"Don't Let Me Be Misunderstood" | |
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Single by Nina Simone | |
from the album Broadway-Blues-Ballads | |
B-side | "A Monster" |
Released | 1964 |
Recorded | New York City |
Genre | |
Length | 2:48 |
Label | Philips |
Songwriter(s) |
"Don't Let Me Be Misunderstood" | ||||
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Single by the Animals | ||||
from the album Animal Tracks | ||||
B-side | "Club a Go-Go" | |||
Released |
| |||
Recorded | 16 November 1964 [1] | |||
Genre | Blues rock | |||
Length | 2:28 | |||
Label |
| |||
Songwriter(s) | ||||
Producer(s) | Mickie Most | |||
The Animals singles chronology | ||||
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"Don't Let Me Be Misunderstood" | |
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Single by Santa Esmeralda | |
from the album Don't Let Me Be Misunderstood | |
A-side | "You're My Everything" |
Released | December 1977 |
Recorded | 1977 |
Genre | |
Length | 16:12 (original album version) |
Label | Casablanca |
Songwriter(s) | |
Producer(s) |
|
"Don't Let Me Be Misunderstood" | ||||
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Single by Elvis Costello | ||||
from the album King of America | ||||
Released | January 1986 | |||
Recorded | Ocean Way, Sunset Sound, & Sound Factory Studio, Los Angeles, 1985–86 | |||
Genre | ||||
Label | F-Beat (UK) Columbia (US) | |||
Songwriter(s) | ||||
Producer(s) | T Bone Burnett | |||
Elvis Costello singles chronology | ||||
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"Don't Let Me Be Misunderstood" is a song written by Bennie Benjamin, Horace Ott and Sol Marcus for American singer-songwriter and pianist Nina Simone, who recorded the first version in 1964 for her album Broadway-Blues-Ballads . "Don't Let Me Be Misunderstood" has been covered by many artists. Two of the covers were transatlantic hits, the first in 1965 by the Animals on their album Animal Tracks , which was a blues rock version; and in 1977 by the disco group Santa Esmeralda on their album Don't Let Me Be Misunderstood, which was a four-on-the-floor rearrangement. A 1986 cover by new wave musician Elvis Costello found success in Britain and Ireland.
Composer and arranger Horace Ott came up with the melody and chorus lyrics after a temporary falling out with his girlfriend (and wife-to-be), Gloria Caldwell. [2] Ott then brought it to writing partners Bennie Benjamin and Sol Marcus to complete. Since rules of the time prevented BMI writers (Ott) from officially collaborating with ASCAP members (Benjamin and Marcus), Ott listed Caldwell's name instead of his own in the songwriting credits. [2] [3]
"Don't Let Me Be Misunderstood" was one of five songs written by Benjamin and Marcus and presented for Nina Simone's 1964 album Broadway-Blues-Ballads . There, the song was taken at a very slow tempo and arranged around the harp and other orchestral elements including a backing choir that appears at several points. Simone sings it in her typically difficult-to-categorize style. [4]
To some writers, this version of "Don't Let Me Be Misunderstood" carried the subtext of the Civil Rights Movement that concerned much of Simone's work of the time; [3] while to others this was more personal, and was the song, and phrase, that best exemplified Simone's career and life. [5]
The Animals' lead singer Eric Burdon would later say of the song, "It was never considered pop material, but it somehow got passed on to us and we fell in love with it immediately." [6]
The song was recorded in November 1964. [7] The band became a trans-Atlantic hit in early 1965 for their rendition of the song, rising to No. 3 on the UK Singles Chart, No. 15 on the U.S. pop singles chart, and No. 4 in Canada. [8]
Cash Box described it as "a striking combination of R&B and English-rock touches." [9] This single was ranked by Rolling Stone at No. 322 on their list of the 500 Greatest Songs of All Time. [10]
During Animals concerts at the time, the group maintained the recorded arrangement, but Burdon sometimes slowed the vocal line down to an almost spoken part, recapturing a bit of the Simone flavor. [11]
At the South by Southwest festival in 2012, Bruce Springsteen credited the song as the inspiration and the riff for his 1978 song "Badlands". [12]
A disco version of the song by the group Santa Esmeralda, which took the Animals' arrangement and transformed it with disco, flamenco, and other Latin rhythm and ornamentation elements, also became a hit in the late 1970s. Their version of the song was first released in summer 1977 as a 16-minute epic that took up an entire side of their Don't Let Me Be Misunderstood album, which was picked up for greater worldwide distribution by their label at the time, Casablanca Records. [13] The 12-inch club remix was extremely popular, reached No. 1 on the U.S. Billboard Club Play Singles chart and in some European countries as well. Though, the single peaked at No. 4 on the Hot Dance/Disco-Club Play chart. [14] Their 7-inch single version peaked at #15 on the Billboard Hot 100 in the U.S., which is coincidentally the same number at which The Animals version peaked. [15]
Instrumental sections of this version were used in the pilot for the US game show Bullseye and in the 2003 Quentin Tarantino film Kill Bill: Volume I , in the background during the final duel between The Bride (Uma Thurman) and O-Ren Ishii (Lucy Liu). [16]
Chart (1977–1978) | Peak position |
---|---|
Australia (Kent Music Report) [17] | 7 |
Chart (1978) | Position |
---|---|
Australia (Kent Music Report) [18] | 67 |
Region | Certification | Certified units/sales |
---|---|---|
France (SNEP) [19] | Gold | 500,000* |
* Sales figures based on certification alone. |
British new wave musician Elvis Costello, under the label "The Costello Show", covered "Don't Let Me Be Misunderstood" for his 1986 album, King of America . The song was a late addition to the album; Costello had originally intended to record "I Hope You're Happy Now", but throat problems during the final sessions prevented him from doing so. [20] Costello recalled,
Rather than scrap the session we cut a slow, violent version of the Animals/Nina Simone song: "Don't Let Me Be Misunderstood". The next day we borrowed Michael Blair from Tom Waits' band to add a marimba part, and the record was complete. This may seem ironic as I attacked the song with a vocal capacity that Tom might have rejected as being too hoarse. [20]
Against Costello's wishes, his American record company, Columbia, insisted on releasing the song as the first single from King of America. The single reached No. 33 in the UK and No. 22 on the Irish Singles Chart, but did not chart in the US. He explained, "My US record company, Columbia, showed their customary imagination in releasing the safe 'cover' song as a single ahead of any of the more unusual and heartfelt balladry I had composed. 'Don't Let Me Be Misunderstood' made little impression, and my mounting debt to the company seemed to make them unwilling to risk any further effort on my behalf". [20]
Martin Chilton of The Telegraph ranked the song as Costello's 26th best song out of 40, stating that Costello "sings it really well". [21]
Weekly chartsThe Animals
Ginette Reno
Santa Esmeralda
Elvis Costello (The Costello Show)
Joe Cocker
| Year-end chartsThe Animals
Santa Esmeralda
|
Stereogum reviewed cover versions of the song in 2015, including renditions by Joe Cocker, Yusuf Islam, and Lana Del Rey. [41] A version by Cocker for his 1969 With a Little Help from My Friends album is "a thoroughly '60s rock reading, [...] even if it dispenses with the organ intro the Animals introduced into the equation, it does have a big organ solo section and that crying blues guitar intro". [41] Cat Stevens converted to Islam and changed his name to Yusuf Islam; when he returned to popular music, he recorded an allusion to controversies in his life by way of "Don't Let Me Be Misunderstood", as featured on his 2006 album An Other Cup . [41] Del Rey created a "burnt-out Pop Art take on Americana" version of the song for her 2015 album Honeymoon . [41]
"The Wonder of You" is a song written by Baker Knight. It was originally recorded by Vince Edwards in 1958, but this recording has never been released. In an interview with a DJ from Chattanooga, Tennessee, Ray Peterson told the story of how Baker Knight confided that "The Wonder of You" was originally written as a gospel song.
"Tell Me Why" is a popular song, written by Titus Turner in 1956. It is a slow, strong rhythm and blues ballad, and has a melody reminiscent of "Just a Closer Walk with Thee". The first hit version was by Marie Knight, a black R&B singer, on the Mercury's subsidiary label, Wing. It was a local hit in New Orleans and Texas.
"Love Letters" is a 1945 popular song with lyrics by Edward Heyman and music by Victor Young. The song appeared, without lyrics, in the film of the same name released in October 1945. A vocal version by Dick Haymes, arranged and conducted by Young, was recorded in March 1945 and peaked in popularity in September. "Love Letters" was subsequently nominated for the Academy Award for Best Original Song in 1945, but lost to "It Might as Well Be Spring" from State Fair.
"Save the Last Dance for Me" is a song written by Doc Pomus and Mort Shuman, first recorded in 1960 by American musical group the Drifters with Ben E. King on lead vocals. It has since been covered by several artists, including the DeFranco Family, Dolly Parton, and Michael Bublé.
"If I Can Dream" is a song made famous by Elvis Presley, written by Walter Earl Brown of The Skylarks for the singer and notable for its similarities with Martin Luther King Jr.'s 1963 "I Have a Dream" speech. The song was published by Elvis Presley's music publishing company Gladys Music. It was recorded by Presley in June 1968, just two months after King's assassination, and also a short time after Robert Kennedy's assassination. The recording was first released to the public as the finale of Presley's '68 Comeback Special.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
"Stay" is a doo-wop song written by Maurice Williams and first recorded in 1960 by Williams with his group the Zodiacs. Commercially successful versions were later also issued by the Hollies, the Four Seasons and Jackson Browne.
Santa Esmeralda is a French-American disco group formed in the 1970s. The group had hits with its remakes of the 1960s hits "Don't Let Me Be Misunderstood" and "House of the Rising Sun". Santa Esmeralda featured original lead singer Leroy Gómez in 1977-1978 and singer Jimmy Goings from late 1978 until 1983. Gómez rejoined the group in the 1990s.
"You Don't Have to Say You Love Me" is the English-language version of the 1965 Italian song ”Io che non vivo," written by Pino Donaggio and Vito Pallavicini. The English lyrics were written for Dusty Springfield by Vicki Wickham and Simon Napier-Bell.
"Song Sung Blue" is a 1972 hit song written and recorded by Neil Diamond, inspired by the second movement of Mozart's Piano Concerto #21. It was released on Diamond's album Moods, and later appeared on many of Diamond's live and compilation albums. The song was a #1 hit on the Billboard Hot 100 chart in the United States for one week, the week of July 1, and it spent twelve weeks in the Top 40. It also reached #14 on the UK Singles Chart.
Raymond Donnez, or Don Ray, was a French disco producer, arranger and performer.
"Part-Time Love" is a song written by English musician Elton John with lyrics by Gary Osborne. It is the sixth track off his 1978 album, A Single Man. It is also the opening track of side two. It proved to be one of the most popular singles the pair wrote, along with 1982's "Blue Eyes" and the 1980 US million seller "Little Jeannie". It was banned in the Soviet release of the album along with another song, "Big Dipper". The single reached No. 15 in the UK and peaked just outside the Top 20 in the US at No. 22.
"If You Love Me (Let Me Know)" is a song written by John Rostill that was a 1974 hit single for Olivia Newton-John. It was her second release to hit the top 10 in the United States, reaching number 5 on the pop chart and number 2 on the Easy Listening chart. It also reached number 2 on the Billboard country chart. As with her single "Let Me Be There", Mike Sammes sings a bass harmony. It was nominated for the 1974 Country Music Association Award for Single of the Year.
"Don't Let Go" is a song written by Jesse Stone. The song was first a hit for Roy Hamilton in 1958. The Roy Hamilton version reached number 2 on the R&B charts and number 13 on the pop charts.
"I Just Can't Help Believing" is a song written by Barry Mann and Cynthia Weil.
"Girls Talk" is a new wave song written by Elvis Costello and first recorded by Dave Edmunds in 1978. Costello gave an early version of the song to Edmunds, who reworked the song and released it on his album Repeat When Necessary. Edmunds' version peaked at number four on the UK Singles Chart and number 12 in Ireland, becoming one of Edmunds' most successful career singles.
The singles discography of Elvis Presley began in 1954 with the release of his first commercial single, "That's All Right". Following his regional success with Sun Records, Presley was signed to RCA Victor on November 20, 1955. Presley's first single with RCA, "Heartbreak Hotel", was a worldwide hit, reaching the No. 1 position in four countries and the top 10 in many other countries. Other hit singles from the 1950s include "I Want You, I Need You, I Love You", "Don't Be Cruel", "Hound Dog", "Love Me Tender", "Too Much", "All Shook Up", "(Let Me Be Your) Teddy Bear", "Jailhouse Rock", "Don't", "Wear My Ring Around Your Neck", "Hard Headed Woman", "One Night", "(Now & Then There's) A Fool Such as I", and "A Big Hunk o' Love". On March 24, 1958, Presley entered the United States Army at Memphis, Tennessee, and was stationed in Germany. He left active duty on March 5, 1960.
"Let Me In" is a song written by Alan Osmond, Merrill Osmond, and Wayne Osmond and performed by The Osmonds. It was featured on their 1973 album, The Plan. The song was produced by Alan Osmond.
Sol Marcus was an American songwriter and pianist.
This is the discography of American-French-Spanish disco group Santa Esmeralda.
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