Sonnet 68

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Sonnet 68 in the 1609 Quarto
Q1 Q2 Q3 C Thus is his cheek the map of days outworn, When beauty liv’d and died as flowers do now, Before these bastard signs of fair were born, Or durst inhabit on a living brow; Before the golden tresses of the dead, The right of sepulchres, were shorn away, To live a second life on second head; Ere beauty’s dead fleece made another gay: In him those holy antique hours are seen, Without all ornament itself and true, Making no summer of another’s green, Robbing no old to dress his beauty new; And him as for a map doth Nature store, To show false Art what beauty was of yore. 4 8 12 14 —William Shakespeare [1]

Sonnet 68 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.

Structure

Sonnet 68 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form, abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The second line exemplifies a regular iambic pentameter:

  ×   /   ×  /    ×    /   ×    /      ×  /  When beauty lived and died as flowers do now, (68.2) 

/ = ictus, a metrically strong syllabic position. × = nonictus.

The scansion of the eighth line is ambivalent. Normally the words "dead fleece" would have the stress of "dead" subordinated to that of "fleece", allowing them comfortably to fill × / positions, not / ×. However, if accent is placed on "dead", a regular scansion emerges:

×    /   ×    /     ×     /   × /  ×   /  Ere beauty's dead fleece made another gay: (68.8) 

Alternatively, "fleece" can maintain the greater stress, suggesting this scansion:

×    /   ×    /     /     ×   × /  ×   /  Ere beauty's dead fleece made another gay: (68.8) 

A reversal of the third ictus (as shown above) is normally preceded by at least a slight intonational break, which "dead fleece" does not allow. Peter Groves calls this a "harsh mapping", and recommends that in performance "the best thing to do is to prolong the subordinated S-syllable [here, "dead"] ... the effect of this is to throw a degree of emphasis on it". ^[2]

Notes

1. Pooler, C[harles] Knox, ed. (1918). The Works of Shakespeare: Sonnets. The Arden Shakespeare [1st series]. London: Methuen & Company. OCLC   4770201.
2. Groves 2013, pp 42-43.

Further reading

• Groves, Peter (2013), Rhythm and Meaning in Shakespeare: A Guide for Readers and Actors, Melbourne: Monash University Publishing, ISBN   978-1-921867-81-1

First edition and facsimile

• Shakespeare, William (1609). Shake-speares Sonnets: Never Before Imprinted. London: Thomas Thorpe.
• Lee, Sidney, ed. (1905). Shakespeares Sonnets: Being a reproduction in facsimile of the first edition. Oxford: Clarendon Press. OCLC   458829162.

Variorum editions

• Alden, Raymond Macdonald, ed. (1916). The Sonnets of Shakespeare. Boston: Houghton Mifflin Harcourt. OCLC   234756.
• Rollins, Hyder Edward, ed. (1944). A New Variorum Edition of Shakespeare: The Sonnets [2 Volumes]. Philadelphia: J. B. Lippincott & Co. OCLC   6028485. — Volume I and Volume II at the Internet Archive

Modern critical editions

• Atkins, Carl D., ed. (2007). Shakespeare's Sonnets: With Three Hundred Years of Commentary . Madison: Fairleigh Dickinson University Press. ISBN   978-0-8386-4163-7. OCLC   86090499.
• Booth, Stephen, ed. (2000) [1st ed. 1977]. Shakespeare's Sonnets (Rev. ed.). New Haven: Yale Nota Bene. ISBN   0-300-01959-9. OCLC   2968040.
• Burrow, Colin, ed. (2002). The Complete Sonnets and Poems . The Oxford Shakespeare. Oxford: Oxford University Press. ISBN   978-0192819338. OCLC   48532938.
• Duncan-Jones, Katherine, ed. (2010) [1st ed. 1997]. Shakespeare's Sonnets. Arden Shakespeare, third series (Rev. ed.). London: Bloomsbury. ISBN   978-1-4080-1797-5. OCLC   755065951. — 1st edition at the Internet Archive
• Evans, G. Blakemore, ed. (1996). The Sonnets . The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN   978-0521294034. OCLC   32272082.
• Kerrigan, John, ed. (1995) [1st ed. 1986]. The Sonnets ; and, A Lover's Complaint . New Penguin Shakespeare (Rev. ed.). Penguin Books. ISBN   0-14-070732-8. OCLC   15018446.
• Mowat, Barbara A.; Werstine, Paul, eds. (2006). Shakespeare's Sonnets & Poems. Folger Shakespeare Library. New York: Washington Square Press. ISBN   978-0743273282. OCLC   64594469.
• Orgel, Stephen, ed. (2001). The Sonnets . The Pelican Shakespeare (Rev. ed.). New York: Penguin Books. ISBN   978-0140714531. OCLC   46683809.
• Vendler, Helen, ed. (1997). The Art of Shakespeare's Sonnets . Cambridge, Massachusetts: The Belknap Press of Harvard University Press. ISBN   0-674-63712-7. OCLC   36806589.