People's Songs

Last updated
People's Songs
Editor Pete Seeger
Categories Music magazines Folk music
Frequencyquarterly
Founder Pete Seeger
First issueFebruary 1946
Final issue1950
CompanyPeople's Songs Inc.
Country United States
LanguageEnglish

People's Songs was an organization founded by Pete Seeger, Alan Lomax, Lee Hays, and others on December 31, 1945, in New York City, to "create, promote, and distribute songs of labor and the American people." [1] The organization published a quarterly Bulletin from 1946 through 1950, featuring stories, songs and writings of People's singers members. People's Songs Bulletin served as a template for folk music magazines to come like Sing Out! and Broadside .

Contents

History

Seeger's work with the Almanac Singers and trips around the country playing banjo for Congress of Industrial Organizations (CIO) benefits and other progressive organizations in the 1940s cemented his beliefs that folk music could be an effective force for social change. He conceived creating an organization to better disseminate songs for political action to Labor and other progressive organizations around the country. These plans were put on hold as Seeger was drafted into the army during World War II. Upon his discharge from the Army in 1946, Seeger finally got a chance to realize his plans, and convened a group of interested people for a meeting in the basement of his in-laws' apartment in Greenwich Village. People's Songs' founding committee included several former members of the Almanac Singers and other notable members of the folk community in New York and included Woody Guthrie, Lee Hays, Horace Grenell, Anges "Sis" Cunningham, Burl Ives, Millard Lampell, Alan Lomax, Bess Lomax Hawes, Josh White. and Tom Glazer. Also attending the first meeting were, Jackie Gibson, Ronnie Gilbert, Irwin Silber and David Sear. [2] They elected Pete Seeger president and Lee Hays executive secretary and collected money to rent a small office located at 130 West 42nd Street, New York, NY, which also housed shared a radical drama group Stage for Action. [2] Corporate counsel was Joseph R. Brodsky. [3]

The organization was loosely modeled as an American version Great Britain's Workers Music Association, founded 10 years earlier than People's Songs. [4] It published out a weekly newsletter with songs, articles, and announcements of Hootenannies and folk dances. It served as a clearing house for progressive entertainers. There were also occasional special issues with relevant songs on an as needed basis geared for specific rallies, strike, and court cases. Soon the booking agency became an offshoot: People's Artists.

People's Songs branched out into several satellite locations in addition to the New York offices. A yearly convention was held as a place to exchange ideas and play songs. The first People's Songs convention was held in 1947 in Chicago, [5] and there was a branch in California headed by Mario Casetta, an army friend of Seeger's from Saipan, who became a key figure in the West Coast folk and world music scene.

In its first year People's Songs met with success, but this was a trying time for the labor movements in the United States, which had a significant Communist presence since its inception. After World War II, the Communist Party of the United States became much more dogmatic than formerly, and was indifferent to the use of folk music. There was also not much call for new organizing or singing in the streets, as established unions tried to consolidate their gains. In addition, there was a conservative majority in Congress, which opposed the labor movement altogether and was adamantly committed to maintaining racial segregation in the South. Eager to reverse the social legislation of President Franklin D. Roosevelt's New Deal, it passed the Taft-Hartley act (over Harry S. Truman's veto). Some scholars believe that President Truman himself instituted loyalty oaths and mass firings, in order to preempt conservative criticism, control public opinion, and forestall any opposition to his Marshall Plan and to a military build-up from the left wing of his party. [6] As the Red Scare gathered momentum, the House Un-American Activities Committee held hearings into supposed subversive activity in the entertainment industry. People's Songs began to falter financially. In 1948 it put all its resources into the presidential campaign of Henry A. Wallace, and when that failed everywhere but in New York City, People's Songs went bankrupt, although its booking agency, People's Artists, continued for a while. After the financial failure of People's Songs in 1948, Seeger and Silber put out an interim People's Songs newsletter and then went on to form the more durable Sing Out! magazine with a similar format.

The Newsletter

The people are on the march and must have songs to sing. Now in 1946, the truth must reassert itself in many singing voices. There are thousands of unions, people's organizations, singers and choruses who would gladly use more songs. There are many songwriters, amateur and professional, who are writing these songs. It is clear that there must be an organization to make and send songs of labor and the American people through the land. To do this job we formed People's Songs. INC We invite your to join us.

— Pete Seeger, Introduction of People's Songs newsletter No. 1 [1]

The People's Songs [7] was a small mimeographed magazine published quarterly from February 1946 to 1950. The first issue of the People's Songs [7] was published February 1946 to a circulation of 3000 countrywide. [1] Its musical editor was Waldemar Hille. The first issue featured a selection of seven Union songs widely ranging from traditional songs like Casey Jones, to standards by Joe Hill, to international songs from Spanish soldiers and new songs by contemporary folk musicians like Lee Hays and Woody Guthrie. This was a format the magazine would follow throughout its years of publication. The songs were numbered to maintain sequence from the first issue continuing through each issue, for example the first issue contained seven songs, and the first song in the second issue was numbered 8. People's Songs served as a template for folk music magazines to come like Sing Out and Broadside .

Contributors to People's Songs Newsletter

People's Songs contained a lot of written out sheet music, lyrics and tablature. It was an eclectic mix of traditional folk and union songs along with newly written pieces by contemporary folk musicians of the time. Some contributors include the following:

The entire backfile of People's Songs was microfilmed in the 1980s by Clearwater Publishing Inc. from Pete Seeger's personal copy, including his personal commentaries. Clearwater Publishing (not related to the Sloop Clearwater) was acquired by Congressional Information Service in 1987, which was a subsidiary of Reed-Elsevier, an international publishing conglomerate. In 2010 Reed-Elsevier sold all its microfilm titles, including People's Songs, Broadside magazine, and New City Songstore, a British folkmusic newsletter published by Peggy Seeger, to ProQuest/CSA.

Related Research Articles

<span class="mw-page-title-main">Woody Guthrie</span> American singer-songwriter (1912–1967)

Woodrow Wilson Guthrie was an American singer-songwriter and composer who was one of the most significant figures in American folk music. His work focused on themes of American socialism and anti-fascism. He inspired several generations both politically and musically with songs such as "This Land Is Your Land".

<span class="mw-page-title-main">Pete Seeger</span> American folk singer and social activist (1919–2014)

Peter Seeger was an American folk singer and social activist. A fixture on nationwide radio in the 1940s, Seeger also had a string of hit records during the early 1950s as a member of the Weavers, notably their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture, workers' rights, and environmental causes.

The Weavers were an American folk music quartet based in the Greenwich Village area of New York City originally consisting of Lee Hays, Pete Seeger, Ronnie Gilbert, and Fred Hellerman. Founded in 1948, the group sang traditional folk songs from around the world, as well as blues, gospel music, children's songs, labor songs, and American ballads. The group sold millions of records at the height of their popularity, including the first folk song to reach No. 1 on popular music charts, their recording of Lead Belly's "Goodnight, Irene." Despite their popularity, the Weavers were blacklisted during much of the 1950s.

The Almanac Singers was an American New York City-based folk music group, active between 1940 and 1943, founded by Millard Lampell, Lee Hays, Pete Seeger, and Woody Guthrie. The group specialized in topical songs, mostly songs advocating an anti-war, anti-racism and pro-union philosophy. They were part of the Popular Front, an alliance of liberals and leftists, including the Communist Party USA, who had vowed to put aside their differences in order to fight fascism and promote racial and religious inclusiveness and workers' rights. The Almanac Singers felt strongly that songs could help achieve these goals.

Agnes "Sis" Cunningham was an American musician, best known for her involvement as a performer and publicist of folk music and protest songs. She was the founding editor of Broadside magazine, which she published with her husband Gordon Friesen and their daughters.

<span class="mw-page-title-main">Cisco Houston</span> American musician (1918-1961)

Gilbert Vandine "Cisco" Houston was an American folk singer and songwriter, who is closely associated with Woody Guthrie due to their extensive history of recording together.

Broadside magazine was a small mimeographed publication founded in 1962 by Agnes "Sis" Cunningham and her husband, Gordon Friesen. Hugely influential in the folk-revival, it was often controversial. Issues of what is folk music, what is folk rock, and who is folk were roundly discussed and debated. At the same time, Broadside nurtured and promoted important singers of the era.

<span class="mw-page-title-main">Irwin Silber</span> American journalist

Irwin Silber was an American Communist, editor, publisher, and political activist. He edited the folk music magazine Sing Out! and was active in far-left politics throughout his life.

The Hudson River Sloop Clearwater, Inc. is a non-profit organization based in Beacon, New York that seeks to protect the Hudson River and surrounding wetlands and waterways through advocacy and public education. Founded by folk singer Pete Seeger with his wife Toshi Seeger in 1966, the organization is known for its sailing vessel, the sloop Clearwater, and for its annual music and environmental festival, the Great Hudson River Revival.

<span class="mw-page-title-main">Clearwater Festival</span>

The Clearwater Festival is a music and environmental summer festival and America's oldest and largest annual festival of its kind. This unique event has hosted over 15,000 people on a weekend in June for more than three decades. All proceeds benefit Hudson River Sloop Clearwater, Inc., a 501(c)(3) nonprofit environmental organization.

Lee Elhardt Hays was an American folk singer and songwriter, best known for singing bass with the Weavers. Throughout his life, he was concerned with overcoming racism, inequality, and violence in society. He wrote or cowrote "Wasn't That a Time?", "If I Had a Hammer", and "Kisses Sweeter than Wine", which became Weavers' staples. He also familiarized audiences with songs of the 1930s labor movement, such as "We Shall Not Be Moved".

<i>Precious Friend</i> 1981 live album by Arlo Guthrie and Pete Seeger

Precious Friend is a double album by Arlo Guthrie and Pete Seeger with Shenandoah. The album, Guthrie's final record on Warner Bros., is a compilation of songs from when Guthrie and Seeger toured together. John Pilla produced the recording.

<span class="mw-page-title-main">American folk music revival</span> 20th-century American musical movement

The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.

Millard Lampell was an American movie and television screenwriter who first became publicly known as a member of the Almanac Singers in the 1940s.

Rainbow Quest (1965–66) was a U.S. television series devoted to folk music and hosted by Pete Seeger. It was videotaped in black-and-white and featured musicians playing in traditional American music genres such as traditional folk music, old-time music, bluegrass and blues. The show's title is drawn from the lyrics of the song by Seeger "Oh, Had I A Golden Thread".

Harriet Elizabeth "Hally" Wood was an American musician, singer and folk musicologist. She worked with John and Alan Lomax and participated in the publication of songbooks for the works of artists like Lead Belly and Woody Guthrie. She also performed as a singer and recorded solo and collaborative albums with folk singers such as Pete Seeger.

<span class="mw-page-title-main">Union Boys</span> Musical artist

The Union Boys was an American folk music group, formed impromptu in 1944, to record several songs on an album called Songs for Victory: Music for Political Action. Its "all-star leftist" members were Josh White, Sonny Terry, Brownie McGhee, Pete Seeger, Burl Ives, Tom Glazer.

<span class="mw-page-title-main">Pittsburgh Town</span> Song performed by Pete Seeger

"Pittsburgh Town", sometimes titled as "Pittsburgh" or "Pittsburgh is a Great Old Town", is a folk song written by Woody Guthrie and originally recorded by Pete Seeger. The song was written during a Pittsburgh, Pennsylvania stop on an Almanac Singers' tour; both Seeger and Guthrie were members of the band at this time. The song speaks of the labor and environmental problems that the city was facing in 1941, when the song was written. In the time since, environmental legislation has reduced the pollution problem that plagued Pittsburgh; because of this, the song's mentions of pollution in Pittsburgh have been sometimes been replaced with verses extolling the city.

<span class="mw-page-title-main">Pete Seeger discography</span> Cataloging of published recordings by Pete Seeger

The discography of Pete Seeger, an American folk singer, consists of 52 studio albums, 23 compilation albums, 22 live albums, and 31 singles. Seeger's musical career started in 1940 when he joined The Almanac Singers. He stayed with the group for two years until he was drafted into the Army to fight in the Second World War. After the end of World War II in 1945, Seeger helped found an organization known as People's Songs, along with the influential folk music magazine People's Songs Bulletin. He published several singles and a studio album with the magazine. Seeger would play at People's Songs events, called hootenannies, until the organization folded in 1949. After People's Songs, Seeger and another former member of the Almanacs, Lee Hays, founded the Weavers, who achieved commercial success. In 1952, The Weavers went on hiatus due to the Red Scare; Seeger and Hays both had Communist ties. After the demise of the Weavers, Seeger released a solo album, American Folk Songs for Children, in 1953 on Folkways Records. He continued to release albums on Folkways until he signed with Capitol in 1961.

"Talking Union" is a talking blues song written by members of the Almanac Singers. The song tells of the common struggles that a union organizer faces while starting a new labor union. The song helped name the record album Talking Union & Other Union Songs.

References

  1. 1 2 3 People's Songs Inc. People's Songs Newsletter, Vol 1. No 1. 1945. Old Town School of Folk Music resource center collection.
  2. 1 2 Robbie Lieberman (1995). My Song Is My Weapon. University of Illinois Press. pp. 68–9. ISBN   0-252-06525-5.
  3. Report of the Senate Fact-Finding Committee on Un-American Activities, 1948 : Communist Front Organizations. Senate Fact-Finding Committee on Un-American Activities. 1948. Retrieved 27 September 2017.
  4. People's Songs Inc. People's Songs Newsletter, Vol 1. No 2. 1945. Old Town School of Folk Music resource center collection.
  5. People's Songs Inc. People's Songs Newsletter, Vol 2. No 8. 1945. Old Town School of Folk Music resource center collection.
  6. See Richard M. Freeland, The Truman Doctrine and the Origins of McCarthyism: Foreign Policy, Domestic Policy, and Internal Security, 1946-48 (New York: New York University Press, 1989).
  7. 1 2 Bulletin

Further reading

The People's Song Library archival collection consists of songs collected by the Almanac Singers (1941–43); People's Songs, Inc. (1946–49); People's Artists, Inc. (1950–57); and Sing Out, Inc. (1958–70). Scores, songbooks, and lyrics by Aaron Copland, Woody Guthrie, Joe Hill, Huddie ("Lead Belly") Ledbetter, Alan Lomax, Phil Ochs, Tom Paxton, Malvina Reynolds, Peggy and Pete Seeger, Josh White, and lesser-known and some anonymous authors dealing with civil rights, the Cuban Revolution, election songs of the 1940s, labor, pacifism, and war. Included are traditional folksongs and some of more recent vintage.