A funeral is a ceremony connected with the final disposition of a corpse, such as a burial or cremation, with the attendant observances. Funerary customs comprise the complex of beliefs and practices used by a culture to remember and respect the dead, from interment, to various monuments, prayers, and rituals undertaken in their honour. Customs vary between cultures and religious groups. Funerals have both normative and legal components. Common secular motivations for funerals include mourning the deceased, celebrating their life, and offering support and sympathy to the bereaved; additionally, funerals may have religious aspects that are intended to help the soul of the deceased reach the afterlife, resurrection or reincarnation.
Death (XIII) is the 13th trump or Major Arcana card in most traditional tarot decks. It is used in tarot card games as well as in divination. The card typically depicts the Grim Reaper, and when used for divination is often interpreted as signifying major changes in a person's life.
Jolly Roger is the traditional English name for the ensign flown to identify a pirate ship preceding or during an attack, during the early 18th century. The vast majority of such flags flew the motif of a human skull, or “Death's Head”, often accompanied by other elements, on a black field, sometimes called the “Death's Head flag” or just the “black flag”.
A wreath is an assortment of flowers, leaves, fruits, twigs, or various materials that is constructed to form a ring shape.
A skeleton is a type of physically manifested undead often found in fantasy, gothic, and horror fiction, as well as mythology, folklore, and various kinds of art. Most are human skeletons, but they can also be from any creature or race found on Earth or in the fantasy world.
Memento mori is an artistic or symbolic trope acting as a reminder of the inevitability of death. The concept has its roots in the philosophers of classical antiquity and Christianity, and appeared in funerary art and architecture from the medieval period onwards.
Buddhist symbolism is the use of symbols to represent certain aspects of the Buddha's Dharma (teaching). Early Buddhist symbols which remain important today include the Dharma wheel, the Indian lotus, the three jewels and the Bodhi tree.
A skull and crossbones is a symbol consisting of a human skull and two long bones crossed together under or behind the skull. The design originated in the Late Middle Ages as a symbol of death and especially as a memento mori on tombstones.
Totenkopf is the German word for skull. The word is often used to denote a figurative, graphic or sculptural symbol, common in Western culture, consisting of the representation of a human skull – usually frontal, more rarely in profile with or without the mandible. In some cases, other human skeletal parts may be added, often including two crossed long bones (femurs) depicted below or behind the skull. The human skull is an internationally used symbol for death, the defiance of death, danger, or the dead, as well as piracy or toxicity.
Preta, also known as hungry ghost, is the Sanskrit name for a type of supernatural being described in Hinduism, Buddhism, Taoism, and Chinese folk religion as undergoing suffering greater than that of humans, particularly an extreme level of hunger and thirst. They have their origins in Indian religions and have been adopted into East Asian religions via the spread of Buddhism. Preta is often translated into English as "hungry ghost" from the Chinese and East Asian adaptations. In early sources such as the Petavatthu, they are much more varied. The descriptions below apply mainly in this narrower context. The development of the concept of the preta started with just thinking that it was the soul and ghost of a person once they died, but later the concept developed into a transient state between death and obtaining karmic reincarnation in accordance with the person's fate. In order to pass into the cycle of karmic reincarnation, the deceased's family must engage in a variety of rituals and offerings to guide the suffering spirit into its next life. If the family does not engage in these funerary rites, which last for one year, the soul could remain suffering as a preta for the rest of eternity.
A calavera, in the context of the Day of the Dead, is a representation of a human skull or skeleton. The term is often applied to edible or decorative skulls made from either sugar or clay, used in the Mexican celebration of the Day of the Dead and the Roman Catholic holiday All Souls' Day. Calavera can also refer to any artistic representations of skulls or skeletons, such as those in the prints of José Guadalupe Posada, or to gifts or treats in relation to the Day of the Dead. Some widely known calaveras are created with cane sugar, decorated with items such as colored foil, icing, beads, and sometimes objects such as feathers. They range in multiple colors.
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs, tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living.
Personifications of death are found in many religions and mythologies. In some mythologies, a character known as the Grim Reaper causes the victim's death by coming to collect that person's soul. Other beliefs hold that the spectre of death is only a psychopomp, a benevolent figure who serves to gently sever the last ties between the soul and the body, and to guide the deceased to the afterlife, without having any control over when or how the victim dies. Death is most often personified in male form, although in certain cultures death is perceived as female. Death is also portrayed as one of the Four Horsemen of the Apocalypse. Most claims of its appearance occur in states of near-death.
The skull and crossbones was a common fraternal motif as a symbol of mortality and warning in the late nineteenth and early twentieth centuries. The symbol was adopted, for various reasons, by many sporting teams, clubs, and societies in both America and Europe.
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures and even within the same culture in different time periods. The same color may have very different associations within the same culture at any time. Diversity in color symbolism occurs because color meanings and symbolism occur on an individual, cultural and universal basis. Color symbolism is also context-dependent and influenced by changes over time. Symbolic representations of religious concepts or articles may include a specific color with which the concept or object is associated.
Skull symbolism is the attachment of symbolic meaning to the human skull. The most common symbolic use of the skull is as a representation of death.
Terrorism, in some of its definitions, serves to communicate a message from terrorists to a target audience (TA). By extension, symbols play an important role in such communication, through graphics that the organizations use to represent themselves, as well as the meaning and significance behind their choice of targets.
Within the context of Freemasonry, the Chamber of Reflection, often abbreviated as C.O.R., and alternatively known as the Room of Reflection, Reflection Cabinet, or Meditation Cabinet, plays a pivotal role in the initiation process. This chamber serves as a dedicated space where a critical component of the initiation ritual unfolds, prompting the candidate to undergo a period of isolation designed to foster introspection and self-examination. The experience within the Chamber of Reflection is enriched by the presence of symbolic objects and thought-provoking phrases, which may exhibit minor variations across different Masonic rites and traditions.
The Cadaver Tomb of René of Chalon is a late Gothic period cadaver monument (transi) in the church of Saint-Étienne at Bar-le-Duc, in northeastern France. It consists of an altarpiece and a limestone statue of a putrefied and skinless corpse which stands upright and extends his left hand outwards. Completed sometime between 1544 and 1557, the majority of its construction is attributed to the French sculptor Ligier Richier. Other elements, including the coat of arms and funeral drapery, were added in the 16th and 18th centuries respectively.
