1998 | 100 Movies |
---|---|
1999 | 100 Stars |
2000 | 100 Laughs |
2001 | 100 Thrills |
2002 | 100 Passions |
2003 | 100 Heroes & Villains |
2004 | 100 Songs |
2005 | 100 Movie Quotes |
2005 | 25 Scores |
2006 | 100 Cheers |
2006 | 25 Musicals |
2007 | 100 Movies (Updated) |
2008 | AFI's 10 Top 10 |
AFI's 100 Years...100 Songs is a list of the top 100 songs in American cinema of the 20th century. The list was unveiled by the American Film Institute on June 22, 2004, in a CBS television special hosted by John Travolta, who appeared in two films honored by the list, Saturday Night Fever and Grease . The list was created by a panel of jurors selected by AFI, who voted from a list of 400 nominated songs. [1]
Singin' in the Rain , The Sound of Music , and West Side Story each have three songs on the list, [2] while The Wizard of Oz , Funny Girl and Meet Me in St. Louis each have two entries.
Judy Garland (also listed in first place for "Over the Rainbow") and Gene Kelly are tied with five songs each; all of Garland's songs and two of Kelly's are solos. Julie Andrews, Fred Astaire, Marni Nixon, and Barbra Streisand follow Garland and Kelly with four songs each. Astaire and Nixon were co-credited for three out of their four respective songs listed, while Andrews sang two solos; Streisand performed all four of her songs by herself.
Top Hat is a 1935 American musical screwball comedy film in which Fred Astaire plays an American tap dancer named Jerry Travers, who comes to London to star in a show produced by Horace Hardwick. He meets and attempts to impress Dale Tremont to win her affection. The film also features Eric Blore as Hardwick's valet Bates, Erik Rhodes as Alberto Beddini, a fashion designer and rival for Dale's affections, and Helen Broderick as Hardwick's long-suffering wife Madge.
Fred Astaire was an American dancer, actor, singer, musician, choreographer, and presenter, whose career in stage, film, and television spanned 76 years. Widely regarded as the "greatest popular-music dancer of all time," he received numerous accolades, including an Honorary Academy Award, three Primetime Emmy Awards, a BAFTA Award, two Golden Globe Awards, and a Grammy Award.
Holiday Inn is a 1942 American musical film starring Bing Crosby and Fred Astaire, with Marjorie Reynolds, Virginia Dale, and Walter Abel. It was directed by Mark Sandrich with music by Irving Berlin. The composer wrote twelve songs specifically for the film, the best known being "White Christmas". The film features a complete reuse of the song "Easter Parade", written by Berlin for the 1933 Broadway revue As Thousands Cheer and used as a highlight of the 1948 film Easter Parade, starring Astaire and Judy Garland. The film's choreography was by Danny Dare.
Easter Parade is a 1948 American Technicolor musical film directed by Charles Walters, written by Sidney Sheldon, Frances Goodrich, and Albert Hackett from a story by Goodrich and Hackett, and starring Judy Garland, Fred Astaire, Peter Lawford, and Ann Miller. The film contains some of Astaire's and Garland's best-known songs, including "Easter Parade", "Steppin' Out with My Baby", and "We're a Couple of Swells", all by Irving Berlin.
Blue Skies is a 1946 American musical comedy film directed by Stuart Heisler and starring Bing Crosby, Fred Astaire, and Joan Caulfield. Based on a story by Irving Berlin, the film is about a dancer who loves a showgirl who loves a compulsive nightclub-opener who can't stay committed to anything in life for very long. Produced by Sol C. Siegel, Blue Skies was filmed in Technicolor and released by Paramount Pictures. The music, lyrics, and story were written by Irving Berlin, with most of the songs recycled from earlier works.
Broadway Melody of 1940 is a 1940 MGM film musical starring Fred Astaire, Eleanor Powell and George Murphy. It was directed by Norman Taurog and features music by Cole Porter, including "Begin the Beguine".
"That's Entertainment!" is a popular song with music written by Arthur Schwartz and lyrics by Howard Dietz. The song was published in 1952 and was written especially for the 1953 Metro-Goldwyn-Mayer musical film The Band Wagon. The song is performed in the film by Jack Buchanan supported by Fred Astaire, Nanette Fabray, and Oscar Levant.
Cover Girl is a 1944 American musical romantic comedy film directed by Charles Vidor, and starring Rita Hayworth and Gene Kelly. The film tells the story of a chorus girl given a chance at stardom when she is offered an opportunity to be a highly paid cover girl. It was one of the most popular musicals of the war years.
A Damsel in Distress is a 1937 American English-themed Hollywood musical comedy film starring Fred Astaire, George Burns, Gracie Allen and Joan Fontaine. Loosely based upon P.G. Wodehouse's 1919 novel of the same name and the 1928 stage play written by Wodehouse and Ian Hay, it has music and lyrics by George and Ira Gershwin. The film was directed by George Stevens, who had also directed Astaire in Swing Time (1936).
Ziegfeld Follies is a 1945 American musical comedy film released by Metro-Goldwyn-Mayer, primarily directed by Vincente Minnelli, with segments directed by Lemuel Ayers, Roy Del Ruth, Robert Lewis, and George Sidney, the film's original director before Minnelli took over. Other directors that are claimed to have made uncredited contributions to the film are Merrill Pye, Norman Taurog, and Charles Walters. It stars many MGM leading talents, including Fred Astaire, Lucille Ball, Lucille Bremer, Fanny Brice, Judy Garland, Kathryn Grayson, Lena Horne, Gene Kelly, James Melton, Victor Moore, William Powell, Red Skelton, and Esther Williams.
Royal Wedding is a 1951 American musical comedy film directed by Stanley Donen, and starring Fred Astaire and Jane Powell, with music by Burton Lane and lyrics by Alan Jay Lerner. Set in 1947 London at the time of the wedding of Princess Elizabeth and Philip Mountbatten, the film follows an American brother-sister song and dance duo who, while performing, each fall in love — he, with a female dancer, and she, with an impoverished but well-connected nobleman. The film marked Donen's second directorial feature. It was released as Wedding Bells in the United Kingdom.
Follow the Fleet is a 1936 American RKO musical comedy film with a nautical theme starring Fred Astaire and Ginger Rogers in their fifth collaboration as dance partners. It also features Randolph Scott, Harriet Hilliard, and Astrid Allwyn, with music and lyrics by Irving Berlin. Lucille Ball and Betty Grable also appear, in supporting roles. The film was directed by Mark Sandrich with script by Allan Scott and Dwight Taylor based on the 1922 play Shore Leave by Hubert Osborne.
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film Shall We Dance and gained huge success.
"Cheek to Cheek" is a song written by Irving Berlin in 1934–35, specifically for Fred Astaire, the star of his new musical, Top Hat, co-starring Ginger Rogers. In the movie, Astaire sings the song to Rogers as they dance. The song was nominated for the Best Song Oscar for 1936, which it lost to "Lullaby of Broadway". The song spent five weeks at #1 on Your Hit Parade and was named the #1 song of 1935. Astaire's 1935 recording with the Leo Reisman Orchestra was inducted into the Grammy Hall of Fame in 2000. In 2004, Astaire's version finished at No. 15 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
The Barkleys of Broadway is a 1949 American Technicolor musical comedy film from the Arthur Freed unit at Metro-Goldwyn-Mayer that reunited Fred Astaire and Ginger Rogers after ten years apart. Directed by Charles Walters, the screenplay is by Betty Comden, Adolph Green, and Sidney Sheldon, the songs are by Harry Warren (music) and Ira Gershwin (lyrics) with the addition of "They Can't Take That Away from Me" by George and Ira Gershwin, and the choreography was created by Robert Alton and Hermes Pan. Also featured in the cast were Oscar Levant, Billie Burke, Jacques François and Gale Robbins. It is the last film that Astaire and Rogers made together, and their only film together in color. Rogers came in as a last-minute replacement for Judy Garland, whose frequent absences due to a dependence on prescription medication cost her the role.
Shall We Dance is a 1937 American musical comedy film directed by Mark Sandrich. It is the seventh of the ten Fred Astaire-Ginger Rogers films. The story follows an American ballet dancer (Astaire) who falls in love with a tap dancer (Rogers); the tabloid press concocts a story of their marriage, after which life imitates art. George Gershwin wrote the symphonic underscore and Ira Gershwin the lyrics, for their second Hollywood musical.
Conrad Salinger was an American arranger, orchestrator and composer, who studied classical composition at the Paris Conservatoire. He is credited with orchestrating nine productions on Broadway from 1931 to 1938, and over seventy-five motion pictures from 1931 to 1962. Film scholar Clive Hirschhorn considers him the finest orchestrator ever to work in the movies. Early in his career, film composer John Williams spent much time around Salinger.
The Astaire Story is a 1952 album by Fred Astaire. The album was conceived of and produced by Norman Granz, the founder of Clef Records, who was also responsible for the Jazz at the Philharmonic concerts, at which all of the musicians on the album had performed.
Fred Astaire and Ginger Rogers were dance partners in a total of 10 films, nine of them released by RKO Radio Pictures from 1933 to 1939, and one, The Barkleys of Broadway, by Metro-Goldwyn-Mayer in 1949, their only film in Technicolor.
Blue Skies is a studio album of phonograph records by Bing Crosby and Fred Astaire released in 1946 featuring songs that were presented in the American musical film Blue Skies. Like Song Hits from Holiday Inn, the entire 78 rpm album would be composed of Irving Berlin songs written specifically for the film. This was the first release of one of Astaire's greatest songs, "Puttin' On the Ritz", on shellac disc record.