Sonnet 115

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The first nine lines of Sonnet 115 in the 1609 Quarto
Q1 Q2 Q3 C Those lines that I before have writ do lie, Even those that said I could not love you dearer: Yet then my judgment knew no reason why My most full flame should afterwards burn clearer. But reckoning Time, whose million’d accidents Creep in ’twixt vows, and change decrees of kings, Tan sacred beauty, blunt the sharp’st intents, Divert strong minds to the course of altering things; Alas, why, fearing of Time’s tyranny, Might I not then say “Now I love you best,” When I was certain o’er incertainty, Crowning the present, doubting of the rest? Love is a babe; then might I not say so, To give full growth to that which still doth grow? 4 8 12 14 —William Shakespeare [1]

Sonnet 115 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. ^{[2] [3]}

Synopsis

The poet's earlier verses were a lie because it said he could not love the youth more. At the time he didn't understand that his love could be more intense in future, assuming that time would blunt it. Fearing this, he said that he loved the youth most powerfully then. Love is a baby, so might he not ascribe full size to one that's still growing? ^{[4] [5]}

Structure

Sonnet 115 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form ABAB CDCD EFEF GG and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 1st line exemplifies a regular iambic pentameter:

  ×    /      ×  /  × /    ×     /   ×  /  Those lines that I before have writ do lie, (115.1) 

This sonnet contains examples of all three metrical variations typically found in literary iambic pentameter of the period. Lines 2 and 4 feature a final extrametrical syllable or feminine ending:

 ×  /    ×     /     ×    /  ×  /     ×     / (×)  My most full flame should afterwards burn clearer. (115.4) 

/ = ictus, a metrically strong syllabic position. × = nonictus. (×) = extrametrical syllable.

The 12th line exhibits an initial reversal, which can also be found in line 13 (and potentially in lines 6, 7, and 10):

  /  ×     ×   / ×     /   ×   /    ×  /  Crowning the present, doubting of the rest? (115.12) 

Finally, the 9th line exhibits the rightward movement of the third ictus (resulting in a four-position figure, × × / /, sometimes referred to as a minor ionic):

× /     ×   /  ×   ×   /      / ×  /  Alas! why, fearing of Time's tyranny, (115.9) 

The meter demands a few variant pronunciations: line 2's "even" functions as one syllable, line 5's "reckoning" and line 8's "altering" as two, and line 8's "to the" is contracted to "to th'". ^[6]

References

1. Pooler, C[harles] Knox, ed. (1918). The Works of Shakespeare: Sonnets. The Arden Shakespeare [1st series]. London: Methuen & Company. OCLC   4770201.
2. Morton Luce (1913). Shakespeare, the Man and His Work. Seven Essays. Adamant Media Corporation. p. 58. ISBN   1402139926.
3. Kiernan, Victor Gordon; Kiernan, Victor (1993). Shakespeare: Poet and Citizen. p. 244. ISBN   0860913929.
4. David Schalkwyk (2002). Speech and Performance in Shakespeare's Sonnets and Plays. Cambridge University Press. pp. 163–164. ISBN   0521811155.
5. James Blair Leishman (2005). Themes and Variations in Shakespeare's Sonnets. Routledge. p. 103. ISBN   0415352959.
6. Booth 2000, pp. 99, 379.

Further reading

First edition and facsimile

• Shakespeare, William (1609). Shake-speares Sonnets: Never Before Imprinted. London: Thomas Thorpe.
• Lee, Sidney, ed. (1905). Shakespeares Sonnets: Being a reproduction in facsimile of the first edition. Oxford: Clarendon Press. OCLC   458829162.

Variorum editions

• Alden, Raymond Macdonald, ed. (1916). The Sonnets of Shakespeare. Boston: Houghton Mifflin Harcourt. OCLC   234756.
• Rollins, Hyder Edward, ed. (1944). A New Variorum Edition of Shakespeare: The Sonnets [2 Volumes]. Philadelphia: J. B. Lippincott & Co. OCLC   6028485. — Volume I and Volume II at the Internet Archive

Modern critical editions

• Atkins, Carl D., ed. (2007). Shakespeare's Sonnets: With Three Hundred Years of Commentary . Madison: Fairleigh Dickinson University Press. ISBN   978-0-8386-4163-7. OCLC   86090499.
• Booth, Stephen, ed. (2000) [1st ed. 1977]. Shakespeare's Sonnets (Rev. ed.). New Haven: Yale Nota Bene. ISBN   0-300-01959-9. OCLC   2968040.
• Burrow, Colin, ed. (2002). The Complete Sonnets and Poems . The Oxford Shakespeare. Oxford: Oxford University Press. ISBN   978-0192819338. OCLC   48532938.
• Duncan-Jones, Katherine, ed. (2010) [1st ed. 1997]. Shakespeare's Sonnets. Arden Shakespeare, third series (Rev. ed.). London: Bloomsbury. ISBN   978-1-4080-1797-5. OCLC   755065951. — 1st edition at the Internet Archive
• Evans, G. Blakemore, ed. (1996). The Sonnets . The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN   978-0521294034. OCLC   32272082.
• Kerrigan, John, ed. (1995) [1st ed. 1986]. The Sonnets ; and, A Lover's Complaint . New Penguin Shakespeare (Rev. ed.). Penguin Books. ISBN   0-14-070732-8. OCLC   15018446.
• Mowat, Barbara A.; Werstine, Paul, eds. (2006). Shakespeare's Sonnets & Poems. Folger Shakespeare Library. New York: Washington Square Press. ISBN   978-0743273282. OCLC   64594469.
• Orgel, Stephen, ed. (2001). The Sonnets . The Pelican Shakespeare (Rev. ed.). New York: Penguin Books. ISBN   978-0140714531. OCLC   46683809.
• Vendler, Helen, ed. (1997). The Art of Shakespeare's Sonnets . Cambridge, Massachusetts: The Belknap Press of Harvard University Press. ISBN   0-674-63712-7. OCLC   36806589.