The Girl with the Dragon Tattoo | ||||
---|---|---|---|---|
![]() | ||||
Film score by | ||||
Released | December 9, 2011 | |||
Recorded | October 2010 – December 2011 in Los Angeles, CA | |||
Genre | ||||
Length | 173:34 | |||
Label |
| |||
Producer |
| |||
Trent Reznor and Atticus Ross chronology | ||||
|
The Girl with the Dragon Tattoo is the score album for David Fincher's 2011 film of the same name, composed by Trent Reznor and Atticus Ross. It was released on December 9, 2011, through The Null Corporation in the US and Mute Records outside North America. [1] This is the second soundtrack that Reznor and Ross have worked on together, following the Oscar-winning [2] The Social Network , also for Fincher.
The soundtrack is nearly three hours long, [3] and includes covers of the Led Zeppelin track, "Immigrant Song", featuring Karen O of Yeah Yeah Yeahs, and the Bryan Ferry song, "Is Your Love Strong Enough?", by Reznor and Ross' own band, How to Destroy Angels. [4] The former premiered on KROQ radio on December 2, 2011, and was made available as a download to anyone who purchased the iTunes pre-order of the album. In addition, the file was accompanied with an extended, 8 minute trailer for the film, scored specifically by Reznor and Ross. On December 2, a six-song sampler of the album was made available for free online along with the pre-release of various different formats of the soundtrack.
The score was nominated for the 2011 Golden Globe award for Best Original Score – Motion Picture, [5] and won the 2012 Grammy award for Best Score Soundtrack For Visual Media. [6] The album debuted on the UK Albums Chart on 7 January 2012 at position 199.
A teaser trailer for the film was released online on June 2, 2011, (previously being attached to certain domestic and international films), featuring a cover of Led Zeppelin's "Immigrant Song", by Reznor, Ross and Karen O (from the Yeah Yeah Yeahs). [7]
On August 10, the film's official website was updated to feature background music "She Reminds Me of You", under the filename "Dotcom.mp3". As was the case with "Hand Covers Bruise" from The Social Network's official site, this backing music was the first piece from the score to be available for listening.
A full-length trailer for the film was released on September 22, featuring music from the score again, the first time the score had been specifically set to footage. Specifically the track "An Itch."
One track from the score ("What If We Could?") has been performed live by Reznor's band Nine Inch Nails on their Twenty Thirteen Tour in summer 2013.
A Tumblr blog entitled Mouth Taped Shut was launched on August 20, 2011, releasing behind-the-scenes photographs of the shooting and production of the film. On October 3, the blog posted a YouTube video of custom posters for the film being printed, with backing music by Reznor and Ross. [8] The blog was also used extensively to promote a public preview of the film, and had hosted snapshots of the score in progress.
An image posted on Mouth Taped Shut showed Reznor in the studio, working on the score. On close inspection, however, the monitor of his computer displayed the url, http://www.comesforthinthethaw.com, which when typed in linked to a site featuring an ever-evolving array of further background music accompanied to various film stills.
Following a hidden clue on ...Comes Forth in theThaw, the website http://www.whatishiddeninsnow.com was found, which led to a series of treasure trails around the world, finding pieces from the film as part of an Alternate Reality Game promotion.
The album's art was created by Nine Inch Nails and How to Destroy Angels' creative director Rob Sheridan and Neil Kellerhouse.
The Girl with the Dragon Tattoo was opened for pre-orders online on December 2, 2011, on Reznor's independent label website Null Corporation in a number of different formats at various price points. The digital copy was released on December 9, whilst retail copies of the album were distributed by Mute Records on December 27 in CD format followed by the "Deluxe" edition on February 6. [1] The smallest Dragon Tattoo package contains the entire album in 320 kbit/s MP3 format made available for download directly from the website for US$12. A lossless digital version includes a choice of Apple Lossless or FLAC for US$14. A standard physical version is available for US$14 and includes three audio CDs stored in an eight panel digipak with custom "ice" slipcase and a six panel insert, alongside a digital version delivered in 320 kbit/s MP3. A $300 "Deluxe Edition" includes a 6-LP 180 gram vinyl set in a deluxe book package with metal cover in a hard plastic "ice" slip cover, an exclusive custom 8 GB metal razor blade USB pendant (inspired by Lisbeth Salander's razor blade necklace) containing the full album in high-fidelity 96k audio, a fold-out poster designed by Neil Kellerhouse, and a HD digital copy in either Apple Lossless, FLAC, or 320 kbit/s MP3 formats. [1]
On the day of the six-track sampler's launch, Reznor posted about the release on the Nine Inch Nails website:
For the last fourteen months Atticus and I have been hard at work on David Fincher's The Girl with the Dragon Tattoo. We laughed, we cried, we lost our minds and in the process made some of the most beautiful and disturbing music of our careers. The result is a sprawling three-hour opus that I am happy to announce is available for pre-order right now for as low as $11.99. The full release will be available in one week - December 9th. [...] Atticus and I are very proud of the film and our work, we hope you enjoy. [9]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 76/100 [10] |
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The A.V. Club | B [12] |
Consequence of Sound | ![]() ![]() ![]() ![]() ![]() |
Filmtracks | ![]() ![]() ![]() ![]() ![]() |
The Los Angeles Times | ![]() ![]() ![]() ![]() |
The New York Times | (favorable) [16] |
The Philadelphia Inquirer | ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 7.0/10 [18] |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
The Salt Lake Tribune | B [20] |
Critical response to the score was generally favorable, with an average rating of 76% based on 11 professional reviews on Metacritic. [10] Christian Cottingham of Drowned in Sound noticed that, "like the film the soundtrack favours atmosphere over cheap thrill, taking its time to mount a sense of rising dread, layers of drone building overtop machinery echo and worn piano faded between scattered melodies and sparse percussion. In isolation it's an accompaniment to 3am melancholy or the onset of madness: in context it's Fincher's bleached out whites and blacks and murky greens turned to sound, bleaker than their previous work and more ambitious even than NIN's Ghosts ." Cottingham asserted that Dragon Tattoo, "most(ly) recalls Reznor's soundtrack for Quake in the late 1990s, where space and silence played a role as great as any multitrack in conveying tension and unsettling the mood. At times tender but mostly pretty terrifying, this needs to be heard somewhere loud, and preferably with an exit in easy reach." [21]
Conversely professional film music critics like Christian Clemmensen, of Filmtracks, and Jonathan Broxton, of Movie Music UK, dismissed it entirely, the latter considering the score as: "little more than a series of ambient drones, overlaid with various industrial sound effects and staccato rhythms – de-tuned piano chords, plucked bass notes, and the like." He also stated: "When the score isn't jarringly distracting, it's virtually inaudible or indistinguishable from the film's sound effects, begging the question of why the music is there in the first place." [22]
Date of ceremony | Award | Category | Recipient(s) | Result |
---|---|---|---|---|
December 5, 2011 | Washington D.C. Area Film Critics Association Awards | Best Score | Trent Reznor, Atticus Ross | Nominated |
December 19, 2011 | Chicago Film Critics Association Awards [23] | Best Original Score | Trent Reznor, Atticus Ross | Nominated |
December 19, 2011 | St. Louis Gateway Film Critics Association Awards [24] | Best Music | Trent Reznor, Atticus Ross | Nominated |
Best Scene | Opening credits (Immigrant Song) | Won | ||
January 10, 2012 | Alliance of Women Film Journalists Awards 2011 [25] | Best Film Music or Score | Trent Reznor, Atticus Ross | Won |
January 12, 2012 | Broadcast Film Critics Association Awards [26] | Best Composer | Trent Reznor, Atticus Ross | Nominated |
January 15, 2012 | Golden Globe Awards [27] | Best Original Score | Trent Reznor, Atticus Ross | Nominated |
February 12, 2012 | BAFTA Awards [28] | Best Original Music | Trent Reznor, Atticus Ross | Nominated |
February 10, 2013 | Grammy Awards [29] | Best Score Soundtrack for Visual Media | Trent Reznor, Atticus Ross | Won |
All tracks are written by Trent Reznor and Atticus Ross, except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Immigrant Song" (featuring Karen O) | Jimmy Page, Robert Plant | 2:47 |
2. | "She Reminds Me of You" | 4:25 | |
3. | "People Lie All the Time" | 4:10 | |
4. | "Pinned and Mounted" | 5:04 | |
5. | "Perihelion" | 6:01 | |
6. | "What If We Could?" | 4:08 | |
7. | "With the Flies" | 7:41 | |
8. | "Hidden in Snow" | 5:19 | |
9. | "A Thousand Details" | 3:58 | |
10. | "One Particular Moment" | 7:00 | |
11. | "I Can't Take It Anymore" | 1:48 | |
12. | "How Brittle the Bones" | 1:49 | |
13. | "Please Take Your Hand Away" | 6:00 | |
Total length: | 60:10 |
No. | Title | Length |
---|---|---|
1. | "Cut into Pieces" | 4:03 |
2. | "The Splinter" | 2:32 |
3. | "An Itch" | 4:09 |
4. | "Hypomania" | 5:47 |
5. | "Under the Midnight Sun" | 7:01 |
6. | "Aphelion" | 3:33 |
7. | "You're Here" | 3:29 |
8. | "The Same as the Others" | 3:08 |
9. | "A Pause for Reflection" | 4:11 |
10. | "While Waiting" | 2:17 |
11. | "The Seconds Drag" | 4:33 |
12. | "Later into the Night" | 4:55 |
13. | "Parallel Timeline with Alternate Outcome" | 6:32 |
Total length: | 56:10 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Another Way of Caring" | 7:02 | |
2. | "A Viable Construct" | 3:14 | |
3. | "Revealed in the Thaw" | 2:47 | |
4. | "Millennia" | 1:19 | |
5. | "We Could Wait Forever" | 4:21 | |
6. | "Oraculum" | 8:21 | |
7. | "Great Bird of Prey" | 5:19 | |
8. | "The Heretics" | 5:20 | |
9. | "A Pair of Doves" | 2:02 | |
10. | "Infiltrator" | 7:03 | |
11. | "The Sound of Forgetting" | 2:30 | |
12. | "Of Secrets" | 3:25 | |
13. | "Is Your Love Strong Enough?" (performed by How to Destroy Angels) | Bryan Ferry | 4:30 |
Total length: | 57:14 |
All tracks are written by Trent Reznor and Atticus Ross
No. | Title | Length |
---|---|---|
1. | "Hidden in Snow" | 5:19 |
2. | "People Lie All the Time" | 4:08 |
3. | "What If We Could?" | 3:59 |
4. | "Oraculum" | 8:16 |
5. | "Please Take Your Hand Away" | 5:53 |
6. | "Under the Midnight Sun" | 6:59 |
Total length: | 34:34 |
An alternate album For Your Consideration (FYC) was sent by Sony Pictures to awarding bodies. It features the actual film cues, which have alternate titles, edits and mixes from the versions on the commercially available soundtrack, along with one composition not on the soundtrack release at all.
All tracks are written by Trent Reznor and Atticus Ross
No. | Title | Length |
---|---|---|
1. | "I Can't Take It Anymore" | 1:18 |
2. | "Salander Goes Home" (She Reminds Me of You) | 1:56 |
3. | "Morrel's Report" (People Lie All the Time) | 2:10 |
4. | "Heartbreak" (What If We Could?) | 2:41 |
5. | "Salander / Cecilia / Harald" (Hidden in Snow) | 2:56 |
6. | "Värmland" (Please Take Your Hand Away) | 4:54 |
7. | "Maps" (The Seconds Drag) | 1:43 |
8. | "Bjurman BJ" (With the Flies) | 3:19 |
9. | "Salander Returns to the House" (One Particular Moment) | 1:53 |
10. | "Archives" (Pinned and Mounted) | 2:45 |
11. | "Coffee Cup" (The Seconds Drag) | 0:52 |
12. | "Martin's Story" (Under the Midnight Sun) | 1:25 |
13. | "Martin Traps Blomkvist" (Aphelion) | 2:24 |
14. | "Car Chase" (Great Bird of Prey) | 2:04 |
15. | "Harriet Theme 4" (While Waiting) | 0:57 |
16. | "Salander's Trip" (The Heretics) | 3:48 |
17. | "North Pole" (A Pause for Reflection) | 0:48 |
18. | "Media Event of the Year" (One Particular Moment) | 0:43 |
19. | "Harriet's Story" (Under the Midnight Sun) | 4:05 |
20. | "Bank Sequence" (The Heretics) | 1:15 |
21. | "Harriet Theme 1" (Millennia) | 2:33 |
22. | "Salander Tattoos Bjurman" (Of Secrets) | 2:26 |
Total length: | 48:44 |
No. | Title | Length |
---|---|---|
1. | "Millennia" | 1:37 |
2. | "She's One of the Best, She's Different" (We Could Wait Forever) | 2:44 |
3. | "Parade Photos" (You're Here) | 1:54 |
4. | "Bible Verses" (Aphelion) | 1:59 |
5. | "Plague, Trinity & Wasp" (Infiltrator) | 1:59 |
6. | "Salander Arrives at Bjurman's" (Cut into Pieces) | 1:40 |
7. | "Salander Reports to Blomkvist" (Aphelion) | 1:43 |
8. | "Salander at Wennerström's Apartment" (People Lie All the Time) | 1:02 |
9. | "Blomkvist Shot" (Great Bird of Prey) | 1:06 |
10. | "Lovemaking" (What If We Could?) | 1:41 |
11. | "Harriet's Flowers" (How Brittle the Bones) | 1:34 |
12. | "Harriet / The Accident" (Hidden in Snow) | 2:38 |
13. | "Salander at Söder Hospital" (Under the Midnight Sun) | 0:48 |
14. | "Meeting Bjurman" (We Could Wait Forever) | 1:07 |
15. | "Salander Raped" (With the Flies) | 2:05 |
16. | "Salander Tasers Bjurman" (You're Here) | 1:16 |
17. | "Martin Interviews Blomkvist" (Great Bird of Prey) | 2:57 |
18. | "Blomkvist Meets Martin" (misprint on the packaging, "Martin" should be "Henrik") | 1:16 |
19. | "Blomkvist Travels to Hedestad (misspelled Hedestadt)" (She Reminds Me of You) | 1:53 |
20. | "Widow Brännlund's Photos" (Hidden in Snow) | 1:18 |
21. | "Dead Cat" (Perihelion) | 0:38 |
Total length: | 34:32 |
The same album was made available on the Sony Pictures FYC site as of February 6, 2012. [30] Here, it was presented in chronological order from the film, and did not feature the Led Zeppelin cover performed by Trent Reznor and Karen O:
All tracks are written by Trent Reznor and Atticus Ross
No. | Title | Length |
---|---|---|
1. | "I Can't Take It Anymore" | 1:18 |
2. | "Media Event of the Year" (One Particular Moment) | 0:43 |
3. | "She's One of the Best, She's Different" (We Could Wait Forever) | 2:44 |
4. | "Salander at Wennerström's Apartment" (People Lie All the Time) | 1:02 |
5. | "Blomkvist Travels to Hedestad (misspelled Hedestadt)" (She Reminds Me of You) | 1:53 |
6. | "Blomkvist Meets Henrik" | 1:16 |
7. | "Harriet / The Accident" (Hidden in Snow) | 2:38 |
8. | "Harriet's Flowers" (How Brittle the Bones) | 1:34 |
9. | "North Pole" (A Pause for Reflection) | 0:48 |
10. | "Salander at Söder Hospital" (Under the Midnight Sun) | 0:48 |
11. | "Morrel's Report" (People Lie All the Time) | 2:10 |
12. | "Meeting Bjurman" (We Could Wait Forever) | 1:07 |
13. | "Martin's Story" (Under the Midnight Sun) | 1:25 |
14. | "Bjurman BJ" (With the Flies) | 3:19 |
15. | "Salander Arrives at Bjurman's" (Cut into Pieces) | 1:40 |
16. | "Salander Raped" (With the Flies) | 2:05 |
17. | "Salander Goes Home" (She Reminds Me of You) | 1:56 |
18. | "Millennia" | 1:37 |
19. | "Parade Photos" (You're Here) | 1:54 |
20. | "Salander Tasers Bjurman" (You're Here) | 1:16 |
21. | "Salander Tattoos Bjurman" (Of Secrets) | 2:26 |
22. | "Bible Verses" (Aphelion) | 1:59 |
23. | "Värmland" (Please Take Your Hand Away) | 4:54 |
24. | "Salander Reports to Blomkvist" (Aphelion) | 1:43 |
25. | "Dead Cat" (Perihelion) | 0:38 |
26. | "Harriet Theme 1" (While Waiting) | 0:58 |
27. | "Widow Brännlund's Photos" (Hidden in Snow) | 1:18 |
28. | "Blomkvist Shot" (Great Bird of Prey) | 1:06 |
29. | "Lovemaking" (What If We Could?) | 1:41 |
30. | "Salander / Cecilia / Harald" (Hidden in Snow) | 2:56 |
31. | "Maps" (The Seconds Drag) | 1:43 |
32. | "Archives" (Pinned and Mounted) | 2:45 |
33. | "Coffee Cup" (The Seconds Drag) | 0:52 |
34. | "Martin Traps Blomkvist" (Aphelion) | 2:24 |
35. | "Martin Interviews Blomkvist" (Great Bird of Prey) | 2:57 |
36. | "Car Chase" (Great Bird of Prey) | 2:04 |
37. | "Salander Returns to the House" (One Particular Moment) | 1:53 |
38. | "Harriet Theme 4" (While Waiting) | 2:33 |
39. | "Plague, Trinity & Wasp" (Infiltrator) | 1:59 |
40. | "Harriet's Story" (Under the Midnight Sun) | 4:05 |
41. | "Salander's Trip" (The Heretics) | 3:48 |
42. | "Bank Sequence" (The Heretics) | 1:15 |
43. | "Heartbreak" (What If We Could?) | 2:41 |
Credits for The Girl with the Dragon Tattoo adapted from liner notes: [31]
|
|
Album
| Singles
|
Michael Trent Reznor is an American musician, singer, songwriter, record producer, and composer. He serves as the lead vocalist, multi-instrumentalist, and principal songwriter of the industrial rock band Nine Inch Nails, which he founded in 1988 and of which he was the sole official member until 2016. The first Nine Inch Nails album, Pretty Hate Machine (1989), was a commercial and critical success. Reznor has since released 11 more Nine Inch Nails studio albums.
Atticus Matthew Cowper Ross is an English musician, record producer, composer, and audio engineer. Along with Trent Reznor, he won the Academy Award for Best Original Score for The Social Network in 2010. In 2013, the pair won a Grammy Award for Best Score Soundtrack for Visual Media for their soundtrack to The Girl with the Dragon Tattoo. In 2021, alongside Jon Batiste, they won the Golden Globe and Academy Award for the soundtrack for Pixar's Soul.
Karen Lee Orzolek is a South Korean-born American singer, musician, and songwriter. She is the lead vocalist of the indie rock band Yeah Yeah Yeahs.
"Immigrant Song" is a song by the English rock band Led Zeppelin. It is built upon a repeating riff and features lyrical references to Norse mythology, with singer Robert Plant's howling vocals mentioning war-making and Valhalla. The song was included on their 1970 album, Led Zeppelin III and released as a single. Several live recordings have also been issued on various Led Zeppelin albums. Other artists have recorded renditions of the song or performed it live.
Michael Patterson is an American record producer and mixer. He has worked on the albums Midnite Vultures (1999) by Beck, Life After Death (1997) by Notorious B.I.G., the debut album by Black Rebel Motorcycle Club, B.R.M.C. (2001), and dark pop duo She Wants Revenge's first two albums, She Wants Revenge and This Is Forever.
Ghosts I–IV is the sixth studio album by the American industrial rock band Nine Inch Nails, released by The Null Corporation on March 2, 2008. It was the band's first independent release following their split from longtime label Interscope Records in 2007. The production team included Nine Inch Nails frontman Trent Reznor, studio collaborators Atticus Ross and Alan Moulder, and contributions from Alessandro Cortini, Adrian Belew, and Brian Viglione.
How to Destroy Angels is an American post-industrial band formed in 2009 by Nine Inch Nails members Trent Reznor and Atticus Ross alongside Reznor's wife Mariqueen Maandig and longtime Nine Inch Nails collaborator Rob Sheridan. The group is named after a 1984 Coil EP of the same name. Alessandro Cortini joined the lineup for the duration of the 2013 tour.
The Social Network is the score album for David Fincher's 2010 film of the same name, composed by Trent Reznor and Atticus Ross. It was released on September 28, 2010, through The Null Corporation. On September 17, a five-track sampler was also made available for free. The score bears a similar sound to the previous Reznor/Ross 2008 collaboration, Ghosts I–IV, and even features two slightly reworked tracks from Ghosts; the track "Magnetic" and "A Familiar Taste".
The Washington D.C. Area Film Critics Association Award for Best Score is one of the annual awards given by the Washington D.C. Area Film Critics Association. The award was first given in 2010.
Hesitation Marks is the eighth studio album by the American industrial rock band Nine Inch Nails, released on August 30, 2013, by The Null Corporation and distributed by Columbia Records in the United States and Polydor Records elsewhere. It was the band's first release in five years, following The Slip (2008), as well as their only release on Columbia. Like previous albums, the album was produced by frontman Trent Reznor alongside longtime collaborators Atticus Ross and Alan Moulder. To date, this is the most recent band's album to be co-produced by Moulder.
Gone Girl is the score album for David Fincher's 2014 film of the same name, composed by Trent Reznor and Atticus Ross. The album was released on September 30, 2014, through Columbia Records. It marks as third time that Reznor and Ross have collaborated with Fincher, following 2010's Oscar-winning The Social Network and 2011's The Girl with the Dragon Tattoo. The soundtrack was nominated for the 2015 Grammy Award for Best Compilation Soundtrack for Visual Media, and also for the 2014 Golden Globe Award for Best Original Score.
Patriots Day is the score album for Peter Berg's 2016 film of the same name, composed by Trent Reznor and Atticus Ross. The album was released digitally on January 13, 2017, through Lakeshore Records. It is the fifth film score composed by the duo.
The Vietnam War (Original Score) is an electronic soundtrack album by Trent Reznor and Atticus Ross for Ken Burns and Lynn Novick's television documentary series The Vietnam War which first aired on PBS in September 2017. The album was released on vinyl, CD and digitally on September 15, 2017 by Universal Music Enterprises and Reznor's own label The Null Corporation.
Mid90s (Original Music from the Motion Picture) is a soundtrack EP by Trent Reznor and Atticus Ross for Jonah Hill's film of the same name. It was released digitally on October 19, 2018 through Reznor's label The Null Corporation. It peaked at number 41 on the Billboard Independent Albums chart.
Watchmen (Music from the HBO Series) is the original score for the HBO superhero drama limited series Watchmen, composed by Trent Reznor and Atticus Ross. The score was released in three volumes on vinyl and digital services over the course of the series' broadcast in 2019, with Volume 1 on November 6, Volume 2 on November 27, and Volume 3 on December 18.
Soul: Original Motion Picture Soundtrack is the soundtrack to the 2020 Disney-Pixar film Soul. The soundtrack is a compilation of all 23 score pieces by Trent Reznor and Atticus Ross from the Soul: Original Motion Picture Score vinyl album as well as 16 original songs by Jon Batiste from the Music from and Inspired by Soul vinyl album. All three albums were released through Walt Disney Records on December 18, 2020.
Mank (Original Music Score) is the score album for David Fincher's 2020 film of the same name, composed by Trent Reznor and Atticus Ross. It was released by The Null Corporation label on December 4, 2020, coinciding with the worldwide release on Netflix. The film marks Fincher's fourth collaboration with Reznor and Ross after the Academy Award-winning score for The Social Network (2010), The Girl with the Dragon Tattoo (2011) and Gone Girl (2014). Both Reznor and Ross used period-authentic instrumentation from the 1930s and 40s, instead of their synth-heavy style. The orchestral sections were performed by each members at their homes, due to the COVID-19 pandemic lockdown.
Bones and All (Original Score) is the score album to the 2022 film of the same name, directed by Luca Guadagnino and starring Taylor Russell and Timothée Chalamet. The film's score was composed by Trent Reznor and Atticus Ross and was released on November 18, 2022, on Reznor's label The Null Corporation. It features 23 score tracks, along with the original song, "(You Make Me Feel Like) Home". The score features acoustic music representing the Midwestern United States, and draws inspiration from classical Americana songs, that depicts the relationship between the leading characters, despite the horror setting.
Bird Box (Original Score) is the score album for the 2018 film of the same name, composed by Trent Reznor and Atticus Ross. The score was published by Maisie Music Publishing, which accompanied the music catalogue for Netflix, the film's distributor and released by Reznor's The Null Corporation label on January 7, 2019, two weeks after the film's release through the band's website and later received a wide release on January 25. While the original album consisted only 10 tracks, the album was issued in a special edition vinyl box set on November 22, 2019, which contained 13 additional tracks.
The Killer (Original Score) is the soundtrack to the 2023 film The Killer directed by David Fincher and features original music by Trent Reznor and Atticus Ross. The soundtrack was released through Reznor's The Null Corporation label on November 10, 2023, coincided with its streaming release.