Rhythm & Hues Studios

Last updated

Rhythm & Hues Studios
Company type Private
Industry Visual effects, CGI animation
Founded1987
Successor Tau Films
Number of locations
United States, Canada, India, Malaysia, Taiwan
Parent Prana Studios

Rhythm & Hues Studios was an American visual effects and animation company founded in 1987, that received the Academy Award for Best Visual Effects in 1995 for Babe , in 2008 for The Golden Compass , and in 2013 for Life of Pi . It also received four Scientific and Technical Academy Awards. [1]

Contents

The company filed for Chapter 11 bankruptcy in early 2013. It was then purchased by an affiliate of Prana Studios, 34x118 Holdings, LLC, but retained the same name.

History

1987–2008

Rhythm & Hues Studios was established in Los Angeles, California in 1987 by former employees of Robert Abel and Associates (John Hughes, Pauline Ts'o, Keith Goldfarb, Cliff Boule, Frank Wuts and Charles Gibson). [2]

In 1999, Rhythm & Hues Studios acquired visual effects house VIFX from 20th Century Fox. [3]

2009–2013

Director Ang Lee approached Rhythm & Hues in August 2009 to discuss a planned film adaptation of the fantasy novel Life of Pi . [4] [5] R&H VFX (Visual Effects) Supervisor Bill Westenhofer noted that Lee "knew we had done the lion in the first Narnia movie. He asked, 'Does a digital character look more or less real in 3D?' We looked at each other and thought that was a pretty good question." [6] He also stated that during these meetings, Lee said, "'I look forward to making art with you.' This was really for me one of the most rewarding things I've worked on and the first chance to really combine art with VFX. Every shot was artistic exploration, to make the ocean a character and make it interesting we had to strive to make it as visually stunning as possible." [7]

By 2012, the company had become a global one, with offices and artists in India (the Mumbai suburb of Malad and HITEC City which is a part of Hyderabad), Malaysia (Cyberjaya just outside Kuala Lumpur), Canada (Vancouver), and Taiwan (Kaohsiung). [8] [9] [10] [11] [12] [13]

Rhythm & Hues spent a year on research and development, "building upon its already vast knowledge of CGI animation" to develop the tiger. [14] Artist Abdul Rahman in the Malaysian branch underscored the global nature of the effects process, saying that "the special thing about Life of Pi is that it was the first time we did something called remote rendering, where we engaged our cloud infrastructure in Taiwan called CAVE (Cloud Animation and Visual Effects)". [15]

The resulting film, Life of Pi , was released in theaters in November 2012, and was a critical and commercial success. The British Film Institute's Sight & Sound magazine suggested that, "Life of Pi can be seen as the film Rhythm & Hues has been building up to all these years, by taking things they learned from each production from Cats & Dogs to Yogi Bear, integrating their animals in different situations and environments, pushing them to do more, and understanding how all of this can succeed both visually and dramatically." [16]

On February 11, 2013, Rhythm & Hues Studios filed for bankruptcy under Chapter 11, three months after Life of Pi was released. [17] Around 254 people were laid off at that time. [18] This led to a demonstration of nearly 500 VFX artists who protested outside of the 2013 Academy Awards, as Rhythm & Hues was nominated for an Oscar (which it won) for Life of Pi. [19] Inside, during the Oscars, when R&H visual effects supervisor Bill Westenhofer brought up R&H during his acceptance speech for Life of Pi, the microphone was cut off as the music of Jaws slowly took over. [20] This started an uproar among many visual effects industry professionals, changing profile pictures on social media such as Facebook and Twitter to show the green key color, in order to raise awareness of general negative trends in the effects industry. [21] In addition, director Ang Lee was heavily criticized by the community for not acknowledging their work in the effects-laden film in his acceptance speech, despite thanking many other people, [22] and for earlier having complained about the costs of visual effects. [22] [23]

On March 29, 2013, an affiliate of Prana Studios, 34x118 Holdings, LLC, won the bidding on Rhythm and Hues in a bankruptcy auction. [24] The sale was "valued at about $30 million". [25]

After the bankruptcy and sale, Rhythm and Hues continued to work on film, television, and ride-film projects, winning multiple Emmy Awards and a Visual Effects Society award for their work on Game of Thrones .

Selected filmography

2022
2021
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
1999
1998
1997
1996
1995
1994
1993
1992
1991
1990

Awards

Academy Award for Best Visual Effects

BAFTA Award for Best Special Visual Effects

Emmy Award for Outstanding Special Visual Effects

Visual Effects Society Award for Outstanding Animated Performance

Bibliography

Related Research Articles

<span class="mw-page-title-main">Framestore</span> British visual effects and computer animation company

Framestore is a British visual effects and computer animation studio based on Chancery Lane in London, England. The company was founded in 1986. Framestore specializes in visual effects for film and prestige TV, advertising, rides, and immersive experiences. It is the largest production house in Europe, employing roughly 3,000 staff, including 1,000 in London, and 1,500 across studios in Chicago, New York, Los Angeles, Montreal, Melbourne and Mumbai.

Wētā FX, formerly known as Weta Digital, is a New Zealand–based digital visual effects and animation company based in Miramar, Wellington. It was founded by Peter Jackson, Richard Taylor, and Jamie Selkirk in 1993 to produce the digital special effects for Heavenly Creatures. The company went on to produce some of the highest-grossing films ever made, such as the Lord of the Rings trilogy and the Avatar series. Considered one of the most influential film companies of the 21st century, Wētā FX has won several Academy Awards and BAFTAs. The company is named after the New Zealand wētā, one of the world's largest insects, which was historically featured in the company logo.

Richard Baneham is an Irish animator and visual effects supervisor, who has worked on several film series, including The Lord of the Rings film trilogy, the Chronicles of Narnia films and the Avatar franchise. Amongst other awards, Baneham has received a BAFTA Award for Best Special Visual Effects and an Academy Award for Best Visual Effects in 2009, both for his work on Avatar, and a further Academy Award in 2023, for visual effects on Avatar: The Way of Water.

<span class="mw-page-title-main">Animal Logic</span> Australian visual effects and animation studio

Animal Logic is an Australian visual effects and animation digital studio based at Disney Studios in Sydney, New South Wales in Australia, Vancouver in Canada, and Rideback Ranch in Los Angeles, California. Established in 1991, Animal Logic has produced visual effects and animation for feature films such as the Academy Award-winning Happy Feet, Legend of the Guardians: The Owls of Ga'Hoole, Walking with Dinosaurs 3D,The Lego Movie and Peter Rabbit. The company was also recognized for its work as lead visual effects vendor on Baz Luhrmann's The Great Gatsby, which won Outstanding Achievement in Visual Effects at the 3rd AACTA Awards ceremony. In 2018, Peter Rabbit was presented with a range of accolades, including the AACTA Award for Best Visual Effects or Animation, and Australian Production Design Guild Awards (APDG) in Visual Effects Design and Drawing, Concept Illustration & Concept Models for Screen. Most recently, the company has produced work for the Warner Animation Group's The Lego Movie 2: The Second Part and Marvel Studios' Captain Marvel. It is a subsidiary of Netflix.

<span class="mw-page-title-main">The Mill (company)</span> British VFX production company

Technicolor Creative Studios UK Limited, doing business as The Mill, is a British VFX production company and creative studio headquartered in London, England, with three offices in the United States, three others in Europe and three in Asia. It is owned by Technicolor Group. The Mill produces real-time visual effects, animation, moving images, design, experiential, and digital projects for the advertising, games, and music industries.

Pixomondo (PXO) is an Academy and Emmy award-winning international visual effects and virtual production company with studios in Los Angeles, Frankfurt, Stuttgart, Vancouver, Toronto, Montreal, and London. The company provides virtual production and visual effects for feature films, television, and commercials. As of 2019, PXO employs over 655 people worldwide.

DNEG is a British-Indian visual effects, computer animation and stereo conversion studio that was founded in 1998 in London, and rebranded as DNEG in 2014 after a merger with Indian VFX company Prime Focus; it was named after the letters "D" and "Neg" from their former name.

Scanline VFX is a global visual effects and animation company founded 1989 in Munich. The studio was led by VFX Supervisor Stephan Trojansky. The company has 7 locations including Munich, Stuttgart, Los Angeles, Vancouver, Montreal, London, and Seoul.

<span class="mw-page-title-main">Cinesite</span> Visual effects studio

Cinesite is an independent, multinational business which provides services to the media and entertainment industries. Its head office in London opened for business in 1994, initially offering services in visual effects for film and television, subsequently expanding to include animation.

Bill Westenhofer is an American visual effects supervisor. He worked for Rhythm and Hues Studios until its closure in 2013.

<span class="mw-page-title-main">Craig Barron</span> American visual effects artist (born 1961)

Craig Barron is an American visual effects artist and creative director at Magnopus, a media company that produces visual development and virtual production services for motion pictures, television, museums and multimedia platforms.

<i>Life of Pi</i> (film) 2012 film by Ang Lee

Life of Pi is a 2012 adventure-drama film directed and produced by Ang Lee and written by David Magee. Based on Yann Martel's 2001 novel, it stars Suraj Sharma in his film debut, Irrfan Khan, Tabu, Rafe Spall, Gérard Depardieu and Adil Hussain in lead roles. The storyline revolves around two survivors of a shipwreck who are on a lifeboat lost in the Pacific Ocean for 227 days. One is a 16-year-old Indian boy named Pi Patel and the other is a ferocious Bengal tiger named Richard Parker.

Gregory S. Butler is an Academy Award-winning American visual effects supervisor. He graduated from Suffield High School in 1989 and afterwards entered Hampshire College. Despite his initial plans to study history, a work-study job with the audiovisual equipment in the library made him interested in film production. Butler graduated in 1993 with a major in film, television and theater design. Afterwards he moved to California to work for Industrial Light and Magic for 9 months, where after intern work he managed to become an assistant in the effects department, starting with assistant credits in The Mask and Forrest Gump. Following a job at Rocket Science Games until the company's bankruptcy in 1996, Butler went to Tippett Studio and did effects work in Starship Troopers and My Favorite Martian, rising up to a technical director job, and Cinesite for Practical Magic. While reluctant at the requirement of moving to New Zealand, Butler was convinced by his writer-actor brother to jump at the opportunity of working for Weta Digital in The Lord of the Rings. Among his achievements was working on the creation of Gollum. for which he was awarded a Visual Effects Society Award.

Prana Studios, Inc. was an American computer animation and visual effects company, founded in 2003 in Los Angeles, United States, with a wholly owned subsidiary in Mumbai, India. Known for its high quality computer animation and visual effects.

John Nelson is an American visual effects supervisor. He has won two Academy Awards for Best Visual Effects for his work on the film Gladiator (2000) and Blade Runner 2049 (2017). He has also been nominated for I, Robot (2004) and Iron Man (2008).

Paul J. Franklin is an English visual effects supervisor who has worked with visual effects since the 1990s. Franklin won the Academy Award for Best Visual Effects and the BAFTA Award for Best Special Visual Effects for Inception (2010), and won a second Academy Award for Best Visual Effects for Interstellar (2014). He shared the wins with Andrew Lockley, Peter Bebb, and Chris Corbould. Franklin has also been nominated for an Academy Award for The Dark Knight (2008). He was nominated for BAFTA Awards for Batman Begins, The Dark Knight (2008), and The Dark Knight Rises (2012).

<span class="mw-page-title-main">Blacknorth</span> Animation and visual effects

Blacknorth is an animation and visual effects (VFX) studio based in Belfast, Northern Ireland. It was founded in 2009 by Kris Kelly and Evelyn McGrath, with the latter leaving in 2013.

<span class="mw-page-title-main">Sara Bennett</span> British visual effects artist

Sara Bennett is a British visual effects artist who won a 2016 Academy Award for the best visual effects in the film Ex-Machina. She is a co-founder of Milk, a visual effects studio headquartered in London.

<span class="mw-page-title-main">Moving Picture Company</span> British visual effects company

The Moving Picture Company (MPC) is a British multinational company providing visual effects, CG, animation, motion design and other services for the film, TV, brand experience and advertising industries.

<span class="mw-page-title-main">Milk VFX</span>

Milk VFX is a British independent visual effects studio. It was founded in London in 2013 and is known for creating complex and innovative sequences for high-end television and feature films.

References

  1. "Prana Studios Buys Bankrupt 'Life of Pi' VFX House Rhythm & Hues". Blogs.indiewire.com. Archived from the original on 1 April 2013. Retrieved 4 April 2022.
  2. [Zahed, Ramin. "Beyond Talking Pigs and Chipmunks Archived 2012-10-31 at the Wayback Machine ". Animation Magazine , April 2, 2012]
  3. The Hollywood Reporter (1999-03-03). "Rhythm & Hues Rounds Up Vifx". AllBusiness.com. Archived from the original on 2015-11-07. Retrieved 2010-12-14.
  4. 'Life of Pi's' digital magic Archived 2014-12-23 at the Wayback Machine . Los Angeles Times , January 18, 2013
  5. EXCLUSIVE: Life of Pi's Stunning Effects Archived 2017-08-26 at the Wayback Machine . The Daily (News Corporation) , November 26, 2012
  6. "MAAC KAROLBAGH | Best Animation & VFX Course in Delhi | Graphic & Web Design". Bestanimationandvfx.in. Archived from the original on 5 December 2021. Retrieved 4 April 2022.[ failed verification ]
  7. "Life of Pi: a tiger's tale" Archived 2012-11-30 at the Wayback Machine , Fxguide , November 26, 2012
  8. "A glimpse of Rhythm & Hues (Asian Facilities) work on Ang Lee's masterpiece 'Life of Pi'". Animationxpress.com. 2 January 2013. Archived from the original on 20 March 2022. Retrieved 4 April 2022.
  9. "Free 3D tutorials for Blender, Maya, ZBrush, Cinema 4D for CG Artists". 9 April 2021. Archived from the original on 9 June 2013. Retrieved 4 April 2022.
  10. Rhythm & Hues Taps NVIDIA Technology for Life of Pi Archived 2012-12-03 at the Wayback Machine . Animation World Network , November 26, 2012
  11. A First Mate Bares His Fangs: Creating a Tiger for ‘Life of Pi’ Archived 2016-03-02 at the Wayback Machine . The New York Times , November 16, 2012
  12. Rhythm & Hues Makes Skies Soar Archived 2014-04-07 at the Wayback Machine , Computer Graphics World, November 27, 2012
  13. "Malaysian team behind special effects for Life of Pi and Snow White movies". Archived from the original on 12 January 2013. Retrieved 4 April 2022.
  14. Vfx team dares to take tiger by the tail Archived 2013-02-05 at archive.today . Variety (magazine) , December 15, 2012
  15. "Local touch to Life Of Pi" Archived 2013-04-02 at the Wayback Machine , New Straits Times , November 26, 2012
  16. Video essay: The animal menagerie of Rhythm and Hues Archived 2013-01-04 at the Wayback Machine ". British Film Institute's Sight & Sound magazine, December 21, 2012
  17. Variety (2013-02-12). "Rhythm & Hues bankruptcy reveals vfx biz crisis". Variety . Archived from the original on 2013-02-15. Retrieved 2013-02-13.
  18. Johnson, Ted (15 February 2013). "Rhythm & Hues gets $17 mil loan from Universal, Fox". Variety.com. Archived from the original on 19 April 2022. Retrieved 4 April 2022.
  19. "VFX protest at Oscars: images from the picket line + audio interview". Fxguide.com. 22 February 2013. Archived from the original on 20 March 2022. Retrieved 4 April 2022.
  20. "Biggest Oscars snub: A shark attack on the VFX industry". The San Francisco Chronicle. Archived from the original on 2013-08-29. Retrieved 2013-02-26.
  21. "Entertainment – UPROXX". Archived from the original on 17 October 2013. Retrieved 4 April 2022.
  22. 1 2 Pulver, Andrew (February 26, 2013). "Ang Lee under fire from visual effects artists over Life of Pi speech". The Guardian . London. Archived from the original on December 18, 2016. Retrieved December 28, 2024.
  23. Giardina, Carolyn. "Oscars 2013: VFX Artists Blast 'Disgraceful' TV Moments". The Hollywood Reporter. Archived from the original on 2018-06-16. Retrieved 2024-12-28.
  24. "Two-Day Roller Coaster Ends Delivers L.A. VFX Studio to Indian Owners Archived 2017-12-09 at the Wayback Machine ". Variety, March 28, 2013.
  25. "Rhythm & Hues finalizes sale to Prana Studios Archived 2013-06-21 at the Wayback Machine ". Los Angeles Times , March 29, 2013.
  26. "Life of Pi Wins Best Visual Effects Oscar". Eonline.com. 25 February 2013. Archived from the original on 12 December 2022. Retrieved 4 April 2022.
  27. 1 2 "Oscar Award for Best Visual Effects - Academy Awards for Best Visual Effects". Awardsandshows.com. Archived from the original on 14 August 2022. Retrieved 4 April 2022.
  28. "BAFTA Awards Search | BAFTA Awards". Awards.bafta.org. Archived from the original on 26 September 2013. Retrieved 4 April 2022.
  29. "BAFTA Awards Search | BAFTA Awards". Awards.bafta.org. Archived from the original on 7 November 2015. Retrieved 4 April 2022.
  30. "Outstanding Special Visual Effects Nominees / Winners 2018". Television Academy. Archived from the original on 13 July 2018. Retrieved 4 April 2022.
  31. "Outstanding Special Visual Effects Nominees / Winners 2016". Television Academy. Archived from the original on 29 April 2017. Retrieved 4 April 2022.
  32. "Outstanding Special Visual Effects Nominees / Winners 2015". Television Academy. Archived from the original on 11 November 2016. Retrieved 4 April 2022.
  33. "15th Annual VES Awards". Visualeffectssociety.com. Archived from the original on 18 January 2022. Retrieved 4 April 2022.