour in 2006.

The Billboard 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by Billboard magazine. It is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its "number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 in May 1967, and acquired its present title in March 1992. Its previous names include the Billboard Top LPs (1961–72), Billboard Top LPs & Tape (1972–84), Billboard Top 200 Albums (1984–85) and Billboard Top Pop Albums.

World Wide Suicide 2006 single by Pearl Jam

"World Wide Suicide" is a song by the American rock band Pearl Jam. Written by vocalist Eddie Vedder, "World Wide Suicide" was released through digital music stores on March 14, 2006 as the first single from the band's eighth studio album, Pearl Jam (2006). The song topped the Billboard Alternative Songs chart, where it spent a total of three weeks at number one.

Life Wasted 2006 single by Pearl Jam

"Life Wasted" is a song by the American rock band Pearl Jam. Featuring lyrics written by vocalist Eddie Vedder and music written by guitarist Stone Gossard, "Life Wasted" was released on August 28, 2006 as the second single from the band's eighth studio album, Pearl Jam (2006). The song peaked at number 10 on the Billboard Modern Rock Tracks chart. On Pearl Jam, "Life Wasted" is reprised as a modified version on the album's tenth track, "Wasted Reprise".


Pearl Jam was recorded at Studio X in Seattle, Washington. The band began work on the album following the 2004 Vote for Change tour in November 2004, and again employed producer Adam Kasper, who worked with them on predecessor Riot Act . [2] [3] The recording sessions started in February 2005, [4] and worked on it off and on throughout the year, with the sessions being interrupted toward the end of the year when the band toured North America and South America. [5] The album was completed in early 2006. Bassist Jeff Ament attributed the length of time recording to lead vocalist Eddie Vedder having a child and the band touring in the middle of recording. [3] The album was mixed by Kasper at Studio X. [6]

Seattle City in Washington, United States

Seattle is a seaport city on the West Coast of the United States. It is the seat of King County, Washington. With an estimated 744,955 residents as of 2018, Seattle is the largest city in both the state of Washington and the Pacific Northwest region of North America. According to U.S. Census data released in 2018, the Seattle metropolitan area's population stands at 3.94 million, and ranks as the 15th largest in the United States. In July 2013, it was the fastest-growing major city in the United States and remained in the top 5 in May 2015 with an annual growth rate of 2.1%. In July 2016, Seattle was again the fastest-growing major U.S. city, with a 3.1% annual growth rate. Seattle is the northernmost large city in the United States.

Vote for Change

The Vote for Change tour was a politically motivated American popular music concert tour that took place in October 2004. The tour was presented by to benefit America Coming Together. The tour was held in swing states and was designed to encourage people to register and vote. Though the tour and the organization were officially non-partisan, many of the performers urged people to vote against then President George W. Bush and for John Kerry in the 2004 Presidential election campaign. Bush would defeat Kerry in November 2004.

Adam Kasper is a Seattle area record producer and engineer, with platinum and gold awards, working with such bands as Aerosmith, Mudhoney, Nirvana, Foo Fighters, Queens of the Stone Age, R.E.M., The Tragically Hip, Soundgarden and Pearl Jam. He went to Capital High School in Olympia, Washington.

For the first time since 1993's Vs. , the band members did not go into the recording sessions with any completed songs, only guitar riffs. [4] Vedder admitted that the band "really went in with nothing." [7] The band sat around playing music together and discussed the song arrangements, and in just one week had completed ten songs. [3] [8] Ament described it as a "real collaborative effort," [3] and Vedder described it as "absolute democracy." [9] Guitarist Mike McCready stated that the band members were feeling "fresh and energetic" and "were communicating better than ever." [10] Toward the end of the sessions it came down to Vedder to finish up the material, with Ament observing that "the way the record started and the way that it finished is probably two different things." [11] Regarding his lyric writing process, Vedder said that he wrote at least four different sets of lyrics for each song, [12] with many going as high as eight. Vedder described as a process that demands "the patience of like a National Geographic photographer sitting underneath the bush in a tent", adding he would at times "figure out after eight, nine or eleven drafts that the first one was actually the one". [8] A total of 25 songs were written before coming down to the 13 on the final track listing. [4] Outtakes include "The Forest", later featured on Ament's 2008 solo album Tone , [13] and "Of the Earth", which started being played live in 2010. [4] [14]

<i>Vs.</i> (Pearl Jam album) 1993 studio album by Pearl Jam

Vs. is the second studio album by American rock band Pearl Jam, released on October 19, 1993 through Epic Records. After a relentless touring schedule in support of their 1991 debut album Ten, Pearl Jam headed into the studio in early 1993 facing the challenge of following up the commercial success of its debut. The resulting album, Vs., featured a rawer and more aggressive sound compared with the band's previous release. It was the band's first collaboration with producer Brendan O'Brien and its first album with drummer Dave Abbruzzese.

Mike McCready musician, songwriter

Michael David "Mike" McCready is an American musician who serves as the lead guitarist for the American rock band Pearl Jam. Along with Jeff Ament, Stone Gossard and Eddie Vedder, he is one of the founding members of Pearl Jam. McCready was also a member of the side project bands Flight to Mars, Temple of the Dog, Mad Season and The Rockfords.

National Geographic Society American non-profit scientific and educational institution

The National Geographic Society (NGS), headquartered in Washington, D.C., United States, is one of the largest non-profit scientific and educational organizations in the world. Founded in 1888, its interests include geography, archaeology, and natural science, the promotion of environmental and historical conservation, and the study of world culture and history. The National Geographic Society's logo is a yellow portrait frame—rectangular in shape—which appears on the margins surrounding the front covers of its magazines and as its television channel logo. Through National Geographic Partners, the Society operates the magazine, TV channels, a website, worldwide events, and other media operations.

Pearl Jam's contract with Epic Records had ended in 2003, but the band was not ready to release an album without label backing. [15] Independent label Epitaph Records was considered, but the band wanted a company that would guarantee a wide release. [2] Manager Kelly Curtis signed a one-record deal with J Records - [15] which ironically during production became, like Epic, a subsidiary of Sony Music after said company merged with J's parent company BMG. [7] J had approached Pearl Jam as early as 2001, and had its first experiments with the band issuing the live album Live at Benaroya Hall in 2004. [16] Vedder said J was picked as they searched for "somebody who'll allow us to be who we are and respects how we do things" and contributed with the "facilitation of getting the music out there". [7] Gossard added the label did not input any time or creative constraints upon the band - " We didn't play them much music until it was basically done, and they were pleased. They weren't expecting us to do something that was unnatural for us." [16]

Epic Records American record label

Epic Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, Inc., the North American division of Japanese conglomerate Sony. The label was founded predominantly as a jazz and classical music label in 1953, but later expanded its scope to include a more diverse range of genres, including pop, R&B, rock, and hip hop. Epic Records has released music by artists including Glenn Miller, Tammy Wynette, George Michael, The Yardbirds, Donovan, Shakin Stevens, Europe, Cheap Trick, Meat Loaf, Stevie Ray Vaughan, Ted Nugent, Shakira, Sly & the Family Stone, The Hollies, Celine Dion, ABBA, Culture Club, Boston, Dave Clark Five, Gloria Estefan, Pearl Jam, Rage Against the Machine, and Michael Jackson. Along with Arista, Columbia and RCA Records, Epic is one of Sony Music Entertainment's four flagship record labels.

Epitaph Records American record label

Epitaph Records is an American independent record label owned by Bad Religion guitarist Brett Gurewitz. Throughout the 1980s and 1990s, most acts signed to the label were punk and pop punk acts, while there are many post-hardcore and emo bands signed to the label as well. A large portion of the record label, known as Hellcat Records, is owned by Tim Armstrong, frontman of the punk rock band Rancid. Several sister labels also exist, such as ANTI-, Burning Heart Records, Fat Possum Records, Hellcat Records, and Heart & Skull Records that have signed other types of bands.

Sony Music American record label

Sony Music Entertainment (SME), known as Sony Music, is an American global music conglomerate owned by Sony and incorporated as a general partnership of Sony Music Holdings Inc. through Sony Entertainment Inc., a subsidiary of the Japanese Sony Corporation. It was originally founded in 1929 as American Record Corporation and renamed as Columbia Recording Corporation in 1938, following its acquisition by the Columbia Broadcasting System. In 1966, the company was reorganized to become CBS Records, and Sony Corporation bought the company in 1988, renaming it under its current name in 1991. In 2004, Sony and Bertelsmann established a 50-50 joint venture known as Sony BMG Music Entertainment, which transferred the businesses of Sony Music and Bertelsmann Music Group into one entity. However, in 2008, Sony acquired Bertelsmann's stake, and the company reverted to the SME name shortly after; the buyout allowed Sony to acquire all of BMG's labels, and led to the dissolution of BMG, which instead relaunched as BMG Rights Management.

Music and lyrics

A number of critics cited the album as a return to the band's roots. Stephen Thomas Erlewine of Allmusic said, "Nearly 15 years after Ten , Pearl Jam finally returned to the strengths of their debut with 2006's Pearl Jam, a sharply focused set of impassioned hard rock." [1] Vedder said, "It's easily the best stuff we've done but also some of the hardest stuff. It's very aggressive, because again, it's kind of a product of what it's like to be an American these days. It's pretty aggressive, especially when you turn it loud." [5] Gossard added that after many experimental albums, Pearl Jam was "like a coming together again in terms of accepting our natural strengths and also incorporating the best of our experiments". [16]

The album begins with a number of up-tempo songs before expanding to a variety of tempos for its second half. [1] Vedder attributed the faster and more aggressive songs to the band writing a lot of material that kept getting pared down, with the band leaving behind mid-tempo songs, [8] while Ament suggested that it was because of the band balancing recording and touring which resulted in "physicality ... from being out on the road." [3] The band attempted to create an environment in which McCready and drummer Matt Cameron could play much as they do live. [9] Ament said that there was "a lot of honing of the guitars and vocals in the middle and toward the end," which resulted in the album sounding "more polished." [3] On the overall feeling of the album, Ament said, "The band playing in a room—that came across. There's a kind of immediacy to the record, and that's what we were going for." [3]

"It's understandable why someone would like their entertainment to provide an escape from modern day worries and the reality of war. We feel this record creates a healthy opportunity to process some of these emotions rather than deny them. It's like we took our aggressions and shaped something positive from them in a very direct manner"

 —Eddie Vedder on the album's themes [17]

Current socio-political issues in the United States are addressed on the album, with Vedder claiming the record "deals with real content and the moral issues of our time", and crediting as inspiration both the frustration with George W. Bush being reelected, [18] and the birth of Vedder's daughter - "Now that I see it as my daughter's planet, I'm even more (angry)." [2] McCready said, "We all feel that we're living in tumultuous, frightening times, and that ranges from the Iraq war to Hurricane Katrina to wiretapping to anything that smacks of totalitarianism. And just bad political decisions being made. We feel that as Americans, and we're frustrated. So a lot of those feelings have come out in these songs." [10] Vedder also added that among all the dark themes "the hope was going to be in the guitar solos. It was the guitars and drums going at it that was going to lift you out of the dark abyss that I had painted." [7] The Iraq War is addressed in the songs "World Wide Suicide", "Marker in the Sand", and "Army Reserve". The lyrics of "World Wide Suicide" depict anger against the war. Other themes addressed on the album include alcohol use ("Severed Hand"), [19] religion ("Marker in the Sand"), poverty ("Unemployable"), leaving everything behind to seek a fresh start ("Gone"), [19] and loneliness ("Come Back"). [19]

Many of the songs are written from the point of view of a protagonist, which emerged from an early idea of turning the record into a concept album - [16] as guitarist Stone Gossard explained, "we did consider using narration to thematically unify the album, but ultimately a less conceptual structure just felt right." [20] Vedder added that using characters in the tracks helped with the themes, as the stories could "transmit an emotion or a feeling or an observation of modern reality rather than editorializing, which we've seen plenty of these days". [16]

Vedder added that many songs were inspired by the death of fellow musician Johnny Ramone, whom he described as "the best friend I ever had on the planet". The lyrics of "Life Wasted" in particular were written after attending Ramone's funeral. [21] Vedder said that "Gone" is about a man "needing to find a new life without his past, without his possessions, and not really looking for more possessions." [19] Damien Echols, one of the three members of the West Memphis 3, co-wrote the lyrics to "Army Reserve". [22] For the first time McCready contributed lyrics to a Pearl Jam album, writing the lyrics to the closing track "Inside Job". McCready said that he wrote the lyrics while touring in São Paulo as he "want[ed] this song to happen" despite Vedder not having done the lyrics yet, [18] [23] and added that the lyrical inspiration was the realization that "I had to go inside myself first before I could be open to outside ideas." [10]

Packaging and versions

The album's cover art, photographed by Brad Klausen, depicts an avocado cut in half with the seed still in place. McCready said, "That symbolizes just kind of ... Ed's at the end of the process and said, for all I care right now, we've done such a good job on this record, and we're kind of tired from it. Let's throw an avocado on the cover. I think that's what happened, and our art director goes, hey, that's not a bad idea. I think we were watching the Super Bowl, and we had some guacamole or something." [23] Because the album is self-titled, many fans refer to it as "Avocado" or "The Avocado Album." [24] The cover was named in Pitchfork Media's top 25 worst album covers of 2006. [25] The liner notes art features footage from the "Life Wasted" music video, directed by artist Fernando Apodaca. The photographs involve the band members with their skin decaying and animals crawling in and out of it, as Apodaca felt the songs, "Life Wasted" in particular, fit "my interpretation of the how fragile life is". [26] The album was also issued on a double vinyl. [27]

On the choice of a self-titled album, Vedder explained, "In the end, we thought there was enough there with the title of the songs, so to put another title on the album would have seemed pretentious. So, really, it's actually Nothing by Pearl Jam." [18] During the making of the album Vedder considered the title Superun-owned, a play on Soundgarden's 1994 album, Superunknown . He explained, "We're un-owned. We want to remain un-owned." [5]

Copies of the album were made available for pre-order through Pearl Jam's official website with different CD art and packaging than the retail version, and also a bonus disk featuring the band's show on December 31, 1992 at The Academy Theater in New York City. [16] [28] Pre-order campaigns were also set with iTunes, and Best Buy, each retailer receiving an exclusive behind-the-scenes or rehearsal clip shot by photographer Danny Clinch. [16]

Release and promotion

The album was released on May 2, 2006. [17] The Sony BMG merger lead to some problems in the international distribution, something the band took into consideration during the release of the self-published Backspacer three years later. [15] While Pearl Jam is normally averse to press, to promote the album they performed the album songs on Sessions@AOL, [16] and went to various television shows, including Saturday Night Live and Late Show with David Letterman . Vedder said the exposition happened because "it seem[ed] like a critical time to participate in our democracy." [21] The band also decided to shoot their first conceptual music videos in eight years, "World Wide Suicide" and "Life Wasted". [21]

Three singles were released from Pearl Jam. The lead single "World Wide Suicide" was made available through online music stores (backed with "Unemployable"), [16] and also issued for free download on the band's website. [17] "World Wide Suicide" entered the Billboard Hot 100 at number 41, [29] reached number two on the Mainstream Rock charts, [30] and spent a total of three weeks at number one on the Modern Rock charts. [31] Neither of the album's other commercially released singles, "Life Wasted" and "Gone", charted on the Hot 100, but the former placed on both the Mainstream Rock and Modern Rock charts, while the latter placed on the Modern Rock chart [32] "Big Wave" was featured on the soundtrack to the 2007 Columbia Pictures movie, Surf's Up . [33]


Eddie Vedder on stage with Pearl Jam in Pistoia, Italy on September 20, 2006. Eddie Vedder and Pearl Jam in concert in Italy 2006.jpg
Eddie Vedder on stage with Pearl Jam in Pistoia, Italy on September 20, 2006.

Pearl Jam promoted the album with a tour across North America, Europe, and Australia in 2006. The tour originally had 69 concerts, [34] which were then expanded with three gigs in Hawaii, [35] [36] one of them opening for U2's Vertigo Tour in Honolulu. [37] The first leg of the North American tour focused on the Northeastern United States, and then the band moved to the Midwest and the West Coast for the tour's second leg. [35]

Pearl Jam went on to tour Europe for its first time in six years. The band played a small secret show at the Astoria in London, and headlined the Reading and Leeds Festivals in August 2006, despite having vowed to never play at a festival again after Roskilde. In an interview in advance of the band's return to the festival circuit, Gossard commented, "It seems like an era to trust that we're aware enough to get through those bigger shows. We have a heightened awareness of what needs to happen every night so people are as safe as they can possibly be." [20] Vedder started both concerts with an emotional plea to the crowd to look after each other. He commented during the Leeds set that the band's decision to play a festival for the first time after Roskilde had nothing to do with "guts" but with trust in the audience. [38] On September 19, 2006, at the Torino, Italy show at Palaisozaki, Pearl Jam played Pearl Jam in its entirety in order midway through its set. [39] After Europe, the band headed to Australia and then finished the year with two shows in Hawaii. [35] The official bootlegs on this tour were available only in digital form, in both MP3 and lossless FLAC formats. [40] The band's shows at The Gorge Amphitheatre were released as part of the Live at the Gorge 05/06 box set. A DVD documenting the band's shows in Italy entitled Immagine in Cornice was released in 2007. [33]


Commercial performance

Pearl Jam entered the UK charts at number five, the band's highest position there since 2000's Binaural, while it reached number two in the U.S., selling 279,564 copies in its first week. [41] It was held off the top spot by the Tool album, 10,000 Days . [42] As of July 2009, the album has sold 706,000 copies in the United States according to Nielsen SoundScan. [43] Pearl Jam is considered a comeback hit, outselling 2002's Riot Act - by 2009, 706,000 copies as opposed to Riot Act's 508,000- [15] and ranking 90th in Billboard's list of the 200 best-selling albums of 2006. [44] It has been certified gold by the RIAA. [45]

Critical response

Professional ratings
Review scores
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [1]
The A.V. Club B+ [46]
Entertainment Weekly B+ [47]
The Guardian Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [48]
The New York Times (favorable) [49]
Pitchfork (5.5/10) [50]
PopMatters (9/10) [51]
Rolling Stone Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [52]
Slant Magazine Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [53]
Spin Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [54]

According to Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 74, based on 28 reviews, indicating "generally favorable reviews." [55] The album was named in Rolling Stone's top 50 albums of the year at number 13. [56] Rolling Stone staff writer David Fricke gave Pearl Jam four out of five stars, calling it the band's best album in ten years. He said it's "the most overtly partisan—and hopeful—record of their lives," adding that it's "as big and brash in fuzz and backbone as Led Zeppelin's Presence ." [52] Allmusic staff writer Stephen Thomas Erlewine gave the album four and a half out of five stars, saying that "Pearl Jam has embraced everything they do well, whether it's their classicist hard rock or heart-on-sleeve humanitarianism." [1] Chris Willman of Entertainment Weekly gave the album a B+, saying that Vedder's "passionate howl seems more valuable now, pitted against the navel-gazing emo whine that's commandeered the landscape," and he went on to say that "in a world full of boys sent to do a man's job of rocking, Pearl Jam can still pull off gravitas." [47] Jon Pareles of The New York Times said, "Now as ever, Pearl Jam takes itself seriously. But it delivers that seriousness not with the sodden self-importance of rock superstardom, but with the craft and hunger of a band still proving itself on the spot." [49] PopMatters writer Michael Metivier gave the album a 9/10 rating and viewed it as a progression in "melody and songcraft" over the band's previous work, writing that it "more consistently achieves the grandeur, rage, and beauty they've always pursued, throughout its entirety". [51]

Brian D. Schiller of Slant Magazine gave the album three and a half out of five stars. He stated that "the album is at best another good step toward their once great state and not a full return to it. What's true, though, is that it's the group's best full album since Vitalogy." [53] Noel Murray of The A.V. Club ranked the album B+, considering it the "tightest Pearl Jam album in a decade", describing the album as a comeback "filled with straight-up, riff-a-riffic rock songs." [46] Mojo gave the album three out of five stars. The review said, "[S]elf-titled with good reason: Pearl Jam sound reborn, vital." [57] Kyle Anderson of Spin gave the album three out of five stars. He said that "rather than rage against the time machine, they seem to be having fun ... Pearl Jam are taking themselves less seriously, and it fits them like a snug flannel shirt." [54] Mat Snow of The Guardian also gave the album three out of five stars. In the review he stated that Vedder "musters absolute conviction in writing and singing lyrics of male teenage angst." Snow observed, "And though few of these 13 numbers have the drama of tracks by the Who or Led Zeppelin, from whom the band draw much of their style, Pearl Jam play like men on a mission." [48] David Raposa of Pitchfork called it the "most consistent effort the group's released since its second album," but he added that it "gets pretty boring pretty ... quick." [50]

Track listing

All lyrics written by Eddie Vedder, except where noted.

Side one
1."Life Wasted"  Stone Gossard 3:54
2."World Wide Suicide" Vedder3:29
3."Comatose"  Mike McCready, Gossard2:19
4."Severed Hand" Vedder4:30
5."Marker in the Sand" McCready4:23
6."Parachutes" Gossard3:36
7."Unemployable"  Matt Cameron, McCready3:04
8."Big Wave"  Jeff Ament 2:58
9."Gone" Vedder4:09
10."Wasted Reprise [II] " Gossard0:53
11."Army Reserve"Vedder, Damien Echols Ament3:45
12."Come Back" McCready, Vedder5:29
13."Inside Job [I] "McCreadyMcCready, Vedder7:08
Total length:49:44

^ I "Inside Job" contains a brief instrumental hidden track at 6:35.

^ II "Wasted Reprise" contains a reprise of "Life Wasted".


Charts and certifications


YearSinglePeak chart positions
US Main
US Mod
2006"World Wide Suicide"4121
"Life Wasted"1310110
"—" denotes singles that did not chart.

Related Research Articles

<i>Vitalogy</i> 1994 studio album by Pearl Jam

Vitalogy is the third studio album by American rock band Pearl Jam, released November 22, 1994, through Epic Records. Pearl Jam wrote and recorded Vitalogy while touring behind its previous album Vs. (1993). The music on the record was more diverse than previous releases, and consists of aggressive rock songs, ballads and other elements making it Pearl Jam's most experimental album to date.

<i>Ten</i> (Pearl Jam album) 1991 studio album by Pearl Jam

Ten is the debut studio album by American rock band Pearl Jam, released on August 27, 1991 through Epic Records. Following the disbanding of bassist Jeff Ament and guitarist Stone Gossard's previous group Mother Love Bone, the two recruited vocalist Eddie Vedder, guitarist Mike McCready, and drummer Dave Krusen to form Pearl Jam in 1990. Most of the songs began as instrumental jams, to which Vedder added lyrics about topics such as depression, homelessness, and abuse. As of 2019, Ten has sold more than 13 million copies in United States alone and is widely regarded as one of the greatest albums ever made.

<i>No Code</i> 1996 studio album by Pearl Jam

No Code is the fourth studio album by the American rock band Pearl Jam, released on August 27, 1996 through Epic Records. Following a troubled tour for its previous album, Vitalogy (1994), in which Pearl Jam engaged in a much-publicized boycott of Ticketmaster, the band went into the studio to record its follow-up. The music on the record was more diverse than what the band had done on previous releases, incorporating elements of garage rock and worldbeat.

<i>Yield</i> (album) 1998 studio album by Pearl Jam

Yield is the fifth studio album by American alternative rock band Pearl Jam, released on February 3, 1998. Following a short promotional tour for its previous album, No Code (1996), Pearl Jam recorded Yield throughout 1997 at Studio Litho and Studio X in Seattle, Washington. The album was hailed as a return to the band's early, straightforward rock sound, and marked a more collaborative effort from the band as opposed to relying heavily on frontman Eddie Vedder to compose the song lyrics. The lyrics deal with contemplative themes, albeit seen in a more positive manner compared to the band's earlier work.

<i>Live on Two Legs</i> 1998 live album by Pearl Jam

Live on Two Legs is the first major live album by the American alternative rock band Pearl Jam, released on November 24, 1998 through Epic Records. The album has been certified platinum by the RIAA in the United States.

<i>Binaural</i> (album) 2000 studio album by Pearl Jam

Binaural is the sixth studio album by the American alternative rock band Pearl Jam, released on May 16, 2000 through Epic Records. Following a full-scale tour in support of its previous album, Yield (1998), Pearl Jam took a short break before reconvening toward the end of 1999 to begin work on a new album. During the production of the album, the band encountered hindrances such as singer Eddie Vedder's writer's block, and guitarist Mike McCready's entrance into rehabilitation due to an addiction to prescription drugs. This is Pearl Jam's first album to feature former Soundgarden drummer Matt Cameron, who joined during 1998's Yield Tour to replace Jack Irons.

<i>Riot Act</i> (album) 2002 studio album by Pearl Jam

Riot Act is the seventh studio album by American rock band Pearl Jam, released on November 12, 2002 through Epic Records. Following a full-scale tour in support of its previous album, Binaural (2000), Pearl Jam took a year-long break. The band then reconvened in the beginning of 2002 and commenced work on a new album. The music on the record featured a diverse sound, including songs influenced by folk, art rock, and experimental rock. The lyrics deal with mortality and existentialism, with much influence from both the political climate after the September 11, 2001 terrorist attacks and the accidental death of nine fans during Pearl Jam's performance at the 2000 Roskilde Festival.

<i>Lost Dogs</i> (album) 2003 compilation album by Pearl Jam

Lost Dogs is a two-disc compilation album by the American alternative rock band Pearl Jam, released on November 11, 2003 through Epic Records. The album has been certified gold by the RIAA in the United States.

<i>Live at Benaroya Hall</i> 2004 live album by Pearl Jam

Live at Benaroya Hall is a two-disc live album by the American alternative rock band Pearl Jam, recorded on October 22, 2003 at Benaroya Hall, Seattle, Washington and released on July 27, 2004 through BMG.

<i>Mirror Ball</i> (Neil Young album) 1995 studio album by Neil Young featuring Pearl Jam

Mirror Ball is the 21st studio album by Canadian musician Neil Young, and features members of Pearl Jam. It was released on July 8, 1995 through Reprise Records. The album has been certified gold by the RIAA in the United States.

Even Flow song

"Even Flow" is a song by the American rock band Pearl Jam. Featuring lyrics written by vocalist Eddie Vedder and music written by guitarist Stone Gossard, "Even Flow" was released in 1992 as the second single from the band's debut album, Ten (1991). The song peaked at number three on the Billboard Mainstream Rock Tracks chart. The song was included on Pearl Jam's 2004 greatest hits album, rearviewmirror . A remixed version of the song was included on the 2009 Ten reissue.

Dissident (song) song by the American rock band Pearl Jam

"Dissident" is a song by American rock band Pearl Jam, released in 1994 as the fourth single from the band's second studio album, Vs. (1993). The song peaked at number three on the US Billboard Album Rock Tracks chart and in Denmark, number two in Norway, and number seven in Finland and Ireland. "Dissident " was also released as a single, reaching number two in the Netherlands and number 19 in France.

Nothing as It Seems 2000 single by Pearl Jam

"Nothing as It Seems" is a song by the American rock band Pearl Jam. Written by bassist Jeff Ament, "Nothing as It Seems" was released on April 25, 2000 as the first single from the band's sixth studio album, Binaural (2000). The song peaked at number three on the Billboard Mainstream Rock Tracks chart. The song also appears on Pearl Jam's 2004 greatest hits album, rearviewmirror .

<i>6/8/00 – Paris, France</i> 2000 live album by Pearl Jam

6/8/00 – Paris, France is a two-disc live album and the tenth in a series of 72 live bootlegs released by the American alternative rock band Pearl Jam from the band's 2000 Binaural Tour. It was released along with the other official bootlegs from the European leg of the tour on September 26, 2000.

<i>8/12/00 – Tampa, Florida</i> 2001 live album by Pearl Jam

8/12/00 – Tampa, Florida is a two-disc live album and the thirty-second in a series of 72 live bootlegs released by the American alternative rock band Pearl Jam from the band's 2000 Binaural Tour. It was released along with the other official bootlegs from the first North American leg of the tour on February 27, 2001.

Hail, Hail Pearl Jam single

"Hail, Hail" is a song by the American rock band Pearl Jam. Featuring lyrics written by vocalist Eddie Vedder and music co-written by guitarist Stone Gossard, bassist Jeff Ament, and guitarist Mike McCready. "Hail, Hail" was released in 1996 as the second single from the band's fourth studio album, No Code (1996). The song managed to reach the number nine spot on both the Mainstream Rock and Modern Rock Billboard charts. The song was included on Pearl Jam's 2004 greatest hits album, rearviewmirror .

"Tremor Christ" is a song by the American rock band Pearl Jam. The song is the fourth track on the band's third studio album, Vitalogy (1994). Although credited to all members of Pearl Jam, it features lyrics written by vocalist Eddie Vedder and music primarily written by guitarist Mike McCready and bass player Jeff Ament. Besides Vitalogy, the song was also featured as the B-side of the single, "Spin the Black Circle". The song managed to reach number 16 on both the Mainstream Rock and Modern Rock Billboard charts.

<i>Live at the Gorge 05/06</i> 2007 live album (box set) by Pearl Jam

Live at the Gorge 05/06 is a seven-disc live box set by the American alternative rock band Pearl Jam, released on June 26, 2007 through Rhino/WEA. The box set documents the band's 2005 and 2006 shows at The Gorge Amphitheatre in George, Washington.

<i>Backspacer</i> 2009 album

Backspacer is the ninth studio album by the American rock band Pearl Jam, released on September 20, 2009. The band members started writing instrumental and demo tracks in 2007, and got together in 2008 to work on an album. It was recorded from February through April 2009 with producer Brendan O'Brien, who'd worked on every Pearl Jam album except their 1991 debut Ten and 2006's self-titled record—although this was his first production credit since 1998's Yield. Material was recorded in Henson Recording Studios in Los Angeles, California and O'Brien's own Southern Tracks Recording in Atlanta, Georgia. The album—the shortest of the band's career—features lyrics with a more optimistic look than the politically infused predecessors Riot Act and Pearl Jam, something frontman Eddie Vedder attributed to the election of Barack Obama.


  1. 1 2 3 4 5 Erlewine, Stephen Thomas. "allmusic ((( Pearl Jam > Review )))". Allmusic . Retrieved 2009-03-21.
  2. 1 2 3 Gundersen, Edna (2006-06-15). "Pearl Jam: Life after 'Suicide'". USA Today . Retrieved 2012-02-01.
  3. 1 2 3 4 5 6 7 Porosky, Pamela (July 2006). "Pearl Jam's Pop Art". Bass Player. Archived from the original on 2008-03-13. Retrieved 2012-02-01.
  4. 1 2 3 4 Harris, Chris (2005-05-20). "Pearl Jam, Post-'Therapy': 'The Sex Is Better Than Ever!'". MTV . Retrieved 2012-02-01.
  5. 1 2 3 Cohen, Jonathan (2005-11-11). "Pearl Jam Feeling 'Aggressive' On New Album". Billboard . Retrieved 2012-02-01.
  6. 1 2 3 Pearl Jam (CD booklet). Pearl Jam. J Records (Sony Music). 2006. 82876 71467.CS1 maint: others (link)
  7. 1 2 3 4 Miller, Eric T. (2006-07-19). "Q&A With Eddie Vedder". Magnet . Retrieved 2012-02-01.
  8. 1 2 3 Hiatt, Brian (2006-06-20). "Eddie Vedder's Embarrassing Tale: Naked in Public". Rolling Stone . Archived from the original on 2007-03-03. Retrieved 2009-03-03.
  9. 1 2 Scaggs, Austin (2006-04-21). "Eddie Vedder: Addicted to Rock". Rolling Stone . Archived from the original on 2009-04-02. Retrieved 2012-02-01.
  10. 1 2 3 Stout, Gene (2006-05-05). "Energized Pearl Jam Makes an Explosive Return". Seattle Post-Intelligencer . Retrieved 2012-02-01.
  11. Jasmin, E. (July 20, 2006). "Bring the Noise: On how the band approached the new album". The News Tribune. Archived from the original on April 28, 2008.
  12. McCabe, Kathy (2009-04-02). "Pearl Jam Remix Ten, The Way They Always Wanted It". Herald Sun . Archived from the original on 2009-04-06. Retrieved 2009-04-11.
  13. Cohen, Jonathan (2008-09-03). "Pearl Jam's Jeff Ament Preps Solo Debut". Billboard . Retrieved 2012-02-01.
  14. "Of The Earth". Archived from the original on 2011-12-10. Retrieved 2012-02-01.
  15. 1 2 3 4 Cohen, Jonathan (2009-08-08). "Pearl Jam Takes Charge With Backspacer". Billboard . Retrieved 2012-01-01.
  16. 1 2 3 4 5 6 7 8 9 Cohen, Jonathan (2006-04-21). "Pearl Jam's 'New' World Order". Billboard. Retrieved 2012-02-01.
  17. 1 2 3 Cohen, Jonathan (2006-03-06). "Pearl Jam Takes Out Its Aggression On New Album". Billboard. Retrieved 2012-02-01.
  18. 1 2 3 "Coming of Age". Rolling Stone Australia . ACP Magazines (653). June 5, 2006.
  19. 1 2 3 4 Cohen, Jonathan (2006-04-14). "The 'Pearls' of Pearl Jam". Billboard . Retrieved 2012-02-01.
  20. 1 2 Kerr, Dave (May 2006). "Explore and not Explode". The Skinny . Retrieved 2012-02-01.
  21. 1 2 3 Hiatt, Brian (2006-06-16). "The Second Coming of Pearl Jam". Rolling Stone . Archived from the original on 2009-05-01. Retrieved 2007-06-22.
  22. "ECHOLS CONTRIBUTES TO NEW PEARL JAM ALBUM". Archived from the original on 2006-07-12. Retrieved 2007-07-22.
  23. 1 2 Reimink, Troy (2006-05-18). "Q&A with Pearl Jam's Mike McCready". The Grand Rapids Press . Booth Newspapers.
  24. Kreps, Daniel (2011-04-26). "Grading Pearl Jam's Album Covers". The Amplifier (Yahoo! Music). Archived from the original on 2012-01-15. Retrieved 2012-02-01.
  25. Schreiber, Ryan (2006-12-14). "Top 25 Worst Album Covers of 2006". Pitchfork Media . Retrieved 2012-02-01.
  26. Jones, Alex (2006-10-03). "Alum awarded at SDFF". The Daily Aztec . Archived from the original on 2007-09-27. Retrieved 2012-02-01.
  27. "Pearl Jam (Limited Edition, vinyl)" . Retrieved 2011-12-31.
  28. "TEN CLUB EDITION PEARL JAM CD". Official Pearl Jam Shop. Archived from the original on 2012-04-26. Retrieved 2011-12-31.
  29. Hope, Clover (2006-03-23). "Paul's 'Temperature' Rises To The Top". Billboard. Retrieved 2012-02-01.
  30. Hope, Clover (2006-03-31). "Pearl Jam Gets Intimate For London Show". Billboard. Retrieved 2012-02-01.
  31. Hope, Clover (2006-04-06). "Powter's 'Day' Reigns Again On Singles Chart". Billboard. Retrieved 2012-02-01.
  32. 1 2 3 4 "Pearl Jam – Chart History". Billboard. Retrieved 2007-06-11.
  33. 1 2 "Pearl Jam Rumor Pit - 2007". 2007-05-01. Archived from the original on 2007-08-23. Retrieved 2007-07-01.
  34. "Pearl Jam Offsets Climate Footprint of 2006 World Tour". Environment News Service. 2006-07-10. Retrieved 2011-12-31.
  35. 1 2 3 "2006 Set Lists". Retrieved 2012-02-01.
  36. "Pearl Jam Rides Secret Show Wave In Hawaii". Billboard. 2006-12-01. Retrieved 2011-12-31.
  37. Chun, Gary C.W. (2006-07-20). "Pearl Jam joining U2 at Aloha Stadium". Honolulu Star-Bulletin . Retrieved 2012-02-01.
  38. Simpson, Dave. (2006-08-28). "Leeds Festival". The Guardian . Retrieved 2007-07-01.
  39. "Pearl Jam Shows: 2006 September 19, Palaisozaki Torino, Italy – Set List". Archived from the original on 2011-12-23. Retrieved 2012-02-01.
  40. Cohen, Jonathan (2008-06-11). "Pearl Jam, Verizon Go Mobile For Live Bootlegs". Billboard. Retrieved 2012-02-02.
  41. "Pearl Jam's Self-Titled Album Enters the Chart at Number Two and Sets a Chart Record" (Press release). J Records. 2006-05-10. Retrieved 2012-02-01.
  42. Harris, Chris (2006-05-10). "Tool, Pearl Jam Claim Billboard Chart In The Name Of Rock". . Retrieved 2012-02-01.
  43. Cohen, Jonathan (2007-07-31). "Pearl Jam: 'Back' to the Future". Billboard . Retrieved 2009-07-31.
  44. "Billboard 2006 Year In Music: The Billboard 200". Billboard . Retrieved 2012-02-01.
  45. 1 2 "Gold and Platinum Database Search". RIAA . Archived from the original on 2007-06-26. Retrieved 2007-06-26.
  46. 1 2 Murray, Noel (2006-05-10). "Pearl Jam: Pearl Jam". The A.V. Club . Retrieved 2012-02-01.
  47. 1 2 Willman, Chris (2006-04-21). "Pearl Jam". Entertainment Weekly . Retrieved 2007-04-29.
  48. 1 2 Snow, Mat. (2006-04-28). "Pearl Jam, Pearl Jam". The Guardian . Retrieved 2009-05-20.
  49. 1 2 Pareles, Jon (2006-05-01). "Critic's Choice: New CD's". The New York Times . Retrieved 2009-05-20.
  50. 1 2 Raposa, David. "Pearl Jam: Pearl Jam". Pitchfork . May 2, 2006. Retrieved on May 20, 2009.
  51. 1 2 Fricke, David (2006-04-21). "Pearl Jam: Pearl Jam". PopMatters . Retrieved 2009-05-20.
  52. 1 2 Metivier, Michael (2006-05-01). "Pearl Jam: Pearl Jam". Rolling Stone . Retrieved 2010-06-10.
  53. 1 2 Schiller, Brian D. (2006-05-05). "Pearl Jam: Pearl Jam". Slant Magazine . Retrieved 2009-05-20.
  54. 1 2 Anderson, Kyle (2006-05-13). "Pearl Jam, Pearl Jam (J Records)". Spin . Retrieved 2009-05-20.
  55. "Pearl Jam by Pearl Jam".
  56. "The Top 50 Albums of the Year". Rolling Stone . 2006-12-11. Archived from the original on 2007-03-01. Retrieved 2012-02-01.
  57. "Review: Pearl Jam". Mojo . Bauer (152): 112. July 2006.
  58. "Pearl Jam in Australian Charts". Retrieved 2008-05-28.
  59. "Austrian Single/Album Chart / Pearl Jam / Longplay". Retrieved 2008-02-19.
  60. "PEARL JAM - PEARL JAM (ALBUM)" (in Dutch). Ultratop . Retrieved 2008-02-19.
  61. "PEARL JAM - PEARL JAM (ALBUM)" (in French). Ultratop . Retrieved 2008-02-19.
  62. 1 2 3 "Pearl Jam – Pearl Jam". Billboard. Retrieved 2012-02-01.
  63. "TOP LISTA - SVA IZDANJA (HRVATSKA I INOZEMNA) 08.05.2006 - 14.05.2006". Hrvatska diskografska udruga. Retrieved 2011-12-31.
  64. "Czech Album Chart". Archived from the original on 2008-12-18. Retrieved 2008-02-19.
  65. Archived from the original on 2013-10-02. Retrieved 2008-02-19.Missing or empty |title= (help)
  66. "Dutch Single/Album Chart / Pearl Jam / Longplay". Retrieved 2008-02-19.
  67. "Finnish Single/Album Chart / Pearl Jam / Longplay". Retrieved 2008-02-19.
  68. "French Single/Album Chart / Pearl Jam / Longplay". Retrieved 2008-02-19.
  69. "Chartverfolgung / Pearl Jam / Longplay". Archived from the original on 2011-09-28. Retrieved 2007-06-11.
  70. "Hungarian Charts (searchable database)" (in Hungarian). Mahasz . Retrieved 2008-06-04.
  71. "Irish Album/Singles Chart". Retrieved 2008-02-19.
  72. "Classifice Artisti — Archivio". FIMI. Archived from the original on 2012-02-13. Retrieved 2008-03-05.
  73. . Retrieved 2008-02-19.Missing or empty |title= (help)
  74. "Pearl Jam in New Zealand charts". Retrieved 2008-05-28.
  75. "Norwegian Single/Album Chart / Pearl Jam / Longplay". Retrieved 2008-02-19.
  76. "OLiS: sales for the period 24.04.2006 - 07.05.2006". OLiS.
  77. "Pearl Jam (Album)". Retrieved 2009-04-02.
  78. Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN   84-8048-639-2.
  79. "Swedish Single/Album Chart / Pearl Jam / Longplay". Retrieved 2008-02-19.
  80. "Schweizer Hitparade". Retrieved 2008-02-19.
  81. "Top 40 Official UK Albums Archive 13th May 2006". The Official Charts Company . Retrieved 2012-01-01.
  82. "ARIA Charts - Accreditations - 2006 Albums". ARIA. Retrieved 2011-08-13.
  83. "Certificados: Pearl Jam" (in Portuguese). Associação Brasileira dos Produtores de Discos(ABPD). Retrieved 2011-03-17.
  84. "Gold Platinum Database: Pearl Jam - Pearl Jam". Canadian Recording Industry Association . Retrieved 2011-08-26.[ permanent dead link ]
  85. "CHART 1518 26 June 2006" (PDF). RIANZ. Retrieved 2011-12-31.[ permanent dead link ]
  86. "BPI: Certified Awards Search". British Phonographic Industry (BPI). Archived from the original on 24 September 2009. Retrieved 29 August 2010.
  87. "Chart Log: 1994–2006". OCC. Retrieved 2007-06-11.