Sonnet 121

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Sonent 121 in the 1609 Quarto
Q1 Q2 Q3 C ’Tis better to be vile than vile esteemed, When not to be receives reproach of being, And the just pleasure lost, which is so deemed Not by our feeling, but by others’ seeing: For why should others’ false adulterate eyes Give salutation to my sportive blood? Or on my frailties why are frailer spies, Which in their wills count bad what I think good? No, I am that I am, and they that level At my abuses reckon up their own: I may be straight, though they themselves be bevel; By their rank thoughts my deeds must not be shown; Unless this general evil they maintain, All men are bad and in their badness reign. 4 8 12 14 —William Shakespeare [1]

Sonnet 121 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards his young lover.

Synopsis

The poet condemns hypocrisy and decides he's going to be himself.

Hypocrites force you to lose out on life's fair pleasures.

They are bad by pointing out your faults may actually be a good thing.

You have to hide your pleasurable pursuits from them.

Unless they realize that all people are bad (and presumably they will stop being hypocrites)

Structure

Sonnet 121 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form ABAB CDCD EFEF GG and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 1st line exemplifies a regular iambic pentameter:

  ×   /  ×   /  ×  /     ×   /   ×  /  'Tis better to be vile than vile esteem'd, (121.1) 

Four lines (2, 4, 9, and 11) have a final extrametrical syllable or feminine ending, as for example:

 /   × ×    /  ×     /   × /  ×     /(×)  Not by our feeling, but by others' seeing: (121.4) 

/ = ictus, a metrically strong syllabic position. × = nonictus. (×) = extrametrical syllable.

Line 4 (above) also exhibits another common metrical variation, an initial reversal. Initial reversals are potentially present in lines 7, 8, and 11. The 3rd line features one (potentially two; the second can be otherwise scanned) rightward movements of an ictus (resulting in a four-position figure, × × / /, sometimes referred to as a minor ionic):

×     ×  /     /  ×    /      ×   ×   /  /  And the just pleasure lost, which is so deem'd (121.3) 

A similar minor ionic is potentially present in line 12's "By their rank thoughts", though not if "their" receives contrastive accent.

The meter demands that line 13's "general" function as two syllables.

Notes

1. Pooler, C[harles] Knox, ed. (1918). The Works of Shakespeare: Sonnets. The Arden Shakespeare [1st series]. London: Methuen & Company. OCLC   4770201.

References

First edition and facsimile

• Shakespeare, William (1609). Shake-speares Sonnets: Never Before Imprinted. London: Thomas Thorpe.
• Lee, Sidney, ed. (1905). Shakespeares Sonnets: Being a reproduction in facsimile of the first edition. Oxford: Clarendon Press. OCLC   458829162.

Variorum editions

• Alden, Raymond Macdonald, ed. (1916). The Sonnets of Shakespeare. Boston: Houghton Mifflin Harcourt. OCLC   234756.
• Rollins, Hyder Edward, ed. (1944). A New Variorum Edition of Shakespeare: The Sonnets [2 Volumes]. Philadelphia: J. B. Lippincott & Co. OCLC   6028485. — Volume I and Volume II at the Internet Archive

Modern critical editions

• Atkins, Carl D., ed. (2007). Shakespeare's Sonnets: With Three Hundred Years of Commentary . Madison: Fairleigh Dickinson University Press. ISBN   978-0-8386-4163-7. OCLC   86090499.
• Booth, Stephen, ed. (2000) [1st ed. 1977]. Shakespeare's Sonnets (Rev. ed.). New Haven: Yale Nota Bene. ISBN   0-300-01959-9. OCLC   2968040.
• Burrow, Colin, ed. (2002). The Complete Sonnets and Poems . The Oxford Shakespeare. Oxford: Oxford University Press. ISBN   978-0192819338. OCLC   48532938.
• Duncan-Jones, Katherine, ed. (2010) [1st ed. 1997]. Shakespeare's Sonnets. Arden Shakespeare, third series (Rev. ed.). London: Bloomsbury. ISBN   978-1-4080-1797-5. OCLC   755065951. — 1st edition at the Internet Archive
• Evans, G. Blakemore, ed. (1996). The Sonnets . The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN   978-0521294034. OCLC   32272082.
• Kerrigan, John, ed. (1995) [1st ed. 1986]. The Sonnets ; and, A Lover's Complaint . New Penguin Shakespeare (Rev. ed.). Penguin Books. ISBN   0-14-070732-8. OCLC   15018446.
• Mowat, Barbara A.; Werstine, Paul, eds. (2006). Shakespeare's Sonnets & Poems. Folger Shakespeare Library. New York: Washington Square Press. ISBN   978-0743273282. OCLC   64594469.
• Orgel, Stephen, ed. (2001). The Sonnets . The Pelican Shakespeare (Rev. ed.). New York: Penguin Books. ISBN   978-0140714531. OCLC   46683809.
• Vendler, Helen, ed. (1997). The Art of Shakespeare's Sonnets . Cambridge, Massachusetts: The Belknap Press of Harvard University Press. ISBN   0-674-63712-7. OCLC   36806589.

External links

• Shakespeare's Sonnets online