The Tiger, the Brahmin and the Jackal is a popular Indian folklore with a long history and many variants. The earliest record of the folklore was included in the Panchatantra, which dates the story between 200 BCE and 300 CE.
Mary Frere included a version in her 1868 collection of Indian folktales, Old Deccan Days, [1] the first collection of Indian folktales in English. [2] A version was also included in Joseph Jacobs' collection Indian Fairy Tales. [3]
A Brahmin (a member of the priesthood class) passes a tiger in a trap. The tiger pleads for his release, promising not to eat the Brahmin. The Brahmin sets him free but no sooner is the tiger out of the cage then he says he is going to eat the Brahmin, going back on his promise. The Brahmin is horrified and tells the tiger how unjust he is. They agree to ask the first three things they encounter to judge between them. The first thing they encounter is a tree, who, having suffered at the hands of humans, answers that the tiger should eat the Brahmin. Next a buffalo, exploited and mistreated by humans, agrees it is only just that the Brahmin should be eaten. Finally they meet a jackal who, sympathetic to the Brahmin's plight, at first feigns incomprehension of what has happened and asks to see the trap. Once there he claims he still doesn't understand. The tiger gets back in the trap to demonstrate and the jackal quickly shuts him in, suggesting to the Brahmin that they leave matters thus.
There are more than a hundred versions of this tale [4] spread across the world. In some the released animal is a crocodile, in some a snake, [5] a tiger [6] and in others a wolf.
Folklorist Joseph Jacobs stated that the tale can be found in early Indian sources. [7] Some variants are very old, going back at least to the Panchatantra or Fables of Bidpai [ citation needed ] and the Jataka tales. In Europe, it appeared some 900 years ago in the Disciplina Clericalis of Petrus Alphonsi, and later in the Gesta Romanorum and in the Directorium Vitae Humanae of John of Capua. [8]
There are also modern illustrated versions of the tale, such as The Tiger, the Brahmin & the Jackal [9] illustrated by David Kennett and The Tiger and the Brahmin [10] illustrated by Kurt Vargo. Rabbit Ears Productions produced a video version of the last book, narrated by Ben Kingsley, with music by Ravi Shankar. [11] The variant by Rabbit Ears Productions alters certain bits of the story, where the Brahmin travels alone to gain the opinion of others. An elephant is included as first of the three things (the latter two being the tree and water buffalo) that the Brahmin encounters.
A Shona version of this folktale was adapted in a popular Zimbabwean folksong Mutongi Gava Maenzanise. The variation is that its a leopard not a tiger and the next creature they see is a cow. [12]
A fairy tale is a short story that belongs to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends and explicit moral tales, including beast fables. Prevalent elements include dragons, dwarfs, elves, fairies, giants, gnomes, goblins, griffins, merfolk, monsters, monarchy, pixies, talking animals, trolls, unicorns, witches, wizards, magic, and enchantments.
The Panchatantra is an ancient Indian collection of interrelated animal fables in Sanskrit verse and prose, arranged within a frame story. The surviving work is dated to about 300 CE, but the fables are likely much more ancient. The text's author is unknown, but it has been attributed to Vishnu Sharma in some recensions and Vasubhaga in others, both of which may be fictitious pen names. It is likely a Hindu text, and based on older oral traditions with "animal fables that are as old as we are able to imagine".
A teaching story is a narrative that has been deliberately created as a vehicle for the transmission of wisdom. The practice has been used in a number of religious and other traditions, though writer Idries Shah's use of it was in the context of Sufi teaching and learning, within which this body of material has been described as the "most valuable of the treasures in the human heritage". The range of teaching stories is enormous, including anecdotes, accounts of meetings between teachers and pupils, biographies, myths, fairy tales, fables and jokes. Such stories frequently have a long life beyond the initial teaching situation and have contributed vastly to the world's store of folklore and literature.
"Snow-White and Rose-Red" is a German fairy tale. The best-known version is the one collected by the Brothers Grimm in 1837 in the third edition of their collection Grimm's Fairy Tales. It was first published by Wilhelm Grimm in 1827 in Wilhelm Hauff's Märchen-Almanach. An older, somewhat shorter version, "The Ungrateful Dwarf", was written by Caroline Stahl (1776–1837). Indeed, that appears to be the oldest variant; no previous oral version is known, although several have been collected since its publication in 1818. Oral versions are very limited regionally. The tale is of Aarne-Thompson type 426.
The Tar-Baby is the second of the Uncle Remus stories published in 1881; it is about a doll made of tar and turpentine used by the villainous Br'er Fox to entrap Br'er Rabbit. The more that Br'er Rabbit fights the Tar-Baby, the more entangled he becomes.
"The Frog Prince; or, Iron Henry" is a German fairy tale collected by the Brothers Grimm and published in 1812 in Grimm's Fairy Tales. Traditionally, it is the first story in their folktale collection. The tale is classified as Aarne-Thompson type 440.
The Aarne–Thompson–Uther Index is a catalogue of folktale types used in folklore studies. The ATU index is the product of a series of revisions and expansions by an international group of scholars: Originally published in German by Finnish folklorist Antti Aarne (1910), the index was translated into English, revised, and expanded by American folklorist Stith Thompson, and later further revised and expanded by German folklorist Hans-Jörg Uther (2004). The ATU index is an essential tool for folklorists, used along with the Thompson (1932)Motif-Index of Folk-Literature.
The Deer without a Heart is an ancient fable, attributed to Aesop in Europe and numbered 336 in the Perry Index. It involves a deer who was twice persuaded by a wily fox to visit the ailing lion. After the lion had killed it, the fox stole and ate the deer's heart. When asked where it is, the fox reasoned that an animal so foolish as to visit a lion in his den cannot have had one, an argument that reflects the ancient belief that the heart was the seat of thoughts and intellect. The story is catalogued as type 52 in the Aarne-Thompson classification system.
The Blue Light is a Brothers Grimm fairy tale about a soldier who finds a magical object that provides him a supernatural helper. Many of the features from Hans Christian Andersen's later work The Tinderbox and from the story of Aladdin and his magic lamp originate with this version. Other tales of this type include The Three Dogs and The Tinderbox.
"Trusty John", "Faithful John", "Faithful Johannes", or "John the True" is a German fairy tale collected by the Brothers Grimm and published in Grimm's Fairy Tales in 1819. Andrew Lang included it in The Blue Fairy Book.
The Snake Prince is an Indian fairy tale, a Punjabi story collected by Major Campbell in Feroshepore. Andrew Lang included it in The Olive Fairy Book (1907).
"The King of the Golden Mountain" is a German fairy tale collected by the Brothers Grimm in Grimm's Fairy Tales.
Grateful dead is both a motif and a group of related folktales present in many cultures throughout the world.
The Tortoise and the Birds is a fable of probable folk origin, early versions of which are found in both India and Greece. There are also African variants. The moral lessons to be learned from these differ and depend on the context in which they are told.
In a cumulative tale, sometimes also called a chain tale, action or dialogue repeats and builds up in some way as the tale progresses. With only the sparest of plots, these tales often depend upon repetition and rhythm for their effect, and can require a skilled storyteller to negotiate their tongue-twisting repetitions in performance. The climax is sometimes abrupt and sobering as in "The Gingerbread Man." The device often takes the form of a cumulative song or nursery rhyme. Many cumulative tales feature a series of animals or forces of nature each more powerful than the last.
"Puss in Boots" is a European fairy tale about an anthropomorphic cat who uses trickery and deceit to gain power, wealth, and the hand in marriage of a princess for his penniless and low-born master.
The Brahmin and the Mongoose is a folktale from India, and "one of the world's most travelled tales". It describes the rash killing of a loyal animal, and thus warns against hasty action. The story underlies certain legends in the West, such as that of Llywelyn and his dog Gelert in Wales, or that of Saint Guinefort in France. It is classified as Aarne-Thompson type 178A.
The Mouse Turned into a Maid is an ancient fable of Indian origin that travelled westwards to Europe during the Middle Ages and also exists in the Far East. The story is Aarne-Thompson type 2031C in his list of cumulative tales, another example of which is The Husband of the Rat's Daughter. It concerns a search for a partner through a succession of more powerful forces, resolved only by choosing an equal.
"The Three Snake-Leaves" is a German fairy tale collected by the Brothers Grimm, tale number 16. It is Aarne-Thompson type 612, "The Three Snake-Leaves".
In folkloristics, "The Animal as Bridegroom" refers to a group of folk and fairy tales about a human woman marrying or being betrothed to an animal. The animal is revealed to be a human prince in disguise or under a curse. Most of these tales are grouped in the international system of Aarne-Thompson-Uther Index under type ATU 425, "The Search for the Lost Husband". Some subtypes exist in the international classification as independent stories, but they sometimes do not adhere to a fixed typing.
