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DTS-HD Master Audio (DTS-HD MA; known as DTS++ before 2004 [1] ) is a multi-channel, lossless audio codec developed by DTS as an extension of the lossy DTS Coherent Acoustics codec (DTS CA; usually itself referred to as just DTS). Rather than being an entirely new coding mechanism, DTS-HD MA encodes an audio master in lossy DTS first, then stores a concurrent stream of supplementary data representing whatever the DTS encoder discarded. This gives DTS-HD MA a lossy "core" able to be played back by devices that cannot decode the more complex lossless audio. DTS-HD MA's primary application is audio storage and playback for Blu-ray Disc media; it competes in this respect with Dolby TrueHD, another lossless surround format.
DTS-HD MA can store up to 8 discrete channels of audio (7.1 surround) at up to a 24 bit sample depth and 192 kHz sampling frequency (96 kHz for 6.1 or 7.1 surround). [2] Although DTS-HD MA, and the related DTS-HD, allow virtually any number of channels in the abstract, [3] these limits are imposed for practical reasons of limited storage and bitrate availability. A DTS-HD MA bitstream may have a bitrate no greater than 24.5 Mbit/s (instantaneous), of which no greater than 1.5 Mbit/s may be lossy DTS (as per the DTS CA specification). [4]
The Blu-ray specification stipulates DTS-HD MA as an optional codec, which means that some Blu-ray hardware may not decode it. This is the reason for the bifurcated nature of a DTS-HD MA audio stream; DTS CA, unlike its MA extension, is mandatory, so a player that is not MA-capable can automatically default to an MA-encoded disc's base DTS stream and simply ignore the supplementary data. [4] Alternatively, even if a player is MA-capable, the base stream may be needed for backward compatibility with an older AV receiver (for example, one manufactured during the DVD era). [5]
DTS-HD MA is the encoding format for DTS:X, an object-based surround-sound format that competes with Dolby Atmos. A DTS-HD MA bitstream carrying DTS:X can contain up to 9 simultaneous sound objects, which are dynamically mapped to a user's speaker system during playback, unlike the rigid number and placement of speakers required by channel-based surround (a DTS marketing executive referred to DTS:X in an interview as "whatever.1"). [6]
DTS-HD MA is encoded in three steps. First, the audio master is fed to a DTS CA encoder, which generates the core (lossy) audio stream. Next, this lossy audio is decoded and compared to the master, with "residual" data being recorded wherever the two differ. Finally, the residual data is compressed losslessly and merged with the core into one bitstream. A DTS-HD MA decoder simply performs this process in reverse. [7]
DTS-HD MA audio, including DTS:X audio, can be created and edited using DTS's DTS:X Encoder Suite. The DTS-HD Master Audio Suite served the same function before the introduction of DTS:X, and can still be used for DTS-HD MA that does not carry DTS:X. [8]
DTS-HD Master Audio may be transported to AV receivers in 5.1, 6.1, or 7.1 channels, in full quality, in one of three ways depending on player and/or receiver support: [7]
S/PDIF does not have the bandwidth to carry DTS-HD MA (or PCM in more than 2 channels). A setup using S/PDIF audio may output DTS-HD MA as either lossy DTS (which S/PDIF can carry) or downmixed stereo PCM.
A codec is a device or computer program that encodes or decodes a data stream or signal. Codec is a portmanteau of coder/decoder.
Windows Media Audio (WMA) is a series of audio codecs and their corresponding audio coding formats developed by Microsoft. It is a proprietary technology that forms part of the Windows Media framework. WMA consists of four distinct codecs. The original WMA codec, known simply as WMA, was conceived as a competitor to the popular MP3 and RealAudio codecs. WMA Pro, a newer and more advanced codec, supports multichannel and high-resolution audio. A lossless codec, WMA Lossless, compresses audio data without loss of audio fidelity. WMA Voice, targeted at voice content, applies compression using a range of low bit rates. Microsoft has also developed a digital container format called Advanced Systems Format to store audio encoded by WMA.
Adaptive Transform Acoustic Coding (ATRAC) is a family of proprietary audio compression algorithms developed by Sony. MiniDisc was the first commercial product to incorporate ATRAC, in 1992. ATRAC allowed a relatively small disc like MiniDisc to have the same running time as CD while storing audio information with minimal perceptible loss in quality. Improvements to the codec in the form of ATRAC3, ATRAC3plus, and ATRAC Advanced Lossless followed in 1999, 2002, and 2006 respectively.
Dolby Digital, originally synonymous with Dolby AC-3, is the name for a family of audio compression technologies developed by Dolby Laboratories. Called Dolby Stereo Digital until 1995, it is lossy compression. The first use of Dolby Digital was to provide digital sound in cinemas from 35 mm film prints. It has since also been used for TV broadcast, radio broadcast via satellite, digital video streaming, DVDs, Blu-ray discs and game consoles.
S/PDIF is a type of digital audio interface used in consumer audio equipment to output audio over relatively short distances. The signal is transmitted over either a coaxial cable using RCA or BNC connectors, or a fiber-optic cable using TOSLINK connectors. S/PDIF interconnects components in home theaters and other digital high-fidelity systems.
DVD-Audio is a digital format for delivering high-fidelity audio content on a DVD. DVD-Audio uses most of the storage on the disc for high-quality audio and is not intended to be a video delivery format.
Meridian Lossless Packing, also known as Packed PCM (PPCM), is a lossless compression technique for PCM audio data developed by Meridian Audio, Ltd. MLP is the standard lossless compression method for DVD-Audio content and typically provides about 1.5:1 compression on most music material. All DVD-Audio players are equipped with MLP decoding, while its use on the discs themselves is at their producers' discretion.
Dolby Laboratories, Inc. is a British-American technology corporation specializing in audio noise reduction, audio encoding/compression, spatial audio, and HDR imaging. Dolby licenses its technologies to consumer electronics manufacturers.
WavPack is a free and open-source lossless audio compression format and application implementing the format. It is unique in the way that it supports hybrid audio compression alongside normal compression which is similar to how FLAC works. It also supports compressing a wide variety of lossless formats, including various variants of PCM and also DSD as used in SACDs, together with its support for surround audio.
DTS, Inc. is an American company. DTS company makes multichannel audio technologies for film and video. Based in Calabasas, California, the company introduced its DTS technology in 1993 as a competitor to Dolby Laboratories, incorporating DTS in the film Jurassic Park (1993). The DTS product is used in surround sound formats for both commercial/theatrical and consumer-grade applications. It was known as The Digital Experience until 1995. DTS licenses its technologies to consumer electronics manufacturers.
Dolby Digital Plus, also known as Enhanced AC-3, is a digital audio compression scheme developed by Dolby Labs for the transport and storage of multi-channel digital audio. It is a successor to Dolby Digital (AC-3), and has a number of improvements over that codec, including support for a wider range of data rates, an increased channel count, and multi-program support, as well as additional tools (algorithms) for representing compressed data and counteracting artifacts. Whereas Dolby Digital (AC-3) supports up to five full-bandwidth audio channels at a maximum bitrate of 640 kbit/s, E-AC-3 supports up to 15 full-bandwidth audio channels at a maximum bitrate of 6.144 Mbit/s.
Dolby TrueHD is a lossless, multi-channel audio codec developed by Dolby Laboratories for home video, used principally in Blu-ray Disc and compatible hardware. Dolby TrueHD, along with Dolby Digital Plus (E-AC-3) and Dolby AC-4, is one of the intended successors to the Dolby Digital (AC-3) lossy surround format. Dolby TrueHD competes with DTS's DTS-HD Master Audio, another lossless surround sound codec.
ATI Avivo is a set of hardware and low level software features present on the ATI Radeon R520 family of GPUs and all later ATI Radeon products. ATI Avivo was designed to offload video decoding, encoding, and post-processing from a computer's CPU to a compatible GPU. ATI Avivo compatible GPUs have lower CPU usage when a player and decoder software that support ATI Avivo is used. ATI Avivo has been long superseded by Unified Video Decoder (UVD) and Video Coding Engine (VCE).
An audio/video receiver (AVR) is a consumer electronics component used in a home theater. Its purpose is to receive audio and video signals from a number of sources, and to process them and provide power amplifiers to drive loudspeakers and route the video to displays such as a television, monitor or video projector. Inputs may come from a satellite receiver, radio, DVD players, Blu-ray Disc players, VCRs or video game consoles, among others. The AVR source selection and settings such as volume, are typically set by a remote controller.
MPEG-4 SLS, or MPEG-4 Scalable to Lossless as per ISO/IEC 14496-3:2005/Amd 3:2006 (Scalable Lossless Coding), is an extension to the MPEG-4 Part 3 (MPEG-4 Audio) standard to allow lossless audio compression scalable to lossy MPEG-4 General Audio coding methods (e.g., variations of AAC). It was developed jointly by the Institute for Infocomm Research (I2R) and Fraunhofer, which commercializes its implementation of a limited subset of the standard under the name of HD-AAC. Standardization of the HD-AAC profile for MPEG-4 Audio is under development (as of September 2009).
C-Media Electronics, Inc. is a Taiwan computer hardware company that manufactures processors for PC audio and USB storage, and wireless audio devices. Many of their PCI audio solutions can be found in the Xonar sound cards developed by ASUS.
This article compares the technical specifications of multiple high-definition formats, including HD DVD and Blu-ray Disc; two mutually incompatible, high-definition optical disc formats that, beginning in 2006, attempted to improve upon and eventually replace the DVD standard. The two formats remained in a format war until February 19, 2008, when Toshiba, HD DVD's creator, announced plans to cease development, manufacturing and marketing of HD DVD players and recorders.
TOSLINK is a standardized optical fiber connector system. Also known generically as optical audio, its most common use is in consumer audio equipment, where it carries a digital audio stream from components such as CD and DVD players, Digital Audio Tape recorders, computers, and modern video game consoles, to an AV receiver that can decode two channels of uncompressed pulse-code modulated (PCM) audio or compressed 5.1/7.1 surround sound such as Dolby Digital or DTS Surround System. Unlike HDMI, TOSLINK does not have the bandwidth to carry the uncompressed versions of Dolby TrueHD, DTS-HD Master Audio, or more than two channels of PCM audio.
An audio coding format is a content representation format for storage or transmission of digital audio. Examples of audio coding formats include MP3, AAC, Vorbis, FLAC, and Opus. A specific software or hardware implementation capable of audio compression and decompression to/from a specific audio coding format is called an audio codec; an example of an audio codec is LAME, which is one of several different codecs which implements encoding and decoding audio in the MP3 audio coding format in software.
DTS-HD can natively support over 2,000 individual channels, so according to DTS adding any number of discrete height channels would be easy.
DTS-HD Master Audio delivers sound that is bit-for-bit identical to the studio master. It can deliver audio at variable bit rates which are significantly higher than standard DVDs. DTS-HD Master Audio can provide up to 7.1 audio channels at a 96k sampling frequency / 24-bit depth or 5.1 audio channels at 192 kHz that are identical to the original master. The DTS-HD Master Audio bit stream also contains the DTS 1.5 Mbps core for backwards compatibility with existing DTS-enabled home theater systems, and delivery of 5.1 channels of sound at twice the resolution found on most standard DVDs.