"Y.M.C.A." | ||||
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Single by Village People | ||||
from the album Cruisin' | ||||
B-side | "The Women" | |||
Released | October 17, 1978 | |||
Recorded | 1978 | |||
Studio | Sigma Sound, New York City | |||
Genre | Disco | |||
Length |
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Label | Casablanca | |||
Songwriter(s) | ||||
Producer(s) | Jacques Morali | |||
Village People singles chronology | ||||
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Music video | ||||
"Y.M.C.A." on YouTube |
"Y.M.C.A." is a song by American disco group Village People, written by Jacques Morali (also the record's producer) and singer Victor Willis [1] and released in October 1978 by Casablanca Records as the only single from their third studio album, Cruisin' (1978). A medley with "Hot Cop" reached No. 2 on the US Billboard Dance Music/Club Play Singles chart, [2] while the song reached No. 2 on the Billboard Hot 100 in early 1979, placing behind both "Le Freak" by Chic and "Da Ya Think I'm Sexy?" by Rod Stewart. [3] After Donald Trump played the song in 2024, 46 years after its release, "Y.M.C.A." spent 3 weeks at No. 1 on the Billboard Dance/Electronic Digital Song Sales chart [4] [5] and peaked at No. 15 on the TikTok Billboard Top 50. [6] Outside the US, "Y.M.C.A." reached No. 1 on the UK Singles Chart around the same time, becoming the group's biggest hit. It has sold 12 million copies worldwide. [7]
The song remains popular and is played at many sporting events in the US and Europe, with crowds joining in on the dance by spelling out the four letters of the song's title via arm movements. "Y.M.C.A." is No. 7 on VH1's list of "The 100 Greatest Dance Songs of the 20th Century". [8] In 2020, "Y.M.C.A." was inducted into the Grammy Hall of Fame [9] and selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". [10] [11] In its official press release, the Library noted that "back in its heyday, 'Y.M.C.A.' was a hit around the world, going to No. 1 on the charts in over 15 countries, and its ongoing popularity is evidence that, despite the naysayers, disco has never truly died." [10]
In the US, the YMCA began building single room occupancy (SRO) facilities in the 1880s to house people from rural areas who moved into cities to look for work. [12] By the 1970s, the typical YMCA tenants were more likely to be homeless people and youth facing life issues, rather than people migrating from rural areas. [12]
Victor Willis, lead singer and lyricist, recalls that while in the studio, producer Jacques Morali asked him, "What exactly is the YMCA?" After Willis explained it to him, he saw the expression on Morali's face and said, "Don't tell me, Jacques, you want to write a song about it?" and they quickly wrote the track for the album Cruisin' . [13] Upon the song's release, the YMCA threatened to sue the band over trademark infringement, but ultimately settled with the composers out of court, later expressing pride regarding the song's purpose as a tribute to the organization. [14]
In 2015, Willis won a legal case against Can't Stop Productions, successfully claiming that he and Morali had written this and other Village People songs together, without any involvement from executive producer Henri Belolo, who was credited on the song's original release. The production company claimed that Belolo had written French lyrics that were then adapted by Willis, but this claim was rejected by the court which ruled that Belolo's name as co-writer should be removed. [15]
Taken at face value, the song's lyrics extol the virtues of the Young Men's Christian Association (YMCA). However, according to some in the gay culture, the song was implicitly understood as celebrating YMCA's reputation as a popular cruising and hookup spot, particularly for the younger men to whom it was addressed. [16] The initial goal of Village People producers Morali and Belolo was to attract disco's gay audience by featuring popular gay fantasy in their music. [17] Although co-creator Morali was gay and the group was initially intended to target gay men, the group became more popular and more mainstream over time. [18]
Willis had said that he wrote the song in Vancouver, British Columbia [19] and, through his publicist, that he did not write "Y.M.C.A." as a gay anthem, [20] but rather as a reflection of the fun activities that young urban black youth experienced at YMCA, such as basketball and swimming. However, Willis has often acknowledged his fondness for double entendre. [21] [22]
In 2024, Willis reiterated his denial that "Y.M.C.A." was a gay anthem and that people needed to "get their minds out of the gutter." While he doesn't mind the song's use as a gay anthem, the "false assumptions were damaging to the song" and further said, "since I wrote the lyrics and ought to know what the lyrics I wrote is really about, come January 2025, my wife will start suing each and every news organization that falsely refers to Y.M.C.A., either in their headlines or alluded to in the base of the story, that Y.M.C.A. is somehow a gay anthem because such notion is based solely on the song’s lyrics alluding to elicit [sic] activity for which it does not”. [23] [24] Willis claimed instead that the passage in the song about “hang[ing] out with all the boys” was “simply 1970s Black slang for Black guys hanging out together for sports, gambling or whatever". Willis also added that “I don’t mind that gays think of YMCA as their anthem.” [25]
In an article for Gothamist, writer Abbey White states the atmosphere of YMCA was "more complicated than the lyrics portray, with gay culture and working-class workouts coexisting in a single communal space", creating "a mix of white-collar and blue-collar residents, along with retired seniors and veterans", with about half of the residents being gay. [26] While the song gives the impression that YMCA SROs in the 1970s had a party atmosphere, Paul Groth states that YMCA SRO units actually had "more supervision of your social life — a kind of management as to how you behaved … [than] in a commercial rooming house, which mostly wanted to make sure the rooms were rented", without monitoring who you brought to your room. [26]
The song, played in the key of G♭ major, begins with 6 bars of a D♭ suspended chord over a bare disco drum beat. This is followed by a brass riff, backed by the constant pulse that typified disco. Many different instruments are used throughout for an overall orchestral feel, another disco convention, but it is brass that stands out.
As with other Village People hits, the lead vocals are handled by Willis and the background vocals are supplied by Willis and professional background singers. The distinctive vocal line features the repeated "Young man!" ecphonesis, followed by Willis singing the verse lines. The background vocals join in throughout the song.
Willis' version of the song is used in the Village People film Can't Stop the Music , though by that time Ray Simpson had replaced him as the policeman.
Billboard stated that "Y.M.C.A." is "another example of [the Village People's] droll humor, playing off its gayness with hard hat themes." [27] Billboard also called "Y.M.C.A." (and its B-side, "The Women") one of the best cuts on the Cruisin' album. [28] Cash Box said that "Y.M.C.A." has "layered horn work and strings and a bright, soaring chorus" and that "Willis' lead vocals are commanding." [29] Record World said that it "has the same foot-stomping bass line and tongue-in-cheek lyrics" as previous Village People hit "Macho Man" and that "the vocals are strong and the production thunderous." [30]
Despite not reaching No. 1 in the United States, it became a No. 1 hit throughout the world and has since remained popular at parties, sporting events, weddings and other functions.
The accompanying music video for "Y.M.C.A.", filmed in New York City in July 1978, features the band singing the song and dancing all over the city. The location shown the most is the original site of YMCA, McBurney, 213 West 23rd Street. [31] Other filming locations included 395 West Street – site of the Ramrod gay club – the West Side Piers and Hudson River Park. It ends with the camera zooming in on the Empire State Building.
YMCA is also the name of a group dance with cheerleader Y-M-C-A choreography invented to fit the song. One of the phases involves moving arms to form the letters Y-M-C-A as they are sung in the chorus:
The dance originated during the group's performance of the song on the January 6, 1979 episode of American Bandstand . Host Dick Clark then said to Willis that he would like to show him something, playing the song again with the audience doing YMCA hand gestures. [33] [34] Willis immediately picked up on the dance and mimicked the hand movements back at the audience as other Village People members stared at him with puzzled looks. Clark then turned to Willis and said, "Victor, think you can work this dance into your routine?" Willis responded, "I think we're gonna have to." [33] In a 2008 retrospective article for Spin , Randy Jones explained that the dance originated as a misunderstanding: the group's original choreographed dance had the group clapping above their heads during the chorus and the audience, believing them to be making the letter "Y", began following suit. [35]
Following the sixth inning of New York Yankees baseball games at Yankee Stadium, the grounds crew traditionally grooms the infield while leading the crowd in the dance. [36]
VH1 placed "Y.M.C.A." at #7 on their list of "100 Greatest Dance Songs" in 2000, [37] while Paste Magazine ranked the song #1 on their list of "The 60 Best Dancefloor Classics" in February 2017. [38] In 2022, Rolling Stone ranked it #139 in their list of "200 Greatest Dance Songs of All Time". [39] In 2024, Billboard placed "Y.M.C.A." at #61 on their list of "The 100 Greatest Jock Jams of All Time". [40]
The Village People recorded a version of the song for Pepsi in 1997 for a commercial featuring a group of dancing bears, changing the lyrics to match the drink and spelling out P-E-P-S-I. [41] A few months afterwards, Pepsi used the song again as part of its new blue-themed imaging for the Pepsi Globe. [42] In September 2000 "Y.M.C.A." was used as the Space Shuttle wake-up call on day 11 of STS-106. [43] In 2009, "Y.M.C.A." set a Guinness World Record when over 44,000 people danced to Village People's live performance of the song at the 2008 Sun Bowl game in El Paso, Texas. [44]
In 2012, in a landmark ruling in accordance with the Copyright Act of 1976, Willis terminated his copyrights granted to the publishers Can't Stop Productions and Scorpio Music. [45] In March 2015, it was determined that the sole writers of the song were Morali and Willis. [46]
In March 2020, the US Library of Congress added the song to its National Recording Registry, which preserves for posterity audio that is "culturally, historically or aesthetically significant". [47] In December 2020, "Y.M.C.A." was inducted into the Grammy Hall of Fame. [9]
US president (2017–2021, 2025-) Donald Trump began using the song (as well as another Village People song, "Macho Man") to close out his rallies during his 2020 re-election campaign. Willis initially approved its use but after several incidents involving the Black Lives Matter protests, he demanded Trump stop, although he later relaxed his stance. [48] [49] Saturday Night Live parodied the song and the group's reaction with "Cease and desist" on the October 24, 2020, segment of Weekend Update . [50] As a result, the song was back in the Top 20 on iTunes in November 2020 [51] and hit the #2 spot on the Billboard Dance Digital Song Sales chart. [52] On November 6, following the media's declaration that Joe Biden had taken the lead in Pennsylvania over Trump in the 2020 US presidential election, Biden supporters celebrated by dancing in the streets and singing the song across the city of Philadelphia. [53] The song was played over loudspeakers as Trump boarded Air Force One for the last time during his first term on January 20, 2021, en route to Florida before the inauguration of Joe Biden. [54]
In the 2024 presidential campaign, Trump once again used the song at his rallies, usually performing the "Trump Dance" while it played. Willis has lamented his use of the song since 2020, and even considered a lawsuit to block Trump from using the song, but confessed there's "not much he can do about it" and decided it was "beneficial" to have the song back on the charts. [55] He later reversed his position and thanked Trump for using the song, pointing out how it had earned him several million dollars.
Weekly charts
|
Year-end charts
All-time charts
|
Region | Certification | Certified units/sales |
---|---|---|
Belgium | — | 300,000 [104] |
Canada (Music Canada) [105] | 2× Platinum | 300,000^ |
Denmark (IFPI Danmark) [106] | Gold | 45,000‡ |
France (SNEP) [107] | Gold | 1,400,000 [108] |
Germany (BVMI) [109] | Gold | 1,000,000 [110] |
Italy (FIMI) [111] sales since 2009 | Gold | 25,000‡ |
Japan | — | 500,000 [112] |
Netherlands (NVPI) [113] | Platinum | 250,000 [114] |
Spain (PROMUSICAE) [115] | Gold | 30,000‡ |
United Kingdom (BPI) [116] | Platinum | 1,500,000 [117] |
United States (RIAA) [118] | Platinum | 2,000,000^ |
Summaries | ||
Worldwide | — | 12,000,000 [7] |
^ Shipments figures based on certification alone. |
"Young Man (Y.M.C.A.)" | ||||
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Single by Hideki Saijo | ||||
from the album Young Man/Hideki Flying Up | ||||
B-side | "Hideki Disco Special" | |||
Released | February 21, 1979 | |||
Genre | Kayokyoku | |||
Length | 4:43 | |||
Label | ||||
Songwriter(s) |
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Producer(s) | Kazuo Ohtani | |||
Hideki Saijo singles chronology | ||||
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In 1979, Japanese singer Hideki Saijo covered the song for his compilation album Young Man/Hideki Flying Up as "Young Man (Y.M.C.A.)". In Japan, the cover topped on the Oricon chart for five consecutive weeks and became the seventh best-selling single of 1979 in Japan. For the cover, the lyrics were re-written in Japanese by Saijo's manager, Ryuji Amagai. This version is also notable for having a call-and-response in the middle where Saijo and a group of child singers chant the letters "Y M C A" back and forth.
"Young Man (Y.M.C.A.)" debuted at number two on the Oricon Weekly Singles Chart, and in the following week, it reached number one, where it stayed for five consecutive weeks. The song finally became the seventh best-selling single of 1979 in Japan and Saijo's best-selling single to date, with the sales of 808,000 copies.
Following the death of Saijo on 16 May 2018, the song re-entered the chart, peaking at number fifteen on the Billboard Japan Hot 100. [119]
"Young Man (Y.M.C.A.)" won the Grand Prix at the FNS Music Festival '79 and the 10th Japan Music Awards. Despite the hit, the song was disqualified for the 21st Japan Record Awards due to the competition's guideline that requires the songs to be original work. At the award, Saijo instead won the golden award for his single, "Yuki ga Areba" (1979).
"Young Man (Y.M.C.A.)" has been covered by multiple other Asian musicians, including Keisuke Kuwata, Aska, George Lam, Yang Kun, and E-girls. It was covered by the Minions in the 2013 animated film Despicable Me 2 .
7-inch single
"Y.M.C.A." | ||||
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Single by Touché | ||||
from the album Kids In America | ||||
Released | September 14, 1998 | |||
Recorded | 1998 | |||
Genre | Eurodance | |||
Length | 3:09(single version) 3:14 (album version) | |||
Label | BMG, Hansa | |||
Songwriter(s) | Jacques Morali, Victor Willis | |||
Producer(s) | Dieter Bohlen | |||
Touché singles chronology | ||||
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In 1998, Touché covered the hit for their album Kids in America with Krayzee. In this version Touche take over the vocal parts and only the rap contributes to Krayzee. In Belgium, this cover version was a top ten hit, while the success in the German-speaking countries, however, was rather modest.
In the music video Touche and Krayzee perform the song in a city area, accompanied by elaborate effects. [121]
CD maxi
Chart (1998) | Peak position |
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German Singles Chart | 31 |
Austrian Singles Chart | 31 |
Swiss Singles Chart | 23 [122] |
Belgium (Flanders) (Ultratop) | 10 [123] |
The Ritchie Family are an American vocal group based in Philadelphia that achieved several hits during the disco era. They have reunited and continue to perform. Their latest single "Whatcha Got" was released in 2021.
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"In the Navy" is a song by American disco group Village People. It was released as the first single from their fourth studio album, Go West (1979). It was a number one hit in Canada, Flanders, Japan and the Netherlands, while reaching number two in Ireland, Norway and the UK. In 1994, a remix charted at number 36 in the UK. "In the Navy" was the last top 10 hit for the group in the United States, peaking at number three.
Victor Edward Willis is an American singer, songwriter and the founding member of the disco group Village People. He performed as their lead singer and was co-songwriter for all of their most successful singles. In the group, he performed costumed as a policeman or a naval officer.
"Macho Man" is a song by American disco group Village People, released as the second single and title song of their album Macho Man (1978). The song entered the Billboard Hot 100 on June 24, 1978 before picking up more airplay that August. It became the Village People's first charting hit in the United States, peaking on the Hot 100 at number 25 on the week of September 2.
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Cruisin' is the third studio album by the American disco group Village People, released on September 25, 1978. Its title is a double entendre, referring to either simply driving around or gay cruising. The album features the hits "Hot Cop" and "Y.M.C.A.", which peaked at number two on the Billboard Hot 100.
"I Love the Nightlife (Disco 'Round)" is a popular disco song recorded by American singer-songwriter Alicia Bridges in 1978. It was released as the first single from her debut album, Alicia Bridges (1978), and went to number two on the US Billboard National Disco Action Top 30 (now the Dance Club Songs chart) for two weeks. It became a crossover hit, peaking at number five on the Billboard Hot 100, and found worldwide success, reaching the top 10 in Australia, Belgium, Canada, the Netherlands and South Africa, as well as reaching the top 30 in the UK. A re-release in 1994 allowed the song to reach number four in New Zealand and number five in Iceland.
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Village People is an American disco group known for its on-stage costumes and suggestive lyrics in their music. The group was originally formed by French producers Jacques Morali, Henri Belolo and lead singer Victor Willis following the release of the debut album Village People, which targeted disco's large gay audience. The group's name refers to Manhattan's Greenwich Village, with its reputation as a gay village. The characters were a symbolic group of American masculinity and macho gay-fantasy personas. To date, Willis is the only original member still remaining with the group.
"Hot Cop" is a song by the American disco group Village People recorded for their third studio album Cruisin' (1978). It was written by Jacques Morali and Village People lead singer Victor Willis. It served as Willis' theme song with the Village People. Although not released as a single, it was a disco hit. A medley with "Y.M.C.A." reached number 2 on Billboard's Hot Disco Singles chart.
"High Hopes" is a song by American pop rock solo project Panic! at the Disco. Their song was released through Fueled by Ramen and DCD2 Records on May 23, 2018, as the second single from the band's sixth studio album, Pray for the Wicked (2018). Their song was written and produced by Jake Sinclair and Jonas Jeberg, and co-written by Brendon Urie, Jenny Owen Youngs, Lauren Pritchard, Sam Hollander, William Lobban-Bean, Taylor Parks, and Ilsey Juber, with additional production by Jonny Coffer. It was serviced to alternative radio on July 31, 2018, and impacted hot adult contemporary radio on August 27, 2018, and US pop radio the following day.
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Original 1978 music video |