Music of Cameroon |
Genres |
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Specific forms |
Regional music |
This article is a list of traditional musical instruments in Cameroon , based primarily on the research of Roger Blench (2009). [1]
Idiophones of Cameroon include percussion instruments, untuned idiophones, tuned idiophones (xylophones), concussion instruments, and other instruments.
Xylophones can have calabash or horn resonators. Calabash resonators are found through southern and central Cameroon, while horn resonators are found in parts of northeastern Nigeria, extending slightly into northern Cameroon. The Mofu people historically played a xylophone with a single horn resonator, along with calabash resonators. Northeast Nigerian cow horn resonators often have holes covered with spider webs to create a buzzing sound.
Chordophones (stringed instruments): [2]
Aerophones (wind instruments) of Cameroon include flutes, trumpets/horns, reed, and other instruments:
The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel, the xylophone essentially consists of a set of tuned wooden keys arranged in the fashion of the keyboard of a piano. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use.
In organology, the study of musical instruments, many methods of classifying instruments exist. Most methods are specific to a particular cultural group and were developed to serve that culture's musical needs. Culture-based classification methods sometimes break down when applied outside that culture. For example, a classification based on instrument use may fail when applied to another culture that uses the same instrument differently.
Hornbostel–Sachs or Sachs–Hornbostel is a system of musical instrument classification devised by Erich Moritz von Hornbostel and Curt Sachs, and first published in the Zeitschrift für Ethnologie in 1914. An English translation was published in the Galpin Society Journal in 1961. It is the most widely used system for classifying musical instruments by ethnomusicologists and organologists. The system was updated in 2011 as part of the work of the Musical Instrument Museums Online (MIMO) Project.
The musical bow is a simple string instrument used by a number of African peoples, which is also found in the Americas via the slave trade. It consists of a flexible, usually wooden, stick 1.5 to 10 feet long, and strung end to end with a taut cord, usually metal. It can be played with the hands or a wooden stick or branch. It is uncertain if the musical bow developed from the hunting bow, though the San or Bushmen people of the Kalahari Desert do convert their hunting bows to musical use.
The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea to Mali. Its common name, balafon, is likely a European coinage combining its Mandinka name ߓߟߊ bala with the word ߝߐ߲ fôn 'to speak' or the Greek root phono.
Burundi is a Central African nation that is closely linked with Rwanda, geographically, historically and culturally. The drum such as the karyenda is one of central importance. Internationally, the country has produced the music group Royal Drummers of Burundi.
Calabash, also known as bottle gourd, white-flowered gourd, long melon, birdhouse gourd, New Guinea bean, New Guinea butter bean, Tasmania bean, and opo squash, is a vine grown for its fruit. It can be either harvested young to be consumed as a vegetable, or harvested mature to be dried and used as a utensil, container, or a musical instrument. When it is fresh, the fruit has a light green smooth skin and white flesh.
A lamellophone is a member of the family of musical instruments that makes its sound by a thin vibrating plate called a lamella or tongue, which is fixed at one end and has the other end free. When the musician depresses the free end of a plate with a finger or fingernail, and then allows the finger to slip off, the released plate vibrates. An instrument may have a single tongue or a series of multiple tongues.
Traditional Tswana music is performed by Tswana people during feasts and special occasions such as beer gatherings, weddings and initiation ceremonies. Some of the instruments used include the segaba and setinkane. The segaba is more like a violin, in the design, but uses only one string hooked to a tin. The setinkane is made with varying forks, and played more like a keyboard.
Struck idiophones is one of the categories of idiophones that are found in the Hornbostel-Sachs system of musical instrument classification.
Traditional Vietnamese musical instruments are the musical instruments used in the traditional and classical musics of Vietnam. They comprise a wide range of string, wind, and percussion instruments, used by both the Viet majority as well as the nation's ethnic minorities.
Cameroon is home to at least 250 languages, with some accounts reporting around 600. These include 55 Afro-Asiatic languages, two Nilo-Saharan languages, four Ubangian languages, and 169 Niger–Congo languages. This latter group comprises one Senegambian language (Fulfulde), 28 Adamawa languages, and 142 Benue–Congo languages . French and English are official languages, a heritage of Cameroon's colonial past as a colony of both France and the United Kingdom from 1916 to 1961. Eight out of the ten regions of Cameroon are primarily francophone, representing 83% of the country's population, and two are anglophone, representing 17%. The official percentage of French and English speakers by the Presidency of Cameroon is estimated to be 70% and 30% respectively.
The malunga is a single-stringed musical bow played by the Siddi of India, who are the descendants of East African immigrants. It produces two tones, an octave apart, and the knuckle of the hand supporting the instrument may be pressed against the string to vary the pitch. It is struck with a stick and, as with the berimbau of Brazil, the hand holding the stick also holds a rattle. The malunga has a gourd resonator which amplifies the instrument's sound. The placement of this rattle along the string also varies the pitch produced by the Malunga.
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies.
In African music, the calabash is a percussion instrument of the family of idiophones consisting of a half of a large calabash gourd, which is struck with the palms, fingers, wrist or objects to produce a variety of percussive sounds.
ʻUlīʻulī are Hawaiian feathered gourd rattles that are occasionally used as instruments in the traditional Hawaiian dance, hula. This instrument is used in both ʻauana and kahiko hula dances. They are vibrantly colored feather gourd rattles used in kahiko performances to maintain timing and to enhance other sounds like chanting or the pounding of an ipu.
The kinnari vina is a historical veena, a tube zither with gourds attached to act as resonators and frets. It was played in India into the late 19th century and was documented by two European artists. The instrument dates back into medieval times and possibly as far back as 500 C.E. It is closely related to the Alapini Vina and Eka-tantri Vina, the instruments having coexisted in medieval times.
Frame zither is a class of musical instrument within the Hornbostel-Sachs classification system for a type of simple chordophone, in which the body of the instrument is made from a frame.
The gurmi is a two or three-stringed lute of the Hausa people of northern Nigeria. May also be called gurumi or kumbo. In looking at the two-finger playing style used by musicians who play the gumbri, researchers have listed it as a possible relative to the banjo. Researchers have talked about the gurmi and gurumi as if these are two different but similar instruments.
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