Sonnet 79

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The first two stanzas of Sonnet 79 in the 1609 Quarto
Q1 Q2 Q3 C Whilst I alone did call upon thy aid My verse alone had all thy gentle grace; But now my gracious numbers are decayed, And my sick Muse doth give another place. I grant, sweet love, thy lovely argument Deserves the travail of a worthier pen; Yet what of thee thy poet doth invent He robs thee of, and pays it thee again; He lends thee virtue, and he stole that word From thy behavior; beauty doth he give, And found it in thy cheek; he can afford No praise to thee, but what in thee doth live: Then thank him not for that which he doth say, Since what he owes thee, thou thyself dost pay. 4 8 12 14 —William Shakespeare [1]

Sonnet 79 is one of 154 sonnets published by the English playwright and poet William Shakespeare in 1609. It is part of the Fair Youth sequence, and the second sonnet of the Rival Poet sequence.

Exegesis

This sonnet continues the discussion of the previous sonnet, Sonnet 78, regarding other poets who also write poems dedicated to the fair youth. Sonnet 79 argues that the other poet deserves no thanks, because the quality of his writing derives from the quality of his subject. The poet (line 2) claims that earlier he had exclusively had the young man's patronage, or that his verse had exclusively been devoted to the young man's virtue or honor. But now those of his verses that benefited from the young man's grace ("gracious numbers"), are "decayed" because the youth's favors are being spread out and because the muse is not healthy ("sick muse"), which is a strange description considering the first line of Sonnet 78: "So oft have I invoked thee for my Muse".

The muse (line 4) makes room for another poet, or another muse. When the speaker desperately and unexpectedly refers (line 7) to the rival poet as "thy poet", it is clear that loyalties have shifted. The sestet turns the rival poet's effort to find appropriate metaphors into a materialistic endeavor ("He robs thee … he lends … he stole …") regarding merely skin-deep attractiveness ("found it in thy cheek”). The poet suggests a poem by a rival that has little to add, but proclaims the youth is as virtuous as his virtue, his cheek is as lovely as his cheek, and requires no “thanks". ^{[2] [3]}

Structure

Sonnet 79 is an English or Shakespearean sonnet, which has three quatrains, followed by a final rhyming couplet. It follows the rhyme scheme ABAB CDCD EFEF GG, and is composed in iambic pentameter, a metre of five feet per line, with two syllables in each foot accented weak/strong. Most of the lines are examples of regular iambic pentameter, including the 2nd line:

 ×   /    ×  /  ×   /   ×   /  ×    /  My verse alone had all thy gentle grace; (79.2) 

/ = ictus, a metrically strong syllabic position. × = nonictus.

The 4th line may be scanned with a rightward movement of the first ictus (the resulting four-position figure, × × / /, is sometimes referred to as a minor ionic):

×    ×  /    /    ×    /    × / ×    /  And my sick Muse doth give another place. (79.4) 

The meter calls for a 2-syllable pronunciation of "worthier" in the 6th line. ^[4]

Notes

1. Shakespeare, William. Duncan-Jones, Katherine. Shakespeare’s Sonnets. Bloomsbury Arden 2010. p. 269 ISBN   9781408017975.
2. Shakespeare, William. Duncan-Jones, Katherine. Shakespeare’s Sonnets. Bloomsbury Arden 2010. p. 268 ISBN   9781408017975.
3. Hammond, Gerald. The Reader and the Young Man Sonnets. Barnes & Noble. 1981. p. 99-100. ISBN   978-1-349-05443-5
4. Booth 2000, p. 273.

References

First edition and facsimile

• Shakespeare, William (1609). Shake-speares Sonnets: Never Before Imprinted. London: Thomas Thorpe.
• Lee, Sidney, ed. (1905). Shakespeares Sonnets: Being a reproduction in facsimile of the first edition. Oxford: Clarendon Press. OCLC   458829162.

Variorum editions

• Alden, Raymond Macdonald, ed. (1916). The Sonnets of Shakespeare. Boston: Houghton Mifflin Harcourt. OCLC   234756.
• Rollins, Hyder Edward, ed. (1944). A New Variorum Edition of Shakespeare: The Sonnets [2 Volumes]. Philadelphia: J. B. Lippincott & Co. OCLC   6028485. — Volume I and Volume II at the Internet Archive

Modern critical editions

• Atkins, Carl D., ed. (2007). Shakespeare's Sonnets: With Three Hundred Years of Commentary . Madison: Fairleigh Dickinson University Press. ISBN   978-0-8386-4163-7. OCLC   86090499.
• Booth, Stephen, ed. (2000) [1st ed. 1977]. Shakespeare's Sonnets (Rev. ed.). New Haven: Yale Nota Bene. ISBN   0-300-01959-9. OCLC   2968040.
• Burrow, Colin, ed. (2002). The Complete Sonnets and Poems . The Oxford Shakespeare. Oxford: Oxford University Press. ISBN   978-0192819338. OCLC   48532938.
• Duncan-Jones, Katherine, ed. (2010) [1st ed. 1997]. Shakespeare's Sonnets. Arden Shakespeare, third series (Rev. ed.). London: Bloomsbury. ISBN   978-1-4080-1797-5. OCLC   755065951. — 1st edition at the Internet Archive
• Evans, G. Blakemore, ed. (1996). The Sonnets . The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN   978-0521294034. OCLC   32272082.
• Kerrigan, John, ed. (1995) [1st ed. 1986]. The Sonnets ; and, A Lover's Complaint . New Penguin Shakespeare (Rev. ed.). Penguin Books. ISBN   0-14-070732-8. OCLC   15018446.
• Mowat, Barbara A.; Werstine, Paul, eds. (2006). Shakespeare's Sonnets & Poems. Folger Shakespeare Library. New York: Washington Square Press. ISBN   978-0743273282. OCLC   64594469.
• Orgel, Stephen, ed. (2001). The Sonnets . The Pelican Shakespeare (Rev. ed.). New York: Penguin Books. ISBN   978-0140714531. OCLC   46683809.
• Vendler, Helen, ed. (1997). The Art of Shakespeare's Sonnets . Cambridge, Massachusetts: The Belknap Press of Harvard University Press. ISBN   0-674-63712-7. OCLC   36806589.