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Black lesbian literature is a subgenre of lesbian literature and African American literature that focuses on the experiences of black lesbians. The genre features poetry and fiction about black lesbian characters as well as non-fiction essays which address issues faced by black lesbians. Figures within the genre include Ann Allen Shockley, Audre Lorde, Cheryl Clarke, and Barbara Smith.
Black lesbian literature is characterized by its central focus on black women's experiences as they are shaped by interlocking systems of oppression like racism, sexism, homophobia, and class discrimination.
Black lesbian literature emerged from the Black Feminist movement of the late 1960s and early 1970s. Dissatisfied with the inability of both the feminist movement of the 1960s and the Civil Rights Movement to address the specific forms of oppression experienced by black women, [1] these writers produced critical essays and fictional works which gave voice to their experiences, using Black Feminist theories like intersectionality as tools to carry out their analysis. Through this critical analysis, black lesbian writers and activists were able to use the genre to make necessary interventions in the normative ideologies regarding race, gender, and sexuality which emerged from these larger political movements. [2]
More specifically, the genre allowed black lesbians to examine the homophobia that they encountered in nearly all of their political and community circles[ citation needed ]. Writer and activist Cheryl Clarke wrote essays like "The Failure to Transform: Homophobia in the Black Community" [3] and "Lesbianism: An Act of Resistance" [4] which both explore the way that white male patriarchy and white supremacy create the gendered and racialized forms of homophobia that black lesbians experience.[ citation needed ]
In 1977 the self-proclaimed activist group of black feminists and lesbians known as The Combahee River Collective published a statement in which they outlined their main political objectives to fight racism, sexism, homophobia, and class oppression simultaneously. Although many prominent activists were involved in the conception of the statement, the piece was drafted and finalized by Demita Frazier, Beverly Smith, and Barbara Smith. [5] Within the statement the group declared its rejection of Lesbian separatism, deeming it ineffective as a political strategy because it excludes others, namely progressive black men, from joining their cause. [6]
One of the foundational texts of the genre is Ann Allen Shockley's novel, Loving Her . Published in 1974, Loving Her is widely considered to be one of the first, if not the first, published pieces of black lesbian literature. [7] The book follows the story of Renay, a black woman who leaves her abusive marriage to a black man to enter a relationship with a white lesbian named Terry. Loving Her is considered groundbreaking for its explicit portrayal of lesbian sexuality and it paved the way for black women writers to depict lesbian relationships in their writing. [8]
Shockley followed the publication of Loving Her with two more books, The Black and White of It, a collection of short stories featuring various black lesbian protagonists, which was the first of its kind, [9] and another novel, Say Jesus and Come to Me. Other works began to arrive in the early 1980s which featured black lesbian protagonists like Alice Walker's novel The Color Purple and Audre Lorde's autobiography Zami: A New Spelling of My Name. While both novels explored the development of their characters' sexuality, they also examined the characters' experiences as black women in a sexist and white supremacist society.[ citation needed ] In 1983 Anita Cornwell wrote the first published collection of essays by an African-American lesbian, Black Lesbian in White America. [10]
Audre Lorde was an American writer, professor, philosopher, intersectional feminist, poet and civil rights activist. She was a self-described "Black, lesbian, feminist, socialist, mother, warrior, poet" who dedicated her life and talents to confronting different forms of injustice, as she believed there could be "no hierarchy of oppressions" among "those who share the goals of liberation and a workable future for our children."
Lesbian feminism is a cultural movement and critical perspective that encourages women to focus their efforts, attentions, relationships, and activities towards their fellow women rather than men, and often advocates lesbianism as the logical result of feminism. Lesbian feminism was most influential in the 1970s and early 1980s, primarily in North America and Western Europe, but began in the late 1960s and arose out of dissatisfaction with the New Left, the Campaign for Homosexual Equality, sexism within the gay liberation movement, and homophobia within popular women's movements at the time. Many of the supporters of Lesbianism were actually women involved in gay liberation who were tired of the sexism and centering of gay men within the community and lesbian women in the mainstream women's movement who were tired of the homophobia involved in it.
Black feminism is a branch of feminism that focuses on the African-American woman's experiences and recognizes the intersectionality of racism and sexism. Black feminism philosophy centers on the idea that "Black women are inherently valuable, that liberation is a necessity not as an adjunct to somebody else's but because of our need as human persons for autonomy."
Barbara Smith is an American lesbian feminist and socialist who has played a significant role in Black feminism in the United States. Since the early 1970s, she has been active as a scholar, activist, critic, lecturer, author, and publisher of Black feminist thought. She has also taught at numerous colleges and universities for 25 years. Smith's essays, reviews, articles, short stories and literary criticism have appeared in a range of publications, including The New York Times Book Review, The Black Scholar, Ms., Gay Community News, The Guardian, The Village Voice, Conditions and The Nation. She has a twin sister, Beverly Smith, who is also a lesbian feminist activist and writer.
Anita Cornwell was an American lesbian feminist author. In 1983, she wrote the first collection of essays by an African-American lesbian, Black Lesbian in White America.
Kitchen Table: Women of Color Press was an activist feminist press, closely related to the National Black Feminist Organization (NBFO), that was started in 1980 by Barbara Smith, Beverly Smith, and poet Audre Lorde. Beverly Smith and Barbara Smith, and their associate Demita Frazier, had together cofounded the Combahee River Collective (CRC). The Kitchen Table became inactive soon after Audre Lorde's death in 1992. The motivation for starting a press run by and for women of color was that "as feminist and lesbian of color writers, we knew that we had no options for getting published, except at the mercy or whim of others, whether in the context of alternative or commercial publishing, since both are white-dominated."
Firebrand Books is a publishing house established in 1984 by Nancy K. Bereano, a lesbian and feminist activist, in Ithaca, NY. Karen Oosterhouse, its publisher since 2003, describes Firebrand as "the independent publisher of record for feminist and lesbian fiction and nonfiction," championing "authors whose work has been marginalized: women of color, women coming out of poverty, trans women, the genderqueer, and other underrepresented voices." It is among the many feminist and lesbian publishing houses that grew out of the Women's Press Movement; other presses of that period include Naiad Press, Persephone and Kitchen Table: Women of Color Press.
Lesbian literature is a subgenre of literature addressing lesbian themes. It includes poetry, plays, fiction addressing lesbian characters, and non-fiction about lesbian-interest topics. A similar term is sapphic literature, encompassing works that feature love between women that are not necessarily lesbian.
Cheryl L. Clarke is an American lesbian poet, essayist, educator and a Black feminist community activist who continues to dedicate her life to the recognition and advancement of Black and Queer people. Her scholarship focuses on African-American women's literature, black lesbian feminism, and the Black Arts Movement in the United States. For over 40 years,
Azalea: A Magazine by Third World Lesbians was a quarterly periodical for Black, Asian, Latina, and Native American lesbians published between 1977 and 1983 by the Salsa Soul Sisters, Third World Wimmin Inc Collective. The Collective also published the Salsa Soul Sisters/Third World Women's Gay-zette.
Conditions was a lesbian feminist literary magazine that came out biannually from 1976 to 1980 and annually from 1980 until 1990, and included poetry, prose, essays, book reviews, and interviews. It was founded in Brooklyn, New York, by Elly Bulkin, Jan Clausen, Irena Klepfisz and Rima Shore.
Home Girls: A Black Feminist Anthology (1983) is a collection of Black lesbian and Black feminist essays, edited by Barbara Smith. The anthology includes different accounts from 32 black women of feminist ideology who come from a variety of different areas, cultures, and classes. This collection of writings is intended to showcase the similarities among black women from different walks of life. In the introduction, Smith states her belief that "Black feminism is, on every level, organic to Black experience." Writings within Home Girls support this belief through essays that exemplify black women's struggles and lived experiences within their race, gender, sexual orientation, culture, and home life. Topics and stories discussed in the writings often touch on subjects that in the past have been deemed taboo, provocative, and profound.
The Combahee River Collective (CRC) was a Black feminist lesbian socialist organization active in Boston, Massachusetts, from 1974 to 1980. The Collective argued that both the white feminist movement and the Civil Rights Movement were not addressing their particular needs as Black women and more specifically as Black lesbians. Racism was present in the mainstream feminist movement, while Delaney and Manditch-Prottas argue that much of the Civil Rights Movement had a sexist and homophobic reputation. The Collective was a group that met to discuss the intersections of oppression based on race, gender, heteronormativity, and class and argued for the liberation of Black women on all fronts.
Pat Parker was an African American poet and activist. Both her poetry and her activism drew from her experiences as a Black lesbian feminist. Her poetry spoke about her tough childhood growing up in poverty, dealing with sexual assault, and the murder of a sister. At eighteen, Parker was in an abusive relationship and had a miscarriage after being pushed down a flight of stairs. After two divorces, she came out as a lesbian, "embracing her sexuality" and said she was liberated and "knew no limits when it came to expressing the innermost parts of herself".
Sister Outsider: Essays and Speeches is a collection of essential essays and speeches written by Audre Lorde, a writer who focuses on the particulars of her identity: Black woman, lesbian, poet, activist, cancer survivor, mother, and feminist. This collection, now considered a classic volume of Lorde's most influential works of non-fiction prose, has had a groundbreaking impact in the development of contemporary feminist theories. In fifteen essays and speeches dating from 1976 to 1984, Lorde explores the complexities of intersectional identity, while explicitly drawing from her personal experiences of oppression to include sexism, heterosexism, racism, homophobia, classism, and ageism. The book examines a broad range of topics, including love, self-love, war, imperialism, police brutality, coalition building, violence against women, Black feminism, and movements towards equality that recognize and embrace differences as a vehicle for change. With meditative conscious reasoning, Lorde explores her misgivings for the widespread marginalization deeply-rooted in the United States' white patriarchal system, all the while, offering messages of hope. The essays in this landmark collection are extensively taught and have become a widespread area of academic analysis. Lorde's philosophical reasoning that recognizes oppressions as complex and interlocking designates her work as a significant contribution to critical social theory.
Ann Allen Shockley is an American journalist, editor and author, specialising in themes of interracial lesbian love, especially the plight of black lesbians living under what she views as the "triple oppression" of racism, sexism, and homophobia. She has also encouraged libraries to place special emphasis on Afro-American collections.
Queer of color critique is an intersectional framework, grounded in Black feminism, that challenges the single-issue approach to queer theory by analyzing how power dynamics associated race, class, gender expression, sexuality, ability, culture and nationality influence the lived experiences of individuals and groups that hold one or more of these identities. Incorporating the scholarship and writings of Audre Lorde, Gloria Anzaldúa, Kimberlé Crenshaw, Barbara Smith, Cathy Cohen, Brittney Cooper and Charlene A. Carruthers, the queer of color critique asks: what is queer about queer theory if we are analyzing sexuality as if it is removed from other identities? The queer of color critique expands queer politics and challenges queer activists to move out of a "single oppression framework" and incorporate the work and perspectives of differently marginalized identities into their politics, practices and organizations. The Combahee River Collective Statement clearly articulates the intersecting forces of power: "The most general statement of our politics at the present time would be that we are actively committed to struggling against racial, sexual, heterosexual, and class oppression, and see as our particular task the development of integrated analysis and practice based upon the fact that major systems of oppression are interlocking. The synthesis of these oppressions creates the conditions of our lives." Queer of color critique demands that an intersectional lens be applied queer politics and illustrates the limitations and contradictions of queer theory without it. Exercised by activists, organizers, intellectuals, care workers and community members alike, the queer of color critique imagines and builds a world in which all people can thrive as their most authentic selves- without sacrificing any part of their identity.
Loving Her (1974) is a novel written by American author and journalist Ann Allen Shockley. The novel is widely considered to be one of the first, if not the first, published pieces of black lesbian literature, as it openly features a black lesbian protagonist and an interracial lesbian relationship.
Terri Lynn Jewell was an American author, poet and Black lesbian activist. She was the editor of The Black Woman’s Gumbo Ya-Ya, which received the New York City Library Young Persons Reading Award in 1994.
Mouths of Rain: An Anthology of Black Lesbian Thought is a nonfiction debut anthology edited by Briona Simone Jones. It includes essays, poetry, and other writings by Black lesbian feminists such as Audre Lorde, Cheryl Clarke, and Bettina Love. The book was published by The New Press on February 1, 2021. The book received the Judy Grahn Award and the Lambda Literary Award for Anthology.
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