Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Of varied and unclear origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers and in popular as well as artistic media.
The Boy Who Cried Wolf is one of Aesop's Fables, numbered 210 in the Perry Index. From it is derived the English idiom "to cry wolf", defined as "to give a false alarm" in Brewer's Dictionary of Phrase and Fable and glossed by the Oxford English Dictionary as meaning to make false claims, with the result that subsequent true claims are disbelieved.
The story and metaphor of The Dog in the Manger derives from an old Greek fable which has been transmitted in several different versions. Interpreted variously over the centuries, the metaphor is now used to speak of one who spitefully prevents others from having something for which one has no use. Although the story was ascribed to Aesop's Fables in the 15th century, there is no ancient source that does so.
The Miser and his Gold is one of Aesop's Fables that deals directly with human weaknesses, in this case the wrong use of possessions. Since this is a story dealing only with humans, it allows the point to be made directly through the medium of speech rather than be surmised from the situation. It is numbered 225 in the Perry Index.
The Frogs Who Desired a King is one of Aesop's Fables and numbered 44 in the Perry Index. Throughout its history, the story has been given a political application.
A wolf in sheep's clothing is an idiom from Jesus's Sermon on the Mount as narrated in the Gospel of Matthew. It warns against individuals who play a duplicitous role. The gospel regards such individuals as dangerous.
The Lion and the Mouse is one of Aesop's Fables, numbered 150 in the Perry Index. There are also Eastern variants of the story, all of which demonstrate mutual dependence regardless of size or status. In the Renaissance the fable was provided with a sequel condemning social ambition.
The Dog and Its Reflection is one of Aesop's Fables and is numbered 133 in the Perry Index. The Greek language original was retold in Latin and in this way was spread across Europe, teaching the lesson to be contented with what one has and not to relinquish substance for shadow. There also exist Indian variants of the story. The morals at the end of the fable have provided both English and French with proverbs and the story has been applied to a variety of social situations.
Laurentius Abstemius, born Lorenzo Bevilaqua, was an Italian writer and professor of philology, born at Macerata Feltria; his learned name Abstemius, literally "abstemious", plays on his family name of Bevilaqua ("drinkwater"). A Neo-Latin writer of considerable talents at the time of the Humanist revival of letters, his first published works appeared in the 1470s and were distinguished by minute scholarship. During that decade he moved to Urbino and became ducal librarian, although he was to move between there and other parts of Italy thereafter as a teacher.
The Bear and the Travelers is a fable attributed to Aesop and is number 65 in the Perry Index. It was expanded and given a new meaning in mediaeval times.
The Wolf and the Lamb is a well-known fable of Aesop and is numbered 155 in the Perry Index. There are several variant stories of tyrannical injustice in which a victim is falsely accused and killed despite a reasonable defence.
The Walnut Tree is one of Aesop's fables and numbered 250 in the Perry Index. It later served as a base for a misogynistic proverb, which encourages the violence against walnut trees, asses and women.
The Fox and the Lion is one of Aesop's Fables and represents a comedy of manners. It is number 10 in the Perry Index.
The Trees and the Bramble is a composite title which covers a number of fables of similar tendency, ultimately deriving from a Western Asian literary tradition of debate poems between two contenders. Other related plant fables include The Oak and the Reed and The Fir and the Bramble.
The Gourd and the Palm-tree is a rare fable of West Asian origin that was first recorded in Europe in the Middle Ages. In the Renaissance a variant appeared in which a pine took the palm-tree's place and the story was occasionally counted as one of Aesop's Fables.
The Crow or Raven and the Snake or Serpent is one of Aesop's Fables and numbered 128 in the Perry Index. Alternative Greek versions exist and two of these were adopted during the European Renaissance. The fable is not to be confused with the story of this title in the Panchatantra, which is completely different.
The title of The Woodcutter and the Trees covers a complex of fables that are of West Asian and Greek origins, the latter ascribed to Aesop. All of them concern the need to be wary of harming oneself through misplaced generosity.
There are five fables of ancient Greek origin that deal with the statue of Hermes. All have been classed as burlesques that show disrespect to the god involved and some scepticism concerning the efficacy of religious statues as objects of worship. Statues of Hermes differed according to function and several are referenced in these stories. Only one fable became generally retold in later times, although two others also achieved some currency.
The Bear and the Bees is a fable of North Italian origin that became popular in other countries between the 16th - 19th centuries. There it has often been ascribed to Aesop's fables, although there is no evidence for this and it does not appear in the Perry Index. Various versions have been given different interpretations over time and artistic representations have been common.
The Eagle and the Fox is a fable of friendship betrayed and avenged. Counted as one of Aesop's Fables, it is numbered 1 in the Perry Index. The central situation concerns an eagle that seizes a fox's cubs and bears them off to feed its young. There are then alternative endings to the story, in one of which the fox exacts restitution, while in the other it gains retribution for its injury.
