The culture of Magadh is rich with its distinct language, folk songs and festivals. In ancient period it was known as Magadha mahajanpada. The present-day Magadh region split between the states of Bihar and Jharkhand, India. The major language of the region is Magahi. [1] [2] [3]
Magahi language spoken in south Bihar. It is Bihari group of Indo Aryan language. Around 16 million people speak Magahi as native language. It is spoken in seven districts of Bihar (Gaya, Patna, Jehanabad, Aurangabad, Nalanda, Nawada, Sheikhpura, Arwal, seven districts of Jharkhand (Hazaribag, Chatra, Koderma, Jamtara, Bokaro, Dhanbad, Giridih, Palamu). [4]
Magahi culture refers to culture of Magadh. [5] Culture of Magadh has been rich since ancient times and the land has produced many important personalities who contributed in India's development. The land has been epicenter of various religious and political movements since ancient times. Buddha and Mahavira got enlightenment on this land and moved around the neighboring places for their religious preaching. Buddha advocated ‘The Middle Path’ for his disciples. He talked of Ashtangika-marga for attaining nirvana, which is liberation from the cycle of birth and death. Mahavira advocated rigorous asceticism for his disciples. Both Buddhism and Jainism stood for the reason of truth and non-violence. Sikhism also has roots in Magadh. Sikh's tenth Guru, Guru Govind Singh was born on this land.
In nineteenth century, during struggle for independence against British, Patna became the centre for Wahabi movement. This movement was led by Sayyed Ahmed Shahid. It was both a political and religious movement. The movement was aimed towards reforming Islam. But for achieving this, reformers thought that independence from British was must. So they also acted against British.
Magadh has contributed a lot to the Indian culture. Mauryan art is the first imperial art in India. Ashokan pillars are unique and their incredible ‘finish’ is the pride of Indian Architecture. These pillars are carved out of a single rock. These rock pillars are polished in such a fashion that they appear to be made of metal. Such polishing is striking example of Mauryan art and the technique vanished after Ashoka. A Pillar at Sarnath is one of the Ashoka's pillars. The four lions carved on the top of the pillar are chosen as the national symbol of independent India. There is Iranian influence on Mauryan art. In Indian history, Ashoka was first to use inscriptions for spreading his messages. He followed the tradition of inscriptions from Iran. The tradition of rock-cut caves in India begun with the Mauryas. Rock-cut caves in the Barabar and Nagarjuni hills in Gaya are examples from Mauryan period. These were excavated by Ashoka and his grandson Dasaratha for the abode of Ajivika monks. A glimpse of the folk art of the period can be seen in the Yaksha and Yakshani figures found from Mathura, Pawa, and Patna. The Yakshini statue from Didarganj, near Patna is the most famous one and shows Mauryan polish.
Gupta's contributions to the Indian culture are also remarkable. Hinduism reemerged in the form of Bhagavatism (Vaishnavism), Saivism and Saktism. Bhakti became central to the philosophy of Hinduism.
Hinduism also got influenced by Buddhism. Under this influence Vaishnavism imbibed Buddha as one of the incarnations of Vishnu. Sculptures and temples of Gupta period are milestones in the field of art. Guptas were first to use dressed stone for temple construction. Before this, temples were made of wood or other perishable material.
Gupta period is known as the “classical period” in the genre of sculpture as they were a combination of spirituality and idealism into art. This combination gets reflected in the images of Vishnu, in Dasavtara Temple at Deogarh. The seated Buddha from Sarnath and standing Buddha from Mathura represent fully developed form of Buddhist art. Their radiant spiritual expression carved with grace and refinement makes them masterpieces (Lal ed. 2002). Paintings at Ajanta and Ellora caves were made during Gupta period.
Arthashastra, written by Chanakya, is an important literature of the period for understanding politics and administration in general. Aryabhata, an outstanding scholar of the Gupta age, lived at Kusumpura, near Patna. He wrote Aryabhattiya, which talks about geometry. He was first to use decimal and thus gave a new dimension to mathematics. He was first to give right reasons behind eclipses. Aryabhata was first to utilize sine functions in astronomy. This age contributed Puranas and Smiritis to the Hindu literature. Kavyas such as Meghduta, Raguvansa and Kumarsambhava, dramas such as Abhijnashakuntalam, Mudrarakshasa and Devichandragupta are contribution of Gupta period to Indian literature (Lal ed. 2002). Guptas established many Universities for promoting education. Nalanda University was one of them. It was famous for education in religion and philosophy. Students from all over India, China, Tibet, Indonesia and Sri Lanka used to come here for studies. The famous Chinese pilgrim Hiuen-Tsang studied at Nalanda University. Hiuen-Tsang mentioned the glory of Nalanda University in his book Si-yu-ki. I-tsing stayed at Nalanda for ten years. He translated many Sanskrit manuscripts into Chinese.
Chhath is important festival of Magahi people. [6] Other important festival are Holi, Durga Puja, Jitiya, Teej, Diwali, Kajari, Basant Panchami, i.e. Magadhi New Year and Holi. [7] [8]
Folk songs and folk dance are an important aspect of Magadh culture. Folk songs like Phaag and Chaita are sung all over Bihar. While Phaag are sung in the month of Phalgun, Chaita are sung in the month of Chait. Rajashah of Patna is a famous name in the field of Indian classical music. He has not only reclassified the Indian Ragas but also discovered a new musical instrument called ‘Thaat’. Rajashah also authored a book ‘Nagmat Ashfi’ on Indian music. Folk music of Bihar reflects the culture of its day-to-day life. Sanskaar geet like Sohar, Khilona, Khobar, Sumaangali are sung at various occasions like birth, moondan, marriage etc. There are different kinds of songs for each kind of festival celebrated in the region.
Various folk dances performed by local people in the area are: Dhobia Nritya, Karia, Jhumar, Jhijhiya, Jharni Nritya, Jat-Jatin, Sama chakeva and Domkach. These dances are based on different religious, historical and social significance. [9]
Many movies also reflect the culture of Magadh. In the movie ‘Abhijan’, which was directed by Satyajit Ray, the actress Waheeda Rehman delivered her dialogues in Magahi.
Bhaiyaa was the first film with sound in the cinema of Bihar which was made in Magahi language and released in 1961 directed by Phani Majumdar. Other famous Magahi films are ‘More Man Mitwa’ directed by Girish Ranjan, Devan Mishri and Handover.
In the genre of painting, Magadh is known for its ‘Patna Kalam Shaili’. The influence of both Mughals and British are found on the paintings of this school. Along with carrying these influences, this school has developed its own local features which make them unique. The famous painters of this school are Sevak Ram, Hulas Lal, Jayram Das and Shivdayal Lal.
Magadha, also called the Kingdom of Magadha or the Magadha Empire, was a kingdom and empire, and one of the sixteen Mahajanapadas, 'Great Footholds of the People' during the Second Urbanization period, based in southern Bihar in the eastern Ganges Plain, in Ancient India. Magadha was ruled by the Brihadratha dynasty, the Haryanka dynasty, the Shaishunaga dynasty, the Nanda dynasty, the Mauryan dynasty, the Shunga dynasty, the Kanva dynasty, the Gupta dynasty and the Later Gupta dynasty (490–700). Kanva dynasty lost much of its territory after being defeated by the Satavahanas of Deccan in 28 BCE and was reduced to a small principality around Pataliputra. However, with the rule of Gupta Empire, The Gupta Empire regained the Glory of Magadh. Under the Mauryas, Magadha became a pan-Indian empire, covering large swaths of the Indian subcontinent and Afghanistan. The Magadh under the Gupta Empire emerged as the most prosperous kingdom in the history of Ancient India.
The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara, located in the northwestern fringe of the Indian subcontinent.
Magahi, also known as Magadhi, is a Indo-Aryan language spoken in Bihar, Jharkhand and West Bengal states of eastern India, and in the Terai of Nepal. Magadhi Prakrit was the ancestor of Magahi, from which the latter's name derives.
Rajgir, old name Rajagriha, meaning "The City of Kings," is an ancient city and university town in the district of Nalanda in Bihar, India. As the ancient seat and capital of the Haryanka dynasty, the Pradyota dynasty, the Brihadratha dynasty and the Mauryan Empire, as well as the dwelling ground of such historical figures as Buddha, Mahavira and Bimbisara, the city holds a place of prominence in Hindu, Buddhist and Jain scriptures. As of 2011, the population of the town was reported to be 41,000 while the population in the community development block was about 88,500.
The pillars of Ashoka are a series of monolithic columns dispersed throughout the Indian subcontinent, erected—or at least inscribed with edicts—by the 3rd Mauryan Emperor Ashoka the Great, who reigned from c. 268 to 232 BC. Ashoka used the expression Dhaṃma thaṃbhā, i.e. "pillars of the Dharma" to describe his own pillars. These pillars constitute important monuments of the architecture of India, most of them exhibiting the characteristic Mauryan polish. Twenty of the pillars erected by Ashoka still survive, including those with inscriptions of his edicts. Only a few with animal capitals survive of which seven complete specimens are known. Two pillars were relocated by Firuz Shah Tughlaq to Delhi. Several pillars were relocated later by Mughal Empire rulers, the animal capitals being removed. Averaging between 12 and 15 m in height, and weighing up to 50 tons each, the pillars were dragged, sometimes hundreds of miles, to where they were erected.
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms.
Patna, the capital of Bihar state, India, is one of the oldest continuously inhabited places in the world and the history of Patna spans at least three millennia. Patna has the distinction of being associated with the two most ancient religions of the world, namely, Buddhism and Jainism. The ancient city of Pataliputra was the capital of the Mauryan, Shunga, and Gupta Empires.
Patna district is one of the thirty-eight districts of Bihar state in eastern India. Patna, the capital of Bihar, is the district headquarters. The Patna district is a part of Patna division. The Patna district is divided into 6 Sub-divisions (Tehsils) i.e. Patna Sadar, Patna City, Barh, Masaurhi, Danapur and Paliganj.
Nalanda district is one of the thirty-eight districts of the state of Bihar in India. Bihar Sharif is the administrative headquarters of this district. The districts is home to the ancient Nalanda Mahavihara a UNESCO World Heritage Site. Nalanda is located in the Magadh region of southern Bihar.
The History of Bihar is one of the most varied in India. Bihar consists of three distinct regions, each has its own distinct history and culture. They are Magadha, Mithila and Bhojpur.Chirand, on the northern bank of the Ganga River, in Saran district, has an archaeological record dating from the Neolithic age. Regions of Bihar—such as Magadha, Mithila and Anga—are mentioned in religious texts and epics of ancient India. Mithila is believed to be the centre of Indian power in the Later Vedic period. Mithila first gained prominence after the establishment of the ancient Videha Kingdom. The kings of the Videha were called Janakas. A daughter of one of the Janaks of Mithila, Sita, is mentioned as consort of Lord Rama in the Hindu epic Ramayana. The kingdom later became incorporated into the Vajjika League which had its capital in the city of Vaishali, which is also in Mithila.
Buddhism was an important part of the classical Kashmiri culture, as is reflected in the Nilamata Purana and Kalhana's Rajatarangini. Buddhism is generally believed to have become dominant in Kashmir in the time of Emperor Ashoka, although it was widespread there long before his time, enjoying the patronage not only of Buddhist rulers but of Hindu rulers too. From Kashmir, it spread to the neighbouring Ladakh, Tibet and China proper. Accounts of patronage of Buddhism by the rulers of Kashmir are found in the Rajatarangini and also in the accounts of three Chinese visitors to Kashmir during 630-760 AD.
Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.
Mauryan art is art produced during the period of the Mauryan Empire, the first empire to rule over most of the Indian subcontinent, between 322 and 185 BCE. It represented an important transition in Indian art from the use of wood to stone. It was a royal art patronized by Mauryan kings, most notably Ashoka. Pillars, stupas and caves are its most prominent surviving examples.
Buddhism is an ancient Indian religion, which arose in and around the ancient Kingdom of Magadha. It is based on the teachings of Gautama Buddha, who lived in the 6th or 5th century BCE and was deemed a "Buddha". However, Buddhist doctrine holds that there were other Buddhas before him. Buddhism spread outside of Magadha starting in the Buddha's lifetime.
In religion and spirituality, a pilgrimage is a long journey or search of great moral significance. Sometimes, it is a journey to a sacred place or to a shrine of importance to a person's beliefs and faith. Members of every major religion participate in pilgrimages. A person who makes such a journey is called a pilgrim.
Sarnath Museum is the oldest site museum of the Archaeological Survey of India. It houses the findings and excavations at the archaeological site of Sarnath, by the Archaeological Survey of India. Sarnath is located near Varanasi, in the state of Uttar Pradesh. The museum has 6,832 sculptures and artefacts.
The state of Bihar in eastern India, is one of the oldest inhabited places in the world with a history going back 3000 years. The rich culture and heritage of Bihar is evident from the innumerable ancient monuments that are dotted all over the state. Bihar is home to many tourist attractions and is visited by large numbers of tourists from all over the world. Around total 6 million tourists visit Bihar every year.
Bihari culture refers to the culture of the Indian state of Bihar. Bihari culture includes Angika culture, Mithila culture, Bhojpuri Culture and the culture of Magadha.
Ancient Indian architecture ranges from the Indian Bronze Age to around 800 CE. By this endpoint Buddhism in India had greatly declined, and Hinduism was predominant, and religious and secular building styles had taken on forms, with great regional variation, which they largely retain even after some forceful changes brought about by the arrival of first Islam, and then Europeans.
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose".
