Also known as | Silat Tua, Silat Tua Yawi, Silat Patani |
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Country of origin | Thailand |
Olympic sport | No |
This article relies largely or entirely on a single source .(January 2021) |
Silat Patani (Thai : silat Pattani, Malay : silat Patani) is a style of silat originating in the Pattani kingdom, now a state of Thailand. It is primarily practiced in northern Malaysia and southern Thailand. The art is also known as silat tua (old silat) because tradition credits it as the oldest form of silat Melayu. It is sometimes called silat tua Yawi, being the Thai-Malay pronunciation of Jawi in this case referring to the Thai Malay community. These two latter names are increasingly popular among Malaysian practitioners, so as not to acknowledge the Pattani origin of the art.
The founder of Silat Pattani is referred to as pendeta guru from the Sanskrit terms pandit and guru. The exact age of the art is unknown but it is believed to date back to the Hindu-Buddhist era. It incorporates four elemental forms like Chinese xingyiquan and several forms based on the Indian Ramayana, indicating influence from both countries. One origin story tells of three brothers getting lost in the forest. One brother named Yuso took refuge in a tree to be safe from tigers. While in the tree, he watched an elder tiger teach its young how to move as a predator and avoid capture. Yuso recounted the movements to his brothers and together they created a new fighting system.
Jantan betina literally means "male-female" and is the Malay concept of opposites. It also refers to the concept of relativity wherein hard is only harder than something that is softer but is softer than something that is harder. Jantan is represented by hard, fierce, fast actions while betina is slow, subtle and soft. The two opposing forces are dynamic – never in perfect balance but constantly changing from one into the other by leading or following, forcing or flowing. In silat practice, this means that one force must be met with its opposite. A strong attack may be defended with a soft, evasive response but heavy and powerful actions might be useful against a yielding, subtler opponent. For this reason, fighters must be able to instantly change from strong to gentle. Jantan and betina must also complement each other so that, for example, when the dominant hand is high the other is low or when one palm faces up the other faces down, etc.
According to Malay metaphysical theory, which borrows heavily from Vedic Hindu concepts, the universe is composed of five elements (panchabuta): fire, earth, water, wind and the intangible fifth element of angkasa (space or ether). The body is a miniature of the cosmos with each element corresponding to one of the body's functions. Water is blood and the bodily fluids; fire is the senses of sight and hearing; earth is the flesh, muscle and bone while wind is the respiratory system. Training the four elements is believed to bring practitioners into alignment with the cosmos. This begins by focusing on one or all of the elements in turn during meditation. Hand position varies depending on the element but all are done either in the half lotus or preferably the full lotus position. Element meditation is followed by a string of freestyle techniques reflecting the four elements, performed either seated or while standing. Each element can be explored in infinite manifestations. For example, wind might be a gentle breeze or a tornado. However, the elements tend to be identified with certain qualities. Fire techniques are fast with sudden twists and changes of height. Wind involves jumping movements and acrobatic leaps. Earth is expressed through solid stances and strong attacks. Soft and fluid moves represent water.
Forms which are performed solo are called tari while those done with a partner are called silat pulut. Such training allows for the learning of various techniques and applications without having to teach set moves.
Having been founded by ascetics, silat is closely tied to Hindu-Buddhist philosophy and legend. As with other Southeast Asian martial arts, Silat Pattani contains sets based on characters from the Ramayana (Malay:Hikayat Seri Rama, Thai:Ramakien). Called Tari Ramayana, these forms require the practitioner to not only mimic the characters' movements but their mannerisms as well. Three figures are of particular importance in Silat Pattani.
Seri Rama : Imitates Rama shooting an arrow, searching for it and then retrieving it. This set is characterised by a straight back and confident movements in imitation of Rama's regal bearing. It is often recommended for improving the posture of students who are prone to hunching too much.
Sita Dewi : Mimics Sita's coyness and femininity. The specialty of this form is a technique where the thumb touches the first two fingers which can be used to block and parry as well as attack. Movements are short and economical, allowing for easy retreat. Attacks are aimed at the vital points. Sita's style is epitomised by the kerambit, a claw-like knife that Malay women would wear in their hair.
Hanuman : The monkey king Hanuman is famous for his strength. This set is unpredictable and combines agile leaping escapes with attacks that are both hard and fast. Hanuman's weapon is the gedak (mace).
One teaching states that a silat Pattani practitioner should have the agility of a deer, the strength of a tiger and the mystic abilities of a dragon. Before starting this training, practitioners assume the proper frame of mind by performing movements that embody the respective animal. Silat Pattani contains six animal sets which can be done empty-handed or with weapons. Some animals are emulated in more than one form.
English | Kelantan Malay | |
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Deer | Ruso | The most basic animal form. Used for leaping into or out of attack. |
Monkey | Kero/Beruk | Follows the speed, agility and spontaneity of a monkey. |
Snake | Ular | Features both hard and soft techniques, sometimes practiced with blades to represent fangs. |
Bird | Burung | Includes eagle (hele), fighter cock (aye nyabung) and crane (bangau) styles. |
Tiger | Rima | Students first learn the limping tiger form named Tok Che Po before progressing to the tiger set proper, which must begin and end with meditation to control the animal's power. |
Dragon | Nago | The most advanced animal set. Uses limbs to lock the opponent, mimicking a dragon wrapping its body around an adversary. |
Practitioners begin weapon training after they've learned the fundamentals of empty handed fighting. The stick, machete, sarong, spear and kris are the five basic weapons. Unlike later silat styles which favour the kris as their main weapon, it is regarded as the least useful weapon in silat Pattani and is therefore taught last.
The Ramayana, also known as Valmiki Ramayana, as traditionally attributed to Valmiki, is a smriti text from ancient India, one of the two important epics of Hinduism known as the Itihasas, the other being the Mahabharata. The epic narrates the life of Rama, the seventh avatar of the Hindu deity Vishnu, who is a prince of Ayodhya in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya along with Sita to be crowned king amidst jubilation and celebration.
Hanuman, also known as Maruti, Bajrangabali, and Anjaneya, is a deity in Hinduism, revered as a divine vanara, and a devoted companion of the deity Rama. Central to the Ramayana, Hanuman is celebrated for his unwavering devotion to Rama and is considered a chiranjivi. He is traditionally believed to be the spiritual offspring of the wind deity Vayu, who is said to have played a significant role in his birth. In Shaiva tradition, he is regarded to be an incarnation of Shiva, while in most of the Vaishnava traditions he is the son and incarnation of Vayu. His tales are recounted not only in the Ramayana but also in the Mahabharata and various Puranas.
Silat Melayu, also known as Seni Persilatan Melayu or simply Silat, is a combative art of self-defence from the Malay world, that employs langkah ('steps') and jurus ('movements') to ward off or to strike assaults, either with or without weapons. Silat traced its origin to the early days of Malay civilisation, and has since developed into a fine tradition of physical and spiritual training that embodies aspects of traditional Malay attire, performing art and adat. The philosophical foundation of modern Malay Silat is largely based on the Islamic spirituality. Its moves and shapes are rooted from the basis of Silat movements called Bunga Silat, and Silat performances are normally accompanied with Malay drum assembles.
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PataniDarussalam is a historical region and sultanate in the Malay Peninsula. It includes the southern Thai provinces of Pattani, Yala (Jala), Narathiwat (Menara), and parts of Songkhla (Singgora). Its capital was the town of Patani.
The karambit or kerambit, kurambik or karambiak is a small curved knife resembling a claw, associated with the Malays in Minangkabau of West Sumatra, Indonesia. The karambit is one of the weapons commonly used in pencak silat and Filipino martial arts.
The Ramakien is one of Thailand's national epics. It is a Thai version of the ancient Indian epic Ramayana, and an important part of the Thai literary canon.
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Mandodari was the queen consort of Ravana, the king of Lanka, according to the Hindu epic Ramayana. The Ramayana describes her as beautiful, pious, and righteous. She is extolled as one of the Panchakanya, the recital of whose names is believed to dispel sin.
Sita, also known as Siya, Janaki and Maithili, is a Hindu goddess and the female protagonist of the Hindu epic Ramayana. Sita is the consort of Rama, the avatar of god Vishnu, and is regarded as an avatar of goddess Lakshmi. She is the chief goddess of the Ramanandi Sampradaya and is the goddess of beauty and devotion. Sita's birthday is celebrated every year on the occasion of Sita Navami.
Yama Zatdaw, unofficially Myanmar's national epic, is the Burmese version of the Ramayana and Dasaratha Jataka. There are nine known pieces of the Yama Zatdaw in Myanmar. The Burmese name for the story itself is Yamayana, while zatdaw refers to the acted play or being part of jataka tales of Theravada Buddhism.
Pencak silat is an umbrella term for a class of related Indonesian martial arts. In neighbouring countries, the term usually refers to professional competitive silat. It is a full-body fighting form incorporating strikes, grappling, and throwing, in addition to weaponry. Every part of the body is used and subject to attack. Pencak silat was practiced not only for physical defense but also for psychological ends. There are hundreds of different pencak silat styles and schools which tend to focus either on strikes, joint manipulation, weaponry, or some combination thereof.
Hikayat Seri Rama is the Malay literary adaptation of the Hindu Ramayana epic in the form of a hikayat. The main story remains the same as the original Sanskrit version but some aspects of it were slightly modified to a local context such as the spelling and pronunciation of names. Numerous branch stories had also been developed as accretions to or extensions of this epic with the upgrading of minor characters to major ones, or the invention of totally new characters. For example, Malay writers and storytellers have produced variations in which Laksmana (Lakshman) plays a larger role, sometimes becoming more important than Rama the elder prince much like the Lao Phra Lak Phra Lam. Rama, although righteous and virtuous, was perceived to be weak and his character is often moved to the background while the younger Laksmana is admired for his courage and willingness to react decisively.
Seni Gayong is a style of silat from Malaysia. It was the first martial arts association to be registered in the country, and is now the biggest and most internationally known Malaysian silat discipline. Gayong is overseen by the Pertubuhan Silat Seni Gayong Malaysia (PSSGM) or the Malaysian Silat Seni Gayong Organisation. This organisation is currently led by Dato' Ismail Jantan. While it is most popular in Malaysia and Singapore, there are also branches in Vietnam, Australia, France, Kuwait, Tunisia, Britain, and the United States.
Silat is the collective term for a class of martial arts from the Nusantara and surrounding geocultural areas of Southeast Asia. It is traditionally practised in Brunei, Indonesia, Malaysia, Singapore, Southern Thailand, Southern Philippines and Southern Vietnam. There are hundreds of different styles (aliran) and schools (perguruan) which tend to focus either on strikes, joint manipulation, weaponry, or some combination thereof.
Virādha is minor character from the Aranya Kanda of the Ramayana. He is a rakshasa living in Dandaka forest who briefly kidnaps Sita in an episode that has been described as "strongly [prefiguring Sita's] later abduction by Ravana, the central event of the book and the pivotal event of the epic." Rama and Lakshmana begin to battle the monster, but though they shoot it with many arrows, the arrows pass straight through him and leave him unharmed.
The monster reveals that he has a boon from Brahma which makes him invincible to weapons. So, the brothers kill the rakshasa by first breaking his arms, then burying him alive in a grave. When the monster's arms are broken, he begins to praise the brothers for liberating him: he had, in a previous life, been a celestial being named Tumburu, and had been cursed by Kubera to live as a fearsome monster until he be killed by Rama. The brothers bury him, and he apparently goes back to his former celestial abode.
Listed here are the weapons of pencak silat. The most common are the machete, staff, kris, sickle, spear, and kerambit. Because Southeast Asian society was traditionally based around agriculture, many of these weapons were originally farming tools.
Trijata is a rakshasi (demoness) in the Hindu epic Ramayana who is assigned the duty of guarding Sita who was kidnapped by the demon-king of Lanka Ravana. In later adaptions of Ramayana, Trijata is described as a daughter of Vibhishana, the brother of Ravana.