| The Eminent Jay Jay Johnson, Vol. 2 | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1954 | |||
| Recorded | September 24, 1954 | |||
| Studio | Van Gelder Studio Hackensack, New Jersey | |||
| Genre | Jazz | |||
| Label | Blue Note BLP 5057 | |||
| J. J. Johnson chronology | ||||
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The Eminent Jay Jay Johnson, Vol. 2 is a ten-inch LP by American jazz trombonist J. J. Johnson recorded on September 24, 1954 and released on Blue Note later that year. Johnson is backed by rhythm section Wynton Kelly, Charles Mingus and Kenny Clarke, and percussionist Sabu Martinez. [1]
This album was originally released as the second of three Jay Jay Johnson albums in Blue Note's 10-inch Modern Jazz 5000 Series (BLP 5057, The Eminent Jay Jay Johnson, Vol. 2). The previous 10 inch LP release was BLP 5028, Jay Jay Johnson with Clifford Brown and the third 10-inch LP release was BLP 5070, The Eminent Jay Jay Johnson, Vol. 3 .
All tracks are written by J. J. Johnson, except as noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Jay" | 3:42 | |
| 2. | "Time After Time" | 4:13 | |
| 3. | "Old Devil Moon" | 3:52 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Too Marvelous for Words" | 3:35 | |
| 2. | "It's You or No One" |
| 4:06 |
| 3. | "Coffee Pot" | 4:08 |
Paul Laurence Dunbar Chambers Jr. was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has become one of the most widely-known jazz bassists of the hard bop era. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and over 100 more as a sideman, especially as the anchor of trumpeter Miles Davis's "first great quintet" (1955–63) and with pianist Wynton Kelly (1963–68).
Debut Records was an American jazz record company and label founded in 1952 by bassist Charles Mingus, his wife Celia, and drummer Max Roach.
Miles Davis, Volumes 1 & 2 are a pair of separate but related albums by American jazz trumpeter Miles Davis recorded on May 9, 1952, April 20, 1953 and March 6, 1954 and released on Blue Note early 1956. The three sessions were originally released on ten-inch LPs as Young Man with a Horn (1953), Miles Davis, Vol. 2 (1953) and Miles Davis, Vol. 3 (1954), respectively.
Clifford Laconia Jordan was an American jazz tenor saxophone player. While in Chicago, he performed with Max Roach, Sonny Stitt, and some rhythm and blues groups. He moved to New York City in 1957, after which he recorded three albums for Blue Note. He recorded with Horace Silver, J.J. Johnson, and Kenny Dorham, among others. He was part of the Charles Mingus Sextet, with Eric Dolphy, during its 1964 European tour.
Newk's Time is an album by American jazz saxophonist Sonny Rollins recorded on September 22, 1957 and released on Blue Note in 1959—his third album for the label.
Louis "Sabu" Martinez was an American conguero of Puerto Rican descent. A prominent player in the Cubop movement, Martinez appeared on many important recordings and live performances during that period. Martinez also recorded several Latin jazz albums, now recognized as classics of the genre.
Jazz Track is a compilation album by Miles Davis, released in November 1959 by Columbia Records, catalogue CL 1268. It compiles sessions by the most recent edition of the Davis Sextet which were insufficient to compose an entire LP, with music previously released in France as a soundtrack. This album was made available on CD for the first time as part of Miles Davis' 'The Original Mono Recordings' box set.
Ernie Henry was an American jazz saxophonist.
Horace Silver and the Jazz Messengers is an album by Horace Silver and the Jazz Messengers compiling two 1955 10" LPs—Horace Silver Quintet, Vol. 3 and Horace Silver Quintet, Vol. 4 —recorded on November 13, 1954 and February 6, 1955 respectively and released on Blue Note in October 1956—Silver’s debut 12". The quintet features horn section Hank Mobley and Kenny Dorham and rhythm section Doug Watkins and Art Blakey.
This is a discography of the Jazz trombonist J. J. Johnson.
The Complete Blue Note Recordings of Thelonious Monk is a box set by American jazz pianist Thelonious Monk compiling his recordings for Blue Note first released as a limited four-LP box set on Mosaic Records in 1983 before being issued as a four-CD box set by Blue Note for the first time in 1994 as The Complete Blue Note Recordings.
The Amazing Bud Powell, Vol. 2 is a ten-inch LP by American jazz pianist Bud Powell recorded at WOR Studios in New York on August 14, 1953 and released on Blue Note the following year. Powell is backed by rhythm section George Duvivier and Art Taylor.
Kenny Dorham Quintet is a jazz studio album by trumpeter Kenny Dorham. It was his debut album as a leader and was released in 1953, on the Debut label as DLP-9 and originally included only tracks 1 to 3 and 5 to 7. Tracks 4 and 8 were released as bonus tracks on 12-inch LP OJC-113, whilst the CD release featured the previously unreleased tracks 9, 10 and 11. According to the liner notes on the CD back cover "Label head Charles Mingus decided not to release them at the time and they languished in the tape vault for almost 40 years, until their fortuitous discovery in late 1992".
The Eminent Jay Jay Johnson, Vols. 1 & 2 are a pair of separate but related compilation albums by American jazz trombonist J. J. Johnson, recorded over three sessions between 1953 and 1955 and released on Blue Note in 1956.
Young Man with a Horn, also known as Miles Davis, Vol. 1, is the second 10-inch LP by American jazz trumpeter Miles Davis, recorded at WOR studios on May 9, 1952 and released on Blue Note the following year.
The Fabulous Thad Jones is the debut album by American jazz trumpeter Thad Jones recorded in 1954 and originally released on Charles Mingus' Debut Records label as a 10-inch LP. The album was later re-issued as a 12-inch LP titled simply, Thad Jones.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
Horace Silver Trio & Art Blakey–Sabu is an album by the Horace Silver Trio featuring drummer Art Blakey and conga player Sabu, recorded on October 9 & 20, 1952 and November 23, 1953 respectively and released on Blue Note in 1956.
Jay Jay Johnson, also known as Jay Jay Johnson with Clifford Brown, is a 10" album by the Jay Jay Johnson Sextet, recorded on June 22, 1953 and released on Blue Note later that year. The sextet features brass section Clifford Brown and Jimmy Heath, and rhythm section John Lewis, Percy Heath, Kenny Clarke.
The Eminent Jay Jay Johnson, Vol. 3 is a ten-inch LP by American jazz trombonist J. J. Johnson recorded on June 6, 1955 and released on Blue Note later that year. Johnson is backed by a quintet featuring saxophonist Hank Mobley and rhythm section Horace Silver, Paul Chambers and Kenny Clarke.
