"The Tortoise and the Hare" is one of Aesop's Fables and is numbered 226 in the Perry Index. [1] The account of a race between unequal partners has attracted conflicting interpretations. The fable itself is a variant of a common folktale theme in which ingenuity and trickery (rather than doggedness) are employed to overcome a stronger opponent.
The story concerns a Hare who ridicules a slow-moving Tortoise. Tired of the Hare's arrogant behaviour, the Tortoise challenges him to a race. [2] The hare soon leaves the tortoise behind and, confident of winning, takes a nap midway through the race. When the Hare awakes, however, he finds that his competitor, crawling slowly but steadily, has arrived before him. The later version of the story in La Fontaine's Fables (VI.10), while more long-winded, differs hardly at all from Aesop's. [3]
As in several other fables by Aesop, the lesson it is teaching appears ambiguous. In Classical times, it was not the Tortoise's plucky conduct in taking on a bully that was emphasised but the Hare's foolish over-confidence. An old Greek source comments that 'many people have good natural abilities which are ruined by idleness; on the other hand, sobriety, zeal and perseverance can prevail over indolence'. [4]
When the fable entered the European emblem tradition, the precept to 'hasten slowly' ( festina lente ) was recommended to lovers by Otto van Veen in his Emblemata Amorum (1608), using a relation of the story. There the infant figure of Eros is shown passing through a landscape and pointing to the tortoise as it overtakes the sleeping hare under the motto "perseverance winneth." [5] Later interpreters too have asserted that the fable's moral is the proverbial 'the more haste, the worse speed' (Samuel Croxall) or have applied to it the biblical observation that 'the race is not to the swift' (Ecclesiastes 9.11).
In the 19th century the fable was given satirical interpretations. In the social commentary of Charles H. Bennett's The Fables of Aesop translated into Human Nature (1857), the hare is changed to a thoughtful craftsman prostrate under the foot of a capitalist entrepreneur. [6] Lord Dunsany brings out another view in his "The True History of the Tortoise and the Hare" (1915). There the hare realises the stupidity of the challenge and refuses to proceed any further. The obstinate tortoise continues to the finishing line and is proclaimed the swiftest by his backers. But, continues Dunsany,
A century later Vikram Seth broadened the satire in his verse retelling of the fable in Beastly Tales (1991) and had it both ways. There is nothing to recommend in the behaviour of either protagonist by way of a moral. While the Tortoise's victory bolsters its joyless self-righteousness, the hare-brained loser is taken up by the media and "pampered rotten/ And the tortoise was forgotten". [8]
In Classical times the story was annexed to a philosophical problem by Zeno of Elea in one of many demonstrations that movement is impossible to define satisfactorily. The second of Zeno's paradoxes is that of Achilles and the Tortoise, in which the hero gives the Tortoise a head start in a race. The argument attempts to show that even though Achilles runs faster than the Tortoise, he will never catch up with her because, when Achilles reaches the point at which the Tortoise started, the Tortoise has advanced some distance beyond; when Achilles arrives at the point where the Tortoise was when Achilles arrived at the point where the Tortoise started, the Tortoise has again moved forward. Hence Achilles can never catch the Tortoise, no matter how fast he runs, since the Tortoise will always be moving ahead. [9] [10]
The only satisfactory refutation has been mathematical and since then the name of the fable has been applied to the function described in Zeno's paradox. In mathematics and computer science, the tortoise and the hare algorithm is an alternative name for Floyd's cycle-finding algorithm.
There is a Greek version of the fable but no early Latin version. For this reason it did not begin to appear in printed editions of Aesop's fables until the 16th century, one of the earliest being Bernard Salomon's Les Fables d'Esope Phrygien, mises en Ryme Francoise (1547). [11] Versions followed from the Netherlands (in Dutch, 1567) and Flanders (in French, 1578) [12] but none in English before Francis Barlow's edition of 1667. [13]
Among the many illustrations of the fable, that by the French caricaturist Jean Grandville is novel in portraying the tortoise as running upright. This is also how he is shown in the Walt Disney cartoon version of "The Tortoise and the Hare" (1935). [14] Another departure from the ordinary in Grandville's etching is the choice of a mole (complete with dark glasses) rather than, as usual, a fox as the judge at the finishing line. Auguste Delierre makes the judge a monkey in the 1883 edition of La Fontaine's fables that he illustrated. [15] [16] La Fontaine says in his rhyme that it does not matter who the judge is; his interpreters have taken him at his word.
Outside of book production, there is an early 17th-century oil painting of the fable by the Flemish landscape artist Jan Wildens. [17] The hare enters on the left, racing over an upland road as dawn breaks; the tortoise is nowhere in sight. In the mid-19th century, the French animal painter Philibert Léon Couturier also devoted an oil painting to the fable in which, as in Grandville's illustration, the tortoise is shown racing upright. [18] In Edward Bawden's composite design of 1970 the hare is depicted racing and lying down at various stages of the race while, in contrast to his sprightly rival, the tortoise keeps going. [19]
There have also been two pieces of popular sculpture aimed at children. Nancy Schön's was made to commemorate the centenary of the Boston Marathon in 1996 and is sited in Copley Square, the finishing line for the race. [20] The tortoise is shown determinedly stumping forward while the hare has paused to scratch behind its ear. In the following year a painted steel sculpture by Michael Browne and Stuart Smith was set up near the cross-country finish line at Van Cortlandt Park in the Bronx. [21] The hare is mounted on the tortoise's shell and appears to be trying to leap over him.
The fable has also appeared on stamps from several countries. These include:
Many allusions to the fable in musical titles are of limited or no relevance, but two interpretive instrumental versions may be noted. The one by Yellowjackets jazz quartet was recorded on their Politics album in 1988. [32] The Anglo-Irish band Flook's title is on their Haven album (2005). [33]
There have also been several verbal settings of Aesop's fable:
The many other variants of the story in oral folk tradition appear worldwide and are classed as Aarne-Thompson-Uther type 275. [42] In most of these there is a race between unequal partners but most often brain is matched against brawn and the race is won by means of trickery. Broadly this is of two types: either the slower animal jumps on the other's back or tail and hops off at the end when the creature turns round to see where his challenger has got to, or else he is deceived by lookalikes substituting themselves along the course.
Tales with a similar theme emphasizing doggedness have been recorded in Native American culture. Hummingbird and Crane agree to race from one ocean to the other. Though Hummingbird flies faster, he stops at night to sleep. Crane, however, flies overnight and is overtaken by Hummingbird later and later during the day, at length coming in first. The ultimate prize differs between versions and includes choice of habitat, the love of a girl, or the right to cut the other down to size. [43]
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Of diverse origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers and in popular as well as artistic media.
The Fox and the Grapes is one of Aesop's Fables, numbered 15 in the Perry Index. The narration is concise and subsequent retellings have often been equally so. The story concerns a fox that tries to eat grapes from a vine but cannot reach them. Rather than admit defeat, he states they are undesirable. The expression "sour grapes" originated from this fable.
The Frog and the Ox appears among Aesop's Fables and is numbered 376 in the Perry Index. The story concerns a frog that tries to inflate itself to the size of an ox, but bursts in the attempt. It has usually been applied to socio-economic relations.
The Ant and the Grasshopper, alternatively titled The Grasshopper and the Ant, is one of Aesop's Fables, numbered 373 in the Perry Index. The fable describes how a hungry grasshopper begs for food from an ant when winter comes and is refused. The situation sums up moral lessons about the virtues of hard work and planning for the future.
The North Wind and the Sun is one of Aesop's Fables. It is type 298 in the Aarne–Thompson folktale classification. The moral it teaches about the superiority of persuasion over force has made the story widely known. It has also become a chosen text for phonetic transcriptions.
"The Town Mouse and the Country Mouse" is one of Aesop's Fables. It is number 352 in the Perry Index and type 112 in Aarne–Thompson's folk tale index. Like several other elements in Aesop's fables, "town mouse and country mouse" has become an English idiom.
"The Goose that Laid the Golden Eggs" is one of Aesop's Fables, numbered 87 in the Perry Index, a story that also has a number of Eastern analogues. Many other stories contain geese that lay golden eggs, though certain versions change them for hens or other birds that lay golden eggs. The tale has given rise to the idiom 'killing the goose that lays the golden eggs', which refers to the short-sighted destruction of a valuable resource, or to an unprofitable action motivated by greed.
Belling the Cat is a fable also known under the titles The Bell and the Cat and The Mice in Council. In the story, a group of mice agree to attach a bell to a cat's neck to warn of its approach in the future, but they fail to find a volunteer to perform the job. The term has become an idiom describing a group agreeing to perform an impossibly difficult task.
The Fox and the Crow is one of Aesop's Fables, numbered 124 in the Perry Index. There are early Latin and Greek versions and the fable may even have been portrayed on an ancient Greek vase. The story is used as a warning against listening to flattery.
The Tortoise and the Birds is a fable of probable folk origin, early versions of which are found in both India and Greece. There are also African variants. The moral lessons to be learned from these differ and depend on the context in which they are told.
The Cock and the Jewel is a fable attributed to Aesop and is numbered 503 in the Perry Index. As a trope in literature, the fable is reminiscent of stories used in Zen such as the kōan. It presents, in effect, a riddle on relative values and is capable of different interpretations, depending on the point of view from which it is regarded.
The Milkmaid and Her Pail is a folktale of Aarne-Thompson-Uther type 1430 about interrupted daydreams of wealth and fame. Ancient tales of this type exist in the East but Western variants are not found before the Middle Ages. It was only in the 18th century that the story about the daydreaming milkmaid began to be attributed to Aesop, although it was included in none of the main collections and does not appear in the Perry Index. In more recent times, the fable has been variously treated by artists and set by musicians.
The Wolf and the Lamb is a well-known fable of Aesop and is numbered 155 in the Perry Index. There are several variant stories of tyrannical injustice in which a victim is falsely accused and killed despite a reasonable defence.
The Fox and the Stork, also known as The Fox and the Crane, is one of Aesop's fables and is first recorded in the collection of Phaedrus. It is numbered 426 in the Perry Index.
Still waters run deep is a proverb of Latin origin now commonly taken to mean that a placid exterior hides a passionate or subtle nature. Formerly it also carried the warning that silent people are dangerous, as in Suffolk's comment on a fellow lord in William Shakespeare's play Henry VI part 2:
The Man with Two Mistresses is one of Aesop's Fables that deals directly with human foibles. It is numbered 31 in the Perry Index.
The Dove and the Ant is a story about the reward of compassionate behaviour. Included among Aesop's Fables, it is numbered 235 in the Perry Index.
The Heron and the Fish is a situational fable constructed to illustrate the moral that one should not be over-fastidious in making choices since, as the ancient proverb proposes, 'He that will not when he may, when he will he shall have nay'. Of ancient but uncertain origin, it gained popularity after appearing among La Fontaine's Fables.
The situation of the Eagle Wounded by an Arrow vaned with its own feathers is referred to in several ancient Greek sources and is listed as fable 276 in the Perry Index. It is generally applied to the misery of realising that one has contributed to one's own injury but also as a warning against self-reliant pride.
The Tortoise & the Hare is a 2013 wordless picture book of Aesop's classic fable and is illustrated by Jerry Pinkney. It is about a tortoise and a hare that compete in a foot race with the tortoise surprisingly winning.
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