Simulation Theory | ||||
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Studio album by | ||||
Released | 9 November 2018 | |||
Recorded | January 2017 – August 2018 | |||
Studio | AIR Lyndhurst (London) | |||
Genre | ||||
Length | 42:12 | |||
Label | ||||
Producer | ||||
Muse chronology | ||||
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Muse studio album chronology | ||||
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Singles from Simulation Theory | ||||
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Simulation Theory is the eighth studio album by English rock band Muse. It was released on 9 November 2018 through Warner Bros. Records and Helium-3. Muse co-produced the album with Rich Costey,Mike Elizondo,Shellback,and Timbaland. Following the darker themes of Muse's prior albums,Simulation Theory incorporates lighter influences from science fiction and 1980s pop culture,with extensive use of synthesisers. The contemporary political climate of the United States informed the lyrics.
Rather than working on the album as a whole,Muse focused on recording a single track at a time. Recording began at AIR Studios in London in early 2017 with Elizondo,before embarking on a tour of North America. Production restarted in Los Angeles in late 2017 with Costey,who previously produced Muse's albums Absolution (2003) and Black Holes and Revelations (2006).
The album cover,designed by Stranger Things artist Kyle Lambert,and its music videos homage 1980s pop culture such as Back to the Future, Michael Jackson's Thriller ,and Teen Wolf . Simulation Theory was preceded by the release of singles "Dig Down","Thought Contagion","Something Human","The Dark Side",and "Pressure",along with a 2018 festival tour of North America. It was released in a standard edition alongside two deluxe editions featuring alternate versions of its tracks. A world tour of North America,Europe and South America took place in 2019 to support the album. The album received generally mixed reviews,but became the band's sixth consecutive album to top the UK Albums Chart. A film based on the album and tour, Muse –Simulation Theory ,was released in August 2020. As of November 2022,Simulation Theory has sold over one million copies worldwide.
Following the conclusion of the Drones World Tour,Muse and tour director Glen Rowe expressed an eagerness to design a new more ambitious tour, [1] [2] but with a different musical direction. Singer and guitarist Matt Bellamy entertained the possibility of experimenting with hip hop or making another attempt at creating a stripped-back acoustic sound. [3] [4] Drummer Dominic Howard suggested that the band might release singles or EPs to target audiences who did not listen to albums. [5]
Musically,Simulation Theory has been described as featuring electronic rock, [6] [7] new wave, [8] [9] pop rock, [6] synth-pop, [10] electro-funk. [8] Lyrically,it explores the role of simulation in society [11] and the simulation hypothesis,which proposes that reality is a simulation. [12] Biographer Mark Beaumont wrote that it would likely be songwriter Matt Bellamy's "dissection of the idea that we're all just lumps of code in the shape of unusually lumpy sims". [12] In contrast to the darker themes of Muse's previous albums, [13] Simulation Theory takes on a lighter science fiction theme,with "fantasy becoming real" cited by Bellamy as a core idea. [11]
The band wanted to blend elements of different eras,citing the music of Lana Del Rey,who mixes 50s-style music with lyrics concerning modern concepts in songs such as "Video Games",as an example. [14] [15] The opening track,"Algorithm",features a musical juxtaposition between classical piano and 80s synthesizers and chiptunes. [16] "Something Human" is a song inspired by folk pop [17] written to counteract the "dark vibe" of Drones and the Drones World Tour. Bellamy described it as a "tender,down-to-earth,simplistic song" that describes the burnout and homesickness he felt towards the end of the tour. [18] "Pressure" is a power pop track with contrasting horns and guitars,reminiscent of nerd rock. [19] [20] The song features several interchanging riffs. [21]
"Dig Down",one of the first songs written,is a reaction to the social and political climate following the Brexit referendum and the 2016 US presidential election,hoping to "give inspiration,optimism and hope to people to fight for the causes they believe in." [22] "Thought Contagion" was written in late 2017 following the band's move to Los Angeles,California,and the restart of production. [23] The verses stem from Bellamy's anxieties observing American news at the time; [24] [25] its chorus recalls Bellamy's concerns about the power misinformed or ideological people have over their audiences. [26] [27] The track's title was inspired by scientist Richard Dawkins,who compared the spread of thoughts,"regardless of their accuracy and truth",to a viral disease. [28] "The Void" was used for the opening titles of the 2019 BBC/PBC documentary series The Planets. [29]
Muse began writing and recording their eighth studio album following the conclusion of the Drones World Tour in late 2016. The band spent time at AIR Studios in London,England, [30] [31] with producer Mike Elizondo [32] until they left to embark on a tour of North America with PVRIS and Thirty Seconds to Mars in May 2017. [33] Three tracks were written and recorded during these sessions;information that had been relayed by the band to a fan that visited them at AIR Studios in March 2017. [34] One of the tracks,"Dig Down",was released following the conclusion of these sessions in May 2017. [35] [36] [37] At the end of the tour,the band moved to Los Angeles,California,to restart production,this time with collaborator Rich Costey,who co-produced Absolution and Black Holes and Revelations . [38] [39] [40]
I think for the last two or three albums, we've always been thinking about the whole. [...] It was nice to remind ourselves to just think about a song. What makes a song great?
Rather than concentrating on the album as a whole, as they had on previous albums, Muse focused on recording and mixing one track at a time. [42] [43] The band hoped this would improve the individual quality of the songs, and they worked with no particular theme in mind, even halfway through its production. [44]
One of the first tracks produced with Costey was "Thought Contagion", based on a bassline and theremin melody conceived by Bellamy. [23] The band began recording it in November, and replaced the theremin with a ten-layer vocal chorus performed by Bellamy and bassist Chris Wolstenholme. [45] The verses were originally intended to be supported by a heavier, arena-style drum sequence, before experimentation with programming led to a trap-inspired drum sound that emulated the Roland TR-808. [46] [47] The folk rock-inspired track "Something Human" was also co-produced with Costey. [17] Shellback and Timbaland also co-produced tracks. [48] [49]
The album cover for Simulation Theory was designed by British visual artist Kyle Lambert, who had worked on Netflix’s television series Stranger Things . [39] [50] It was created using Procreate on an iPad Pro with Apple Pencil, [51] [52] and features a retro style focused on 1980s aesthetics, prompting comparisons by critics to Lambert's earlier work and similar aesthetics used in both 1980s and contemporary media. [53] [54] The cover for the "super deluxe" version was designed by Paul Shipper, who had designed the Dolby Cinema posters for Walt Disney Studios Motion Pictures films such as Star Wars: The Last Jedi and Avengers: Infinity War . It features an array of characters, including members of the band, in a stylistic arrangement similar to Shipper's previous work. [50] [55]
In April 2017, Muse shared footage from their early studio sessions on social media, with captions teasing new material "coming soon". [30] [31] More cryptic teasers were published in the weeks following. [56] [57] [58] The first product of the sessions, "Dig Down", was released on 18 May 2017, along with a music video. [35] [36] [37] The song became the opening song on the band's 2017 North American tour. [59] [60]
After the band's return to the studio, Muse teased "Thought Contagion" as their next release, and teased several more tracks to follow. [61] [62] "Thought Contagion" was released on 15 February 2018 with its accompanying music video. [15] [63] [64] Muse continued to post in-studio footage on social media in the weeks following. [65] The band also headlined a number of festivals in the United States in 2018, including Bonnaroo, BottleRock, and Carolina Rebellion festivals. [65] [66]
Muse announced the album release date on 20 July 2018, alongside the lead single "Something Human". [17] [67] [68] The title, tracklist and cover art were announced on 30 August 2018. [49] [69] The "deluxe" and "super deluxe" editions feature alternative versions of songs, referred to as "alternate reality versions", [50] including a version of "Pressure" performed by the UCLA Bruin Marching Band, a gospel rendition of "Dig Down", a live version of "Thought Contagion" and acoustic renditions of "Propaganda", "Something Human", and "The Void". [50] [70] A fourth single, "The Dark Side", was released on 30 August, [69] followed by "Pressure" on 27 September. [20]
Muse planned to produce music videos for all eleven tracks on Simulation Theory, [71] forming a narrative focused on "digital containment and escape". [48] Like the album, the videos are science fiction-themed, [72] with 1980s-inspired aesthetics and effects. [63] [64] [73] Each video was directed by American filmmaker Lance Drake, noted for his work with Miike Snow and Twin Shadow. [37]
The first video, "Dig Down", stars model and former athlete Lauren Wasser attempting to escape a high-security facility. [36] [72] The action-heavy video is a literal interpretation of the song's lyrics, based on Wasser's publicised experience with toxic shock syndrome. [37] Drake had intended to film a video with Wasser starring prior to his involvement with Muse, and "Dig Down"'s themes of unity and survival inspired him to create a story centered around her. [22] [37] Bellamy appears in the video through cathode ray tube television sets dressed as 80s cyberpunk character Max Headroom. [72] The second video, "Thought Contagion", references the 1983 music video Michael Jackson's Thriller , with a love story involving a vampire antagonist illustrated through choreography and neon lighting. [63] [64] [74] Muse held an open casting call for dancers and extras for the video, welcoming "super edgy" punk characters with "wild hair", tattoos, and piercings. [75]
The third video, "Something Human", follows Bellamy as he attempts to return a VHS cassette to a video rental shop before turning into a werewolf, while being chased by police portrayed by bandmates Dominic Howard and Chris Wolstenholme. [76] Drake aimed to create an "epic journey" out of a simple task, such as returning a tape, while continuing the narrative of the previous two videos. [77] Continuing the 1980s-inspired visual style, the video takes place in a simulation, and makes more direct references to 80s media, such as Back to the Future and Teen Wolf ; films that Bellamy had enjoyed during his childhood and wanted to recall as part of the video's simulation setting. [77] [78] The following video, "The Dark Side", continues where the ending of "Something Human" left off and features Bellamy driving through a simulated dystopian landscape populated by giant robots. [49] [70] The video has invited comparisons to Cyberpunk and Grand Theft Auto: Vice City by critics. [71] [79] The fifth music video, "Pressure", continues the 1980s pop culture references, [20] [21] and stars the band as performing as Rocket Baby Dolls (Muse's original band name) at a homecoming dance akin to a scene from Back to the Future, [19] and Terry Crews as a chaperone who uses a Ghostbusters -esque proton pack to subdue an outbreak of gremlin-like creatures. [20] [80] Critics also identified homages to Critters , the work of John Hughes, and Stranger Things . [20] [21] [80] A film based on the album and tour, Muse – Simulation Theory , was released in August 2020. [81]
In September 2018, Muse revealed through a post on Twitter the name of twenty cities in North America and seventeen cities in Europe that the band intended to visit on their Simulation Theory World Tour. [82] In the same post, the band promised early access to tickets for the tour for people who pre-ordered the album. [82] [83] Technology was a focus in the design of the tour, with an intent to showcase "something that no one's ever seen before". [82] Early ideas for the tour included a system of magnets that would allow the band to levitate without wires. [1] The tour began in Houston on 22 February 2019, and ended on 15 October 2019, in Lima. [84]
Multiple bands played in the opening act, such as Tom Morello, Walk the Moon and SWMRS. [85] The shows on 14 and 15 September at The O2 Arena, London were filmed. The tour has grossed $100.4 million with more than 1.280 million tickets sold, based on 53 reported dates. [86]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 5.6/10 [87] |
Metacritic | 63/100 [88] |
Review scores | |
Source | Rating |
AllMusic | [89] |
The Guardian | [90] |
The Independent | [91] |
Mojo | [92] |
NME | [93] |
The Observer | [94] |
Pitchfork | 6.0/10 [95] |
Q | [96] |
Rolling Stone | [97] |
Uncut | 8/10 [98] |
Simulation Theory received generally mixed reviews. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, Simulation Theory has an average score of 63 based on 19 reviews. [88] AllMusic 's Neil. Z Yeung praised the combination of electronic pop with "urgent, stadium rock foundation". [89] Andrew Trendell of NME described the album as a " Tron -style pastiche of [Muse's] own adolescence", adding that "you'll be ashamed to tell anyone how much you love it." [93]
The Guardian 's Michael Hann wrote that the "less poppy moments are the most exciting", citing the arpeggios and power chords of "Blockades" and the "none-more-jackbooted" synth bassline and "urgent" strings of "Algorithm". [90] Christopher R. Weingarten of Rolling Stone found that the lyrical mix of relationships and political themes resulted in a confusing message. [97]
Yeung found Simulation Theory to be "the least complicated or overly conceptual [Muse album] in over a decade", and felt that "the orchestral and dubstep meandering of [Muse's] previous 2010s output" was absent. [89] Trendell wrote that Muse present their "bombast" by "indulg[ing] their guiltiest pleasures" rather than through the "operatic prog" found in their previous albums, [93] and Hann commented that producers such as Shellback and Timbaland found "a new face to Muse ... to a certain extent". [90] DIY writer Will Richards saw Simulation Theory as a continuation of the "absurdities" of Drones and concluded: "If a Muse album isn't meant to make you laugh, gasp and double-take in its ridiculousness, then we don't wanna hear it." [99]
All tracks are written by Matt Bellamy, except where noted
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Algorithm" | 4:05 | ||
2. | "The Dark Side" |
| 3:47 | |
3. | "Pressure" |
| 3:55 | |
4. | "Propaganda" |
|
| 3:00 |
5. | "Break It to Me" |
| 3:37 | |
6. | "Something Human" |
| 3:46 | |
7. | "Thought Contagion" |
| 3:26 | |
8. | "Get Up and Fight" |
| Shellback | 4:04 |
9. | "Blockades" |
| 3:50 | |
10. | "Dig Down" |
| 3:48 | |
11. | "The Void" |
| 4:44 | |
Total length: | 42:12 |
No. | Title | Length |
---|---|---|
12. | "Algorithm" (Alternate Reality version) | 3:32 |
13. | "The Dark Side" (Alternate Reality version) | 3:54 |
14. | "Propaganda" (acoustic) | 2:58 |
15. | "Something Human" (acoustic) | 3:46 |
16. | "Dig Down" (acoustic gospel version) | 3:57 |
Total length: | 58:59 |
No. | Title | Length |
---|---|---|
12. | "Algorithm" (Alternate Reality version) | 3:32 |
13. | "The Dark Side" (Alternate Reality version) | 3:54 |
14. | "Pressure" (featuring the UCLA Bruin Marching Band) | 4:04 |
15. | "Propaganda" (acoustic) | 2:58 |
16. | "Break It to Me" (Sam de Jong remix) | 3:08 |
17. | "Something Human" (acoustic) | 3:46 |
18. | "Thought Contagion" (live) | 4:08 |
19. | "Dig Down" (acoustic gospel version) | 3:57 |
20. | "The Void" (acoustic) | 4:34 |
21. | "The Dark Side" (Alternate Reality instrumental) | 2:53 |
Total length: | 78:56 |
Muse
Additional musicians
Production
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [149] | Gold | 40,000‡ |
France (SNEP) [150] | Platinum | 100,000‡ |
Italy (FIMI) [151] | Gold | 25,000‡ |
Poland (ZPAV) [152] | Gold | 10,000‡ |
United Kingdom (BPI) [153] | Gold | 100,000‡ |
‡ Sales+streaming figures based on certification alone. |
Muse are an English rock band from Teignmouth, Devon, formed in 1994. The band consists of Matt Bellamy, Chris Wolstenholme, and Dominic Howard.
Absolution is the third studio album by English rock band Muse, released on 22 September 2003 through Taste Media. It was produced by Muse and Rich Costey, with additional production by John Cornfield and Paul Reeve.
Origin of Symmetry is the second studio album by English rock band Muse, released on 18 June 2001 through Taste Media. It was produced by John Leckie, who produced Muse's debut album, Showbiz (1999), and David Bottrill.
Black Holes and Revelations is the fourth studio album by the English rock band Muse, first released on 3 July 2006 through Warner Bros. Records and Muse's Helium-3 imprint. It was produced by Rich Costey over four months in New York City, London, Milan and southern France.
The discography of the English rock band Muse includes nine studio albums, two live albums, one compilation album, one box set, five EPs, 44 singles, two video albums and 61 music videos.
The Resistance is the fifth studio album by the English rock band Muse, released on 11 September 2009 through Warner Bros. Records and Muse's Helium-3 imprint. It was self-produced and recorded from September 2008 to May 2009 at Studio Bellini in Lake Como, Italy. It mixes rock with orchestral and electronic music, with lyrics influenced by politics and more oppressive subjects. It includes a three-part, 13-minute long symphony piece, "Exogenesis".
"Exogenesis: Symphony", commonly known as simply "Exogenesis", is a composition by English rock band Muse, featured on their 2009 fifth studio album The Resistance. Written by lead vocalist, guitarist and pianist Matthew Bellamy over the course of a number of years, the piece is presented as a symphony in three movements entitled "Overture", "Cross-Pollination" and "Redemption", respectively, each occupying a separate track at the end of the album and spanning nearly 13 minutes in total. "Exogenesis" was released as a single in the United States on 17 April 2010, with 500 copies to be made available by import in the United Kingdom through the band's official website.
The 2nd Law is the sixth studio album by English rock band Muse, first released on 28 September 2012 through Warner Bros. Records and the band's own Helium-3 imprint. Recording of the album took place in studios between London and Los Angeles County, beginning in October 2011 and ending in August 2012. The 2nd Law was Muse's second album to be solely self-produced, following The Resistance (2009), and features a plethora of additional musicians that performed brass, strings, and choir vocals.
"Follow Me" is a song by the English rock band Muse, written by Matthew Bellamy for their sixth studio album, The 2nd Law. It appears as the sixth track on the album. The song was released as the third single from The 2nd Law on 7 December 2012, just over two months after the album was released.
Drones is the seventh studio album by English rock band Muse, released on 5 June 2015 through Warner Bros. Records and the band's own Helium-3 imprint. The album was recorded between October 2014 and April 2015 at the Warehouse Studio in Vancouver, with orchestral sections recorded at Officine Meccaniche in Milan, and was produced by the band and Robert John "Mutt" Lange. Drones is a concept album following a soldier's abandonment, indoctrination as a "human drone", and eventual defection. It also comments on the Obama administration's drone program. After their previous albums incorporated orchestral and electronic music, Muse aimed to return to a more straightforward rock sound musically.
Matthew James Bellamy is an English singer, songwriter and producer. He is the lead vocalist, guitarist, pianist, and lyricist for the English rock band Muse. He is recognised for his eccentric stage persona, wide tenor vocal range and musicianship.
"Dig Down" is a song by English rock band Muse. Produced by the band with Mike Elizondo, it was released as a single on 18 May 2017 and is featured on the band's eighth studio album, Simulation Theory. "Dig Down" debuted at number 94 on the UK Singles Downloads Chart. The next week, it peaked at 51 on that chart.
"Thought Contagion" is a song by English rock band Muse. It was released as the second single from the band's eighth studio album, Simulation Theory, on 15 February 2018, following "Dig Down", released the previous year. The single debuted at number 76 on the UK Singles Chart and topped the UK Rock & Metal Singles Chart.
"Something Human" is a song by English rock band Muse. It was released as the third single from the band's eighth studio album, Simulation Theory. Matt Bellamy described the track as "intimate" and that it marked a departure from the "dark and moody" Drones. The track was released on 19 July 2018, following their previous single "Thought Contagion", which was released February of that year.
"The Dark Side" is a song by English rock band Muse. It was released as a single on 30 August 2018 as the fourth single from Simulation Theory, their eighth studio album.
"Pressure" is a song by English rock band Muse. It was released as the fifth single from the band's eighth studio album, Simulation Theory. The track was released on 27 September 2018, following the release of "The Dark Side", which was released August of that year.
"Algorithm" is a song by English rock band Muse. It was released as the first track from the band's eighth studio album, Simulation Theory, on 9 November 2018. "Algorithm" is a retro-futuristic and industrial sounding song, in common with the overall theme of Simulation Theory.
The Simulation Theory World Tour was a world concert tour by English rock band Muse, in support of their eighth studio album, Simulation Theory (2018). The tour began in Houston on 22 February 2019 and ended in Lima on 15 October 2019. Numerous acts appeared as the opening act, including Tom Morello, Walk the Moon, Nothing But Thieves and SWMRS.
Muse – Simulation Theory is a concert film by English rock band Muse, based on their 2018 album Simulation Theory and its supporting tour in 2019. Directed by Lance Drake, it was released on 17 August 2020 in a one-night only worldwide IMAX release, with a download and streaming release on 21 August.
Will of the People is the ninth studio album by English rock band Muse, released through Warner Records and Helium-3 on 26 August 2022. Self-produced by the band, it is a genre-hopping album that Matthew Bellamy described as "a greatest hits album – of new songs." "Won't Stand Down", "Compliance", "Will of the People", and "Kill or Be Killed" were released as singles before the album was released, and "You Make Me Feel Like It's Halloween" was released as a single the same day the album came out.
Sources
Citations
Asked by Absolute Radio if they could go acoustic, frontman Matt Bellamy said: "I feel like I say it every time with each album but I feel like it might be time to actually do something a bit more stripped down."
The way people consume music has changed so drastically over the past 10 years, it's insane," Howard continued. "And I'm the same. I certainly don't listen to albums all the way through now, like I used to. So we just thought, if we're going to release an album this time, we wanted to make it an album that makes sense from start to finish. It makes much more sense to go from start to finish, than just hear one or two songs.
and we're also interested in doing some genre-blending and era-blending.
Bellamy also teased a track called "Algorithm" that has "blended a bit of romantic classical piano with like '80s synth, computer game music."
"Something Human" finds the alt-rockers tracking a much more mellow route here, trading in crunchy prog-rock for — get this — something along the lines of folk pop. [...] The song was co-produced by the band with help from Rich Costey.
"It's more like a straight Muse rock track," Bellamy told Radio X. "It's like a different riff every 10 seconds, basically." [...] the scene shifts to a high school prom – seemingly recreating the prom scene in Back To The Future, with Muse assuming the role of the band and the frontman appearing to be dressed as Marty McFly.
...driving power chords, catchy hooks, pure wall-of-sound nerd rock. The addition of horns to the song's central riff [...] the song's power-pop sensibilities. [...] is a big, silly, over-the-top '80s throwback, featuring everything from a John Hughes-y school dance to Terry Crews zapping gremlins with a Ghostbuster-like proton pack.
...their new '80s high school homecoming-meets-Stranger Things music video for "Pressure," [...] The multiple-riff, guitar-heavy tune features some impressive melodic arrangements and a full-bodied vocal attack by frontman Matt Bellamy.
...and landed in New Zealand fresh from a songwriting session with stadium rockers Muse...
...Lambert shows the process behind the sci-fi imagery that will adorn the sleeve of 'Simulation Theory'. In the beginning, he can be seen creating line drawings on his iPad Pro with an Apple Pencil...
...both the album artwork and the video teaser was almost entirely created with the iPad Pro using the Apple Pencil.
The artwork for Muse's Simulation Theory feels very much like an elevated version of the '80s Text Generator meme that was popular two years ago, an aesthetic that was no-doubt inspired by Stranger Things.
...but the only taste of Muse-to-come came at the top of the show with "Dig Down," the single released in May in advance of the tour.
...there was some catching up to do, starting with a brand-new tune entitled Dig Down.
...a second single (or at least a new song) entitled "Thought Contagion" will come soon.
Lance Drake directed the science fiction styled video, which stars model and activist Lauren Wasser as she tries to escape from some sort of facility. The band appear on TV screens, with frontman Matt Bellamy looking a bit like 1980s computer generated cult character Max Headroom.
The video for the song – which features Muse's usual mix of flashy alt-rock and Queen-sized theatrics – is a neon-drenched dance party that plays into some of these modern-day anxieties.
We're looking for a couple of super edgy guys to play punk/street guys," reads the 'grungy punks' ad. "Wild hair, tattoos and piercings welcome.
Our aim with 'Something Human' was to continue the journey that began in 'Dig Down' and 'Thought Contagion," Drake said. "Pulling further into a simulated world we follow Matt, Dom, and, Chris on the chase of a lifetime – where something as simple as returning some video tapes becomes an epic journey.
...and debuted a Cyberpunk-esque video for a new single called "The Dark Side" today.
...and a chaperone, Terry Crews. When two students ride their bikes into the science lab, things go horribly wrong with a sequence that owes a debt to sci-fi movies like Critters.
the band have told fans that anyone who pre-orders the album here will have early access to their 2019 headline tour. Revealing the cities they'll be playing, [...] We're going to come up with something that no one's ever seen before. We're always interested in the latest technology and what's cutting edge...
...fans who pre-order their new album Simulation Theory gaining early access to tickets. More cities are still set to be announced!