"It's a Sin" | ||||
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Single by Pet Shop Boys | ||||
from the album Actually | ||||
B-side | "You Know Where You Went Wrong" | |||
Released | 15 June 1987 | |||
Recorded | 1987 | |||
Genre | ||||
Length | 4:59 | |||
Label | Parlophone | |||
Songwriter(s) | ||||
Producer(s) | Julian Mendelsohn | |||
Pet Shop Boys singles chronology | ||||
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Audio sample | ||||
"It's a Sin" |
"It's a Sin" is a song by English synth-pop duo Pet Shop Boys from their second studio album, Actually (1987). Written by Chris Lowe and Neil Tennant, the song was released on 15 June 1987 [6] as the album's lead single. [7] It became the duo's second number-one single on the UK Singles Chart, spending three weeks atop the chart. Additionally, the single topped the charts in Austria, Denmark, Finland, Germany, Ireland, Norway, Portugal, Spain, Sweden and Switzerland, while reaching number nine on the US Billboard Hot 100. It remains one of Pet Shop Boys' most popular songs with 40 million streams in the UK. [8]
A demo of the track was first cut in 1984 with Bobby Orlando, and the song's form in the demo remained intact to the final version, although the released production is far more dramatic. [1]
In this song, Tennant describes some impressions he took from his time at the Catholic [4] St Cuthbert's High School in Newcastle upon Tyne. He ended up feeling that everything he had done or was going to do was a sin. Tennant has said that he wrote the lyrics purging his emotions in a moment of frustration and anger, but that it was not something serious: [9]
People took it really seriously; the song was written in about fifteen minutes, and was intended as a camp joke and it wasn't something I consciously took very seriously. Sometimes I wonder if there was more to it than I thought at the time. But the local parish priest in Newcastle delivered a sermon on it, and reflected on how the Church changed from the promise of a ghastly hell to the message of love.
In the coda, Tennant recites a part of the Confiteor in Latin, which translated into English is "I confess to almighty God, and to you, my brothers, that I have sinned exceedingly in thought, word, act and omission, through my fault, through my fault, through my most grievous fault".
"'It’s a Sin', at its heart, is a heavy metal record," Tennant said. "There is a huge link between hi-NRG music and heavy metal: the urgency, the chords, the slightly histrionic melody." [4] The dramatic, overblown production style of the song, loaded with synthesizers, orchestra hits and bookended by a non sequitur sample of a NASA countdown, has come to exemplify the most theatrical extremes of the Pet Shop Boys' musical style. [10] It remains a concert staple, being one of only two songs (alongside "West End Girls") that has been played during every Pet Shop Boys tour. [11]
The band stated at the time that they had been keen for Stock Aitken Waterman to produce the song, as they were huge fans. Neil has stated that Pete Waterman hated the demo, so they turned instead to SAW's remix engineer Phil Harding to remix the song for the US release (which went uncredited on the sleeve). They would work with him again on "I'm Not Scared", the single they wrote for the Patsy Kensit band Eighth Wonder and remixes of "Always on My Mind".
The Pet Shop Boys have been known to segue between "It’s a Sin" and Gloria Gaynor's "I Will Survive" at their concerts. [4]
In a review published in Smash Hits , Tom Hibbert wrote that "It's a Sin" starts with "an enormous clap of thunder, horns winking in the distance and then an absolute huge slab of European disco drama", noted that it sounds like a song by Princess Stéphanie of Monaco and uses the same notes as Cat Stevens' "Wild World". [12]
At the time of the single's release, British DJ Jonathan King accused the Pet Shop Boys of plagiarising the melody for "It's a Sin" from Cat Stevens' 1971 song "Wild World". He made the claims in The Sun newspaper, for which he wrote a regular column during the 1980s. King went so far as to release his own cover version of "Wild World" as a single, using a similar musical arrangement to "It's a Sin", in an effort to demonstrate his claims. The single flopped and the Pet Shop Boys sued King, eventually winning out-of-court damages, which they donated to charity. [13]
Directed by Derek Jarman, the "It's a Sin" video marked the experimental director's first of several collaborations with the band. It extended the lyrical themes of the song by showing Tennant under arrest by an inquisition with Lowe as his jailer and Ron Moody in the role of his judge, interspersed with brief clips of personifications of the seven deadly sins.
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Austria (IFPI Austria) [56] | Gold | 50,000* |
Finland | — | 6,311 [57] |
Portugal (AFP) [58] | Gold | 30,000 [58] |
Spain (PROMUSICAE) [59] | Gold | 25,000^ |
Sweden (GLF) [60] | Platinum | 50,000^ |
United Kingdom (BPI) [61] | Gold | 500,000 [62] |
* Sales figures based on certification alone. |
"It's a Sin" | ||||
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Single by Years & Years | ||||
Released | 22 January 2021 | |||
Length | 3:12 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) | Mark Ralph | |||
Years & Years singles chronology | ||||
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On 22 January 2021, British electronic group Years & Years covered the song to coincide with the release of the Channel 4 series It's a Sin , which stars frontman Olly Alexander in the lead role. [63] [64] The cover was produced by Mark Ralph, [65] with part of the proceeds going to the George House Trust. [66] The band had previously collaborated with the Pet Shop Boys on the 2019 single "Dreamland", and Alexander previewed his version for Neil Tennant prior to its release. [67] A slowed-down version of the song with only piano accompaniment, the cover is in C minor at a tempo of 126 beats per minute. [68] [69] Pet Shop Boys praised the cover, calling it "beautiful". [70] A music video was released, consisting of clips from It's a Sin. [71] Alexander performed the song as part of the setlist for his 2022 Night Call Tour. [72]
"It's a Sin" | ||||
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Single by Elton John and Years & Years | ||||
from the album The Lockdown Sessions | ||||
Released | 11 May 2021 | |||
Genre | Synth-pop | |||
Length | 4:44 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) | ||||
Elton John singles chronology | ||||
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A pre-recorded performance of the song by English musicians Elton John and Years & Years aired as part of the 2021 Brit Awards on 11 May 2021. [73] Pet Shop Boys were scheduled to be a part of the performance, but were unable to do so due to a "contractual issue". [73] The duet started as a slower piano track before transitioning into synth-pop with accompanying backup dancers and drag queens. [74] [75] [76] A studio recording of the collaboration, produced by Stuart Price and the Pet Shop Boys, was released following the performance, with proceeds going to the Elton John AIDS Foundation. [74] [77] "It's a Sin" debuted at number 57 on the UK Singles Chart and at the top of The Official Big Top 40 . [78] [79]
Gamma Ray covered the song for their 1999 album Power Plant .
American queer pop punk band Pansy Division covered the song on their 2016 album Quite Contrary.
Swedish rock band Ghost released a cover of the song on deluxe editions of the 2018 album Prequelle
Parlophone releases the first Pet Shop Boys single of the year June 15
{{cite book}}
: CS1 maint: location missing publisher (link)Pet Shop Boys are an English synth-pop duo formed in London in 1981. Consisting of primary vocalist Neil Tennant and keyboardist Chris Lowe, they have sold more than 100 million records worldwide, and were listed as the most successful duo in UK music history in the 1999 edition of The Guinness Book of Records.
Actually is the second studio album by English synth-pop duo Pet Shop Boys, released on 7 September 1987 by Parlophone in the United Kingdom and by EMI Manhattan in North America. According to Neil Tennant and music historian Wayne Studer, Actually loosely critiques Thatcherism, the political zeitgeist of the 1980s, and was recorded in anticipation of Margaret Thatcher's re-election.
"West End Girls" is a song by English synth-pop duo Pet Shop Boys. Written by Neil Tennant and Chris Lowe, the song was released twice as a single. The song's lyrics are concerned with class and the pressures of inner-city life in London which were inspired partly by T. S. Eliot's poem The Waste Land. It was generally well received by contemporary music critics and has been frequently cited as a highlight in the duo's career.
"Go West" is a song by American disco group Village People, released in June 1979 by Casablanca Records as the second single from their fourth studio album of the same name (1979). The song was written by Jacques Morali, Henri Belolo and lead singer Victor Willis, while Morali produced it. It was successful in the disco scene during the late 1970s and a top-20 hit in Belgium, Ireland and the UK. "Go West" found further success when it was covered in 1993 by English synth-pop duo Pet Shop Boys.
"Opportunities (Let's Make Lots of Money)" is a song by English synth-pop duo Pet Shop Boys from their debut studio album, Please (1986). It was released as a single in 1985 and re-recorded and reissued in 1986, gaining greater popularity in both the United Kingdom and United States with its second release, reaching number 11 on the UK Singles Chart and number 10 on the US Billboard Hot 100. After the song was featured in a Super Bowl ad in February 2021, it re-entered the charts, claiming the number one spot on Billboard's Dance/Electronic Digital Song Sales.
"Suburbia" is a song by English synth-pop duo Pet Shop Boys. It was remixed and released as the fourth single from the duo's debut studio album, Please (1986), and became the band's second UK top-10 entry, peaking at number 8. "Suburbia" has drawn comparisons to the theme from ALF, which coincidentally premiered the day that the song was released. The (uncredited) saxophone part on this track was played by Gary Barnacle.
"Heart" is a song by English synth-pop duo Pet Shop Boys from their second studio album, Actually (1987). It was released as the album's fourth and final single on 21 March 1988 by Parlophone. The song topped the UK Singles Chart for three weeks in April 1988, becoming the duo's fourth and final chart-topper to date in the United Kingdom. Its music video was directed by Jack Bond and filmed in Yugoslavia. The group had initially written the song for Madonna, though they never asked her to record it, instead keeping it for themselves.
"Jealousy" is a song originally written in 1982 by English synth-pop duo Pet Shop Boys, recorded for their fourth studio album, Behaviour (1990). It was released on 28 May 1991 as the album's fourth and final single in a slightly remixed form, which appears on the Pet Shop Boys' greatest hits albums. It reached number 12 on the UK singles chart. The song was performed by Robbie Williams at the Pet Shop Boys' 2006 BBC Radio 2 concert at the Mermaid Theatre, a recording of which was released on the Pet Shop Boys' live album Concrete.
"Domino Dancing" is a song by English synth-pop duo Pet Shop Boys, released in September 1988 by Parlophone as the lead single from their third studio album, Introspective (1988). The song reached number seven on the UK Singles Chart and topped the charts in Finland and Spain. Its music video was directed by Eric Watson and filmed in Puerto Rico.
"What Have I Done to Deserve This?" is a song by English synth-pop duo Pet Shop Boys and soul singer Dusty Springfield, taken from the duo's second studio album, Actually (1987). The song was released as the second single from the album on 10 August 1987.
"Rent" is a song by English synth-pop duo Pet Shop Boys from their second studio album, Actually (1987). It was released as the album's third single on 12 October 1987.
"I Get Along" is a song by English synth-pop duo Pet Shop Boys, released on 15 July 2002 as the second single from their eighth studio album, Release (2002). A love song, Neil Tennant has also hinted that it can also be interpreted as commentary on the then fraught relationship between British prime minister Tony Blair and New Labour architect Peter Mandelson after the latter had to resign again from the British Cabinet when he was involved in a second major scandal.
"Left to My Own Devices" is a song by English synth-pop duo Pet Shop Boys, released in November 1988 by Parlophone as the second single from their third studio album, Introspective (1988). It is the first track of the album. The song fared better than the album's lead single, "Domino Dancing", charting three positions higher on the UK Singles Chart, at number four. It was the first song that Pet Shop Boys recorded with an orchestra, arranged by Richard Niles. Since its release, it has become a staple of Pet Shop Boys' live performances. Eric Watson directed its music video.
"Can You Forgive Her?" is a song by English synth-pop duo Pet Shop Boys, released as the first single from their fifth studio album, Very (1993). The lyrics describe in the second person a young man's humiliation when his girlfriend accuses him of still being in love with a childhood friend; the woman is "not prepared to share you with a memory", and is "going to go and get herself a real man instead". The title of the song derives from the Anthony Trollope novel of the same name.
"It's Alright" is a song by English synth-pop duo Pet Shop Boys, released on 26 June 1989 as the third and final single from their third studio album, Introspective (1988). It reached number five on the UK Singles Chart. Originally performed by Sterling Void and Paris Brightledge, the song came to the attention of Pet Shop Boys on a house compilation issued by DJ International Records in 1987.
"Yesterday, When I Was Mad" is a song by English synth-pop duo Pet Shop Boys, released as the fifth and final single from their fifth studio album, Very (1993), on 29 August 1994 by Parlophone. The single, both written and produced by Neil Tennant and Chris Lowe, peaked at number 13 on the UK Singles Chart and number four on the US Billboard Hot Dance Club Play chart. The song was remixed by Jam & Spoon for its single release, among other things removing a compression effect applied to Tennant's voice during the verses. Its music video was directed by Howard Greenhalgh. One of the B-sides is a cover of the Noël Coward song "If Love Were All".
"Before" is a song by English synth-pop duo Pet Shop Boys, released on 22 April 1996 as the lead single from their sixth studio album, Bilingual (1996). Upon its release, the single peaked at number seven on the UK Singles Chart, number four in Finland, and number one in Hungary. In the United States, it topped the Billboard Hot Dance Club Play chart.
"A Red Letter Day" is a song by English synth-pop duo Pet Shop Boys, released on 17 March 1997 as the fourth single from their sixth studio album, Bilingual (1996). The single peaked at number 9 on the UK Singles Chart, making it another top 10 single for the group. However, it then fell straight out of the UK top 40 the following week. At the time, this was a record as the biggest such fall to ever occur in UK chart history, but it was then beaten the following year by Embrace with their single "My Weakness Is None of Your Business".
"New York City Boy" is a song by English synth-pop duo Pet Shop Boys, released on 22 September 1999 as the second single from their seventh studio album, Nightlife (1999). In the UK, the single peaked at number 14 on the UK Singles Chart. It also reached the charts in numerous European countries, peaking at number three in Spain, and number four in Finland and Hungary. In the US, the song hit number one on the Billboard Hot Dance Club Play chart and number 53 on the Billboard Hot Singles Sales chart.
"Where the Streets Have No Name (I Can't Take My Eyes Off You)" is a song by English synth-pop duo Pet Shop Boys. The song is a medley of U2's "Where the Streets Have No Name" and "Can't Take My Eyes Off You", a 1967 song by Frankie Valli, though in an arrangement informed by the 1982 disco version of the song by the Boys Town Gang rather than the original. The song accompanied "How Can You Expect to Be Taken Seriously?", the third single from their fourth studio album, Behaviour (1990), as a double A-side in the United Kingdom (both singles were released separately in the United States). Released in March 1991 by Parlophone, the song became the duo's 15th consecutive top-20 entry in the UK, peaking at number four on the UK Singles Chart.